Mission Flats, Page 2

  Julio Vega certainly doesn’t like the look of it. Vega glances at his partner, an Area A-3 Narcotics detective named Artie Trudell, and shakes his head. Vega’s message: They don’t make doors like this anymore.

  Trudell, an enormous man with an orange-red beard, smiles back at Vega and flexes his biceps.

  Vega and Trudell are excited, nervous. This is a first, a raid that is all theirs. The target is a major player: The Mission Posse moves more rock in this neighborhood than anyone else by far. The no-knock warrant is all theirs too, based on their own investigation – two weeks of surveillance, and a stream of information from a CI endorsed by Martin Gittens himself. The warrant is bulletproof.

  Detective Julio Vega could be bulletproof, too, with a few more scores like this one. Vega has a plan. He’ll take the sergeant’s exam in the fall, work drug cases a couple more years, then try for an assignment in Special Investigations or even Homicide. Of course, Vega keeps his careerism to himself because his partner, the big redhead Artie Trudell, doesn’t get it.

  Trudell does not dream of going to Homicide or anyplace else. He is happy just to work narcotics cases. Some guys are like that. They prefer cases that are victimless, with suspects as professional as their police adversaries. It’s neater that way. Vega has tried to instill a little ambition in Trudell. Told him he won’t climb the ladder without working victim crimes. He even hinted once that Trudell should take the sergeant’s exam, but Artie just laughed it off. ‘What?’ Artie said. ‘And give up all this?’ At the time, they were sitting in a battered Crown Vic looking at the moonscape of Mission Avenue in the Flats – block after block of ashy, broken tenements. How do you deal with a guy like that?

  The hell with him, Vega figures. Let Artie chase crackheads around the Flats forever. Let him rot here. But not Julio Vega. Vega is a player. He’s moving up. Up and out. If, if . . . See, Detective Vega can dream about Homicide or SIU all day, but first he needs to make a little noise. He needs a few skins to show the Commissioner’s office. He needs this score.

  Vega and Trudell stand beside the apartment door like sentinels.

  The other men avoid the area directly in front of the door as best they can, but the landing is small, and they wind up arrayed along the stairs leading up to the next floor. There are four uniforms among them. The rest – the Narcotics guys – wear jeans, sneakers, and Kevlar vests. Casual. None of the commando-style gear other units use. This is the Flats; these guys have gone through doors before.

  For several seconds the men listen for noise in the apartment and, hearing none, they turn to Vega for the signal.

  Vega kneels against the wall, then nods toward Trudell.

  The burly detective steps in front of the door. The temperature in the hallway is pushing ninety degrees. Trudell is sweating in his vest. His T-shirt is stained. His beard is damp; curly orange tendrils glisten under his chin. The big policeman smiles, maybe out of nervousness. He hoists a five-foot steel pipe into the crook of his right elbow. Later, the newspapers will describe the pipe as a battering ram, but in truth it is just a segment of water pipe filled with concrete and fitted with two L-shaped handles.

  Vega holds up five fingers, then four, three, two – on one he points at Trudell.

  Trudell smashes the door with the pipe. The stairwell echoes with a sound like a bass drum.

  The door does not budge.

  Trudell steps back, drives the pipe into the door again.

  The door shakes but it holds.

  The other cops watch, increasingly uneasy. ‘Come on, big man,’ Vega encourages.

  A third strike. The bass-drum sound.

  A fourth – this time with a different sound, a boom-crack.

  One of the upper door panels bursts out from the inside—

  blasted out – a shot fired from inside the apartment—

  a spray of blood sneezes out of Trudell’s forehead—

  red mist—

  a scrap of scalp—

  and Trudell is on his back, the crown of his head butterflied open.

  The pipe falls to the floor with a thump.

  Cops jump back, throw themselves flat against the stairs, against one another. ‘Artie!’ one yells. Another: ‘GunGunGunGunGun!’

  Vega stares at Trudell’s body. Blood is everywhere. Red droplets spattered on the wall, a pool of it spreading thick under Trudell’s head. The pipe lies right in front of the door. Vega wants to pick it up but his legs won’t move.

  PART ONE

  ‘The quality of a nation’s civilization can be largely measured by the methods it uses in the enforcement of its criminal law.’

