Stalking the Angel

  The blonde who walked into Cole’s office was the best-looking woman he’d seen in weeks. The only thing that kept her from rating a perfect “10” was the briefcase on one arm and the uptight hotel magnate on the other. Bradley Warren had lost something very valuable—something that belonged to someone else: a rare thirteenth-century Japanese manuscript called the Hagakure.

  Just about all Cole knew about Japanese culture he’d learned from reading Shōgun, but he knew a lot about crooks—and what he didn’t know his sociopathic sidekick, Joe Pike, did. Together their search begins in L.A.’s Little Tokyo and the nest of the notorious Japanese mafia, the yakuza, and leads to a white-knuckled adventure filled with madness, murder, sexual obsession, and a stunning double-whammy ending. For Elvis Cole, it’s just another day’s work.

  By Robert Crais

  THE MONKEY’S RAINCOAT

  STALKING THE ANGEL

  FREE FALL

  LULLABY TOWN

  VOODOO RIVER

  SUNSET EXPRESS

  L.A. REQUIEM

  HOSTAGE

  DEMOLITION ANGEL

  THE LAST DETECTIVE

  Available from Bantam Books

  STALKING THE ANGEL

  A Bantam Crime Line Book

  PUBLISHING HISTORY

  Bantam hardcover edition / October 1989

  Bantam paperback edition / April 1992

  Grateful acknowledgment is made for permission to reprint the following: “Somebody to Love,” on page vii, Lyrics and Music by Darby Slick, copyright © 1967 IRVING MUSIC INC. (BMI). All rights reserved. International copyright secured. “Old Time Rock & Roll,” on page 56, copyright © 1977. Muscle Shoals Sound Publishing Co. Inc. “Cruel Summer,” on page 38, copyright © 1984 IN A BUNCH MUSIC LTD. & RED BUS MUSIC, LTD. All rights on behalf of IN A BUNCH MUSIC LTD. administered by WARNER-TAMERLANE PUBLISHING CORP. All rights reserved. Used by permission.

  All rights reserved

  Copyright © 1989 by Robert Crais.

  Library of Congress Catalog Card Number: 89-6805.

  No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.

  For information address: Bantam Books.

  eISBN: 978-0-307-78996-9

  Bantam Books are published by Bantam Books, a division of Random House, Inc. Its trademark, consisting of the words “Bantam Books” and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, New York, New York.

  v3.1

  For Lauren,

  whose parents will always love her,

  & for Carol and Bill,

  who have made me larger

  by sharing their lives.

  I love to hear the story

  which angel voices tell.

  —The Little Corporal

  Emily Miller

  When the truth is found to be lies,

  and all the joy within you dies,

  don’t you want somebody to love?

  —Jefferson Airplane

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Dedication

  Epigraph

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  About the Author

  Excerpt from LULLABY TOWN

  1

  I was standing on my head in the middle of my office when the door opened and the best looking woman I’d seen in three weeks walked in. She stopped in the door to stare, then remembered herself and moved aside for a grim-faced man who frowned when he saw me. A sure sign of disapproval. The woman said, “Mr. Cole, I’m Jillian Becker. This is Bradley Warren. May we speak with you?”

  Jillian Becker was in her early thirties, slender in gray pants and a white ruffled shirt with a fluffy bow at the neck and a gray jacket. She held a cordovan Gucci briefcase that complemented the gray nicely, and had very blond hair and eyes that I would call amber but she would call green. Good eyes. There was an intelligent humor in them that the Serious Businesswoman look didn’t diminish.

  I said, “You should try this. Invigorates the scalp. Retards the aging process. Makes for embarrassing moments when prospective clients walk in.” Upside down, my face was the color of beef liver.

  Jillian Becker smiled politely. “Mr. Warren and I don’t have very much time,” she said. “Mr. Warren and I have to catch the noon flight to Kyoto, Japan.” Mr. Warren.

  “Of course.”

  I dropped down from the headstand, held one of the two director’s chairs opposite my desk for Jillian Becker, shook hands with Mr. Warren, then tucked in my shirt and took a seat at my desk. I had taken off the shoulder holster earlier so it wouldn’t flop into my face when I was upside down. “What can I do for you?” I said. Clever opening lines are my forte.

  Bradley Warren looked around the office and frowned again. He was ten years older than Jillian, and had the manicured, no-hair-out-of-place look that serious corporate types go for. There was an $8000 gold Rolex watch on his left wrist and a $3000 Wesley Barron pinstripe suit on the rest of him and he didn’t seem too worried that I’d slug him and steal the Rolex. Probably had another just like it at home. “Are you in business by yourself, Mr. Cole?” He’d have been more comfortable if I’d been in a suit and had a couple of wanted posters lying around.

  “I have a partner named Joe Pike. Mr. Pike is not a licensed private investigator. He is a former Los Angeles police officer. I hold the license.” I pointed out the framed pink license that the Bureau of Collections of the State of California had issued to me. “You see. Elvis Cole.” The license hangs beside this animation cel I’ve got of the Blue Fairy and Pinocchio. Pinocchio is as close as I come to a wanted poster.

