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Sixfold Poetry Summer 2015, Page 3

Sixfold


  As we stretch our right arms toward two o’clock

  I’m not sure what he means

  but I tuck in my fifty-year-old belly

  sight along my upward arm

  try out a position

  that I fancy to be the stance

  of a time-defiant warrior.

  Soften your gaze. He walks over to me.

  And don’t worry about the depth of the pose.

  Depth, not death, I realize, disappointed.

  Don’t worry about depth. So I bend

  less deeply, flatten out, arranging myself

  into a vertical plane so thin that I don’t exist.

  I surface many poses later

  all of us in downward-facing dog.

  I Don’t Need To Know

  Not the name of the frog that sounds

  like a ratchet, nor why it’s calling

  in the fall. That huge floriferous fungus

  on top of the stump—I don’t care to know

  if it’s safe to eat. It’s not in me to ask myself

  why I visited this patch of land this summer

  hoping for a glimpse of the bright blue bunting

  that we always looked for in the cottonwood.

  Some of the hummingbirds by the bridge

  today might be the same busy birds

  that kept brushing our arms that year. I don’t know

  how long they live, and not knowing is okay with me.

  I think I might know why the warblers are drab and silent in fall,

  why they hawk for bugs and frantically work the branches.

  I could probably explain why the wood ducks seem so brilliant now

  after a mottled August. You taught me that, and more.

  This morning, a green heron stretched his neck

  farther than I ever could have imagined—

  but these days, nothing surprises me.

  I know exactly why I hold each season close,

  as if it were my last visit. I remember

  your last season, that fall when we heard

  the chitter of the hummingbirds

  in the bright orange jewelweed

  long before we saw them

  hovering to feed.

  Aftermath

  We root for trees to stand upright

  in the same way we want our parents

  to live forever, our friends to stay loyal,

  our passions to burn bright.

  We nurture—or neglect—

  that massive presence

  and then it crashes.

  How quickly we try to fix the tangle,

  transform jagged edges

  and dangling branches

  tame the lightning’s gash

  the ragged rip of the wind

  with smooth swift cuts

  easy-to-handle chunks.

  We gather branches in tidy bundles

  place them where they won’t be in our way.

  Two years ago, after the tornado’s sudden swath,

  we wept to see the herons circle and circle

  over the mass of trees that once harbored their young.

  Can we really know what creatures feel?

  Why were we so surprised at how fast

  they settled in to feed, how the next year,

  they returned to rebuild their lives?

  Admire the diligence of the fungus

  now awakened on the fallen trunk.

  Celebrate its foresight and patience.

  Its spores lie in wait

  then seize the wet, wild gusts

  as a chance to thrive.

  Yesterday, the old pine lay across the front yard

  sheltering a bat with two pups, furry little bumps

  clinging to her breast. We couldn’t read her sleepy gaze

  but desperately needed to take charge, to heal

  anxious as we waited for wildlife rescue to return our call.

  All afternoon, the symphony of chainsaws and chippers

  drowned out the caw caw caw of the homeless crow.

  Matt Daly

  Elk Hunting, 12 Below

  What isn’t like this? We make our daily

  enterprises more difficult than we must

  for the sake of giving memory fresh

  meat for its freezer, or to have something

  to chew when the morning is colder than

  today. We add so much complexity

  to what comes easily barreling down

  the smooth shoulder of the black butte, darker

  than the star-salted sky, in a fluid school

  of hooves. Animal stench dodges between

  dome lights illuminating the hunters

  at ease in warm trucks pulled just off the road.

  It is not only the coldest mornings

  when we work our way deep down Long Hollow

  that we nevertheless hear every shot

  in the fusillade and know what is most

  difficult is escaping the thoughts we

  make, the cold projectiles we lob at what

  wild life still courses through what we have left

  of the vast wilderness inside each of us.

