Behemoth: Seppuku

  ßehemoth

  Peter Watts

  cover art by Bruce Jensen

  Originally published by Tor Books

  ß-Max: July 2004, ISBN: 0765307219

  Seppuku: December 2004, ISBN: 0765311720

  www.rifters.com

  Some Right Reserved

  In memory of Strange Cat, a.k.a. Carcinoma,

  1984-2003

  She wouldn't have cared.

  And in memory of Chuckwalla,

  1994-2001

  A victim of technology run amok.

  Author's Note

  This is the way it was meant to be. Well, not all pixellated and virtual or (at best) home-printed, but integrated , dammit, a single novel in a single package, and fuck the beancounters and their Solomonesque book-splitting travesties. We aren't in the old-school economy any more, Toto— we're giving this stuff away now, and you can judge it for better or worse as a single standalone entity. You may agree with Publisher's Weekly and call this the capstone to one of the major works of hard-sf in the new century. Or you may side with Kirkus and dismiss it as horrific porn, rife with relentlessly clinical scenes of sexual torture. (Hell, you may even decide they're both right.) But whatever you decide, at least you'll be basing that assessment, finally, on complete data.

  —Peter Watts, 2007

  * * *

  * * *

  * * *

  ß-Prelude: 'lawbreaker

  If you lost your eyes, Achilles Desjardins had been told, you got them back in your dreams.

  It wasn't only the blind. Anyone, torn apart in life, dreamt the dreams of whole creatures. Quadruple amputees ran and threw footballs; the deaf heard symphonies; those who'd lost, loved again. The mind had its own inertia; grown accustomed to a certain role over so many years, it was reluctant to let go of the old paradigm.

  It happened eventually, of course. The bright visions faded, the music fell silent, imaginary input scaled back to something more seemly to empty eye sockets and ravaged cochleae. But it took years, decades—and in all that time, the mind would torture itself with nightly reminders of the things it once had.

  It was the same with Achilles Desjardins. In his dreams, he had a conscience.

  Dreams took him to the past, to his time as a shackled god: the lives of millions in his hands, a reach that extended past geosynch and along the floor of the Mariana Trench. Once again he battled tirelessly for the greater good, plugged into a thousand simultaneous feeds, reflexes and pattern-matching skills jumped up by retro'd genes and customized neurotropes. Where chaos broke, he brought control. Where killing ten would save a hundred, he made the sacrifice. He isolated the outbreaks, cleared the logjams, defused the terrorist attacks and ecological breakdowns that snapped on all sides. He floated on radio waves and slipped through the merest threads of fiberop, haunted Peruvian sea mills one minute and Korean Comsats the next. He was CSIRA's best 'lawbreaker again: able to bend the Second Law of Thermodynamics to the breaking point, and maybe a little beyond.

  He was the very ghost in the machine—and back then, the machine was everywhere.

  And yet the dreams that really seduced him each night were not of power, but of slavery. Only in sleep could he relive that paradoxical bondage that washed rivers of blood from his hands. Guilt Trip, they called it. A suite of artificial neurotransmitters whose names Desjardins had never bothered to learn. He could, after all, kill millions with a single command; nobody was going to hand out that kind of power without a few safeguards in place. With the Trip in your brain, rebellion against the greater good was a physiological impossibility. Guilt Trip severed the link between absolute power and corruption absolute; any attempt to misuse one's power would call down the mother of all grand mal attacks. Desjardins had never lain awake doubting the rightness of his actions, the purity of his motives. Both had been injected into him by others with fewer qualms.

  It was such a comfort, to be so utterly blameless. So he dreamed of slavery. And he dreamed of Alice, who had freed him, who had stripped him of his chains.

  In his dreams, he wanted them back.

