Grimus

  ALSO BY SALMAN RUSHDIE

  FICTION

  Midnight’s Children

  Shame

  The Satanic Verses

  Haroun and the Sea of Stories

  East, West

  The Moor’s Last Sigh

  The Ground Beneath Her Feet

  Fury

  Shalimar the Clown

  NONFICTION

  The Jaguar Smile

  Imaginary Homelands

  The Wizard of Oz

  Step Across This Line: Collected Nonfiction 1992-2002

  PLAYS

  Haroun and the Sea of Stories

  (with Tim Supple and David Tushingham)

  Midnight’s Children

  (with Tim Supple and Simon Reade)

  ANTHOLOGY

  Mirrorwork (co-editor)

  For Clarissa

  Go, go, go, said the bird; human kind

  Cannot bear very much reality.

  (T. S. ELIOT)

  Come, you lost atoms, to your Centre draw,

  And BE the Eternal Mirror that you saw;

  Rays that have wandered into darkness wide,

  Return, and back into your sun subside.

  (FARID-UD-DIN ’ATTAR, The Conference of the Birds, trans. Fitzgerald)

  Crow straggled, limply bedraggled his remnant.

  He was his own leftover, the spat-out scrag.

  He was what his brain could make nothing of.

  (TED HUGHES, “Crow’s Playmates”)

  The sands of Time are steeped in new

  Beginnings.

  (IGNATIUS Q. GRIBB, The All-Purpose Quotable Philosophy)

  THE CHAPTERS

  PART ONE: TIMES PRESENT

  I Flapping Eagle

  II Bird-Dog

  III Mr Sispy

  IV Phoenix

  V La Femme-Crampon

  VI Voyages

  VII The Gate

  VIII Mr Jones

  IX Under Calf Mountain

  X Birds

  XI Hump

  XII The Tremor

  XIII Dimensions

  XIV Enemies

  XV The Trunk

  XVI Snap

  XVII Ascent

  XVIII Magister Anagrammari

  XIX Fever

  XX Jonah

  XXI Strongdancer

  XXII Khallit and Mallit

  XXIII The Sea

  XXIV Tunnel

  XXV Axona’s Champion

  XXVI Out of Order

  XXVII Terror

  XXVIII Afterwards

  XXIX Deggle

  XXX Valhalla

  PART TWO: TIMES PAST

  XXXI Stones

  XXXII Blink

  XXXIII Outside the Elbaroom

  XXXIV Inside the Elbaroom

  XXXV Invitation

  XXXVI Gribb

  XXXVII The Rising Son

  XXXVIII At the Cherkassovs’

  XXXIX Sodomy

  XL The Swing

  XLI Black Rider

  XLII Madame Jocasta

  XLIII On Obsession

  XLIV Ostriches & Intrusion

  XLV Media

  XLVI The Pale Sorceresses

  XLVII Death

  XLVIII Funerals

  XLIX Retreat

  L Kill or Cure

  LI Stone

  LII Mrs O’Toole

  LIII Anagram

  PART THREE: GRIMUS

  LIV Fifty-Four

  LV The Stone Rose

  PART ONE

  TIMES PRESENT

  I

  MR VIRGIL JONES, a man devoid of friends and with a tongue rather too large for his mouth, was fond of descending this cliff-path on Tiusday mornings. (Mr Jones, something of a pedant and interested in the origins of things, referred to the days of his week as Sunday, Moon-day, Tiusday, Wodensday, Thorsday, Freyday and Saturnday; it was affectations like this, among other things, that had left him friendless.) It was five a.m.; for no reason, Mr Jones habitually chose this entirely random time to indulge his liking for Calf Island’s one small beach. Accordingly, he was tripping goat-fashion down the downward spiral of the path, trailing in the nimbler wake of a hunchbacked crone called Dolores O’Toole, who had an exceptionally beautiful walnut rocking-chair strapped to her back. The strap was Mr Jones’ belt. Which meant he was obliged to use both his hands to hold his trousers up. This kept him fairly preoccupied.

