Night Vision
Paul Levine
NIGHT VISION
Paul Levine
ALSO AVAILABLE
THE JAKE LASSITER SERIES
TO SPEAK FOR THE DEAD: Linebacker-turned-lawyer Jake Lassiter begins to believe that his surgeon client is innocent of malpractice...but guilty of murder.
FALSE DAWN: After his client confesses to a murder he didn't commit, Jake follows a bloody trail from Miami to Havana to discover the truth.
MORTAL SIN: Talk about conflicts of interest. Jake is sleeping with Gina Florio and defending her mob-connected husband in court.
RIPTIDE: Jake Lassiter chases a beautiful woman and stolen bonds from Miami to Maui.
FOOL ME TWICE: To clear his name in a murder investigation, Jake follows a trail of evidence that leads from Miami to buried treasure in the abandoned silver mines of Aspen, Colorado. (Also available in new paperback edition).
FLESH & BONES: Jake falls for his beautiful client even though he doubts her story. She claims to have recovered "repressed memories" of abuse...just before gunning down her father
LASSITER: Jake retraces the steps of a model who went missing 18 years earlier...after his one-night stand with her.
STAND-ALONE THRILLERS
IMPACT: A Jetliner crashes in the Everglades. Is it negligence or terrorism? When the legal case gets to the Supreme Court, the defense has a unique strategy. Kill anyone, even a Supreme Court Justice, to win the case.
BALLISTIC: A nuclear missile, a band of terrorists, and only two people who can prevent Armageddon. A "loose nukes" thriller for the 21st Century. (Also available in a new paperback edition).
PAYDIRT: Bobby Gallagher had it all and lost it. Now, assisted by his 12-year-old brainiac son, he tries to rig the Super Bowl, win a huge bet…and avoid getting killed.
Visit the author's website at http://www.paul-levine.com for more information. While there, sign up for Paul Levine's newsletter and the chance to win free books, DVD's and other prizes.
Contents
PROLOGUE: Live at Five
CHAPTER 1: A Matter of Honor
CHAPTER 2: Three's a Crowd
CHAPTER 3: Catch Me If You Can
CHAPTER 4: Breaking the Ice
CHAPTER 5: Joining the Club
CHAPTER 6: The Lady and the Jockey
CHAPTER 7: Ladyfingers
CHAPTER 8: The Lesser Man
CHAPTER 9: Gone Fishing
CHAPTER 10: Day in Court
CHAPTER 11: A Woman Without a Man
CHAPTER 12: Alibis
CHAPTER 13: Truth and Illusion
CHAPTER 14: A Meeting of Hyenas
CHAPTER 15: Flint and Steel
CHAPTER 16: Duck Soup
CHAPTER 17: Quinela
CHAPTER 18: Passwords
CHAPTER 19: Tourist Season
CHAPTER 20: The Huddle
CHAPTER 21: The Group
CHAPTER 22: Dream a Little Dream
CHAPTER 23: Tea Time
CHAPTER 24: They
CHAPTER 25: Woman Is His Game
CHAPTER 26: Habeas Corpus
CHAPTER 27: Chumming
CHAPTER 28: The Hacker
CHAPTER 29: The Bait
CHAPTER 30: Yin from Yang
CHAPTER 31: Mercy
CHAPTER 32: Shades of Gray
CHAPTER 33: Metamorphosis
CHAPTER 34: Pink Flamingos
CHAPTER 35: Sublimations
CHAPTER 36: The Message
CHAPTER 37: The Saint
CHAPTER 38: The Thing They Dare Not Do
CHAPTER 39: A Freak Accident
CHAPTER 40: The Source
CHAPTER 41: Kiss Me Quick Before I Die
CHAPTER 42: Night Vision
Author's Afterword
Also Available
About the Author
PROLOGUE
Live at Five
Look at those legs.
Look at those goddamn floor-to-ceiling million-dollar legs, Marsha thought, then unconsciously sneaked a peek at her own. Short. Stubby little shapeless legs. God, how she hated them.
