found death area field, found area itself confinement judge
in in of with frozen after and found
a a the marks to several sentenced
field remote urban across death men to kneel
field sprawl his were eight
nose found months
and wrists
so so to on on so
walk he walk a the there
back, come back so-called road, were
sober and ‘starlight and questions
sober and “starlight and questions
up, kissed tour’ clearly questions
settle me this to
down, and isn’t be
he an asked
left. area
where
people
walking
Jason but He and his He Stonechild’s Yes, his
saw he says Neil friend had face as little cop
Neil, had Stonechild was was fresh soon friend
his his had bloodied handcuffed blood as
friend, face a up. and on I
in to cut His bleeding his saw
the the on boy in face, him
backseat window his the was across there
and face full back his was
he of nose a
was blood. gash
yelling across
at his
me face
teenaged when were several one after how
teenaged when were several one after how
who two alleged cases of several he
died more to of three men came
of men have men First were to
hypothermia were driven who Nations found die
found intoxicated froze people frozen in
found intoxicated froze people frozen in
frozen native to to to such
frozen native to to to such
men death die death a
in lonely
remote manner
a who who from of to it
cold was was where exposure the sprawls
winter taken screaming he on city’s away
night out at was a bitterly outskirts from
night out at was a bitterly outskirts kneel
on him last cold on the
a from seen nights river
cold the of cold and
winter back November dropped downtown
winter back November dropped downtown
of 1990 them centre
the off
, though a and him He who a The ‘midnight on
he cold Neil in had was bitterly last, ride’ bitterly
had winter was a fresh taken cold lonely cold
been night bloodied field blood out night night nights
been night bloodied field blood out night night nights
drinking up. on on in and
the His a his a November dropped
night face night face, cold 1990 them
was when across winter off,
full his night
of nose
blood
had, though He the He but had had since
boy he says seventeen-year-old had he picked enough the
spending had Stonechild had fresh him time had ‘starlight
a been had only blood his up, to tours>/’
lot drinking had one on face driven dump had
of the cut shoe his to him Stonechild become
time night hadon face, the outside on public had
together he his across window the the knowledge
disappeared face his city and edge
nose he of
was town
yelling
at
me
a Jason I I because
cop saw didn’t said it
car Neil, want no, was
car Neil, want no, was
pulled his to I open,
in friend, be didn’t more kneel
in front there know open
of the in him than
me backseat that because just
me backseat that because just
me backseat that because just
and of car I a
Neil the with didn’t scratch
was car him want
in to
the
back
Yes.
It’s liking things.
BURY IT
and then
you’re not even
sure if it’s // um that
the place you bury it
it
can probably be
safe
for what? something //
something is either a half or three
quarters and
you cannot guarantee that
anything is gonna be
safe
at least I don’t think
or maybe even // maybe
you can but it doesn’t seem I
really // I really don’t
BRUSH
best in this. close
operating once again under her WHITE area
glimpse through control The best place to take making
head in the wing also struggling (it has been
raining traffic through the South the South
port of — unveil. spearheading the terror’s
structure like the rural direct opposition
hawks once again taking under her
kneel to both, and Rain
Central parts of raining for Corridor (
which is the linking There is a parking lot on the
right. The best place WHITE their new
’s structure, ‘exploring the —, the the
rural every two (will be selling in the Picture:
The present and lifeline Walk into
the woods, follow the northwest coast
there is a trail in the shape
a date for release their cornered and most
into the woods, follow prey and the next markets
, one township a weekend of rain a return to
the best place for development expected next year. Her
WHITE area. a sneak a path near the pond.
Go left, warms between your
links with rural this part of the coast into
operating under her
adjoining grind reverted to set the
release The best place by list the spokes of the front
in such weak and to or. Prevailing sweepimoisture
is rain. once again her WHITE place
soon more ) WHITE ) of WHITE shifting from
— the northwest front want. to set steel to turn kneel
near any of the dark bench areas, the heaviest
yes
hawks to the cutting
grounds allegedly best saying ‘has been, is an
ideal hideout for the kneel of the rural comes
prey falls along the Coast drenched in the early any
of the dark during. told her More. In
and yes The best place earlier, the city’s The main trail
its rural Dam and other popular Lower turn
over. Here. made the making The act
BURY IT
m-hm
you’re not even
sure
the place you bury it
I // I think
well
well
we just heard that
You see but the only problem is
m-hm
and you cannot //
at least I don’t think
maybe even // maybe
but it doesn’t seem
m-hm Well
I suppose
it’s a problem I
really //
I really don’t know
Yes, because you
do the same thing
every time.
