Nightmares and Dreamscapes, Page 37

  What had the redheaded waitress said? Y'all oughtta try the cherry pie! Rick just made it!

  There, not twenty feet away, the fatal plane crash victim was telling a joke--probably a dirty one, from the looks on their faces--to the fatal drug o.d.

  The redhead threw back her head and bellowed her rusty laugh at the ceiling again. The cook smiled, the dimples at the corners of his full lips deepening prettily. And the younger waitress, the one with the coldsore and the haunted eyes, glanced over at Clark and Mary, as if to ask Are you watching this? Are you seeing this?

  Clark was still staring at the cook and the waitress with that alarming expression of dazed knowledge, his face so long and drawn that it looked like something glimpsed in a funhouse mirror.

  They'll see that, if they haven't already, Mary thought, and we'll lose any chance we still have of getting out of this nightmare. I think you better take charge of this situation, kiddo, and quick. The question is, what are you going to do?

  She reached for his hand, meaning to grab it and squeeze it, then decided that wouldn't do enough to alter his slack-jawed expression. She reached further and squeezed his balls instead. . . as hard as she dared. Clark jerked as if someone had zapped him with a laser and swung toward her so fast he almost fell off his stool.

  "I left my wallet in the car," she said. Her voice sounded brittle and too loud in her own ears. "Would you get it for me, Clark?"

  She looked at him, lips smiling, eyes locked on his with complete concentration. She had read, probably in some shit-intensive woman's magazine while waiting to get her hair done, that when you lived with the same man for ten or twenty years, you forged a low-grade telepathic link with your partner. This link, the article went on to suggest, came in mighty handy when your hubby was bringing the boss home to dinner without phoning ahead or when you wanted him to bring a bottle of Amaretto from the liquor store and a carton of whipping cream from the supermarket. Now she tried--tried with all her might--to send a far more important message.

  Go, Clark. Please go. I'll give you ten seconds, then come on the run. And if you're not in the driver's seat with the key in the ignition, I have a feeling we could be seriously fucked here.

  And at the same time, a deeper Mary was saying timidly: This is all a dream, isn't it? I mean . . . it is, isn't it?

  Clark was looking at her carefully, his eyes watering from the tweak she had given him . . . but at least he wasn't complaining about it. His eyes shifted to the redhead and the short-order cook for a moment, saw they were still deep in their own conversation (now she appeared to be the one who was telling a joke), and then shifted back to her.

  "It might have slid under the seat," she said in her too-loud, too-brittle voice before he could reply. "It's the red one."

  After another moment of silence--one that seemed to last forever--Clark nodded slightly. "Okay," he said, and she could have blessed him for his nicely normal tone, "but no fair stealing my pie while I'm gone."

  "Just get back before I finish mine and you'll be okay," she said, and tucked a forkful of cherry pie into her mouth. It had absolutely no taste at all to her, but she smiled. God, yes. Smiled like the Miss New York Apple Queen she had once been.

  Clark started to get off his stool, and then, from somewhere outside, came a series of amplified guitar chops--not chords but only open strums. Clark jerked, and Mary shot out one hand to clutch his arm. Her heart, which had been slowing down, broke into that nasty, scary sprint again.

  The redhead and the cook--even the younger waitress, who, thankfully, didn't look like anyone famous--glanced casually toward the plate-glass windows of the Rock-a-Boogie.

  "Don't let it get you, hon," the redhead said. "They're just startin to tune up for the concert tonight."

  "That's right," the short-order cook said. He regarded Mary with his drop-dead blue eyes. "We have a concert here in town most every night."

  Yes, Mary thought. Of course. Of course you do.

  A voice both toneless and godlike rolled across from the town common, a voice almost loud enough to rattle the windows. Mary, who had been to her share of rock shows, was able to place it in a clear context at once--it called up images of bored, longhaired roadies strolling around the stage before the lights went down, picking their way with easy grace between the forests of amps and mikes, kneeling every now and then to patch two power-cords together.

  "Test!" this voice cried. "Test-one, test-one, test-one!"