  Bradley Warren stared at the Blue Fairy and looked doubtful. He said, “Something very valuable was stolen from my home four days ago. I need someone to find it.”

  “Okay.”

  “Do you know anything about the Japanese culture?”

  “I read Shōgun.”

  Warren made a quick hand gesture and said, “Jillian.” His manner was brusque and I didn’t like it much. Jillian Becker didn’t seem to mind, but she was probably used to it.

  Jillian said, “The Japanese culture was once predicated on a very specific code of behavior and personal conduct developed by the samurai during Japan’s feudal period.”

  Samurai. Better buckle the old seat belt for this one.

  “In the eighteenth century, a man named Jōchō Yamamoto outlined every aspect of proper behavior for the samurai in manuscript form. It was called ‘Recorded Words of the Hagakure Master,’ or, simply, th
e Hagakure, and only a few of the original editions survive. Mr. Warren had arranged the loan of one of these from the Tashiro family in Kyoto, with whom his company has extensive business dealings. The manuscript was in his home safe when it was stolen.”

  As Jillian spoke, Bradley Warren looked around the office again and did some more frowning. He frowned at the Mickey Mouse phone. He frowned at the little figurines of Jiminy Cricket. He frowned at the SpiderMan mug. I considered taking out my gun and letting him frown at that, too, but thought it might seem peevish. “How much is the Hagakure worth?”

  Jillian Becker said, “A little over three million dollars.”

  “Insured?”

  “Yes. But the policy won’t begin to cover the millions our company will lose in business with the Tashiros unless their manuscript is recovered.”

  “The police are pretty good. Why not go to them?”

  Bradley Warren sighed loudly, letting us know he was bored, then frowned at the gold Rolex. Time equals money.

  Jillian said, “The police are involved, Mr. Cole, but we’d like things to proceed faster than they seem able to manage. That’s why we came to you.”

  “Oh,” I said. “I thought you came to me so Bradley could practice frowning.”

  Bradley looked at me. Pointedly. “I’m the president of Warren Investments Corporation. We form real estate partnerships with Japanese investors.” He leaned forward and raised his eyebrows. “I have a big operation. I’m in Hawaii. I’m in L.A., San Diego, Seattle.” He made an opera out of looking around my office. “Try to imagine the money involved.”

  Jillian Becker said, “Mr. Warren’s newest hotel has just opened downtown in Little Tokyo.”

  Bradley said, “Thirty-two stories. Eight million square feet.”

  I nodded. “Big.”

  He nodded back at me.

  Jillian said, “We wanted to have the Hagakure on display there next week when the Pacific Men’s Club names Bradley Man of the Month.”

  Bradley gave me more of the eyebrows. “I’m the first Caucasian they’ve honored this way. You know why? I’ve pumped three hundred million dollars into the local Asian community in the last thirty-six months. You got any idea how much money that is?”

  “Excuse me,” I said. I pushed away from my desk, pitched myself out of my chair onto the floor, then got up, brushed myself off, and sat again. “There. I’m finished being impressed. We can go on.”

  Jillian Becker’s face went white. Bradley Warren’s face went dark red. His nostrils flared and his lips tightened and he stood up. It was lovely. He said, “I don’t like your attitude.”

  “That’s okay. I’m not selling it.” I opened the drawer in the center of my desk and tossed a cream-colored card toward him. He looked at it. “What’s this?”

  “Pinkerton’s. They’re large. They’re good. They’re who you want. But they probably won’t like your attitude any more than I do.” I stood up with him.

  Jillian Becker stood up, too, and held out her hand the way you do when you want things to settle down. “Mr. Cole, I think we’ve started on the wrong foot here.”

  I leaned forward. “One of us did.”

  She turned toward Warren. “It’s a small firm, Bradley, but it’s a quality firm. Two attorneys in the prosecutor’s office recommended him. He’s been an investigator for eight years and the police think highly of him. His references are impeccable.” Impeccable. I liked that.

  Bradley Warren held the Pink’s card and flexed it back and forth, breathing hard. He looked the way a man looks when he doesn’t have any other choice and the choice he has is lousy. There’s a Pinocchio clock on the wall beside the door that leads to Joe Pike’s office. It has eyes that move from side to side. You go to the Pinkerton’s, they don’t have a clock like that. Jillian Becker said, “Bradley, he’s who you want to hire.”

  After a while the heavy breathing passed and Bradley nodded. “All right, Cole. I’ll go along with Jillian on this and hire you.”

  “No,” I said. “You won’t.”

  Jillian Becker stiffened. Bradley Warren looked at Jillian Becker, then looked back at me. “What do you mean, I won’t?”

  “I don’t want to work for you.”

  “Why not?”

  “I don’t like you.”

  Bradley Warren started to say something, then stopped. His mouth opened, then closed. Jillian Becker looked confused. Maybe no one had ever before said no to Bradley Warren. Maybe it was against the law. Maybe Bradley Warren’s personal police were about to crash through the door and arrest me for defying the One True Way. Jillian shook her head. “They said you could be difficult.”

