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    Paterson (Revised Edition)

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      D

      J

      B

      So long.

      Later

      Beautiful thing

      I saw you:

      Yes, said

      the Lady of the House to my questioning.

      Downstairs

      (by the laundry tubs)

      and she pointed,

      smiling, to the basement, still smiling, and

      went out and left me with you (alone in the house)

      lying there, ill

      (I don’t at all think that you

      were ill)

      by the wall on your damp bed, your long

      body stretched out negligently on the dirty sheet .

      Where is the pain?

      (You put on a simper designed

      not to reveal)

      —the small window with two panes,

      my eye level of the ground, the furnace odor .

      Persephone

      gone to hell, that hell could not keep with

      the advancing season of pity.

      —for I was overcome

      by amazement and could do nothing but admire

      and lean to care for you in your quietness —

      who looked at me, smiling, and we remained

      thus looking, each at the other . in silence .

      You lethargic, waiting upon me, waiting for

      the fire and I

      attendant upon you, shaken by your beauty

      Shaken by your beauty .

      Shaken.

      —flat on your back, in a low bed (waiting)

      under the mud plashed windows among the scabrous

      dirt of the holy sheets .

      You showed me your legs, scarred (as a child)

      by the whip .

      Read. Bring the mind back (attendant upon

      the page) to the day’s heat. The page also is

      the same beauty: a dry beauty of the page —

      beaten by whips

      A tapestry hound

      with his thread teeth drawing crimson from

      the throat of the unicorn

      . . . a yelping of white hounds

      —under a ceiling like that of San Lorenzo, the long

      painted beams, straight across, that preceded

      the domes and arches

      more primitive, square edged

      . a docile queen, not bothered

      to stick her tongue out at the moon, indifferent,

      through loss, but .

      queenly,

      in bad luck, the luck of the stars, the black stars

      . the night of a mine

      Dear heart

      It’s all for you, my dove, my

      changeling

      But you!

      —in your white lace dress

      “the dying swan”

      and high-heeled slippers—tall

      as you already were—

      till your head

      through fruitful exaggeration

      was reaching the sky and the

      prickles of its ecstasy

      Beautiful Thing!

      And the guys from Paterson

      beat up

      the guys from Newark and told

      them to stay the hell out

      of their territory and then

      socked you one

      across the nose

      Beautiful Thing

      for good luck and emphasis

      cracking it

      till I must believe that all

      desired women have had each

      in the end

      a busted nose

      and live afterward marked up

      Beautiful Thing

      for memory’s sake

      to be credible in their deeds

      Then back to the party!

      and they maled

      and femaled you jealously

      Beautiful Thing

      as if to discover whence and

      by what miracle

      there should escape, what?

      still to be possessed, out of

      what part

      Beautiful Thing

      should it look?

      or be extinguished—

      Three days in the same dress

      up and down .

      I can’t be half gentle enough,

      half tender enough

      toward you, toward you,

      inarticulate, not half loving enough

      BRIGHTen

      the cor

      ner

      where you are!

      —a flame,

      black plush, a dark flame.

      III.

      It is dangerous to leave written that which is badly written. A chance word, upon paper, may destroy the world. Watch carefully and erase, while the power is still yours, I say to myself, for all that is put down, once it escapes, may rot its way into a thousand minds, the corn become a black smut, and all libraries, of necessity, be burned to the ground as a consequence.

      Only one answer: write carelessly so that nothing that is not green will survive.

      There is a drumming of submerged

      engines, a beat of propellers.

      The ears are water. The feet

      listen. Boney fish bearing lights

      stalk the eyes—which float about,

      indifferent. A taste of iodine

      stagnates upon the law of percent-

      ages: thick boards bored through

      by worms whose calcined husks

      cut our fingers, which bleed

      We walk into a dream, from certainty to the unascertained, in time to see . from the roseate past . a ribbed tail deploying

      Tra la la la la la la la la

      La tra tra tra tra tra tra

      Upon which there intervenes

      a sour stench of embers. So be it. Rain

      falls and surfeits the river’s upper reaches,

      gathering slowly. So be it. Draws together,

      runnel by runnel. So be it. A broken oar

      is found by the searching waters. Loosened

      it begins to move. So be it. Old timbers

      sigh—and yield. The well that gave sweet water

      is sullied. So be it. And lilies that floated

      quiet in the shallows, anchored, tug as

      fish at a line. So be it. And are by their

      stems pulled under, drowned in the muddy flux.

      The white crane flies into the wood.

      So be it. Men stand at the bridge, silent,

      watching. So be it. So be it.

      And there rises

      a counterpart, of reading, slowly, overwhelming

      the mind; anchors him in his chair. So be

      it. He turns . O Paradiso! The stream

      grows leaden within him, his lilies drag. So

      be it. Texts mount and complicate them-

      selves, lead to further texts and those

      to synopses, digests and emendations. So be it.

