Music of the Night, Page 2

  Hilda put through a call from Cayslin College. It was Doug Sharpe, who had sent Dr. Weyland to her.

  “Now that he’s in your capable hands, I can tell people plainly that he’s on what we call ‘compassionate leave’ and make them swallow it.” Doug’s voice seemed thinned by the long-distance connection. “Can you give me a preliminary opinion?”

  “I need time to get a feel for the situation.”

  He said, “Try not to take too long. At the moment I’m holding off pressure to appoint someone in his place. His enemies up here—and a sharp-tongued bastard like him acquires plenty of those—are trying to get a search committee authorized to find someone else for the directorship of the Cayslin Center for the Study of Man.”

  “Of People,” she corrected automatically, as she always did. “What do you mean, ‘bastard’? I thought you liked him, Doug. ‘Do you want me to have to throw a smart, courtly, old-school gent to Finney or MaGill?’ Those were your very words.” Finney was a Freudian with a mouth like a pursed-up little asshole and a mind to match, and MaGill was a primal yowler in a padded gym of an office.

  She heard Doug tapping at his teeth with a pen or pencil. “Well,” he said, “I have a lot of respect for him, and sometimes I could cheer him for mowing down some pompous moron up here. I can’t deny, though, that he’s earned a reputation for being an accomplished son-of-a-bitch and tough to work with. Too damn cold and self-sufficient, you know?”

  “Mmm,” she said. “I haven’t seen that yet.”

  He said, “You will. How about yourself? How’s the rest of your life?”

  “Well, offhand, what would you say if I told you I was thinking of going back to art school?”

  “What would I say? I’d say bullshit, that’s what I’d say. You’ve had fifteen years of doing something you’re good at, and now you want to throw all that out and start over in an area you haven’t touched since Studio 101 in college? If God had meant you to be a painter, She’d have sent you to art school in the first place.”

  “I did think about art school at the time.”

  “The point is that you’re good at what you do. I’ve been at the receiving end of your work and I know what I’m talking about. By the way, did you see that piece in the paper about Annie Barnes, from the group I was in? That’s an important appointment. I always knew she’d wind up in Washington. What I’m trying to make clear to you is that your ‘graduates’ do too well for you to be talking about quitting. What’s Morton say about that idea, by the way?”

  Mort, a pathologist, was Floria’s lover. She hadn’t discussed this with him, and she told Doug so.

  “You’re not on the outs with Morton, are you?”

  “Come on, Douglas, cut it out. There’s nothing wrong with my sex life, believe me. It’s everyplace else that’s giving me trouble.”

  “Just sticking my nose into your business,” he replied. “What are friends for?”

  They turned to lighter matters, but when she hung up Floria felt glum. If her friends were moved to this sort of probing and kindly advice-giving, she must be inviting help more openly and more urgently than she’d realized.

  The work on the book went no better. It was as if, afraid to expose her thoughts, she must disarm criticism by meeting all possible objections beforehand. The book was well and truly stalled—like everything else. She sat sweating over it, wondering what the devil was wrong with her that she was writing mush. She had two good books to her name already. What was this bottleneck with the third?

  * * *

  “But what do you think?” Kenny insisted anxiously. “Does it sound like my kind of job?”

  “How do you feel about it?”

  “I’m all confused, I told you.”

  “Try speaking for me. Give me the advice I would give you.”

  He glowered. “That’s a real cop-out, you know? One part of me talks like you, and then I have a dialog with myself like a TV show about a split personality. It’s all me that way; you just sit there while I do all the work. I want something from you.”

  She looked for the twentieth time at the clock on the file cabinet. This time it freed her. “Kenny, the hour’s over.”

  Kenny heaved his plump, sulky body up out of his chair. “You don’t care. Oh, you pretend to, but you don’t really—”

  “Next time, Kenny.”

