Confusion, Page 3

  The small provincial town where, with my father’s approval, I had chosen to spend the next semester was in central Germany. Its far-flung academic renown was in stark contrast to the sparse collection of houses surrounding the university building. I did not have much difficulty in finding my way to my alma mater from the railway station, where I left my luggage for the time being, and as soon as I was inside the university, a spacious building in the old style, I felt how much more quickly the inner circle closed here than in the bustling city of Berlin. Within two hours I had enrolled and visited most of the professors; the only one not immediately available was my professor of English language and literature, but I was told he could be found taking his class at around four in the afternoon.

  Driven by impatience, reluctant to waste an hour, as eager now to embark on the pursuit of knowledge as I had once been to avoid it, and after a rapid tour of the little town—which was sunk in narcotic slumber by comparison with Berlin—I turned up at the appointed place punctually at four o’clock. The caretaker directed me to the door of the seminar room. I knocked. And thinking a voice inside had answered, I went in.

  However, I had misheard. No one had told me to come in, and the indistinct sound I had caught was only the professor’s voice raised in energetic speech, delivering an obviously impromptu address to a close-packed circle of about two dozen students who had gathered around him. Feeling awkward at entering without permission because of my mistake, I was going to withdraw quietly again, but feared to attract attention by that very course of action, since so far none of the hearers had noticed me. Accordingly I stayed near the door, and could not help listening too.

  The lecture had obviously arisen spontaneously out of a colloquium or discussion, or at least that was what the informal and entirely random grouping of teacher and students suggested—the professor was not sitting in a chair which distanced him from his audience as he addressed them, but was perched almost casually on a desk, one leg dangling slightly, and the young people clustered around him in informal positions, perhaps fixed in statuesque immobility only by the interest they felt in hearing him. I could see that they must have been standing around talking when the professor suddenly swung himself up on the desk, and from this more elevated position drew them to him with words as if with a lasso, holding them spellbound where they were. It was only a few minutes before I myself, forgetting that I had not been invited to attend, felt the fascinating power of his delivery working on me like a magnet; involuntarily I came closer, not just to hear him but also to see the remarkably graceful, all-embracing movements of his hands which, when he uttered a word with commanding emphasis, sometimes spread like wings, rising and fluttering in the air, and then gradually sank again harmoniously, with the gesture of an orchestral conductor muting the sound. The lecture became ever more heated as the professor, in his animated discourse, rose rhythmically from the hard surface of desk as if from the back of a galloping horse, his tempestuous train of thought, shot through with lightning images, racing breathlessly on. I had never heard anyone speak with such enthusiasm, so genuinely carrying the listeners away—for the first time I experienced what Latin scholars call a raptus, when one is taken right out of oneself; the words uttered by his quick tongue were spoken not for himself, nor for the others present, but poured out of his mouth like fire from a man inflamed by internal combustion.