Shit, now they're on a two-shot. Look at the monitor. Next to her I look like a double amputee.
Then there was her hair. Thick, auburn hair brushed straight back. And her skin, that patrician paleness so out of place in Miami. Just a subdued line of gloss on full lips...She probably gets dressed and made up in ten minutes.
If Marsha didn't spend half an hour covering her freckles with pancake, Max Factor Number Two, they'd ship her back to Scranton to handle neighborhood weather from Nanticoke. The legs, nothing you could do about those. But thank God for plastic surgeons and periodontists. A rhinoplasty—the Sandy Duncan model, pert but not prominent—and capped teeth called "Hollywoods." Thanks to lawyers, too. Two hundred bucks to change Mabel Dombrowsky to Marsha Diamond.
"So, Dr. Maxson, your book suggests that serial murderers share certain characteristics," Marsha said.
"Well, we can place them into distinct categories," Pamela Maxson replied. "There are the organized murderers, who are above average in intelligence and are socially and sexually competent. They are usually the eldest sons in the family. Ordinarily they know their victims and plan the crime. The crime scene is neat and orderly—"
"Well, neatness counts," Marsha Diamond chirped. Inside the control booth, the director groaned.
"The disorganized murderer is quite the opposite," Dr. Maxson explained, ignoring the interviewer and smiling politely at the camera. "Below average in intelligence, socially inadequate, sexually incompetent. Usually the last or next to last born. His crimes are more spontaneous. The victims are usually strangers, and rather than using conversation, he subdues with sudden outbursts of violence. Often he will perform sexual acts after the death of the victim..."
Oh shit, how do you follow that one up?
"In either case," Dr. Maxson said, "the killers have highly active fantasy lives. The fantasies often are of rape, torture, and murder. When they can no longer differentiate fantasy from reality, the two become one."
And that upper-crust voice. Like Masterpiece Theatre.
Marsha cleared her throat, and the sound man cursed, his earpiece clacking like an enraged rattlesnake. "We seem to have more mass murderers in our country—"
"Serial murderers," Pamela Maxson corrected her. "Mass murderers kill many persons at the same time. Serial murderers kill many over time, usually at random."
Marsha felt her face heat up. "Yes, of course. Is there something uniquely American about these serial killers? Something about our violent society?"
"Goodness no. In Britain we had Jack the Ripper, Germany its Peter Kurten. During the time of Joan of Arc, France had the infamous Gilles de Rais, who killed hundreds. There have been serial killers throughout history."
Damn. Like being lectured by Jane Seymour with a medical degree. Marsha racked her brain for news stories. "Yes, but here we've had Ted Bundy, the Hillside Strangler, the Night Stalker"— Marsha strained to keep up the patter— "the Son of Stan..."
"Son of Sam," Dr. Maxson helped out. "No doubt America has had its share. My primary interest is in understanding the reasons for these motiveless murders. We know that serial killers frequently cannot separate sex from aggression. We don't know whether this psychological deficit is caused by genetic, chemical, or hormonal reasons."
Thank God the director cut to a close-up of the British bitch.
Marsha caught a cue from the floor manager. "We'll be back with Dr. Pamela Maxson, author of The Murderer Within Us, right after this..."
***
The news director's door was open, so Marsha walked in. Jerry Abrams was devouring a bacon cheeseburger. Late thirties, bushy mustache, disheveled, overweight. He chewed noisily, occasionally burping as he kept his eyes
on one of three TV screens in his glass-enclosed cubicle.
"Hey, Marsha, get a load—"
On the screen a crew-cut blond man with a string tie was reciting baseball scores. The sound was turned low. Jerry Abrams always reviewed audition tapes this way. Watch the way they look, nobody listens anyway, he explained.
"Wanna play?" Jerry Abrams asked.
"I dunno, Jerry."
"C'mon, guess."
"El Paso?"
He shook his head.
"Albuquerque?"
Jerry fished a french fry out of a paper sack. The office smelled of grease and charred meat. "The Wyatt Earp tie's throwing you off. Smaller market, farther north."
"North Platte, Nebraska," she said.