  Beneath Your Bark

  Would I could be a pine beetle

               tracing my underneath cursive

                            on the inside of your fascia

  not that slick blue bugger

               who girdled your phloem

               who separated your roots

                            from your reaching

  but this one who goes nowhere

               save wiggling through your liquid thump

                            in cul-de-sacs and curlicues

  I wish I could get under

               your skin again begin again

                            in my black sheen

  a radiant radical pellet

               pinballing beneath your flakes

                            your scales around your heart wall

  not a wall at all permeable

               a tub for sap to be sludge swam

                            slithered in under there

  inside the soft side of your skin

  outside the wooden stem

               of your still ringing heart

  Wolf Hunter1

  We strike up conversation

  across the concrete island

  between us. Sleet pelts

  our faces as we refuel.

  I am comfortable talking

  in flurries to a man

  in camouflage, but worry

  about fumes roiling

  out of our gas tanks.

  I keep thinking about

  warnings, pump stickers,

  about the mass of fumes

  collecting around us,

  his idling engine,

  my cell phone,

  static electricity.

  He tells me he shot a male

  wolf earlier in the day.

  He is specific about

  the weight: one hundred

  seventy pounds.2

  I listen in October sleet,

  have a most common thought:

  the world is a strange place

  for all of us to go on living

  together, full of contradictions:

  wolf pups wag tails when

  packmates return from tearing

  elk calves to pieces, people

  advocate replacing lead

  bullets with copper to reduce

  unintended mortalities.3

  I want to ask the hunter:

  his reason for shooting the wolf,

  the kind of bullet he used
,

  his justification for the claim

  his wolf is almost as large

  as any wolf ever killed

  by any North America man.4

  I want to understand:

  his method for establishing

  heft of a carcass, why he keeps

  the bed of his truck covered,

  why he does not shut off

  the engine at the filling station

  as instructed.

  But more than that,

  I want to be happy

  to live in a place with wolves

  as large as men, to live

  in a place where men talk

  over warning signs.

  More than that, I want to live

  in a place where no one

  wants to shoot anything

  for any reason

  easy to document.5

  _____________________

  1 According to the Wikipedia

  article “Gray Wolf,” the largest

  American wolf, killed on July 12,

  1939, 70 Mile River, Alaska,

  weighed 175 pounds.

  2 According to the Wikipedia

  article, “Human,” 170 pounds

  is about average for a human

  male.

  On screen, the Vitruvian man

  looks uncomfortable, as do

  the naked Asian man, the naked

  blond woman in the sidebar.

  This is the first time I have looked

  at pictures of naked people

  on Wikipedia.

  3 Several of the citations at the end

  of the article, “Gray Wolf,”

  credit “Graves.”

  4 My comparison of footnotes

  in the Wikipedia articles reveals:

  146 citations, “Human,”

  318 citations, “Gray Wolf.”

  I do not understand why wolves

  require more than twice

  the documentation of people.

  5 I think most of us know

  something about exaggerating

  the weight of things.

  American Robin

  Dun flight flares around the corner.

  Mate or prospective mate gives chase,

  red-breasted one who later waits

  on a branch after the first hits

  the back door’s glass, collapses

  panting, dull-eyed, on the new deck.

  I hold the numb bird in my hands,

  wrap her loosely in a green cloth,

  keep a close eye out for magpies.

  Given the opportunity

  they would mob the male, chase him off,

  whet the edges of their black bills.

  My son comes outside only once

  to touch with his index finger

  between wings we think are broken.

  We believe telling a story

  could conjure that story straight out

  of the air. Her story opens

  in my palm. Braille points of talons

  tug at whorls. A heartbeat pulses.

  She regains her ability

  to stand, to perch. Return to flight.

  She reappears on a low branch,

  unnoticed from inside the house.

  No banner unfurls for this act:

  saving one life from other lives,

  from the windowed door between us.

  Our story is hard as glass. We slam

  against it with our hollow bones.

  We slam against it with our bones.

  Eagle Cap Rekindling

  We have not seen each other in twenty-five

  years and even though back then I covered my

  naked body with your naked body I do not expect

  you to remember my name. I will speak

  truly, there is no reason not to be honest

  after so much time, I did not remember your name

  until I read it on a signpost as I made my way

  back to you although I have never forgotten

  the feel of you wet and then you drying slow

  on my skin, that glacial silt mud scent of you

  mixed with the spare change tang of my sweat

  how you washed me in your coldest springs

  until the only odors were snow and stone.