  I had never before known language as ecstasy, the passion of discourse as an elemental act, and the unexpected shock of it drew me closer. Without knowing that I was moving, hypnotically attracted by a force stronger than curiosity, and with the dragging footsteps of a sleepwalker I made my way as if by magic into that charmed circle—suddenly, without being aware of it, I was there, only a few inches from him and among all the others, who themselves were too spellbound to notice me or anything else. I immersed myself in the discourse, swept away by its strong current without knowing anything about its origin: obviously one of the students had made some comment on Shakespeare, describing him as a meteoric phenomenon, which had made the man perched on the desk eager to explain that Shakespeare was merely the strongest manifestation, the psychic message of a whole generation, expressing, through the senses, a time turned passionately enthusiastic. In a single outline he traced the course of that great hour in England’s history, that single moment of ecstasy which can come unexpectedly in the life of every nation, as in the life of every human being, a moment when all forces work together to forge a way strongly forward into eternity. Suddenly the earth has broadened out, a new continent is discovered, while the oldest power of all, the Papacy, threatens to collapse; beyond the seas, now belonging to the English since the Spanish Armada foundered in the wind and waves, new opportunities arise, the world has opened up, and the spirit automatically expands with it—it too desires breadth, it too desires extremes of good and evil; it wishes to make discoveries and conquests like the conquistadors of old, it needs a new language, new force. And overnight come those who speak that language, the poets, fifty or a hundred in a single decade, wild, boisterous fellows who do not, like the court poetasters before them, cultivate their little Arcadian gardens and versify on elegant mythological themes—no, they storm the theatre, they set up their standard in the wooden buildings that were once merely the scene of animal shows and bloodthirsty sports, and the hot odour of blood still lingers in their plays, their drama itself is a Circus Maximus where the wild beats of emotion fall ravenously on one another. These unruly and passionate hearts rage like lions, each trying to outdo the others in wild exuberance; all is permitted, all is allowed on stage: incest, murder, evildoing, crimes, the boundless tumult of human nature indulges in a heated orgy; as the hungry beasts once emerged from their cages, so do the inebriated passions now race into the wooden-walled arena, roaring and dangerous. It is a single outburst exploding like a petard, and it lasts for fifty years: a rush of blood, an ejaculation, a uniquely wild phenomenon prowling the world, seizing on it as its prey—in this orgy of power you can hardly hear individual voices or make out individual figures. Each strikes sparks off his neighbour, they learn and they steal from each other, they strive to outdo one another, to surpass each other’s achievement, yet they are all only intellectual gladiators in the same festive games, slaves unchained and urged on by the genius of the hour. It recruits them from dark, crooked rooms on the outskirts of the city, and from palaces too: Ben Jonson, the mason’s grandson; Marlowe, the son of a cobbler; Massinger, the offspring of an upper servant; Philip Sidney, the rich and scholarly statesman—but the seething whirlpool flings them all together; today they are famous, tomorrow they die, Kyd and Heywood in dire poverty, starving like Spenser in King Street, none of them living respectable lives, ruffians, whore-masters, actors, swindlers, but poets, poets, poets every one. Shakespeare is only at their centre, “the very age and body of the time”, but no one has the time to mark him out, so stormy is the turmoil, so vigorously does work spring up beside work, so strongly does passion exceed passion. And as suddenly as it vibrantly arose that magnificent eruption of mankind collapses again, twitching; the drama is over, England exhausted, and for another hundred years the damp and foggy grey of the Thames lies dull upon the spirit again. A whole race has scaled the heights and depths of passion in a single onslaught, feverishly spewing the overflowing, frenzied soul from its breast—and there the land lies now, weary, worn out; pettifogging Puritanism closes the theatres and thus silences the impassioned language, the Bible alone is heard again, the word of God, where the most human word of all had made the most fiery confessions of all time, and a single ardent race lived for thousands in its own unique way.

  And now, with a sudden change of direction, the dazzling discourse is turned on us: “So now do you see why I don’t begin my course of lectures in chronological order, with King Arthur and Chaucer, but with the Elizabethans, in defiance of all the rules? And do you see that what I most want is for you to be familiar with them, get a sense of that liveliest of period
s? One can’t have literary comprehension without real experience, mere grammatical knowledge of the words is useless without recognition of their values, and when you young people want to understand a country and its language you should start by seeing it at its most beautiful, in the strength of its youth, at its most passionate. You should begin by hearing the language in the mouths of the poets who create and perfect it, you must have felt poetry warm and alive in your hearts before we start anatomizing it. That’s why I always begin with the gods, for England is Elizabeth, is Shakespeare and the Shakespeareans, all that comes earlier is preparation, all that comes afterwards pale imitation of that true bold leap into infinity—but here, and you must feel it for yourselves, young people, here is the most truly alive youthfulness in the world. All phenomena, all humanity is to be recognized only in its fiery form, only in passion. For the intellect arises from the blood, thought from passion, passion from enthusiasm—so look at Shakespeare and his kind first, for they alone will make you young people genuinely young! Enthusiasm first, then diligence—enthusiasm giving you the finest, most extreme and greatest tutorial in the world, before you turn to studying the words.