  Another guitar chop, still not a chord but close this time. Then a drum-run. Then a fast trumpet riff lifted from the chorus of "Instant Karma," accompanied by a light rumble of bongos. CONCERT TONIGHT, the Norman Rockwell sign over the Norman Rockwell town common had said, and Mary, who had grown up in Elmira, New York, had been to quite a few free concerts-on-the-green as a child. Those really had been Norman Rockwell concerts, with the band (made up of guys wearing their Volunteer Fire Department kit in lieu of the band uniforms they couldn't afford) tootling their way through slightly off-key Sousa marches and the local Barber Shop Quartet (Plus Two) harmonizing on things like "Shenandoah" and "I've Got a Gal from Kalamazoo."

  She had an idea that the concerts in Rock and Roll Heaven might be quite different from those childhood musicales where she and her friends had run around waving sparklers as twilight drew on for night.

  She had an idea that these concerts-on-the-green might be closer to Goya than to Rockwell.

  "I'll go get your wallet," he said. "Enjoy your pie."

  "Thank you, Clark." She put another tasteless forkful of pie in her mouth and watched him head for the door. He walked in an exaggerated slow-motion saunter that struck her feverish eye as absurd and somehow horrid: I don't have the slightest idea that I'm sharing this room with a couple of famous corpses, Clark's ambling, sauntering stride was saying. What, me worry?

  Hurry up! she wanted to scream. Forget about the gunslinger strut and move your ass!

  The bell jingled and the door opened as Clark reached for the knob, and two more dead Texans came in. The one wearing the dark glasses was Roy Orbison. The one wearing the hornrims was Buddy Holly.

  All my exes come from Texas, Mary thought wildly, and waited for them to lay their hands on her husband and drag him away.

  " 'Scuse me, sir," the man in the dark glasses said politely, and instead of grabbing Clark, he stepped aside for him. Clark nodded without speaking--Mary was suddenly quite sure he couldn't speak--and stepped out into the sunshine.

  Leaving her alone in here with the dead. And that thought seemed to lead naturally to another one, even more horrible: Clark was going to drive off without her. She was suddenly sure of it. Not because he wanted to, and certainly not because he was a coward--this situation went beyond questions of courage and cowardice, and she supposed that the only reason they both weren't gibbering and drooling on the floor was because it had developed so fast--but because he just wouldn't be able to do anything else. The reptile that lived on the floor of his brain, the one in charge of self-preservation, would simply slither out of its hole in the mud and take charge of things.

  You've got to get out of here, Mary, the voice in her mind--the one that belonged to her own reptile--said, and the tone of that voice frightened her. It was more reasonable than it had any right to be, given the situation, and she had an idea that sweet reason might give way to shrieks of madness at any moment.

  Mary took one foot off the rail under the counter and put it on the floor, trying to ready herself mentally for flight as she did so, but before she could gather herself, a narrow hand fell on her shoulder and she looked up into the smiling, knowing face of Buddy Holly.

  He had died in 1959, a piece of trivia she remembered from that movie where he had been played by Gary Busey. 1959 was over thirty years gone, but Buddy Holly was still a gawky twenty-three-year-old who looked seventeen, his eyes swimming behind his glasses and his adam's apple bobbing up and down like a monkey on a stick. He was wearing an ugly plaid jacket and a string tie.
The tie's clasp was a large chrome steer-head. The face and the taste of a country bumpkin, you would have said, but there was something in the set of the mouth that was too wise, somehow, too dark, and for a moment the hand gripped her shoulder so tightly she could feel the tough pads of callus on the ends of the fingers--guitar calluses.

  "Hey there, sweet thang," he said, and she could smell clove gum on his breath. There was a silvery crack, hair-thin, zigzagging across the left lens of his glasses. "Ain't seen you roun' these parts before."

  Incredibly, she was lifting another forkful of pie toward her mouth, her hand not hesitating even when a clot of cherry filling plopped back onto her plate. More incredibly, she was slipping the fork through a small, polite smile.

  "No," she said. She was somehow positive that she couldn't let this man see she had recognized him; if he did, any small chance she and Clark might still have would evaporate. "My husband and I are just . . . you know, passing through."