  Miranda v. Arizona, 1966

  1

  Maurice Oulette tried to kill himself once but succeeded only in blowing off the right side of his jawbone. A doctor down in Boston was able to construct a prosthetic jaw, with imperfect results. The surgery left Maurice’s face with a melted appearance, and he went to great lengths to hide it. When he was younger (the accident happened when Maurice was nineteen), he wore a bandanna around his face like a bank robber in an old western. This gave Maurice, who was otherwise a mousy and unromantic sort of guy, a dashing appearance he seemed to enjoy for a while. Eventually he got tired of the bank-robber mask, though. He was always lifting it up to catch a breath of fresh air or to take a drink. So he simply discarded the thing one day, and since then Maurice has been about as unself-conscious as a jawless man can be.

  Most people in town accept Maurice’s deformity as if it were no more unusual to be jawless than to be nearsighted or left-handed. They are even a little protective of him, taking care to look him in the eye, call him by name. If the summer people stare, as even the adults invariably do, you can bet they’ll catch an icy stare right back, from Red Caffrey or Ginny Thurler or anyone else who happens to be around, a look that says, Eyes front, mister. Versailles is a nice town that way. I used to think of this place as an enormous Venus’s-flytrap with glue-sticky streets and snapping wings that snared young people like me and held us here until it was too late to ever live anywhere else. But these people have stuck by Maurice Oulette and they’ve stuck by me too.

  They appointed me chief of police when I was twenty-four. For a few months I, Benjamin Wilmot Truman, was the youngest police chief in the United States, or so it was assumed around here. My reign was brief; later that same year, there was a story in USA Today about a twenty-two-year-old who was elected sheriff in Oregon somewhere. Not that I ever enjoyed the distinction anyway. Truth be told, I never wanted to be a cop at all, let alone police chief in Versailles.

  In any event, Maurice lived in his late father’s white clapboard house, subsisting on SSI checks and occasional free meals from the town’s two competing diners. He’d won a settlement from the Maine Department of Social Services for negligent monitoring of his case while he shot the jawbone off his head, so he was comfortable enough. But, for reasons no one understood, the last few years Maurice had ventured out of the house less and less. The consensus in town was that he was becoming a little reclusive and maybe even a little crazy. But he had never hurt anyone (except himself), so the general view was that whatever Maurice Oulette did out here was nobody’s business but his own.

  I tended to agree with that position too, though I drew one exception. Every few months, with no warning, Maurice decided to use the streetlights on Route 2 for target practice, to the great distress of motorists traveling between Millers Falls, Mattaquisett township, and Versailles. (The name is pronounced Ver-sales, not Ver-sigh.) Maurice was usually lit on Wild Turkey on these occasions, which may account for his poor decision-making and poorer aim. On this night – it was October 10, 1997 – the call came in around ten, Peggy Butler complaining that ‘Mr Oulette is shooting at cars again.’ I assured her Maurice wasn’t shooting at cars, he was shooting at streetlights, and the odds of him hitting a car were actually very slim. ‘Ha ha, Mr Comedian,’ Peggy said.

  Off I went. I began to hear the shots when I got within
a mile or two of the house. These were sharp rifle cracks at irregular intervals, once every fifteen seconds or so. Unfortunately it was necessary for me to go up Route 2 to reach the house, which meant passing through Maurice’s crosshairs. I lit up the wigwags, the light bar, the alley lights, every bulb that truck had – it must have looked like a Mardi Gras float – with the hope that Maurice would hold his fire a minute. I wanted him to know it was only the police.

  I parked the Bronco with two wheels on the lawn, lights flashing. At the rear corner of the house, I shouted, ‘Maurice, it’s Ben Truman.’ No response. ‘Hey, Rambo, would you stop shooting for a second?’ Again there was no response, but then, there was no shooting either, which I took to be a positive sign. ‘Alright, I’m coming out,’ I announced. ‘Now, Maurice, don’t shoot.’

  The backyard was a small rectangle of scrub grass, sand, and pine needles. It was scattered with detritus of various kinds: a skeletal clothes-drying rack, a street-hockey goal, a milk crate. In the far corner an old Chevy Nova lay flat on its belly, the wheels having been transplanted to some other shitbox Chevy Nova years before. The car still had its Maine license plate, with the picture of a lobster and the motto VACATIONLAND.

