Coraline, p.8
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       Coraline, p.8

           Neil Gaiman
 
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  And it lunged across the cellar toward her then, its toothless mouth opened wide.

  Coraline had a single heartbeat in which to react. She could only think of two things to do. Either she could scream and try to run away, and be chased around a badly lit cellar by the huge grub thing, be chased until it caught her. Or she could do something else.

  So she did something else.

  As the thing reached her, Coraline put out her hand and closed it around the thing’s remaining button eye, and she tugged as hard as she knew how.

  For a moment nothing happened. Then the button came away and flew from her hand, clicking against the walls before it fell to the cellar floor.

  The thing froze in place. It threw its pale head back blindly, and opened its mouth horribly wide, and it roared its anger and frustration. Then, all in a rush, the thing swept toward the place where Coraline had been standing.

  But Coraline was not standing there any longer. She was already tiptoeing, as quietly as she could, up the steps that would take her away from the dim cellar with the crude paintings on the walls. She could not take her eyes from the floor beneath her, though, across which the pale thing flopped and writhed, hunting for her. Then, as if it was being told what to do, the creature stopped moving, and its blind head tipped to one side.

  It’s listening for me, thought Coraline. I must be extra quiet. She took another step up, and her foot slipped on the step, and the thing heard her.

  Its head tipped toward her. For a moment it swayed and seemed to be gathering its wits. Then, fast as a serpent, it slithered for the steps and began to flow up them, toward her. Coraline turned and ran, wildly, up the last half dozen steps, and she pushed herself up and onto the floor of the dusty bedroom. Without pausing, she pulled the heavy trapdoor toward her, and let go of it. It crashed down with a thump just as something large banged against it. The trapdoor shook and rattled in the floor, but it stayed where it was.

  Coraline took a deep breath. If there had been any furniture in that flat, even a chair, she would have pulled it onto the trapdoor, but there was nothing.

  She walked out of that flat as fast as she could, without actually ever running, and she locked the front door behind her. She left the door key under the mat. Then she walked down onto the drive.

  She had half expected that the other mother would be standing there waiting for Coraline to come out, but the world was silent and empty.

  Coraline wanted to go home.

  She hugged herself, and told herself that she was brave, and she almost believed herself, and then she walked around to the side of the house, in the gray mist that wasn’t a mist, and she made for the stairs, to go up.

  X.

  CORALINE WALKED UP THE stairs outside the building to the topmost flat, where, in her world, the crazy old man upstairs lived. She had gone up there once with her real mother, when her mother was collecting for charity. They had stood in the open doorway, waiting for the crazy old man with the big mustache to find the envelope that Coraline’s mother had left, and the flat had smelled of strange foods and pipe tobacco and odd, sharp, cheesy-smelling things Coraline could not name. She had not wanted to go any farther inside than that.

  “I’m an explorer,” said Coraline out loud, but her words sounded muffled and dead on the misty air. She had made it out of the cellar, hadn’t she?

  And she had. But if there was one thing that Coraline was certain of, it was that this flat would be worse.

  She reached the top of the house. The topmost flat had once been the attic of the house, but that was long ago.

  She knocked on the green-painted door. It swung open, and she walked in.

  We have eyes and we have nerveses

  We have tails we have teeth

  You’ll all get what you deserveses

  When we rise from underneath.

  whispered a dozen or more tiny voices, in that dark flat with the roof so low where it met the walls that Coraline could almost reach up and touch it.

  Red eyes stared at her. Little pink feet scurried away as she came close. Darker shadows slipped through the shadows at the edges of things.

  It smelled much worse in here than in the real crazy old man upstairs’s flat. That smelled of food (unpleasant food, to Coraline’s mind, but she knew that was a matter of taste: she did not like spices, herbs, or exotic things). This place smelled as if all the exotic foods in the world had been left out to go rotten.

  “Little girl,” said a rustling voice in a far room.

  “Yes,” said Coraline. I’m not frightened, she told herself, and as she thought it she knew that it was true. There was nothing here that frightened her. These things—even the thing in the cellar—were illusions, things made by the other mother in a ghastly parody of the real people and real things on the other end of the corridor. She could not truly make anything, decided Coraline. She could only twist and copy and distort things that already existed.

  And then Coraline found herself wondering why the other mother would have placed a snowglobe on the drawing-room mantelpiece; for the mantelpiece, in Coraline’s world, was quite bare.

  As soon as she had asked herself the question, she realized that there was actually an answer.

  Then the voice came again, and her train of thought was interrupted.

  “Come here, little girl. I know what you want, little girl.” It was a rustling voice, scratchy and dry. It made Coraline think of some kind of enormous dead insect. Which was silly, she knew. How could a dead thing, especially a dead insect, have a voice?

  She walked through several rooms with low, slanting ceilings until she came to the final room. It was a bedroom, and the other crazy old man upstairs sat at the far end of the room, in the near darkness, bundled up in his coat and hat. As Coraline entered he began to talk. “Nothing’s changed, little girl,” he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. “And what if you do everything you swore you would? What then? Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, not really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.