  And was Clark passing through even now, desperately keeping to the posted speed limit while the sweat trickled down his face and his eyes rolled back and forth from the mirror to the windshield and back to the mirror again? Was he?

  The man in the plaid sportcoat grinned, revealing teeth that were too big and much too sharp. "Yep, I know how that is, all right--y'all seen hoot, n now you're on your way to holler. That about the size of it?"

  "I thought this was hoot," Mary said primly, and that made the newcomers first look at each other, eyebrows raised, and then shout with laughter. The young waitress looked from one to the other with her frightened, bloodshot eyes.

  "That ain't half-bad," Buddy Holly said. "You and y'man ought to think about hangin on a little while, though. Stay for the concert tonight, at least. We put on one heckuva show, if I do say so myself." Mary suddenly realized that the eye behind the cracked lens had filled up with blood. As Holly's grin widened, pushing the corners of his eyes into a squint, a single scarlet drop spilled over his lower lid and tracked down his cheek like a tear. "Isn't that right, Roy?"

  "Yes, ma'am, it is," the man in the shades said. "You have to see it to believe it."

  "I'm sure that's true," Mary said faintly. Yes, Clark was gone. She was sure of it now. The Testosterone Kid had run like a rabbit, and she supposed that soon enough the frightened young girl with the coldsore would lead her into the back room, where her own rayon uniform and order pad would be waiting.

  "It's somethin to write home about," Holly told her proudly. "I mean to say." The drop of blood fell from his face and pinked onto the seat of the stool Clark had so recently vacated. "Stick around. You'll be glad y'did." He looked to his friend for support.

  The man in the dark glasses had joined the cook and the waitresses; he dropped his hand onto the hip of the redhead, who put her own hand over it and smiled up at him. Mary saw that the nails on the woman's short, stubby fingers had been gnawed to the quick. A Maltese cross hung in the open V of Roy Orbison's shirt. He nodded and flashed a smile of his own. "Love to have you, ma'am, and not just for the night, either--draw up and set a spell, we used to say down home."

  "I'll ask my husband," she heard herself saying, and completed the thought in her mind: If I ever see him again, that is.

  "You do that, sugarpie!" Holly told her. "You just do that very thing!" Then, incredibly, he was giving her shoulder one final squeeze and walking away, leaving her a clear path to the door. Even more incredibly, she could see the Mercedes's distinctive grille and peace-sign hood ornament still outside.

  Buddy joined his friend Roy, winked at him (producing another bloody tear), then reached behind Janis and goosed her. She screamed indignantly, and as she did, a flood of maggots flew from her mouth. Most struck the floor between her feet, but some clung to her lower lip, squirming obscenely.

  The young waitress turned away with a sad, sick grimace, raising one blocking hand to her face. And for Mary Willingham, who suddenly understood they had very likely been playing with her all along, running ceased to be something she had planned and became an instinctive reaction. She was up and off the stool like a shot and sprinting for the door.

  "Hey!" the redhead screamed. "Hey, you didn't pay for the pie! Or the sodas, either! This ain't no Dine and Dash, you crotch! Rick! Buddy! Get her!"

  Mary grabbed for the doorknob and felt it slip through her fingers. Behind her, she heard the thump of approaching feet. She grabbed the knob again, succeeded in turning it this time, and yanked the door open so hard she tore off the overhead bell. A narrow hand with hard calluses on the tips of the fingers grabbed her just above the elbow. This time the fingers were not just squeezing but pinching; she felt a nerve suddenly go critical, first sending a thin wire of pain from her elbow all the way up to the left side of her jaw and then numbing her arm.

  She swung her right fist back like a short-handled croquet mallet, connecting with what felt like the thin shield of pelvic bone above a man's groin. There was a pained snort--they could feel pain, apparently, dead or not--and the hand holding her arm loosened. Mary tore free and bolted through the doorway, her hair standing out around her head in a bushy corona of fright.

  Her frantic eyes locked on the Mercedes, still parked on the street. She blessed Clark for staying. And he had caught all of her brainwave, it seemed; he was sitting behind the wheel instead of grovelling under the passenger seat for her wallet, and he keyed the Princess's engine the moment she came flying out of the Rock-a-Boogie.