  Maurice stood at the edge of the yard with a rifle in the crook of his arm. The pose suggested a gentleman hunter on a break from shooting quail. He wore boots, oil-stained work pants, a red flannel jacket, and a baseball cap pulled low over the brow. His head was down, which was not unusual. You got used to addressing the button on his cap.

  I shined my flashlight over him. ‘Evening, Maurice.’

  ‘Evenin’, Chief,’ the cap said.

  ‘What’s going on out here?’

  ‘Just shootin’ is all.’

  ‘I see that. You about scared Peggy Butler half to death. You want to tell me what the hell you’re shooting at?’

  ‘Them lights there.’ Maurice nodded toward Route 2 without looking up.

  The two of us stood there for a moment nodding at each other.

  ‘You hit any?’

  ‘Nos’r.’

  ‘Something wrong with the gun?’

  He shrugged.

  ‘Well let’s have a look at it, Maurice.’

  He handed me the rifle, an old Remington I’d confiscated at least a dozen times. I checked that there was a round in the chamber, then pinged one off a metal fence-pole at the edge of the field. ‘Gun’s okay,’ I informed him. ‘Must be you that’s off.’

  Maurice gave a little murmuring laugh.

  I patted down the outside of his coat, felt the box of shells in his pocket. Reaching inside, my fingers got snarled in the Kleenex balls Maurice collected there like chestnuts. ‘Jesus, Maurice, do you ever clean out these pockets?’ I pulled out the box of ammunition and stuck it in my own pocket. A box of Marlboro reds I opened and slipped back in Maurice’s coat. ‘Okay if I take a look around and see how you’re doing out here?’

  He looked up at last. The skin grafts along his concave jawline shone silvery in the flashlight. ‘’M I under arrest?’

  ‘No, sir.’

  ‘Okay then.’

  I went in the back door, leaving Maurice where I’d found him. He kept his arms by his sides like a scolded child.

  The kitchen stank of boiled vegetables and body odor. A fifth of Jim Beam stood on the table, half empty. The refrigerator was empty save for an ancient box of baking soda. In the cabinets were a few cans (Spaghetti-Os, Green Giant corn), a few packets of powdered soup, and a tiny hole through which carpenter ants were entering and exiting.

  ‘Maurice,’ I called to him, ‘has your caseworker been out to see you?’

  ‘Don’t ’member.’

  With the barrel of Maurice’s rifle, I nudged open the bathroom door and shined the flashlight about. The tub and toilet were stained yellow. Two cigarette butts floated in the toilet. Beneath the sink, a section of the wall had rotted, and a piece of particle board had been nailed there to patch the hole. At the edges of the board, the ground outside was visible.

  I switched off the lights and closed up the house.

  ‘Maurice, you remember what protective custody is?’

  ‘Yes’r.’

  ‘What is it?’

  ‘It’s when you put me in the jail but I’m not under arrest.’

  ‘That’s right. And do you remember why I have to do that, put you in protective custody?’

  ‘To protect me, I guess. That’s why they call it that.’

  ‘Well, yeah. Exactly. So that’s what we’re going to do, Maurice, we’re going to put you in protective custody before you kill someone while you’re taking potshots at streetlights.’

  ‘I didn’t hit none.’

  ‘Well, Maurice, that doesn’t exactly make me feel better about it. See, if you hit what you were aiming at . . .’

  He gave me a blank expression.

  ‘Look, the point is, you can’t shoot at them. They’re town property. Besides, what if you hit a car?’

  ‘I never shot no cars.’

  These conversations with Maurice only go so far, and this one had about run its course. It wasn’t completely clear whether Maurice was just slow or a little crazy. Either way, he’d earned some leeway. He’d survived a maelstrom of emotions no outsider could fathom, and he had the scars to prove it.

  He looked up at me. In the moonlight, with his right side in darkness, his face was restored nearly to normal. It was the sort of lean, dark-eyed face common around here. The face of a voyageur or a timberman in an old sepia photo.

  ‘You hungry, Maurice?’

