Nightwing

  N I G H T W I N G

  The old Indian sits in the heat of his shack in the Painted Desert. The Hopis, his people, are dying a slow death, the death of the desert. Navajos are taking their land, the Indian Bureau is selling Hopi water, and the energy companies are ripping apart the sacred mesa.

  Against such power what can one old medicine man do? The colored sands hiss through his hand into an intricate painting. Black for death, red for blood. “I’m going to end the world,” the old man tells Youngman Duran, a bemused and cynical ex-convict the Hopis have made into a deputy, but not quite into a lawman.

  “When?” Youngman smiles.

  “Today.”

  Next morning the old medicine man is dead, bled to death where he lies in the center of his painting. That is the start of his prophecy come true. Every night from then on Death stirs. Its call is a whisper, its wings are wide and gossamer thin, its teeth are sharp as knives, its grotesque appetite insatiable. As carrier for the most virulent of all diseases, this Death becomes a tide that threatens to sweep man from the American Southwest.

  The burden of destroying the death falls on Youngman, who alone has understood the words of the painting, and on the obsessed scientist Hayden Paine, whose life is the pursuit of death.

  Together, in this chilling novel of suspense, they journey to the one place of the Hopi, both holy and infected, where, as the wise man had told, the choice must be made—to live or to die—and be made quickly. For night is falling.

  This work is a novel and the characters and incidents depicted in it are entirely fictional.

  Copyright © 1977 by Martin Cruz Smith. All rights reserved. Published simultaneously in Canada by George J. McLeod Limited, Toronto. Printed in the United States of America.

  Library of Congress Cataloging in Publication Data

  Smith, Martin, 1942–

  Nightwing: a novel.

  1. Title.

  ISBN: 0-393-08783-2

  Book design by Antonina Krass

  Jacket Design and painting

  © 1977 by Wendell Minor

  W • W • NORTON & COMPANY • INC • NEW YORK

  FOR KNOX AND KITTY

  When was I born?

  Where did I come from?

  Where am I going?

  What am I?

  —the Hopi questions

  N I G H T W I N G

  C H A P T E R

  O N E

  The Red Man tobacco sign—an Indian profile with a corroded eye—stared west. Two pickup trucks rusted in a bower of yellow creosote bushes. Out of a headlight socket flicked the quick ribbon of a lizard tongue.

  It was noon in the Painted Desert. A hundred degrees.

  The tobacco sign and car hoods welded together in upright rows were the walls of Abner Tasupi’s shed. A square of sheet steel was the roof. Sometimes, Abner fixed cars and, sometimes, he sold Enco gasoline straight from a drum. Usually, the drums were empty and he spent the day listening to his transistor radio. They had Navajo disc jockeys on a Gallup station. While he hated Navajos, there were no Hopi disc jockeys. There were lots of Hopis up on the Black Mesa, but not a one that dared come visit him.

  Well, one.

  Youngman Duran sat in the shed between the erupting springs of a car seat. A half-empty jug of Gallo port nestled between his legs.

  “I’m sorry,” Abner apologized to his only friend, “but they got to die.”

  “Anyone I know?”

  Stripped down to underpants and a leather kilt, Abner squatted in the center of the dirt floor grinding cornmeal. He was past ninety and his brown body was hard like an insect’s. His gray hair, cut short above the eyes, hung down to frame a flat face with broad cheekbones and wide, peeling lips.

  “Come on, Abner, you can tell me. Hell, I’m not a deputy for nothing.”

  Youngman was a third of Abner’s age. His hair was shorter, pitch-black and tucked under a dirty Stetson. Sweat ringed the crown of his hat and sweat stains from his armpits and back merged to turn most of his khaki shirt into a dark sponge. He shifted his seat, trying to get comfortable without sticking himself with a seat spring. Youngman hated port wine but real alcohol was hard to find on the reservation. Besides, he liked Abner.

  Abner gathered ground cornmeal in his hands and started pouring it inside of the door and, moving backwards, around the corners of the room.

  “Everyone you know.”

  Youngman pulled out a pack of damp cigarettes.

  “Well, that’s a start, Abner, that’s a start.”

  The shed always struck Youngman as a flood mark where the junk of different civilizations was left high and dry. A box of spark plugs and points. Tire irons and jacks. Soup and bean cans on a drum converted into a stove. T-shirts stuffed into holes in the wall, where ears of blue corn hung from braided husks. On an orange crate shelf stood a line of kachina dolls, each a foot tall, one crowned with wooden rays of the sun, another wearing eagle fluffs, the crudely carved kind fifty to a hundred years old or more.

  “You know, you get $1,000 for one of those dolls in Phoenix. Might as well do it before someone comes and steals ’em.”

  “No one comes around here, Flea.” Abner finished pouring corn. “I don’t worry about that.”

  “Well, they figure you’re going to hex ’em, Abner.”