  Eventually the dreams slipped away as they always did. The past receded; the unforgiven present advanced. The world fell apart in time-lapse increments: an apocalyptic microbe rose from the deep sea, hitching a ride in the brackish flesh of some deep-sea diver from N'AmPac. Floundering in its wake, the Powers That Weren't dubbed it ßehemoth, burned people and property in their frantic, futile attempts to stave off the coming change of regime. North America fell. Trillions of microscopic foot soldiers marched across the land, laying indiscriminate waste to soil and flesh. Wars flared and subsided in fast-forward: the N'AmPac Campaign, the Colombian Burn, the Eurafrican Uprising. And Rio, of course: the thirty-minute war, the war that Guilt Trip should have rendered impossible.

  Desjardins fought in them all, one way or another. And while desperate metazoans fell to squabbling among themselves, the real enemy crept implacably across the land like a suffocating blanket. Not even Achilles Desjardins, pride of the Entropy Patrol, could hold it back.

  Even now, with the present almost upon him, he felt faint sorrow for all he hadn't done. But it was phantom pain, the residue of a conscience stranded years in the past. It barely reached him here on the teetering interface between sleep and wakefulness; for one brief moment he both remembered that he was free, and longed not to be.

  Then he opened his eyes, and there was nothing left that could care one way or the other.

  Mandelbrot sat meatloafed on his chest, purring. He scritched her absently while calling up the morning stats. It had been a relatively quiet night: the only item of note was a batch of remarkably foolhardy refugees trying to crash the North American perimeter. They'd set sail under cover of darkness, casting off from Long Island on a refitted garbage scow at 0110 Atlantic Standard; within an hour, two dozen EurAfrican interests had been vying for dibs on the mandatory extreme prejudice. The poor bastards had barely made it past Cape Cod before the Algerians (the Algerians?) took them out.

  The system hadn't even bothered to get Desjardins out of bed.

  Mandelbrot rose, stretched, and wandered off on her morning rounds. Liberated, Desjardins got up and padded to the elevator. Sixty-five floors of abandoned real estate dropped smoothly around him. Just a few years ago it had been a hive of damage control; thousands of Guilt-Tripped operatives haunting a world forever teetering on the edge of breakdown, balancing lives and legions with cool dispassionate parsimony. Now it was pretty much just him. A lot of things had changed after Rio.

  The elevator disgorged him onto CSIRA's roof. Other buildings encircled this one in a rough horseshoe, pressing in at the edges of the cleared zone. Sudbury's static field, its underbelly grazing the tips of the tallest structures, sent gooseflesh across Desjardins's forearms.

  On the eastern horizon, the tip of the rising sun ignited a kingdom in ruins.

  The devastation wasn't absolute. Not yet. Cities to the east retained some semblance of integrity, walled and armored and endlessly on guard against the invaders laying claim to the lands between. Fronts and battle lines still seethed under active dispute; one or two even held steady. Pockets of civilization remained sprinkled across the continent—not many, perhaps, but the war went on.

  All because five years before, a woman named Lenie Clarke had risen from the bottom of the ocean with revenge and ßehemoth seething together in her blood.

  Now Desjardins walked across the landing pad to the edge of the roof. The sun rose from the lip of the precipice as he pissed into space. So many changes, he reflected. So many fold catastrophes in pursuit of new equilibria. His domain had shrunk from a planet to a continent, cauterised at the edges. Eyesight once focused on infinity now ended at the coast. Arms wh
ich once encircled the world had been amputated at the elbow. Even N'Am's portion of the Net had been cut from the electronic commons like a tumor; Achilles Desjardins got to deal with the necrotising mess left behind.

  And yet, in many ways he had more power than ever. Smaller territory, yes, but so few left to share it with. He was less of a team player these days, more of an emporer. Not that that was widely known...

  But some things hadn't changed. He was still technically in the employ of the Complex Systems Instability Response Authority, or whatever vestiges of that organization persisted across the globe. The world had long since fallen on its side—this part of it, anyway—but he was still duty-bound to minimise the damage. Yesterday's brush fires were today's infernos, and Desjardins seriously doubted that anyone could extinguish them at this point; but he was one of the few that might at least be able to keep them contained a little longer. He was still a 'lawbreaker—a lighthouse keepr, as he'd described himself the day they'd finally relented and let him stay behind—and today would be a day like any other. There would be attacks to repel, and enemies to surveil. Some lives would be ended to spare others, more numerous or more valuable. There were virulent microbes to destroy, and appearances to maintain.