  Some more facts about Mr Jones: he was gross of body and short of sight. His eyes blinked a lot, refusing to believe in their myopia. He had three initials: V. B. C. Jones, Esq. The B was for Beauvoir and the C for Chanakya. These were historical names, names to conjure with, and Mr Jones, though no conjurer, considered himself something of an historian. Today, as he arrived at the dead greysilver sands of his chosen island, surrounded by the greysilver mists that hung forever upon the surrounding, sundering seas, he was about to make his rendezvous with a small historical event. If he had known, he would have philosophized at length about the parade of history, about the historian’s inability to stand apart and watch; it was erroneous, he would have said, to look upon oneself as an Olympian chronicler; one was a member of the parade. An historian is affected by the present events that eternally recreate the past. He would have thought this earnestly, although for some time now the parade had been progressing without his help. However, because he was shortsighted, because of the mist and because he was trying to keep his trousers on, he didn’t see the body of one Flapping Eagle floating in on the incoming tide; and Dolores O’Toole was spared the trouble of being an audience.

  Sometimes, people trying to commit suicide manage it in a manner that leaves them breathless with astonishment. Flapping Eagle, coming in fast now on the crest of a wave, was about to discover this fact. At present he was unconscious; he had just fallen through a hole in the sea. The sea had been the Mediterranean. It wasn’t now; or not quite.

  The crone Dolores placed the rocking-chair on the sands. Mr Jones supervised approvingly. The rocking-chair faced away from the sea and towards the massive forested rock of Calf Mountain, which occupied most of the island except for the small clearing, directly above the beach, where Mr Jones and Dolores lived. Mr Jones sat down and began to rock.

  Dolores O’Toole was a lapsed Catholic. She sometimes took unholy pleasure in the act of stimulating herself with church, or roman, candles. She did this because she was separated from her husband but not from her desires. Her sometime spouse, Mr O’Toole, ran a drinking establishment in K, the town high on the slopes of Calf Mountain, and she disapproved of K in general, of drinkers in particular and of her husband most particularly of all. She gave vent to this disapproval by living in isolation with Virgil Jones (far from K, from Mr O’Toole’s bar and from his favourite place of recreation, Madame Jocasta’s notorious bawdy-house). And every Tiusday at dawn she carried Mr Jones’ rocking-chair to the beach.

  —Crestfallen, murmured Mr Jones to himself, with his back to the sea. Crestfallen, the sea today.

  The body of Flapping Eagle touched land face upwards, which explains why he hadn’t drowned. He was quite near the back of Mr Jones’ rocking-chair, and the encroaching waves pushed him ever nearer and nearer. Mr Jones and Mrs O’Toole remained oblivious of his presence.

  It should be pointed out that Flapping Eagle was averagely kind and good; but he would soon be responsible for a large number of deaths. He was also as sane as the next man, but then the next man was Mr Virgil Jones.

  There was an extraordinary coincidence involved in the relationship of Virgil Jones and Dolores O’Toole: they loved each other and found it impossible to declare their love. It was no beautiful love, for they were extremely ugly. It was undeclared, because each had been so badly damaged by experience that they preferred to nurture their feelings in the privacy of t
heir own bosoms, rather than expose them to possible ridicule and rejection. So they would sit close, but separated by this privacy, and Dolores would sing cracked songs, toothless rimes of mourning and requition; while Virgil would talk his lilting elliptical talk, exercising the thoughts and the tongue which were both too large for his head to hold, and there on the deserted beach was as close as they came to joy.

  Whitebeard is all my love and white beard is my desire, sang Dolores dolefully, to the rhythm of the swaying rocking-chair. Virgil, lost in thought, stroked his white-grizzled chin and did not hear.

  —Language, he mused, language makes concepts. Concepts make chains. I am bound, Dotty, bound and I don’t know where. Not enough of the ether for the way of Grimus, not enough of the earth for the way of K, moving pingpongways in thought between them and you. Dolores O’Thule. Sorrow of the gods. My dear, I was not always as you see me now. The terror of the titties, I. Once. Then. Before.

  —Early one morning, just as the Son was horning, I a maiden crying in the valley below, wailed Dolores.