"Good guess. Quad Cities, Iowa. Hayseed wants to come to Gomorrah-by-the-Sea."
He punched a button on the remote control and grabbed another cassette. More than a hundred were stacked around his desk.
"Jerry, I'd like you to relieve me on the five o'clock. Just for a couple weeks."
"What? During sweeps? Jesus, no!"
"But I'm working on an investigative piece..."
He stopped in mid-bite. A glob of ketchup clung to his mustache. "What investigative piece? Who assigned you?"
"No one. I've been working on my own. A blockbuster I can't tell you about, yet. I've got a confidential source."
Jerry loosened his tie, which was already at half-mast. He plugged another cassette into the VCR. After the color bars and the countdown, a petite Oriental woman appeared in front of a burning building. She held a microphone and showed a dazzling smile likely used for stories of quintuplet births and plane crashes alike. Marsha noticed that her orange helmet clashed with her green flak jacket. She wondered if the teeth were real.
"Marsha baby," Jerry said, "you're not Bob Friggin' Woodward. You're a face, a very good face, and your numbers are catching up with Gilligan's Island reruns on Channel Four."
She tried to give him a tough look she learned from numerous Jane Fonda films. It had the effect of crinkling her collagen-injected lips.
"Now, don't pout at me," Jerry said. "Hey, that was a great interview today. What's a looker like that doing with mass murderers?"
"Serial murderers."
"Whatever," Jerry Abrams said.
***
The bedroom's jalousie windows were cranked open, and Marsha could hear nighttime traffic on Ocean Drive. The trendy club and barhopping crowd. Marsha smiled, relieved to be free of the feigned happiness of the South Beach full-time floating-disco-party team, junior varsity, second string. What with Chlamydia, herpes, and gonorrhea creeping around, not to mention AIDS. Hadn't they just done a show on the misery of venereal warts, images of rashes and itches giving her the willies right on the set.
Having one man—even a part-time married man—was better than a bunch of sweaty one-night stands. Even though her man was, more often than not, a thirty-minute slam-bam-thank-you-ma'am stand. Which is why she didn't consider it cheating to spend an occasional night with a carefully chosen lover in a more leisurely mode.
Marsha stretched a hand across the sheets and touched a warm thigh. She heard the regular, measured breaths of peaceful sleep and smiled again. It had been wonderful for them both, better than she had dared hope for something so new, a warmth that had grown slowly, gently caressing her, building into a flame that had nearly consumed her. Better than with...
There was a stirring next to her and she watched her lover turn to one side. Great body, too. Silently, Marsha climbed out of bed. She had tossed her blue silk dress, specially chosen by her fashion consultant, across a chair. Her matching spike-heeled shoes, her panty hose, and discarded uplift bra formed a trail from living room to bedroom. Naked, Marsha entered the bathroom and closed the door. She removed the tinted contact lenses and scrubbed three layers of makeup from her face. There hadn't been time before, it had happened so fast. She slipped into a black silk camisole, headed for the tiny kitchen, and grabbed a low-fat vanilla yogurt from the refrigerator. Then she sat down at a desk in a corner of the living room and turned on her computer.
Marsha punched up the directory labeled "INVST-1" and started typing:
When your platoon entered the village of Dak Sut on January 9, 1968, what orders did you give?
"No," she said to herself. "Too direct." Christ, this wasn't like interviewing celebrity authors. She tried to imagine how Geraldo Rivera would do it.
For the next hour she kept typing and retyping questions.
Was there evidence of NVA or VC in the village?
He's going to say yes. Then what? How do you follow up? This is harder than it looks.
The last time you saw Lieutenant Ferguson alive, was he—
Forget it. She could try again tomorrow. She punched a button and magically transported the questions to her computer's hard memory. She exited the word-processing program, then hit the keys for the modem, which automatically dialed a local number. After a few seconds the computer tinkled a romantic ballad and the medical symbols for the male and female of the species appeared on the screen, the male's arrow piercing the female's circle. The symbols changed shape, becoming the figures of a nude man and woman, until they, too, electronically unwound and formed letters and then a word. "Compu-Mate."
