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    Paterson (Revised Edition)

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    is not a vague province. There is a poetry

      of the movements of cost, known or unknown .

      The cost. The cost

      and dazzled half sleepy eyes

      Beautiful thing

      of some trusting animal

      makes a temple

      of its place of savage slaughter

      . . . . . .

      Try another book. Break through

      the dry air of the place

      An insane god

      —nights in a brothel .

      And if I had .

      What then?

      —made brothels my home?

      (Toulouse Lautrec

      again. . )

      Say I am the locus

      where two women meet

      One from the backwoods

      a touch of the savage

      and of T.B.

      (a scar on the thigh)

      The other — wanting,

      from an old culture .

      —and offer the same dish

      different ways

      Let the colors run .

      Toulouse Lautrec witnessed

      it: limbs relaxed

      —all religions

      have excluded it—

      at ease, the tendons

      untensed .

      And so he recorded them

      —a stone

      thrust flint-blue

      up through the sandstone

      of which, broken,

      but unbreakable

      we build our roads .

      —we stammer and elect .

      Quit it. Quit this place. Go where all

      mouths are rinsed: to the river for

      an answer

      for relief from “meaning”

      A tornado approaches (We don’t have

      tornados in these latitudes. What, at

      Cherry Hill?)

      It pours

      over the roofs of Paterson, ripping,

      twisting, tortuous :

      a wooden shingle driven half its length

      into an oak

      (the wind must have steeled

      it, held it hard on both sides)

      The church

      moved 8 inches through an arc, on its

      foundations —

      Hum, hum!

      —the wind

      where it poured its heavy plaits (the face

      unshowing) from the rock’s edge —

      where in the updraft,

      summer days, the red-shouldered hawks ride

      and play

      (in the up-draft)

      and the poor cotton-

      spinner, over the roofs, preparing to dive

      . looks down

      Searching among books; the mind elsewhere

      looking down .

      Seeking.

      II.

      Fire burns; that is the first law.

      When a wind fans it the flames

      are carried abroad. Talk

      fans the flames. They have

      manoeuvred it so that to write

      is a fire and not only of the blood.

      The writing is nothing, the being

      in a position to write (that’s

      where they get you) is nine tenths

      of the difficulty: seduction

      or strong arm stuff. The writing

      should be a relief,

      relief from the conditions

      which as we advance become — a fire,

      a destroying fire. For the writing

      is also an attack and means must be

      found to scotch it — at the root

      if possible. So that

      to write, nine tenths of the problem

      is to live. They see

      to it, not by intellection but

      by sub-intellection (to want to be

      blind as a pretext for

      saying, We’re so proud of you!

      A wonderful gift! How do

      you find the time for it in

      your busy life? It must be a great

      thing to have such a pastime.

      But you were always a strange

      boy. How’s your mother?)

      —the cyclonic fury, the fire,

      the leaden flood and finally

      the cost—

      Your father was such a nice man.

      I remember him well .

      Or, Geeze, Doc, I guess it’s all right

      but what the hell does it mean?

      With due ceremony a hut would be constructed consisting of twelve poles, each of a different species of wood. These they run into the ground, tie them together at the top, cover them entirely with bark, skins or blankets joined close together.

      . Now here is where one sits who will address the Spirit of Fire, He-Who-Lies-With-His-Eyes-Bulging-In-The-Smoke-Hole . Twelve manittos attend him as subordinate deities, half representing animals and the others vegetables. A large oven is built in the house of sacrifice . heated with twelve large red-hot stones.

      Meanwhile an old man throws twelve pipefuls of tobacco upon the hot stones, and directly another follows and pours water on them, which occasions a smoke or vapor almost powerful enough to suffocate the persons in the tent —

      Ex qua re, quia sicubi fumus adscendit in altum; ita sacrificulus, duplicata altiori voce, Kännakä, kännakä! vel aliquando Hoo Hoo! faciem versus orientem convertit.

      Whereupon as the smoke ascends on high, the sacrificer crying with a loud voice, Kännakä, Kännakä! or sometimes Hoo, Hoo! turns his face towards the east.

      While some are silent during the sacrifice, certain make a ridiculous speech, while others imitate the cock, the squirrel and other animals, and make all kinds of noises. During the shouting two roast deer are distributed.

      (breathing the books in)

      the acrid fumes,

      for what they could decipher .

      warping the sense to detect the norm, to break

      through the skull of custom

      to a place hidden from

      affection, women and offspring — an affection

      for the burning .

      It started in the car barns of the street railway company, in the paint shop. The men had been working all day refinishing old cars with the doors and windows kept closed because of the weather which was very cold. There was paint and especially varnish being used freely on all sides. Heaps of paint soaked rags had been thrown into the corners. One of the cars took fire in the night.