  The insensate Eagle was within a foot of the rockers.

  —This island, muttered Virgil Jones firmly, but under his breath, is the most terrible place in all creation. Since we seem to survive and are not sucked into its ways, we seem to love.

  He would have reflected further, on ritual, on obsession, on the neuroses and displacement activities that exile creates, on age, on entrapment, on friendship and love, on the state of his corns, on the ornithology of myth, and refined and invented thoughts in the peace of Dolores’ presence; and she would have sung further, until her songs dropped a tear from her eyes; and then they would have gone home.

  But at that moment the body of Flapping Eagle came to rest against the perfectly-carved rockers of the perfectly-carved rocking-chair with the perfectly-carved dancers spiralling along them. The chair, thus affronted, stopped rocking.

  —Death, exclaimed Dolores in terror. Death, from the sea….

  Virgil Jones didn’t reply, having a mouth full of the sea which had lodged in Flapping Eagle’s lungs. But he, too, as he breathed life back into the stranger, was alarmed.

  —No, he said eventually, willing himself and Dolores to believe it. The face is too pale.

  A remarkable fact about Flapping Eagle’s arrival at Calf Island: the island-dwellers, who shouldn’t have been too surprised at his arrival, found it highly disturbing, even unnerving. Whereas Flapping Eagle himself, once he acquired a certain piece of knowledge, rapidly came to accept his arrival as entirely unremarkable.

  The piece of knowledge was this:

  No-one ever came to Calf Island by accident.

  The mountain drew its own kind to itself.

  Or perhaps it was Grimus who did that.

  II

  THE DAY HAD begun well enough. That is to say, it resembled the previous day sufficiently (in terms of weather, temperature and mood) to give the half-sleeping young man the illusion of continuity. Yet it also differed sufficiently from the recently-passed (in terms of subtle things like the direction of the wind, the cries of the swooping birds above and the squawks of the womenfolk below) to produce an equal and opposite illusion of temporal movement. The young man was basking pleasurably in these conflicting and harmonious mirages, drifting slowly up towards consciousness, which would banish both and substitute a third illusion: the present.

  I was the boy. I was Joe-Sue, Axona Indian, orphan, named ambiguously at birth because my sex was uncertain until some time later, virgin, younger brother of a wild female animal called Bird-Dog, who was scared of losing her beauty, which was ironic, for she was not beautiful. It was my (his) twenty-first birthday, too, and I was about to become Flapping Eagle. And cease to be a few other people.

  (I was Flapping Eagle.)

  The Axona aren’t interested in twenty-first birthdays. They celebrate only puberty, loss of virginity, proof of bravery, marriage and death. At puberty the Old took goats’ hairs and tied them like a beard round my face, while the Sham-Man anointed my newly-potent organs with the entrails of a hare, for fertility, chanting to the god Axona as he did so.

  The god Axona had only two laws: he liked the Axona to chant to him as often as possible, in the field, on the toilet, while making love if concentration allowed; and he instructed the Axona to be a race apart and have no doings with the wicked world. I never had much time for the god Axona, especially after I reached puberty, because once my voice cracked it became extremely infelicitous and I gave up chanting entirely. And then there was Bird-Dog and her fondness for the outside world. If it hadn’t been for this fondness, she might never have met the pedlar Sispy; and then she might never have left, and then I might never have left, and it would all have been different. Or perhaps there would inevitably have been a Sispy.

  Let me explain some things. I grew up on a table-top in what is, I believe, still known as the United States, or, colloquially, Amerindia. The table-top was self-supporting: that is to say, it produced all the food the Axona required. No Axona had ever descended from this plateau to the plains beneath; and after a few battles in which the wicked world discovered how impregnable a fortress Axona was, they left us alone. Bird-Dog was the first Axona to visit the plains as far as I know; she was certainly the first to learn the language and develop a distinct taste or affinity for them.

  To understand Bird-Dog, it is necessary to know that we were orphans, Bird-Dog and Joe-Sue. My mother died moments before I was born, which is why my formal given name was Born-From-Dead. Joe-Sue is what they called me to spare me hurt. Though whether it is painless to be known for twenty-one years by a hermaphrodite’s name, which causes every eligible female to recoil for fear of breaking tabu, I leave others to judge.