  The man in the flower-decorated top-hat and his tattooed companion were standing outside the barber shop again, watching expressionlessly as Mary yanked open the passenger door. She thought she now recognized Top-Hat--she had three Lynyrd Skynyrd albums, and she was pretty sure he was Ronnie Van Zant. No sooner had she realized that than she knew who his illustrated companion was: Duane Allman, killed when his motorcycle skidded beneath a tractor-trailer rig twenty years ago. He took something from the pocket of his denim jacket and bit into it. Mary saw with no surprise at all that it was a peach.

  Rick Nelson burst out of the Rock-a-Boogie. Buddy Holly was right behind him, the entire left side of his face now drenched in blood.

  "Get in!" Clark screamed at her. "Get in the fucking car, Mary!"

  She threw herself into the passenger bucket head-first and he was backing out before she could even make a try at slamming the door. The Princess's rear tires howled and sent up clouds of blue smoke. Mary was thrown forward with neck-snapping force when Clark stamped the brake, and her head connected with the padded dashboard. She groped behind her for the open door as Clark cursed and yanked the transmission down into drive.

  Rick Nelson threw himself onto the Princess's gray hood. His eyes blazed. His lips were parted over impossibly white teeth in a hideous grin. His cook's hat had fallen off, and his dark-brown hair hung around his temples in oily snags and corkscrews.

  "You're coming to the show!" he yelled.

  "Fuck you!" Clark yelled back. He found drive and floored the accelerator. The Princess's normally sedate diesel engine gave a low scream and shot forward. The apparition continued to cling to the hood, snarling and grinning in at them.

  "Buckle your seatbelt!" Clark bellowed at Mary as she sat up.

  She snatched the buckle and jammed it home, watching with horrified fascination as the thing on the hood reached forward with its left hand and grabbed the windshield wiper in front of her. It began to haul itself forward. The wiper snapped off. The thing on the hood glanced at it, tossed it overboard, and reached for the wiper on Clark's side.

  Before he could get it, Clark tramped on the brake again--this time with both feet. Mary's seatbelt locked, biting painfully into the underside of her left breast. For a moment there was a terrible feeling of pressure inside her, as if her guts were being shoved up into the funnel of her throat by a ruthless hand. The thing on the hood was thrown clear of the car and landed in the street. Mary heard a brittle crunching sound, and blood splattered the pavement in a starburst pattern around
its head.

  She glanced back and saw the others running toward the car. Janis was leading them, her face twisted into a haglike grimace of hate and excitement.

  In front of them, the short-order cook sat up with the boneless ease of a puppet. The big grin was still on his face.

  "Clark, they're coming!" Mary screamed.

  He glanced briefly into the rear-view, then floored the accelerator again. The Princess leaped ahead. Mary had time to see the man sitting in the street raise one arm to shield his face, and wished that was all she'd had time to see, but there was something else, as well, something worse: beneath the shadow of his raised arm, she saw he was still grinning.

  Then two tons of German engineering hit him and bore him under. There were crackling sounds that reminded her of a couple of kids rolling in a pile of autumn leaves. She clapped her hands over her ears--too late, too late--and screamed.

  "Don't bother," Clark said. He was looking grimly into the rear-view mirror. "We couldn't have hurt him too badly--he's getting up again."

  "What?"

  "Except for the tire-track across his shirt, he's--" He broke off abruptly, looking at her. "Who hit you, Mary?"

  "What?"

  "Your mouth is bleeding. Who hit you?"

  She put a finger to the corner of her mouth, looked at the red smear on it, then tasted it. "Not blood--pie," she said, and uttered a desperate, cracked laugh. "Get us out of here, Clark, please get us out."

  "You bet," he said, and turned his attention back to Main Street, which was wide and--for the time being, at least--empty. Mary noticed that, guitars and amps on the town common or not, there were no power-lines on Main Street, either. She had no idea where Rock and Roll Heaven was getting its power (well . . . maybe some idea), but it certainly wasn't from Central Oregon Power and Light.