  “Well, that’s enough for today—goodbye to you!” With an abrupt concluding gesture his hand rose in the air and imperiously descended again with an unexpected movement, and he jumped down from the desk at the same time. As if shaken apart, the dense crowd of students dispersed, seats creaked and banged, desks were pushed back, twenty hitherto silent throats suddenly began to speak, to clear themselves, to take a deep breath—only now did I realize how magnetic had been the spell closing all those living lips. The tumultuous discussion in that small space was all the more heated and uninhibited now; several students approached the lecturer with thanks, or some other comment, while the others exchanged impressions, their faces flushed, but no one stood by calmly, no one was left untouched by the electric tension, its contact now suddenly broken, yet its aura and its fire still seeming to crackle in the close air of the room.

  I myself could not move—I felt I had been pierced to the heart. Of an emotional nature myself, unable to grasp anything except in terms of passion, my senses racing headlong on, I had felt carried away for the first time by another human being, a teacher; I had felt a superior force before which it was both a duty and a pleasure to bow. I felt the blood hot in my veins, my breath came faster, that racing rhythm throbbed through my body, seizing impatiently on every joint in it. Finally I gave way to instinct and slowly made my way to the front to see the man’s face, for strange to say, as he spoke I had not perceived his features at all, so indistinct had they seemed, so immersed in what he was saying. Even now I could at first see only the indistinct outline of a shadowy profile; he was standing in the dim light by the window, half turning towards one of the students, hand laid in a friendly manner on his shoulder. Yet even that fleeting movement had an intimacy and grace about it which I would never have thought possible in an academic.

  Meanwhile some of the students had noticed me, and to avoid appearing too much of an unwanted intruder I took a few more steps towards the professor and waited until he had finished his conversation. Only then did I see his face clearly: a Roman head, with a brow like domed marble, and a wave of hair cascading back, a shining white shock, bushy at the sides, the upper part of the face of an impressively bold and intellectual cast—but below the deeply shadowed eyes it was immediately made softer, almost feminine, by the smooth curve of the chin, the mobile lips with the nerves fluttering around the restless line of the sporadic smile. The attractive masculinity of the forehead was resolved by the more pliant lines of the flesh in the rather slack cheeks and mobile mouth; seen at close quarters his countenance, at first imposing and masterful, appeared to make up a whole only with some difficulty. His bearing told a similarly ambiguous story. His left hand rested casually on the desk, or at least seemed to rest there, for little tremors constantly passed over the knuckles, and the slender fingers, slightly too delicate and soft for a man’s hand, impatiently traced invisible figures on the bare wooden surface, while his eyes, covered by heavy lids, were lowered in interest as he talked. Whether he was simply restless, or whether the excitement was still quivering in his agitated nerves, the fidgety movement of his hand contrasted with the quiet expectancy of his face as he listened; he seemed immersed in his conversation with the student, weary yet attentive.

  At last my turn came. I approached him, gave him my name and said what I wanted, and at once his bright eyes turned on me, the pupils almost shining with blue light. For two or three full seconds of inquiry that glance traversed my face from chin to hairline; I may well have flushed under this mildly inquisitorial observation, for he answered my confusion with a quick smile. “So you want to enrol with me? Well, we must have a longer talk. Please forgive me, but I can’t see to it at once; I have something else I must do, but perhaps you’ll wait for me down by the entrance and walk home with me.” So saying, he gave me his hand, a slender and delicate hand that touched my fingers more lightly than a glove, and then turned in a friendly manner to the next student.

  I waited outside the entrance for ten minutes, my heart beating fast. What was I to say if he asked after my studies, how could I confess that I had never thought about poetry much in either my work or my hours of leisure? Would he not despise me, even exclude me without more ado from that ardent circle which had so magically surrounded me today? But no sooner did he appear, rapidly striding closer with a smile, than his presence dispelled all my awkwardness, and I confessed unasked (unable to conceal anything about myself from him) to the way in which I had wasted my first term. Yet again that warm and sympathetic glance dwelt on me. “Well, music has rests as well as notes,” he said with an encouraging smile, and obviously intent on not shaming my ignorance further he turned to humdrum personal questions—where was my home, where was I going to lodge here? When I told him that I had not yet found a room he offered his help, suggesting that I might like to enquire first in the building where he himself lived; a half-deaf old lady had a nice little room to rent, and any of his students who took it had always been happy there. He’d see to everything else himself, he said; if I really showed that I meant what I said about taking my studies seriously, he would consider it a pleasant duty to help me in every way. On reaching his rooms he once again offered me his hand and invited me to visit him at home next evening, so that we could work out a programme of study for me together. So great was my gratitude for this man’s unhoped-for kindness that I merely shook his hand respectfully, raised my hat in some confusion, and forgot to say even a word of thanks.