      Until the words break loose or—sadly

      hold, unshaken. Unshaken! So be it. For

      the made-arch holds, the water piles up debris

      against it but it is unshaken. They gather

      upon the bridge and look down, unshaken.

      So be it. So be it. So be it.

      The sullen, leaden flood, the silken flood

      —to the teeth

      to the very eyes

      (light grey)

      Henry’s the name. Just Henry,

      ever’body

      knows me around here: hat

      pulled down hard on his skull, thick chested,

      fiftyish .

      I’ll hold the baby.

      That was your little dog bit me last year.

      Yeah, and you had him killed on me.

      (the eyes)

      I didn’t know he’d been killed.

      You reported him and

      they come and took him. He never hurt

      anybody.

      He bit me three times.

      They come and

      took him and killed him.

      I’m sorry but I had

    &
    nbsp; to report him . .

      A dog, head dropped back, under water, legs

      sticking up :

      a skin

      tense with the wine of death

      downstream

      on the swift current :

      Above the silence

      a faint hissing, a seething hardly at first

      to be noticed

      —headlong!

      Speed!

      —marked

      as by the lines on slate, mottled by petty

      whirlpools

      (to the teeth, to the very eyes)

      a formal progression

      The remains—a man of gigantic stature—were transported on the shoulders of the most renowned warriors of the surrounding country . for many hours they travelled without rest. But half way on the journey the carriers had to quit overcome by fatigue—they had walked many hours and Pogatticut was heavy. So by the side of the trail, at a place called “Whooping Boys Hollow,” they scooped out a shallow hole and laid the dead chieftain down in it while they rested. By so doing, the spot became sacred, held in veneration by the Indians.

      Arrived at the burial place the funeral procession was met by Pogatticut’s brothers and their followers. There was great lamentation and the Kinte Kaye was performed in sadness.

      Wyandach, the most illustrious brother, performed the burial sacrifice. Having his favorite dog, a much loved animal, brought forth, he killed him, and laid him, after painting his muzzle red, beside his brother. For three days and three nights the tribes mourned .

      Pursued by the whirlpool-mouths, the dog

      descends toward Acheron . Le Néant

      . the sewer

      a dead dog

      turning

      upon the water:

      Come yeah, Chi Chi!

      turning

      as he passes .

      It is a sort of chant, a sort of praise, a

      peace that comes of destruction:

      to the teeth,

      to the very eyes

      (cut lead)

      I bin nipped

      hundreds of times. He never done anybody any

      harm .

      helpless .

      You had him killed on me.

      About Merselis Van Giesen a curious story illustrative of the superstition of the day is to this effect: His wife was ill for a long time, confined to her bed. As she lay there, a black cat would come, night after night, and stare at her through the window, with wicked, blazing eyes. An uncanny fact about this visitation was that no one else could see the cat. That Jane was bewitched was the belief of the whole neighborhood. Moreover, the witch who exercised this spell, and who made these weird visits to the sufferer, in the guise of a cat invisible to everybody but the bewitched, was believed to be Mrs. B. who lived in the gorge in the hill beyond.

      Happy souls! whose devils lived so near.

      Talking the matter over with his neighbors, Merselis (he was called “Sale”) was told that if he could shoot the spectral cat with a silver bullet he would kill the creature, and put a stop to the spells exercised over his wife. He did not have a silver bullet, but he had a pair of silver sleeve buttons.

      Who of us thinks so fast to switch the category

      of our loves and hatreds?

      Loading his gun with one of these buttons, he seated himself on the bed beside his wife, and declared his intention of shooting the witch cat. But how could he shoot a creature he could not see?

      Are we any better off?

      “When the cat comes,” said he to his wife, “do you point out just where it is, and I will shoot at that spot.” So they waited, she in a tremor of hope and dread—hope that the spells afflicting her would soon be ended; dread that some new torment might come to her from this daring attempt of her husband; he, in grim determination to forever end the unholy power exercised over his wife by Mrs. B., in the guise of the invisible feline. Long and silently they waited.

      —what a picture of marital fidelity! dreaming as one.

      At last, when their feelings had been wrought up, by the suspense to the highest pitch, Jane exclaimed “There is the black cat!” “Where?” “At the window, it’s walking on the sill, it is in the lower left-hand corner!” Quick as a flash “Sale” raised his gun and fired the silver bullet at the black cat which he could not see. With a snarl that was a scream the mysterious creature vanished forever from the gaze of Mrs. Van Giesen, who from that hour began to recover her health.