  He turned his back on the rising sun and stepped over the naked, gutted body of the woman at his feet. Her name had been Alice, too.

  He tried to remember if that was only coincidence.

  * * *

  ß-Max

  "The world is not dying, it is being killed.

  And those that are killing it have names and addresses."

  —Utah Phillips

  * * *

  Counterstrike

  First there is only the sound, in darkness. Drifting on the slope of an undersea mountain, Lenie Clarke resigns herself to the imminent loss of solitude.

  She's far enough out for total blindness. Atlantis, with its gantries and beacons and portholes bleeding washed-out light into the abyss, is hundreds of meters behind her. No winking telltales, no conduits or parts caches pollute the darkness this far out. The caps on her eyes can coax light enough to see from the merest sparkle, but they can't create light where none exists. Here, none does. Three thousand meters, three hundred atmospheres, three million kilograms per square meter have squeezed every last photon out of creation. Lenie Clarke is as blind as any dryback.

  After five years on the Mid Atlantic Ridge, she still likes it this way.

  But now the soft mosquito whine of hydraulics and electricity rises around her. Sonar patters softly against her implants. The whine shifts subtly in pitch, then fades. Faint surge as something coasts to a stop overhead.

  "Shit." The machinery in her throat turns the epithet into a soft buzz. "Already?"

  "I gave you an extra half-hour." Lubin's voice. His words are fuzzed by the same technology that affects hers; by now the distortion is more familiar than the baseline.

  She'd sigh, if breath were possible out here.

  Clarke trips her headlamp. Lubin is caught in the ignited beam, a black silhouette studded with subtle implementation. The intake on his chest is a slotted disk, chrome on black. Corneal caps turn his eyes into featureless translucent ovals. He looks like a creature built exclusively from shadow and hardware; Clarke knows of the humanity behind the façade, although she doesn't spread it around.

  A pair of squids hover at his side. A nylon bag hangs from one of the meter-long vehicles, lumpy with electronics. Clarke fins over to the other, flips a toggle from slave to manual. The little machine twitches and unfolds its towbar.

  On impulse, she kills her headlight. Darkness swallows everything again. Nothing stirs. Nothing twinkles. Nothing attacks.

  It's just not the same.

  "Something wrong?" Lubin buzzes.

  She remembers a whole different ocean, on the other side of the world. Back on Channer Vent you'd turn your lights off and the stars would come out, a thousand bioluminescent constellations: fish lit up like runways at night; glowing arthropods; little grape-sized ctenophores flashing with complex iridescence. Channer sang like a siren, lured all those extravagant midwater exotics down deeper than they swam anywhere else, fed them strange chemicals and turned them monstrously beautiful. Back at Beebe Station, it was only dark when your lights were on.

  But Atlantis is no Beebe Station, and this place is no Channer Vent. Here, the only light shines from indelicate, ham-fisted machinery. Headlamps carve arid tunnels through the blackness, stark and ugly as burning sodium. Turn them off, and…nothing.

  Which is, of course, the whole point.

  "It was so beautiful," she says.

  He doesn’t have to ask. "It was. Just don't forget why."

  She grabs her towbar. "It's just—it's not the same, you know? Sometimes I almost wish one of those big toothy fuckers would charge out of the dark and try to take a bite out of me…"

  She hears the sound of Lubin's squid throttling up, invisibly close. She squeezes her own throttle, prepares to follow him.

  The signal reaches her LFAM and her skeleton at the same time. Her bones react with a vibration deep in the jaw: the modem just beeps at her.

  She trips her receiver. "Clarke."

  "Ken find you okay?" It's an airborne voice, unmutilated by the contrivances necessary for underwater speech.

  "Yeah." Clarke's own words sound ugly and mechanical in contrast. "We're on our way up now."

  "Okay. Just checking." The voice falls silent for a moment. "Lenie?"

  "Still here."

  "Just…well, be careful, okay?" Patricia Rowan tells her. "You know how I worry."