  ‘Little.’

  ‘Did you eat?’

  ‘Et yesterd’y’

  ‘Want to go to the Owl?’

  ‘Thought you were PC’ing me.’

  ‘I am.’

  ‘Do I get my gun back?’

  ‘Nope. I’m going to have it forfeited before you shoot somebody. Like me.’

  ‘Chief Truman, I ain’t gonna shoot you.’

  ‘Well, I appreciate that. But I’m going to keep it just the same because – and this is no disrespect, Maurice – you’re not the greatest shot that ever was.’

  ‘The judge’ll make you give it back. I got my F.I.D.’

  ‘What, are you a lawyer now?’

  Maurice made his little laugh, like a moan. ‘Ayuh, guess so.’

  There were a few people at the Owl, all sitting at the bar, all drinking Bud long-necks, staring up at a hockey game on the TV. Phil Lamphier, who owned the place and in the off-season was the only bartender, was leaning on his elbows at the end of the bar, reading a newspaper. The little countertop was L-shaped, and Maurice and I slid onto stools on the short side, facing the others.

  A murmur of ‘Hey, Ben’ came from the group, though Diane Harned waited a moment before greeting me as ‘Chief Truman.’ She shot me a little smirk, then returned her attention to the TV. Diane had been good-looking once, but the color had drained out of her. Her blond hair had faded from yellow to straw. Raccoon shadows had formed under her eyes. Still, she carried herself with a pretty girl’s arrogance, and there’s something to be said for that. Anyway, we’d had a few dates, Diane and I, and a few reunions after that. We had an understanding.

  Maurice ordered a Jim Beam, which I immediately canceled. ‘We’ll have two Cokes,’ I told Phil, who made a face.

  Jimmy Lownes asked, ‘You got Al Capone here under arrest?’

  ‘Nope. Heat’s out at Maurice’s house so he’s going to stay over at the station tonight till we get it turned on again. We just figured we’d get something to eat first.’

  Diane gave me a skeptical look but said nothing.

  ‘My taxes paying for that dinner?’ Jimmy teased.

  ‘No, I’m treating.’

  Bob Burke said, ‘Well, that’s taxes, Ben. Taxes is what pays your salary, technically’

  ‘Yours too,’ Diane shot back. ‘Technically’

  Burke, who worked for the town doing maintenance in the public buil
dings, was sheepish. Still, I did not need Diane to defend me.

  ‘It doesn’t take a lot of taxes to pay my salary,’ I said. ‘Besides, as soon as they find a new chief, I’ll be off the dole. Get my ass out of this jerkwater place finally.’

  Diane snorted. ‘And go where?’

  ‘I’ve been thinking maybe I’ll go do some traveling.’

  ‘Well, listen to you. Just where do you think you’re gonna go?’

  ‘Prague.’

  ‘Prague.’ She said the word as if she were trying it out for the first time. ‘I don’t even know what that is.’

  ‘It’s in Czechoslovakia.’

  Diane sniffed again, disdainful.

  Bobby Burke cut in, ‘It’s the Czech Republic now. That’s what they called it on the Olympics, the Czech Republic’ Burke was a master of this kind of trivia. The man eked out a living mopping floors at the grade school, but he could tell you the names of every first lady, all the presidential assassins, and the eight states that border Missouri. A man like that can throw off the rhythm of a conversation.

  ‘Ben,’ Diane persisted, ‘why in hell would you want to go to Prague?’ There was an edge in her voice. Jimmy Lownes gave her a little nudge and said, ‘Uh-oh,’ like Diane was jealous. But it wasn’t that.

  ‘Why would I want to go to Prague? Because it’s beautiful.’

  ‘And what are you going to do once you get there?’

  ‘Just look around, I guess. See the sights.’

  ‘You’re just going to . . . look around?’

  ‘That was my plan, yes.’

  It wasn’t much of a plan, I admit. But it seemed to me I’d been planning too long already, waiting for The Opportunity. I have always been one of those long-thinking, slow-acting men, the type that smothers every idea with doubt and worry. It was time to shake free of all that. I figured I could at least get as far as Prague before my second-guessing caught up to me. I sure as hell wasn’t going to rot in Versailles, Maine.