  He stumped out of the office. She imagined him towing in his wake the raft of decisions he was trying to inveigle her into making for him. Sighing, she went to the window and looked out over the park, filling her eyes and her mind with the full, fresh green of late spring. She felt dismal. In two years of treatment the situation with Kenny had remained a stalemate. He wouldn’t go to someone else who might be able to help him, and she couldn’t bring herself to kick him out, though she knew she must eventually. His puny tyranny couldn’t conceal how soft and vulnerable he was . . .

  Dr. Weyland had the next appointment. Floria found herself pleased to see him. She could hardly have asked for a greater contrast to Kenny: tall, lean, that august head that made her want to draw him, good clothes, nice big hands—altogether, a distinguished-looking man. Though he was informally dressed in slacks, light jacket, and tieless shirt, the impression he conveyed was one of impeccable leisure and reserve. He took not the padded chair preferred by most clients but the wooden one with the cane seat.

  “Good afternoon, Dr. Landauer,” he said gravely. “May I ask your judgment of my case?”

  “I don’t regard myself as a judge,” she said. She decided to try to shift their discussion onto a first-name basis if possible. Calling this old-fashioned man by his first name so soon might seem artificial, but how could they get familiar enough to do therapy while addressing each other as “Dr. Landauer” and “Dr. Weyland” like two characters out of a vaudeville sketch?

  “This is what I think, Edward,” she continued. “We need to find out about this vampire incident—how it tied into your feelings about yourself, good and bad, at the time; what it did for you that led you to try to ‘be’ a vampire even though that was bound to complicate your life terrifically. The more we know, the closer we can come to figuring out how to insure that this vampire construct won’t be necessary to you again.”

  “Does this mean that you accept me formally as a client?” he said.

  Comes right out and says what’s on his mind, she noted; no problem there. “Yes.”

  “Good. I too have a treatment goal in mind. I will need at some point a testimonial from you that my mental health is sound enough for me to resume work at Cayslin.”

  Floria shook her head. “I can’t guarantee that. I can commit myself to work toward it, of course, since your improved mental health is the aim of what we do here together.”

  “I suppose that answers the purpose for the time being,” he said. “We can discuss it again later on. Frankly, I find myself eager to continue our work today. I’ve been feeling very much better since I spoke with you, and I thought last night about what I might tell you today.”

  She had the distinct feeling of being steered by him; how important was it to him, she wondered, to feel in control? She said, “Edward, my own feeling is that we started out with a good deal of very useful verbal work, and that now is a time to try something a little different.”

  He said nothing. He watched her. When she asked whether he remembered his dreams he shook his head, no.

  She said, “I’d like you to try to do a dream for me now, a waking dream. Can you close your eyes and daydream, and tell me about it?”

  He closed his eyes. Strangely, he now struck her as less vulnerable rather than more, as if strengthened by increased vigilance.

  “How do you feel now?” she said.

  “Uneasy.” His eyelids fluttered. “I dislike closing my eyes. What I don’t see can hurt me.”

  “Who wants to hurt you?”

  “A vampire’s enemies, of course—mobs of screaming peasants with torches.”

  Translatin
g into what, she wondered—young Ph.D.s pouring out of the graduate schools panting for the jobs of older men like Weyland? “Peasants, these days?”

  “Whatever their daily work, there is still a majority of the stupid, the violent, and the credulous, putting their featherbrained faith in astrology, in this cult or that, in various branches of psychology.”

  His sneer at her was unmistakable. Considering her refusal to let him fill the hour his own way, this desire to take a swipe at her was healthy. But it required immediate and straightforward handling.

  “Edward, open your eyes and tell me what you see.”

  He obeyed. “I see a woman in her early forties,” he said, “clever-looking face, dark hair showing gray; flesh too thin for her bones, indicating either vanity or illness; wearing slacks and a rather creased batik blouse—describable, I think, by the term ‘peasant style’—with a food stain on the left side.”

  Damn! Don’t blush. “Does anything besides my blouse suggest a peasant to you?”