  The water lightens indiscernibly as they ascend. Somehow their world has changed from black to blue when she wasn't looking; Clarke can never pinpoint the moment when that happens.

  Lubin hasn't spoken since Rowan signed off. Now, as navy segues into azure, Clarke says it aloud. "You still don't like her."

  "I don't trust her," Lubin buzzes. "I like her fine."

  "Because she's a corpse." Nobody has called them corporate executives for years.

  "Was a corpse." The machinery in his throat can't mask the grim satisfaction in that emphasis.

  "Was a corpse," Clarke repeats.

  "No."

  "Why, then?"

  "You know the list."

  She does. Lubin doesn't trust Rowan because once upon a time, Rowan called shots. It was at her command that they were all recruited so long ago, damaged goods damaged further: memories rewritten, motives rewired, conscience itself refitted in the service of some indefinable, indefensible greater good.

  "Because she was a corpse," Clarke repeats.

  Lubin's vocoder emits something that passes for a grunt.

  She knows where he's coming from. To this day, she still isn't certain what parts of her own childhood were real and which were mere inserts, installed after the fact. And she's one of the lucky ones; at least she survived the blast that turned Channer Vent into thirty square kilometers of radioactive glass. At least she wasn't smashed to pulp by the resulting tsunami, or incinerated along with the millions on N'AmPac's refugee strip.

  Not that she shouldn't have been, of course. If you want to get technical about it, all those other millions were nothing but collateral. Not their fault—not even Rowan's, really—that Lenie Clarke wouldn't sit still enough to present a decent target.

  Still. There's fault, and there's fault. Patricia Rowan might have the blood of millions on her hands, but after all hot zones don't contain themselves: it takes resources and resolve, every step of the way. Cordon the infected area; bring in the lifters; reduce to ash. Lather, rinse, repeat. Kill a million to save a billion, kill ten to save a hundred. Maybe even kill ten to save eleven—the principle's the same, even if the profit margin's lower. But none of that machinery runs itself, you can't ever take your hand off the kill switch. Rowan never threw a massacre without having to face the costs, and own them.

  It was so much easier for Lenie Clarke. She just sowe
d her little trail of infection across the world and went to ground without ever looking back. Even now her victims pile up in an ongoing procession, an exponential legacy that must have surpassed Rowan's a dozen times over. And she doesn't have to lift a finger.

  No one who calls himself a friend of Lenie Clarke has any rational grounds for passing judgment on Patricia Rowan. Clarke dreads the day when that simple truth dawns on Ken Lubin.

  The squids drag them higher. By now there's a definite gradient, light above fading to darkness below. To Clarke this is the scariest part of the ocean, the half-lit midwater depths where real squid roam: boneless tentacled monsters thirty meters long, their brains as cold and quick as superconductors. They're twice as large as they used to be, she's been told. Five times more abundant. Apparently it all comes down to better day care. Architeuthis larvae grow faster in the warming seas, their numbers unconstrained by predators long since fished out of existence.

  She's never actually seen one, of course. Hopefully she never will—according to the sims the population is crashing for want of prey, and the ocean's vast enough to keep the chances of a random encounter astronomically remote anyway. But occasionally the drones catch ghostly echoes from massive objects passing overhead: hard shouts of chitin and cartilage, faint landscapes of surrounding flesh that sonar barely sees at all. Fortunately, Archie rarely descends into true darkness.

  The ambient hue intensifies as they rise—colors don't survive photoamplification in dim light, but this close to the surface the difference between capped and naked eyes is supposed to be minimal. Sometimes Clarke has an impulse to put that to the test, pop the caps right out of her eyes and see for herself, but it's an impossible dream. The diveskin wraps around her face and bonds directly to the photocollagen. She can't even blink.

  Surge, now. Overhead, the skin of the ocean writhes like dim mercury. It tilts and dips and scrolls past in an endless succession of crests and troughs, twisting a cool orb glowing on the other side, tying it into playful dancing knots. A few moments later they break through the surface and look onto a world of sea and moonlit sky.