  I shrugged. “They should’ve said that when I’m pushed, I push back. They also should’ve said that when I do things, I do them my way.” I looked at Bradley. “The check rents. It does not buy.”

  Bradley Warren stared at me as if I had just beamed down from the Enterprise. He stood very still. So did Jillian Becker. They stood like that until a tic started beneath his left eye and he said, “Jillian.”

  Jillian Becker said, “Mr. Cole, we need the Hagakure found, and we want you to find it. If we in some way offended you, we apologize.”

  We.

  “Will you help us?”

  Her makeup was understated and appropriate, and there was a tasteful gold chain around her right wrist. She was bright and attractive and I wondered how many times she’d had to apologize for him and how it made her feel.

  I gave her the Jack Nicholson smile and made a big deal out of sitting down again. “For you, babe, anything.” Can you stand it?

  Bradley Warren’s face was red and purple and splotched, and the tic was a mad flicker. He made the hand gesture as quick as a cracking whip, and said, “Write him a check and leave it blank. I’ll be down in the limo.”

  He left without looking at me and without offering his hand and without waiting for Jillian. When he was gone I said, “My, my. Man of the Month.”

  Jillian Becker took a deep breath, let it out, then sat in one of the director’s chairs and opened the Gucci briefcase in her lap. She took out a corporate checkbook and spoke while she wrote. “Mr. Cole, please understand that Bradley’s under enormous pressure. We’re on our way to Kyoto to tell the Tashiros what has happened. That will be neither pleasant nor easy.”

  “Sorry,” I said. “I should be more sensitive.”

  She glanced up from the check with cool eyes. “Maybe you should.”

  So much for humor.

  After a while, she put the check and a 3 × 5 index card on my desk. I didn’t look at the check. She said, “The card has Bradley’s home and office addresses and phone numbers. It also has mine. You may call me at any time, day or night, for anything that pertains to this case.”

  “Okay.”

  “Will you need anything else?”

  “Access to the house. I want to see where the book was and talk to anyone who knew that the book was there. Also, if there’s a photograph or description of the manuscript, I’ll need it.”

  “Bradley’s wife can supply that. At the house.”

  “What’s her name?”

  “Sheila. Their daughter Mimi lives at the house, also, along with two housekeepers. I’ll call Sheila and tell her to expect you.”

  “Fine.”

  “Fine.”

  We were getting along just great.

  Jillian Becker closed the Gucci briefcase, snapped its latch, stood, and went to the door. Maybe she hadn’t always been this serious. Maybe working for Bradley brought it out in her.

  “You do that well,” I said.

  She looked back. “What?”

  “Walk.”

  She gave me the cool eyes again. “This is a business relationship, Mr. Cole. Let’s leave it at that.”

  “Sure.”

  She opened the door.

  “One more thing.”

  She turned back to me.

  “You always look this good, or is today a spec
ial occasion?”

  She stood like that for a while, not moving, and then she shook her head. “You really are something, aren’t you?”

  I made a gun out of my hand, pointed it at her, and gave her another dose of the Nicholson. “I hope he pays you well.”

  She went out and slammed the door.

  2

  When the door closed I looked at the check. Blank. She hadn’t dated it 1889 or April 1. It had been signed by Bradley Warren and, as far as I could tell, in ink that wouldn’t vanish. Maybe a better detective would have known for sure about the ink, but I’d have to risk it. Son of a gun. My big chance. I could nick him for a hundred thousand dollars, but that was probably playing it small. Maybe I should put a one and write zeros until my arm fell off and endorse it Elvis Cole, Yachtsman.

  I folded the check in half, put it in my wallet, and took a Dan Wesson .38 in a shoulder rig out of my top right-hand drawer. I pulled a white cotton jacket on to cover the Dan Wesson, then went down to my car. The car is a Jamaica-yellow 1966 Corvette convertible that looks pretty snazzy. Maybe with the white jacket and the convertible and the blank check in my pocket, someone would think I was Donald Trump.

  I put the Corvette out onto Santa Monica and cruised west through Beverly Hills and the upper rim of Century City, then north up Beverly Glen past rows of palm trees and stuccoed apartment houses and Persian-owned construction projects. L. A. in late June is bright. With the smog pressed down by an inversion layer, the sky turns white and the sun glares brilliantly from signs and awnings and reflective building glass and deep-waxed fenders and miles and miles of molten chrome bumpers. There were shirtless kids with skateboards on their way into Westwood and older women with big hats coming back from markets and construction workers tearing up the streets and Hispanic women waiting for buses and everybody wore sunglasses. It looked like a Ray Ban commercial.

  I stayed with Beverly Glen up past the Los Angeles Country Club golf course until I got to Sunset Boulevard, then hung a right and a quick left into upper Holmby Hills. Holmby is a smaller, more expensive version of the very best part of Beverly Hills to the east. It is old and elegant, and the streets are wide and neat with proper curbs and large homes hidden behind hedgerows and mortar walls and black wrought iron gates. Many of the houses are near the street, but a few are set back and quite a few you can’t see at all.