      Breathless and in haste

      the various night (of books) awakes! awakes

      and begins (a second time) its song, pending the

      obloquy of dawn .

      It will not last forever

      against the long sea, the long, long

      sea, swept by winds, the “wine-dark sea” .

      A cyclotron, a sifting .

      And there,

      in the tobacco hush: in a tepee they lie

      huddled (a huddle of books)

      antagonistic,

      and dream of

      gentleness—under the malignity of the hush

      they cannot penetrate and cannot waken, to be again

      active but remain—books

      that is, men in hell,

      their reign over the living ended

      Clearly, they say. Oh clearly! Clearly?

      What more clear than that of all things

      nothing is so unclear, between man and

      his writing, as to which is the man and

      which the thing and of them both which

      is the more to be valued

      When discovered it was a small blaze, though it was hot but it looked as tho’ the firemen could handle it. But at dawn a wind came up and the flames (which they thought were subsiding) got suddenly out of control—sweeping the block and heading toward the business district. Before noon the whole city was doomed —

      Beautiful thing

      —the whole city doomed! And

      the flames towering .

      like a mouse, like

      a red slipper, like

      a star, a geranium


      a cat’s tongue or —

      thought, thought

      that is a leaf, a

      pebble, an old man

      out of a story by

      Pushkin .

      Ah!

      rotten beams tum-

      bling,

      . an old bottle

      mauled

      The night was made day by the flames, flames

      on which he fed—grubbing the page

      (the burning page)

      like a worm—for enlightenment

      Of which we drink and are drunk and in the end

      are destroyed (as we feed). But the flames

      are flames with a requirement, a belly of their

      own that destroys—as there are fires that

      smolder

      smolder a lifetime and never burst

      into flame

      Papers

      (consumed) scattered to the winds. Black.

      The ink burned white, metal white. So be it.

      Come overall beauty. Come soon. So be it.

      A dust between the fingers. So be it.

      Come tatterdemalion futility. Win through.

      So be it. So be it.

      An iron dog, eyes

      aflame in a flame-filled corridor. A drunkenness

      of flames. So be it. A bottle, mauled

      by the flames, belly-bent with laughter:

      yellow, green. So be it—of drunkenness

      survived, in guffaws of flame. All fire afire!

      So be it. Swallowing the fire. So be

      it. Torqued to laughter by the fire,

      the very fire. So be it. Chortling at flames

      sucked in, a multiformity of laughter, a

      flaming gravity surpassing the sobriety of

      flames, a chastity of annihilation. Recreant,

      calling it good. Calling the fire good.

      So be it. The beauty of fire-blasted sand

      that was glass, that was a bottle: unbottled.

      Unabashed. So be it.

      An old bottle, mauled by the fire

      gets a new glaze, the glass warped

      to a new distinction, reclaiming the

      undefined. A hot stone, reached

      by the tide, crackled over by fine

      lines, the glaze unspoiled .

      Annihilation ameliorated: Hottest

      lips lifted till no shape but a vast

      molt of the news flows. Drink

      of the news, fluid to the breath.

      Shouts its laughter, crying out—by

      an investment of grace in the sand

      —or stone: oasis water. The glass

      splotched with concentric rainbows

      of cold fire that the fire has bequeathed

      there as it cools, its flame

      defied—the flame that wrapped the glass

      deflowered, reflowered there by

      the flame: a second flame, surpassing

      heat .

      Hell’s fire. Fire. Sit your horny ass

      down. What’s your game? Beat you

      at your own game, Fire. Outlast you:

      Poet Beats Fire at Its Own Game! The bottle!

      the bottle! the bottle! the bottle! I

      give you the bottle! What’s burning

      now, Fire?

      The Library?

      Whirling flames, leaping

      from house to house, building to building

      carried by the wind

      the Library is in their path

      Beautiful thing! aflame .

      a defiance of authority

      —burnt Sappho’s poems, burned

      by intention (or are they still hid

      in the Vatican crypts?) :

      beauty is

      a defiance of authority :

      for they were

      unwrapped, fragment by fragment, from

      outer mummy cases of papier mâché, inside

      Egyptian sarcophagi .

      flying papers

      from old conflagrations, picked up

      haphazard by the undertakers to make

      moulds, layer after layer

      for the dead

      Beautiful thing

      The anthology suppressed, revived even by

      the dead, you who understand nothing

      of this:

      Dürer’s Melancholy, the gears

      lying disrelated to the mathematics of the

      machine

      Useless.

      Beautiful thing, your

      vulgarity of beauty surpasses all their

      perfections!

      Vulgarity surpasses all perfections

      —it leaps from a varnish pot and we see

      it pass — in flames!

      Beautiful thing

      —intertwined with the fire. An identity

      surmounting the world, its core — from which

      we shrink squirting little hoses of

      objection — and

      I along with the rest, squirting

      at the fire

      Poet.