      The next day “Sale” started out on a hunt through what is now known as Cedar Cliff Park. On the way he met the husband of the suspected witch. There was the usual exchange of courteous neighborly inquiries regarding the health of their respective families. Mr. B. said his wife was troubled with a sore on her leg for some time. “I would like to see that sore leg,” said “Sale.” After some demur he was taken to the house, and on one plea or another was finally permitted to examine the sore. But what particularly attracted his notice was a fresh wound, just where his silver sleeve button had struck the unfortunate creature when she had last visited his wife in the form of the spectral black witch cat! Needless to say Mrs. B. never more made those weird visitations. Perhaps it was from a sense of thanksgiving for her miraculous deliverance that Mrs. Van Giesen joined the First Presbyterian Church on Confession, Sept. 26, 1823. Merselis Van Giesen was assessed in 1807 for 62 acres of unimproved land, two horses and five cattle.

      — 62 acres of unimproved land, two horses

      and five cattle —

      (that cures the fantasy)

      The Book of Lead,

      he cannot lift the pages

      (Why do I bother with this

      rubbish?)

      Heavy plaits

      tumbling massive, yellow into the cleft,

      bellowing

      —giving way to the spread

      of the flood as it lifts to recognition in a

      rachitic brain

      (the water two feet now on the turnpike

      and still rising)

      There is no ease.

      We close our eyes,

      get what we use

      and pay. He owes

      who cannot, double.

      Use. Ask no whys?

      None wants our ayes.

      But somehow a man must lift himself

      again—

      again is the magic word .

      turning the in out :

      Speed against the inundation

      He feels he ought to do more. He had

      a young girl there. Her mother told her,

      Go jump off the falls, who cares? —

      She was only fifteen. He feels so frustrated.

      I tell him, What do you expect, you

      have only two hands . ?

      It was a place to see, she said, The White Shutters. He said I’d be perfectly safe there with him. But I never went. I wanted to, I wasn’t afraid but it just never happened. He had a small orchestra that played there, The Clipper Crew he called it—like in all the speakeasies of those days. But one night they came leaping downstairs from the banquet hall tearing their clothes off, the women throwing their skirts over their heads, and joined in the dancing, naked, with the others on the main floor. He took one look and then went out the back window just ahead of the police, in his dress shoes into the mud along the river bank.

      Let me see, Puerto Plata is

      the port of Santo Domingo.

      There was a time when

      they didn’t want any whites

      to own anything—to

      hold anything—to say, This

      is mine .

      I see things, . .

      —the water at this stage no lullaby but a piston,

      cohabitous, scouring the stones .

      the rock

      floating on the water (as at Mt Katmai

      the pumice-covered sea was white as milk)

      One can imagine

      the fish hiding or

      at full speed

      stationary

      in the leaping stream

      —i
    t’s undermining the railroad embankment

      Hi, open up a dozen, make

      it two dozen! Easy girl!

      You wanna blow a fuse?

      All manner of particularizations

      to stay the pocky moon :

      January sunshine .

      1949

      Wednesday, II

      (10,000,000 times plus April)

      —a red-butted reversible minute-glass

      loaded with

      salt-likewhite crystals

      flowing

      for timing eggs

      Salut à Antonin Artaud pour les

      lignes, très pures :

      “et d’évocations plastiques

      d’éléments de”

      and

      “Funeral designs”

      (a beautiful, optimistic

      word . . ) and

      “Plants”

      (it should be explained that

      in this case “plants” does NOT refer to interment.)

      “Wedding bouquets”

      —the association

      is indefensible.

      S. Liz 13 Oct

      (re. C.O.E. Panda Panda )

      Fer got sake don’t so exaggerate

      I never told you to read it.

      let erlone REread it. I didn’t

      say it wuz ! ! henjoyable readin.

      I sd the guy had done some honest

      work devilupping his theatre technique

      * * *

      That don’t necess/y mean making

      reading matter @ all.

      Enny how there must be

      one hundred books (not

      that one) that you need to

      read fer yr/mind’s sake.

      * * *

      re read all the Gk tragedies in

      Loeb. — plus Frobenius, plus Gesell.

      plus Brooks Adams

      ef you ain’t read him all. —

      Then Golding’s Ovid is in

      Everyman’s lib.

      * * *

      & nif you want a readin

      list ask papa—but don’t

      go rushin to read a book

      just cause it is mentioned

      eng passang—is fraugs.

      S U B S T R A T U M

      ARTESIAN WELL AT THE PASSAIC ROLLING MILL, PATERSON.

      The following is the tabular account of the specimens found in this well, with the depths at which they were taken, in feet. The boring began in September, 1879, and was continued until November, 1880.

      DEPTH DESCRIPTION OF MATERIALS

      65 feet. . . Red sandstone, fine

      110 feet. . . Red sandstone, coarse

     


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