  “Nothing concrete, but with regard to me, my vampire self, a peasant with a torch is what you could easily become.”

  “I hear you saying that my task is to help you get rid of your delusion, though this process may be painful and frightening for you.”

  Something flashed in his expression—surprise, perhaps alarm, something she wanted to get in touch with before it could sink away out of reach again. Quickly she said, “How do you experience your face at this moment?”

  He frowned. “As being on the front of my head. Why?”

  With a rush of anger at herself she saw that she had chosen the wrong technique for reaching that hidden feeling: she had provoked hostility instead. She said, “Your face looked to me just now like a mask for concealing what you feel rather than an instrument of expression.”

  He moved restlessly in the chair, his whole physical attitude tense and guarded. “I don’t know what you mean.”

  “Will you let me touch you?” she said, rising.

  His hands tightened on the arms of his chair, which protested in a sharp creak. He snapped, “I thought this was a talking cure.”

  Strong resistance to body work—ease up. “If you won’t let me massage some of the tension out of your facial muscles, will you try to do it yourself?”

  “I don’t enjoy being made ridiculous,” he said, standing and heading for the door, which clapped smartly to behind him.

  She sagged back in her seat; she had mishandled him. Clearly her initial estimation of this as a relatively easy job had been wrong and had led her to move far too quickly with him. Certainly it was much too early to try body work. She should have developed a firmer level of trust first by letting him do more of what he did so easily and so well—talk.

  The door opened. Weyland came back in and shut it quietly. He did not sit again but paced about the room, coming to rest at the window.

  “Please excuse my rather childish behavior just now,” he said. “Playing these games of yours brought it on.”

  “It’s frustrating, playing games that are unfamiliar and that you can’t control,” she said. As he made no reply, she went on in a conciliatory tone, “I’m not trying to belittle you, Edward. I just need to get us off whatever track you were taking us down so briskly. My feeling is that you’re trying hard to regain your old stability.

  “But that’s the goal, not the starting point. The only way to reach your goal is through the process, and you don’t drive the therapy process like a train. You can only help the process happen, as though you were helping a tree grow.”

  “These games are part of the process?”

  “Yes.”

  “And neither you nor I control the games?”

  “That’s right.”

  He considered. “Suppose I agree to try this process of yours; what would you want of me?”

  Observing him carefully, she no longer saw the anxious scholar bravely struggling back from madness. Here was a different sort of man—armored, calculating. She didn’t know just what the change signaled, but she felt her own excitement stirring, and that meant she was on the track of—something.

  “I have a hunch,” she said slowly, “that this vampirism extends further back into your past than you’ve told me and possibly right up into the present as well. I think it’s still with you. My style of therapy stresses dealing with the now at least as much as the then; if the vampirism is part of the present, dealing with it on that basis is crucial.”

  Silence.

  “Can you talk about being a vampire: being one now?”

  “You won’t like knowing,” he said.

  “Edward, try.”

  He said, “I hunt.”

  “Where? How? What sort of victims?”

  He folded his arms and leaned his back against the window frame. “Very well, since you insist. There are a number of possibilities here in the city in summer. Those too poor to own air-conditioners sleep out on rooftops and fire escapes. But often, I’ve found, their blood is sour with drugs or liquor. The same is true of prostitutes. Bars are full of accessible people but also full of smoke and noise, and there too the blood is fouled. I must choose my hunting grounds carefully. Often I go to openings of galleries or evening museum shows or department stores on their late nights—places where women may be approached.”

  And take pleasure in it, she thought, if they’re out hunting also—for acceptable male companionship. Yet he said he’s never married. Explore where this is going. “Only women?”

  He gave her a sardonic glance, as if she were a slightly brighter student than he had at first assumed.

  “Hunting women is liable to be time-consuming and expensive. The best hunting is in the part of Central Park they call the Ramble, where homosexual men seek encounters with others of their kind. I walk there too, at night.”