      Are you there?

      How shall I find examples? Some boy

      who drove a bull-dozer through

      the barrage at Iwo Jima and turned it

      and drove back making a path for the others —

      Voiceless, his

      action gracing a flame

      —but lost, lost

      because there is no way to link

      the syllables anew to imprison him

      No twist of the flame

      in his own image : he goes nameless

      until a Niké shall live in his honor—

      And for that, invention is lacking,

      the words are lacking:

      the waterfall of the

      flames, a cataract reversed, shooting

      upward (what difference does it make?)

      The language,

      Beautiful thing—that I

      make a fool of myself, mourning the lack

      of dedication

      mourning its losses,

      for you

      Scarred, fire swept

      (by a nameless fire, that is unknown even

      to yourself) nameless,

      drunk.

      Rising, with a whirling motion, the person

      passed into the flame, becomes the flame—

      the flame taking over the person

      —with a roar, an outcry

      which none can afford (we die in silence, we

      enjoy shamefacedly—in silence, hiding

      our joy even from each other

      keeping

      a secret joy in the flame which we dare

      not acknowledge)

      a shriek of fire with

      the upwind, whirling the room away—to reveal

      the awesome sight of a tin roof (1880)

      entire, half a block long, lifted like a

      skirt, held by the fire—to rise at last,

      almost with a sigh, rise and float, float

      upon the flames as upon a sweet breeze,

      and majestically drift off, riding the air,

      sliding

      upon the air, easily and away over

      the frizzled elms that seem to bend under

      it, clearing the railroad tracks to fall

      upon the roofs beyond, red hot

      darkening the rooms

      (but not our minds)

      While we stand with our mouths open,

      shaking our heads and saying, My God, did

      you ever see anything like that? As though

      it were wholly out of our dreams, as

      indeed it is, unparalleled in our most sanguine

      dreams .

      The person submerged

      in wonder, the fire become the person .

      But the pathetic library (that contained,

      perhaps, not one volume of distinction)

      must go down also —

      BECAUSE IT IS SILENT. IT

      IS SILENT BY DEFECT OF VIRTUE IN THAT IT

      CONTAINS NOTHING OF YOU

      That which s
    hould be

      rare, is trash; because it contains

      nothing of you. They spit on you,

      literally, but without you, nothing. The

      library is muffled and dead

      But you are the dream

      of dead men

      Beautiful Thing!

      Let them explain you and you will be

      the heart of the explanation. Nameless,

      you will appear

      Beautiful Thing

      the flame’s lover —

      The pitiful dead

      cry back to us from the fire, cold in

      the fire, crying out—wanting to be chaffed

      and cherished

      those who have written books

      We read: not the flames

      but the ruin left

      by the conflagration

      Not the enormous burning

      but the dead (the books

      remaining). Let us read .

      and digest: the surface

      glistens, only the surface.

      Dig in—and you have

      a nothing, surrounded by

      a surface, an inverted

      bell resounding, a

      white-hot man become

      a book, the emptiness of

      a cavern resounding

      Hi Kid

      I know you just about to shot me. But honest Hon. I have really been to busy to write. Here there, and everywhere.

      Bab I haven’t wrote since October so I will go back to Oct. 31, (Oh by the way are friend Madam B. Harris had a party the 31, but only high browns and yellow so I wasn’t invited)

      But I pay that no mind, cause I really (pitched myself a ball) Went to the show early in the day, and then to the dance at the club, had me a (some kinded fine time) I was a feeling good believe me you. child.

      But, child, Nov 1, I did crack you know yourself I been going full force on the (jug) will we went out (going to Newark) was raining, car slaped on brakes, car turned around a few times, rocked a bit and stopped facing the other way, from which we was going. Pal, believe me for the next few days. Honey, I couldn’t even pick up a half filled bucket of hot water for fear of scalding myself.

      Now I don’t know which did it the jug or the car skidding but all I know is I was nowhere on nerves. But as they say alls well that ends well So Nov 15, I mean Kid I was so teaed that I didn’t know a from z I really mean I was teaed Since Nov 15 I Have been at it again ever since.

      But now for the (Boys) How Raymond James People going with Sis but is in jail for giving Joseble Miller a baby.

      Robert Blocker has taken his ring from Sally Mitchell

      Little Sonny Jones is supposed to be the father of a girl’s baby on Liberty St.

      Sally Mund Barbara H Jean C and Mary M are all supposed to be going to have kids Nelson W. a boy on 3rd St is father to 3 kids on their way.

      . . . . . . . . .

      P. S. Kid do you think in your next letter of your you could tell me how to get over there.

      Tell Raymond I said I bubetut hatche isus cashutute Just a new way of talking kid. It is called (Tut) maybe you heard of it. Well here hoping you can read it

     


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