DO YOU WISH TO ENTER THE MATING ROOM?
YES.
YOUR HANDLE, PLEASE.
TV GAL.
She had been meaning to change her handle after several Compu-Mate correspondents asked whether she enjoyed cross-dressing. She typed a numerical password, and after a moment the computer purred, and a new message scrolled down the monitor.
HERE'S WHO'S IN THE MATING ROOM NOW:
SUPER STUD
CANDY FEELGOOD
PASSION PRINCE
BUSH WHACKER
HELEN BED
ICE GODDESS
CHARLIE HORSE
BIGGUS DICKUS
TV GAL
ORAL ROBERT
HOT BUNS
A sound came from the bedroom. A sliver of light appeared under the door. Marsha punched into the chat mode and made some connections. Oral Robert told her he'd save her ass and to hell with her soul. Bush Whacker tried to type dirty but couldn't spell any word over four letters. Biggus Dickus, a nearly normal guy she remembered from last week, asked about her work. Bor-ing! She brushed them off.
HELLO, TV GAL. LIGHTS, CAMERA, ACTION—PASSION PRINCE.
A little jolt went through her, as it always did. A new name, a voice in the dark. Maybe this time. She heard the bathroom shower turning on. It wouldn't be an all-nighter after all.
HELLO, PASSION PRINCE. WHAT ARE YOU UP TO?
NO GOOD.
Just dancing around and she didn't have all night.
TELL ME ABOUT YOURSELF, PP.
EIGHT FEET TALL, GREEN SCALY SKIN, A LONG SNOUT, AND LARGE TEETH...
Christ, a comedian. Why not just a sincere, single, self-supporting male, thirty-five, gainfully employed, likes dining out, movies, and romantic walks on the beach?
...AND YOU, TV PERSON?
Might as well give him a cheap thrill.
FIVE-NINE WITH LONG, LONG LEGS. LARGE ROUND BREASTS, A FLAT, SMOOTH STOMACH, AND FULL HIPS.
She stared at the screen. Nothing. Maybe scared him off. She waited. Outside, an ocean breeze rattled the windows.
WHAT ABOUT YOUR ASSHOLE?
Oh brother. One of those.
IS IT NICE AND TIGHT?
She started to hit the escape button but stopped. In the bathroom, the water was turned off, the pipes clanking in the old apartment. The Prince of Passion was still typing.
DO YOU LIKE POETRY?
NOTHING DIRTY, PASSION GUY.
WHEREOF MY FAME IS LOUD AMONGST MANKIND, CURED LAMENESS, PALSIES, CANCERS. THOU, O GOD, KNOWEST ALONE WHETHER THIS WAS OR NO. HAVE MERCY, MERCY! COVER ALL MY SIN!
THAT'S POETRY? SOUNDS LIKE FATHER McCORKLE IN WILKES BARRE.
She hoped that would stop him,
but the electronic blips kept coming, the words marching across her screen.
THEN, THAT I MIGHT BE MORE ALONE WITH THEE, THREE YEARS I LIVED UPON A PILLAR, HIGH.
I BEEN STONED, TOO, BUT THREE YEARS? THAT'S HEAVY.
NO, NO TV-GAL. DO YOU KNOW NOTHING OF THE STYLITES?
Jeez, I don't know what's worse, Marsha thought, a pervert or a bore. She looked toward the bedroom. The door was open, the light off.
A MOTOWN GROUP, RIGHT?
AH, PERHAPS MUSIC IS MORE TO YOUR TASTE.
Ought to sign off now, Marsha thought, play hostess, offer a good-bye drink and exchange lies about next time. So quiet, the only sound the hum of the computer, the only light the luminous black-and-white display of the monitor. Now what was he typing? Rock 'n' roll lyrics. What's with this guy? Can't he think for himself? Trying to tell me I shake his nerves and rattle his brain. He was rattled long before tonight. And don't tell me what drives a man insane. But there he goes, hammering out the whole damn song. And he probably can't even carry a tune. She heard footsteps behind her.