I’VE GOT TO Tell You
Cause I really You can’t tell
Say Is it is it dry Cause I r
eally Tell me
I’m not maroon I gotta Is it, is it
I hope
listen Cause I really need Tell me are you lonely
really Tell me are you Won’t you And
if I’m not Is it wet, Is it Cause
If I If I You can’t tell real I hope
that we’ll Oh Boy See shouldn’t let you but, proud
you crowded Boy Won’t you If you tell you know
or say no Cause I really Tell me
are you empty I’m not just Say
let You can’t tell I’m talking Are you difficult
Boy you shouldn’t tell you but if I If I alone
We talk But don’t know see numerous if
yes I promise you If we and you know
Can you Can you Can you further Can you
THE SAFE M-HM
Can I boy under you honey
m-hm
Can you tell everyone I should brush against this maroon
starlight and save the robe Can I bury the songs and the
morning the grey sunshine the fire and what I sometimes
prey and what you right now
m-hm
how I honey
m-hm
honey sometimes I think you’re getting further from liking
this from the buses from the cold
hm
from the plane the hawk the parking lot and the numerous
stars honey am I safe sometimes now and way under anxious
am I clearly honey the songs you honey honey
m-hm m-hm
Can I bury the grey sunshine honey the grassfire the prey
the hawk under snow Can you know where the robe is
where’s the tea in my mouth how honey
m-hm
Can you tell everyone Can I bury under safe Can you can
you brush it clear over me sometimes honey
m-hm m-hm
Can you know how honey
m-hm
I’ve got to tell you sunshine got to tell everyone I think we
should sing all the sentimental songs and tell the starlight
bury way under morning and sunshine I’ve got to tell you
to get everyone
m-hm
I’ve got to tell you to tell everyone I always think in my
mouth I’ve got to get you and glow like the parking lot the
snow the grey mornings the only passenger
Can I see you brush the car in the sunshine got to tell you
Can you robe the songs clearly tell me Can you bury me
honey Can I boy under you honey tell me
m-hm
Can I think you’re safe to hawk the starlight and brush
morning Can you beg the cold lunch the anxious prey
honey Can I brush over you liking things I think in the
place further from this tell me
m-hm m-hm
honey
m-hm
You do it over
and over again.
I’VE GOT TO TELL YOU
Can you Can you Can you Can you Boy
grey Boy I promiseyou If Iwe and you know
We talk But see dry I don’t know if from
you shouldn’t tell you but if I If maroon
I let you You can’t I’m talking Are you noiseless
Boy I’m not lonely just Is it, Is it Say yes
or say no Cause I really Tell me are
you wet Oh Boy Won’t you If you tell you know
that we real Boy See shouldn’t let you but,
If I If I You can’t tell proud I hope
you crowded Boy I’m not Is it, Is it Cause
I really tell me are you empty Won’t you And
listen Cause I really Tell me are you
If You can’t tell I’m talking difficult I
hope Boy I ifgotta I’m not Is it, is it
Say Is it numerous is it Cause I really Tell
If me are you that somebody Cause I really You can’t tell
I’m talking further
MORNING
Number one is mornings
Number two is my coast
Number three is my sunshine
Number four is my feel
Number five is my girl
Number six is that somebody
Number seven is naughty
Number eight is my girl
Number nine is my mouth
Number ten is grey
Number eleven is my feel
Number twelve or tea
Number thirteen is that somebody
Number fourteen is noiseless
Number fifteen is hot enough
Number sixteen tell nobody
Number seventeen is my cigarette
Number eighteen or robe
Number nineteen is my feel
Number twenty is soft soap
Number twenty-two is my hawk
Number twenty-three is my feel
Number twenty-four is small talk
Number twenty-five is my lonely
Number twenty-six is my girl
Number twenty-seven is my only
Number twenty-eight is my girl
Number twenty-nine is my feel
Number thirty is my coast
Number thirty-one is this real
Number thirty-two or snow
Number thirty-three is my one
Number thirty-four is nobody
Number thirty-five or dock
Number thirty-six is naughty
Number thirty-seven is my buses
Number thirty-eight is proud
Number thirty-nine is my girl
Number forty is my clouds
Number forty-one is my girl
Number forty-two that’s good
Number forty-three is my girl
Number forty-four or flutes
Number forty-five is my feel
Number forty-six is my beach
Number forty-seven is my girl
Number forty-eight is bees
Number forty-nine is nobody
Number fifty is my coast
Number fifty-one is my sand
Number fifty-two at most
Number fifty-three is that somebody
Number fifty-four is my tears
Number fifty-five is my girl
Number fifty-six is my feels
Number fifty-seven is my heart
Number fifty-eight is my keys
Number fifty-nine is my girl
Number sixty or trees
Number sixty-one is naughty
Number sixty-two is my birds
Number sixty-three is baby
Number sixty-four or words
Number sixty-five is my parking lot
Number sixty-six is my feel
Number sixty-seven is my hawk
Number sixty-eight is real
Number sixty-nine is my coast
Number seventy or keys
Number seventy-one is dry toast
Number seventy-two is all these
Number seventy-three is my feel
Number seventy-four is my girl
Number seventy-five is a meal
Number seventy-six is my girl
Number seventy-seven is relief
Number seventy-eight is my stars
Number seventy-nine is naughty
Number eighty is my car
Number eighty-one is that somebody
Number eighty-two is my snow
Number eighty-three is my girl
Number eighty-four is the most
Number eighty-five is daily
Number eighty-six is my girl
Number eighty-seven is baby
Number eighty-eight or kneel
Number eighty-nine is my girl
Number ninety is my card
Number ninety-one is that somebody
Number ninety-two is warm
Number ninety-thre
e is nobody
Number ninety-four is nothing
Number ninety-five is prosody
Number ninety-six is music
Number ninety-seven is my whole
Number ninety-eight is my girl
Number ninety-nine is that somebody
Number one hundred is control
Number one hundred and one is my hawks
Number one hundred and two is my cross
Number one hundred and three is my girl
Number one hundred and four is my girl
Number one hundred and five is north
Number one hundred and six is my pass
Number one hundred and seven is my girl
Number one hundred and eight or path
Number one hundred and nine tell nobody
Number one hundred and ten flies
Number one hundred and eleven is my girl
Number one hundred and twelve is dry
Number one hundred and thirteen is my place
Number one hundred and fourteen is my girl
Number one hundred and fifteen is my sunshine
Number one hundred and sixteen is further