  My father died soon afterwards, leaving the thirteen-year-old Bird-Dog with full responsibility for me. Bird-Dog was not her formal given name. Nobody ever told me what that was. She took it for herself, as a brave’s name, at the age of sixteen.

  This was not a popular move among the Axona, but Bird-Dog and I were never much loved after the death of my people. This is why: orphans in Axona are like mongrels among pedigree hounds. We were near-pariah from the moment my father passed on, and our natures exacerbated our plight.

  Bird-Dog had always been a free spirit. I say this with some envy, for I never was, nor am. Conventions did not touch her, artifice never seized her. As a child she was drawn to the bow and arrow and loathed the stove and cauldron, much to the dismay of the Old. This was a stroke of luck for me. It meant she could forage food for us. It meant she was as good in the fields as most young men. Bird-Dog was a born provider. With breasts. Breasted providers were anathema to the Axona.

  As I grew, the disapproval became more and more overt. Conversation would stop at the water well when I approached. Shoulders grew cold when Bird-Dog passed. Noses tilted into the air, the Axona ostracized us as far as they could. They could not expel us; we had committed no crime. But they didn’t have to like us, so they didn’t.

  —Well, said Bird-Dog to me when I was sixteen (and a young, helpless sixteen I was), if they don’t want us, we can do without them.

  —Yes, I said, we can do without. I said it sadly, because though I was easily influenced by Bird-Dog, I had the adolescent’s latent love of acceptability.

  —We’ll just have to find our friends elsewhere. She said it casually if a little defiantly. She had obviously brooded on it for years. It was a sentence which would change our present, our future, our whole lives. Of course, Joe-Sue agreed with his big, competent, manly sister.

  What Bird-Dog never accused me of, what I found out only after she had gone, was that the main reason, the true cause of our detachment from our tribe, was not our orphan status, not her manliness, not her taking of a brave’s name, not her general demeanour, not her at all. It was me, Joe-Sue.

  For three reasons: first, my confused sex; second, the circumstances of my birth; and third, my pigmentation. To take them in order. To be a herm
aphrodite among the Axona is to be very bad medicine. A monster. To mutate from that state into a ‘normal’ male is akin to black magic. They didn’t like that. To be what I was, born from dead, was a dire omen; if I could bring death at the moment of my birth, it would sit upon my shoulder like a vulture wherever I went. As for my colouring: the Axona are a dark-skinned race and shortish. As I grew, it became apparent that I was, inexplicably, to be fair-skinned and tallish. This further genetic aberration—whiteness—meant they were frightened of me and shied away from contact.

  Because they were frightened, they gave us a measure of respect. Because I was a freak, they gave us a measure of scorn.

  It goes without saying that Bird-Dog and I were very close indeed. How much she suffered because of my deformities, she never said. It was a mark of her love.

  So, unconsciously, from those early days, I was being equipped for the voyage to Calf Island. I was an exile in an isolated community, and I clung to my love for my sister as a castaway to driftwood.

  That day, when Bird-Dog spoke the unspeakable, she let me into a secret.

  —Before I was your age I went Down, she said. I was shocked. In those days the idea of breaking the law of Axona still shocked me.

  —When I was your age I went into the town, she said, and listened at a window outside an eating-place. There was a singing machine there. It sang about a creature called a bird-dog, clever, fiendish. It feared the creature. I thought: that is the brave’s name for me.

  In a state of semi-shock, I asked: —What about the Demons? and my voice stuttered. How did you escape the Whirling Demons?

  She tossed her head. —Easy, she said with contempt. They’re nothing at all but air, they aren’t.

  Ever since that day, Bird-Dog made frequent journeys into town. She would return full of tales of moving pictures and fast-moving machines; of machines that gave water and food, and of such numbers and numbers of people … I never had the courage to accompany her. It was there, in the town, that she learnt about twenty-first birthdays. —That’s the day you’ll prove you’re a brave, she said. You’ll go into town; and what’s more You’ll go in alone.