  “Stay here with us,” said the voice from the figure at the end of the room. “We will listen to you and play with you and laugh with you. Your other mother will build whole worlds for you to explore, and tear them down every night when you are done. Every day will be better and brighter than the one that went before. Remember the toy box? How much better would a world be built just like that, and all for you?”

  “And will there be gray, wet days where I just don’t know what to do and there’s nothing to read or to watch and nowhere to go and the day drags on forever?” asked Coraline.

  From the shadows, the man said, “Never.”

  “And will there be awful meals, with food made from recipes, with garlic and tarragon and broad beans in?” asked Coraline.

  “Every meal will be a thing of joy,” whispered the voice from under the old man’s hat. “Nothing will pass your lips that does not entirely delight you.”

  “And could I have Day-Glo green gloves to wear, and yellow Wellington boots in the shape of frogs?” asked Coraline.

  “Frogs, ducks, rhinos, octopuses—whatever you desire. The world will be built new for you every morning. If you stay here, you can have whatever you want.”

  Coraline sighed. “You really don’t understand, do you?” she said. “I don’t want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted? Just like that, and it didn’t mean anything. What then?”

  “I don’t understand,” said the whispery voice.

  “Of course you don’t understand,” she said, raising the stone with the hole in it to her eye. “You’re just a bad copy she made of the crazy old man upstairs.”

  “Not even that anymore,” said the dead, whispery voice. There was a glow coming from the raincoat of the man,
at about chest height. Through the hole in the stone the glow twinkled and shone blue-white as any star. She wished she had a stick or something to poke him with: she had no wish to get any closer to the shadowy man at the end of the room.

  Coraline took a step closer to the man, and he fell apart. Black rats leapt from the sleeves and from under the coat and hat, a score or more of them, red eyes shining in the dark. They chittered and they fled. The coat fluttered and fell heavily to the floor. The hat rolled into one corner of the room.

  Coraline reached out one hand and pulled the coat open. It was empty, although it was greasy to the touch. There was no sign of the final glass marble in it. She scanned the room, squinting through the hole in the stone, and caught sight of something that twinkled and burned like a star at floor level by the doorway. It was being carried in the forepaws of the largest black rat. As she looked, it slipped away.

  The other rats watched her from the corners of the rooms as she ran after it.

  Now, rats can run faster than people, especially over short distances. But a large black rat holding a marble in its two front paws is no match for a determined girl (even if she is small for her age) moving at a run. Smaller black rats ran back and forth across her path, trying to distract her, but she ignored them all, keeping her eyes fixed on the one with the marble, who was heading straight out of the flat, toward the front door.

  They reached the steps on the outside of the building.

  Coraline had time to observe that the house itself was continuing to change, becoming less distinct and flattening out, even as she raced down the stairs. It reminded her of a photograph of a house, now, not the thing itself. Then she was simply racing pell-mell down the steps in pursuit of the rat, with no room in her mind for anything else, certain she was gaining on it. She was running fast—too fast, she discovered, as she came to the bottom of one flight of stairs, and her foot skidded and twisted and she went crashing onto the concrete landing.

  Her left knee was scraped and skinned, and the palm of one hand she had thrown out to stop herself was a mess of scraped skin and grit. It hurt a little, and it would, she knew, soon hurt much more. She picked the grit out of her palm and climbed to her feet and, as fast as she could, knowing that she had lost and it was already too late, she went down to the final landing at the ground level.

  She looked around for the rat, but it was gone, and the marble with it.

  Her hand stung where the skin had been scraped, and there was blood trickling down her ripped pajama leg from her knee. It was as bad as the summer that her mother had taken the training wheels off Coraline’s bicycle; but then, back then, in with all the cuts and scrapes (her knees had had scabs on top of scabs) she had had a feeling of achievement. She was learning something, doing something she had not known how to do. Now she felt nothing but cold loss. She had failed the ghost children. She had failed her parents. She had failed herself, failed everything.

  She closed her eyes and wished that the earth would swallow her up.

  There was a cough.

  She opened her eyes and saw the rat. It was lying on the brick path at the bottom of the stairs with a surprised look on its face—which was now several inches away from the rest of it. Its whiskers were stiff, its eyes were wide open, its teeth visible and yellow and sharp. A collar of wet blood glistened at its neck.

  Beside the decapitated rat, a smug expression on its face, was the black cat. It rested one paw on the gray glass marble.

  “I think I once mentioned,” said the cat, “that I don’t like rats at the best of times. It looked like you needed this one, however. I hope you don’t mind my getting involved.”

  “I think,” said Coraline, trying to catch her breath, “I think you may—have said—something of the sort.”

  The cat lifted its paw from the marble, which rolled toward Coraline. She picked it up. In her mind a final voice whispered to her, urgently.

  “She has lied to you. She will never give you up, now she has you. She will no more give any of us up than change her nature.” The hairs on the back of Coraline’s neck prickled, and Coraline knew that the girl’s voice told the truth. She put the marble in her dressing-gown pocket with the others.

  She had all three marbles, now.