  You haven’t changed as much as I have

  or if so for the better having reintroduced

  yourself to wolves. Whereas I am just as tongue-

  tied around you as I always was. So I offer you

  my flesh, softer now, clothed or naked as you wish

  and the admission that you stunned the howl

  right out of me all those years ago when my tongue

  knew the feel of your skin better than it knew

  this voice it has grown so familiar with

  so resigned to. I have longed so long to revel

  in your muck and reek as one wild body

  savors the blood pulse thrum of every other

  wild body no matter how rocky or old.

  Paulette Guerin

  Emergence

  The summer our parents split, we spent our days

  at St. Mary’s. June’s heat had drawn the water

  from the ground. As the sun incubated the air,

  cicadas crawled from their burrows and screeched

  into being. Males called out with ribbed bellies;

  the females rubbed their wings in answer,

  flitting on stone statues of saints, squirming

  in the crevices of robes or folded hands.

  The windows vibrated with mating calls,

  sparse rugs hardly absorbing the sound.

  Icons looked down from plaster walls,

  their eyes distant like someone lost or in love.

  Emily Dickinson Floats 
the Buffalo River

  She regrets wearing white,

                          the edge of her dress muddied.

              Down she drifts—

  catching a whiff of charred food

                          and a faint Skynyrd riff,

  past purple flowers she deems gentians.

                          The canoe paddle

              stirs the tawny fish. She calls them cod,

  the water clear

                          down to the riverbed’s

              algaed stones.

  Just beyond the shadow of a cliff,

                          the rapids come.

              She cannot stop

  thinking of the river’s nonchalance—

                          its only thought, resistance;

              its only love,

  change. Evening light

                                      shifts the tableau—

              viridian and burnt ocher

  blend to muted indigo.

                          Just when she seems at home,

  Dickinson pens a postcard—

                          “How can I stand

              this tighter Breathing,

                                           this Zero

                          at the bone?”

  First Communion

  The night before, Grandma made my pallet

  on the couch with faded blue flowers.

  Across the room, the iron-barrel stove loomed.

  We learned not to touch it.

  At midnight I woke. I’d never heard rain on a tin roof

  and was sure what Revelation promised was true—

  dark horses had come. In church we’d
learned

  about the wise and foolish virgins with their oil.

  I had not confessed my sins. Everyone else slept—

  or were they gone? Then the rain let up.

  The dark turned dim. I chipped the polish

  from my nails, ashamed they were not bare.

  Milking

  The women slipped her head

  between the fork of a tree.

  I braced a board against the bark,

  a makeshift stock. Mrs. Henry kept the rope

  taut around the legs while Grandma

  milked the bleating nanny.

  The swollen bag shrank.

  The runty kid approached slowly,

  still afraid of hooves.

  Smoothing out her wrinkled dress,

  Mrs. Henry said her grandbaby

  would be visiting soon.

  Then softly, “But she’s got

  no fingers on one hand.

  Umbilical cord, you know.”

  Grandma frowned, then said, “Still, you’re lucky,”

  placing her hand above her heart

  just below the neck.

  Morrilton, Arkansas

  Train cars jump in and out

  of old storefront windows.

  A boy in Levi’s crosses the tracks

  toward the monument company’s headstones.

  A few already have a chiseled name.

  I wait for him behind a heap of brick

  and corrugated tin. On windy days,

  the paper-mill stink drifts into town.

  He claims the money beats baling hay,

  then closes his mouth over mine.

  Hank Hudepohl

  Crossed Words

  I wonder, looking at the red-headed bird at the feeder,

  if it is a woodpecker, or cardinal, or maybe a rare, hot-headed

  warbler come to dine with me on my parent’s deck

  as I visit with them for a long weekend. I am picking

  over the seeds on my plate too, curious about how

  I got here, which is to say, living a thousand miles away

  and now just a rare visitor to their empty nest,

  while my convalescent mom sleeps off her dizziness

  in the back bedroom and my dad calls out to me

  from the kitchen again to ask if I’d like anything more.

  Yes, maybe to understand how migrations, digressions,

  even casual addictions can lead to the brink of confusion

  where simple questions like “what do you want to eat?”

  and “when can you visit again?” can be as complicated to answer

  as my dad’s Sunday crossword, locked as I am in my own state