  Floria caught a faint sound of conversation and laughter from the waiting room; her next client had probably arrived, she realized, looking reluctantly at the clock. “I’m sorry, Edward, but our time seems to be—”

  “Only a moment more,” he said coldly. “You asked; permit me to finish my answer. In the Ramble I find someone who doesn’t reek of alcohol or drugs, who seems healthy, and who is not insistent on ‘hooking up’ right there among the bushes. I invite such a man to my hotel. He judges me safe, at least: older, weaker than he is, unlikely to turn out to be a dangerous maniac. So he comes to my room. I feed on his blood.

  “Now, I think, our time is up.”

  He walked out.

  She sat torn between rejoicing at his admission of the delusion’s persistence and dismay that his condition was so much worse than she had first thought. Her hope of having an easy time with him vanished. His initial presentation had been just that—a performance, an act. Forced to abandon it, he had dumped on her this lump of material, too much—and too strange—to take in all at once.

  Her next client liked the padded chair, not the wooden one that Weyland had sat in during the first part of the hour. Floria started to move the wooden one back. The armrests came away in her hands.

  She remembered him starting up in protest against her proposal of touching him. The grip of his fingers had fractured the joints, and the shafts now lay in splinters on the floor.

  * * *

  Floria wandered into Lucille’s room at the clinic after the staff meeting. Lucille was lying on the couch with a wet cloth over her eyes.

  “I thought you looked green around the gills today,” Floria said. “What’s wrong?”

  “Big bash last night,” said Lucille in sepulchral tones. “I think I feel about the way you do after a session with Chubs. You haven’t gotten rid of him yet, have you?”

  “No. I had him lined up to see Marty instead of me last week, but damned if he didn’t show up at my door at his usual time. It’s a lost cause. What I wanted to talk to you about was Dracula.”

  “What about him?”

  “He’s smarter, tougher, and sicker than I thought, and ma
ybe I’m even less competent than I thought, too. He’s already walked out on me once—I almost lost him. I never took a course in treating monsters.”

  Lucille groaned. “Some days they’re all monsters.” This from Lucille, who worked longer hours than anyone else at the clinic, to the despair of her husband. She lifted the cloth, refolded it, and placed it carefully across her forehead. “And if I had ten dollars for every client who’s walked out on me . . . Tell you what: I’ll trade you Madame X for him, how’s that? Remember Madame X, with the jangling bracelets and the parakeet eye makeup and the phobia about dogs? Now she’s phobic about things dropping on her out of the sky. Just wait—it’ll turn out that one day when she was three a dog trotted by and pissed on her leg just as an over-passing pigeon shat on her head. What are we doing in this business?”

  “God knows.” Floria laughed. “But am I in this business these days—I mean, in the sense of practicing my so-called skills? Blocked with my group work, beating my brains out on a book that won’t go, and doing something—I’m not sure it’s therapy—with a vampire . . . You know, once I had this sort of natural choreographer inside myself that hardly let me put a foot wrong and always knew how to correct a mistake if I did. Now that’s gone. I feel as if I’m just going through a lot of mechanical motions. Whatever I had once that made me useful as a therapist, I’ve lost it.”

  Ugh, she thought, hearing the descent of her voice into a tone of gloomy self-pity.

  “Well, don’t complain about Dracula,” Lucille said. “You were the one who insisted on taking him on. At least he’s got you concentrating on his problem instead of just wringing your hands. As long as you’ve started, stay with it—illumination may come. And now I’d better change the ribbon in my typewriter and get back to reviewing Silverman’s latest bestseller on self-shrinking while I’m feeling mean enough to do it justice.” She got up gingerly. “Stick around in case I faint and fall into the wastebasket.”

  “Luce, this case is what I’d like to try to write about.”

  “Dracula?” Lucille pawed through a desk drawer full of paper clips, pens, rubber bands, and old lipsticks.