  All she needed to do was to find her parents.

  And, Coraline realized with surprise, that bit was easy. She knew exactly where her parents were. If she had stopped to think, she might have known where they were all along. The other mother could not create. She could only transform, and twist, and change.

  The mantelpiece in the drawing room back home was quite empty. But knowing that, she knew something else as well.

  “The other mother. She plans to break her promise. She won’t let us go,” said Coraline.

  “I wouldn’t put it past her,” admitted the cat. “Like I said, there’s no guarantee she’ll play fair.” And then he raised his head. “Hullo…did you see that?”

  “What?”

  “Look behind you,” said the cat.

  The house had flattened out even more. It no longer looked like a photograph—more like a drawing, a crude, charcoal scribble of a house drawn on gray paper.

  “Whatever’s happening,” said Coraline, “thank you for helping with the rat. I suppose I’m almost there, aren’t I? So you go off into the mist or wherever you go, and I’ll, well, I hope I get to see you at home. If she lets me go home.”

  The cat’s fur was on end, and its tail was bristling like a chimney sweep’s brush.

  “What’s wrong?” asked Coraline.

  “They’ve gone,” said the cat. “They aren’t there anymore. The ways in and out of this place. They just went flat.”

  “Is that bad?”

  The cat lowered its tail, swishing it from side to side angrily. It made a low growling noise in the back of its throat. It walked in a circle, until it was facing away from Coraline, and then it began to walk backwards, stiffly, one step at a time, until it was pushing up against Coraline’s leg. She put down a hand to stroke it, and could feel how hard its heart was beating. It was trembling like a dead leaf in a storm.

  “You’ll be fine,” said Coraline. “Everything’s going to be fine. I’ll take you home.”

  The cat said nothing.

  “Come on, cat,” said Coraline. She took a step back toward the steps, but the cat stayed where it was, looking miserable and, oddly, much smaller.

  “If the only way out is past her,” said Coraline, “then that’s the way we’re going to go.” She went back to the cat, bent down, and picked it up. The cat did not resist. It simply trembled. She supported its bottom with one hand, rested its front legs on her shoulders. The cat was heavy but not too heavy to carry. It licked at the palm of her hand, where the blood from the scrape was welling up.

  Coraline walked up the stairs one step at a time, heading back to her own flat. She was aware of the marbles clicking in her pocket, aware of the stone with a hole in it, aware of the cat pressing itself against her.

  She got to her front door—now just a small child’s scrawl of a door—and she pushed her hand against it, half expecting that her hand would rip through it, revealing nothing behind it but blackness and a scattering of stars.

  But the door swung open, and Coraline went through.

  XI.

  ONCE INSIDE, IN HER FLAT, or rather, in the flat that was not hers, Coraline was pleased to see that it had not transformed into the empty drawing that the rest of the house seemed to have become. It had depth, and shadows, and someone who stood in the shadows waiting for Coraline to return.

  “So you’re back,” said the other mother. She did not sound pleased. “And you brought vermin with you.”

  “No,” said Coraline. “I brought a friend.” She could feel the cat stiffening under her hands, as if it were anxious to be away. Coraline wanted to hold on to it like a teddy bear, for reassurance, but she knew that cats hate to be squeezed, and she suspected that frightened cats were liab
le to bite and scratch if provoked in any way, even if they were on your side.

  “You know I love you,” said the other mother flatly.

  “You have a very funny way of showing it,” said Coraline. She walked down the hallway, then turned into the drawing room, steady step by steady step, pretending that she could not feel the other mother’s blank black eyes on her back. Her grandmother’s formal furniture was still there, and the painting on the wall of the strange fruit (but now the fruit in the painting had been eaten, and all that remained in the bowl was the browning core of an apple, several plum and peach stones, and the stem of what had formerly been a bunch of grapes). The lion-pawed table raked the carpet with its clawed wooden feet, as if it were impatient for something. At the end of the room, in the corner, stood the wooden door, which had once, in another place, opened onto a plain brick wall. Coraline tried not to stare at it. The window showed nothing but mist.

  This was it, Coraline knew. The moment of truth. The unraveling time.

  The other mother had followed her in. Now she stood in the center of the room, between Coraline and the mantelpiece, and looked down at Coraline with black button eyes. It was funny, Coraline thought. The other mother did not look anything at all like her own mother. She wondered how she had ever been deceived into imagining a resemblance. The other mother was huge—her head almost brushed the ceiling—and very pale, the color of a spider’s belly. Her hair writhed and twined about her head, and her teeth were sharp as knives….

  “Well?” said the other mother sharply. “Where are they?”

  Coraline leaned against an armchair, adjusted the cat with her left hand, put her right hand into her pocket, and pulled out the three glass marbles. They were a frosted gray, and they clinked together in the palm of her hand. The other mother reached her white fingers for them, but Coraline slipped them back into her pocket. She knew it was true, then. The other mother had no intention of letting her go or of keeping her word. It had been an entertainment, and nothing more. “Hold on,” she said. “We aren’t finished yet, are we?”

 
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