  Of course I immediately rented the little room in the same building. I would have taken it even if it had not appealed to me at all, solely for the naively grateful notion of being physically closer to this captivating man, who had taught me more in an hour than anyone else I had ever heard. But the room was charming anyway: on the attic floor above my professor’s own lodgings, it was a little dark because of the overhanging wooden gables, and its window offered a panoramic view of the nearby rooftops and the church tower. There was a green square in the distance, and the clouds I loved at home sailed overhead. The landlady, a little old lady who was deaf as a post, looked after her lodgers with a touchingly maternal concern; I had come to an agreement with her within a couple of minutes, and an hour later I was hauling my suitcase up the creaking wooden stairs.

  I did not go out that evening; I even forgot to eat or smoke. The first thing I did was to take the Shakespeare I happened to have packed out of my case and read it impatiently, for the first time in years. That lecture had aroused my passionate curiosity, and I read the poet’s words as never before. Can one account for such transformations? A new world suddenly opened up on the printed page before me, the words moved vigorously towards me as if they had been seeking me for centuries; the verse coursed through my veins in a fiery torrent, carrying me away, inducing the same strange sense of relaxation behind the brow as one
feels in a dream of flight. I shook, I trembled, I felt the hot surge of my blood like a fever—I had never had such an experience before, yet I had done nothing but listen to an impassioned lecture. However, the exhilaration of that lecture must have lingered on within me, and when I read a line aloud I heard my voice unconsciously imitating his, the sentences raced on in the same headlong rhythm, my hands felt impelled to move, arching in the air like his own—as if by magic, in a single hour, I had broken through the wall which previously stood between me and the world of the intellect, and passionate as I was by nature, I had discovered a new passion, one which has remained with me to the present day: a desire to share my enjoyment of all earthly delights in the inspired poetic word. By chance I had come upon Coriolanus, and as if reeling in a frenzy I discovered in myself all the characteristics of that strangest of the Romans: pride, arrogance, wrath, contempt, mockery, all the salty, leaden, golden, metallic elements of the emotions. What a new delight it was to divine and understand all this at once, as if by magic! I read on and on until my eyes were burning, and when I looked at the time it was three-thirty in the morning. Almost alarmed by this new force which had both stirred and numbed my senses for six hours on end, I put out the light. But the images still glowed and quivered within me; I could hardly sleep with longing for the next day and looking forward to it, a day which was to expand the world so enchantingly opened up to me yet further and make it entirely my own.

  Next day, however, brought disappointment. My impatience had made me one of the first to arrive at the lecture hall, where my teacher (as I will call him from now on) was to speak on English phonetics. Even as he came in I received a shock—was this the same man as yesterday, or was it only my excited mood and my memory that had made him a Coriolanus, wielding words in the Forum like lightning, heroically bold, crushing, compelling? The figure who entered the room, footsteps dragging slightly, was a tired old man. As if a shining but opaque film had been lifted from his countenance I now saw, from where I was sitting in the front row of desks, his almost unhealthily pallid features, furrowed by deep wrinkles and broad crevices, with blue shadows wearing channels away in the dull grey of his cheeks. Lids too heavy for his eyes shadowed them as he read his lecture, and the mouth, its lips too pale, too thin, delivered the words with no resonance: where was his merriment, where were the high spirits rejoicing in themselves? Even the voice sounded strange, moving stiffly through grey, crunching sand at a monotonous and tiring pace, as if sobered by the grammatical subject.