  On a steamer trunk were mason jars of peyote and datura, ground jimson weed. Youngman resisted the temptation to dig in. He’d been strung out before; he’d spent seven years trying to stay strung out. But that was the Army. Now he only smoked a little grass and drank wine. The highs weren’t so high, but he didn’t come so close to touching bottom. Abner was different. Abner was a priest. And Abner was right, people stayed away from him.

  “Just what the hell do you mean, everyone’s going to die? You’re lucky you’re talking to me. Anyone else would take you serious, Abner. You know that.”

  The lid was off the datura jar. The steamer trunk was bandaged with travel stickers reading “Tijuana,” “Truth or Consequences,” “Tombstone.” There could as well have been one that said “Mars.” Abner had picked up the trunk in a pawn shop, he’d never been farther than Tuba City.

  “It’s a hot day and the Gallo brothers worked real hard, Abner. Have some.”

  Abner shook his head. Old man’s been in the datura, Youngman thought. A fat dose of ground seeds was poison. A small dose of dried roots lifted the brain like a car on a jack. There were a lot of ways to die on a reservation. Drink. Datura or locoweed. Sit in the middle of the highway at night. Just let the time go by while the seconds accumulated like sand in an open grave.

  Abner opened the trunk.

  “Damn it. You promised me you’d never make medicine around me, Abner.”

  “You don’t believe in it,” Abner smiled back.

  “I don’t but I don’t like it, either. I just want to sit down with you and get a buzz on. Like usual.”

  “I know what you want to do,” the old man kept smiling. “Too late for that now.”

  “Look, we’ll go take a ride. We can shoot some rabbit maybe.”

  Abner lifted a blanket from the bottom of the orange crate. Under it was a rabbit in a cage, nose pressed against the slats. Youngman didn’t know Abner to indulge in luxuries like fresh meat. Mostly the old man lived on pan bread, chilis, corn, and maybe a dried peach.

  Inside the trunk were what Abner’d always called his “secret goods.” Paho sticks. Feathers. Jars of dried corn, yellow, red, and blue. Abner poured small mounds of the corn on top of the trunk in front of the kachinas.

  “It’s just I don’t want them coming after you,” Youngman said, “because they’re going to send me to deal with you. Those people are nuts. They believe your routine.”

  From another part of the trun
k. Abner rummaged through a Baggie of feathers until he came up with the black-and-white tail feathers of a shrike. He stood a feather in each mound of corn. The effect was of an altar. Abner stepped back to appreciate his handiwork.

  “I want to leave the center for the Pahana tablet. Nice, huh?”

  “What’s the Pahana tablet?”

  “You don’t know?”

  “No.”

  “You don’t know much, then.” Abner rubbed his hands.

  “I know you’re tripping on that dream dust of yours. How much datura did you eat? Tell me.”

  “Not much,” Abner shrugged his thin shoulders without turning around to answer. “You’ll need a lot more, Flea.”

  Youngman was disappointed. “Making medicine” was the perfect example of a fool’s errand. No amount of “medicine” had yet made a poor, ignorant Indian rich, hip, and white. At least, not in Arizona. As for kachina dolls, everyone knew they were kids’ toys, nothing else.

  The row of kachinas stared woodenly back with expressions of painted mischief.

  “Yeah. I need a handful of uppers, some speed, a snort of coke, smokin’ acid, and a can of Coors just to start feeling the Spirit.”

  “Even so,” Abner maintained, “you’re a good boy.”

  Youngman scratched between his eyebrows. There were times when he felt that he and Abner were conversing through an incompetent translator, although they were both using Hopi with the same white corruptions. Mentally, he kicked himself. He shouldn’t have stopped by Abner’s decrepit shack, he should have gone straight on to the Momoa ranch like he was supposed to.

  Abner brought out a soda bottle stoppered with aluminum foil. He removed the foil and poured into his palm a kind of sand Youngman had never seen before. It was very fine and black and shiny as eyes. When his hand was full, Abner squatted and, letting a thin stream of the black sand slip between his fingers and thumb, drew a swastika in a corner of the floor. The lines were ruler straight and the angles could have been done with a T-square. Empty, his hand was smudged with oil.

  Damn it, Youngman thought. The last thing he wanted to do was arrest the old man.

  “You been around the Peabody mine, Abner? That’s not sand.”

  “You’re really a good boy. Not too dumb, either.” Abner refilled his hand and started another swastika. “No, it ain’t from Peabody.”

  A month before, Abner had been caught dumping cartons of rattlesnakes into the Black Mesa strip mine. The guards would have shot him if Youngman hadn’t arrived in time to make the arrest himself. And then let Abner go.

  “Tell me not to worry about you, uncle.”

  “Don’t worry.” Abner concentrated on his drawing. “It’ll work. I didn’t get this from any white mine, I got it from the dead people.”

  The black sand had a viscous quality, almost liquid. Youngman sipped wine. Abner drew two more swastikas, forming a perfect square of them, the corners perfectly aligned to the four directions, Youngman had no doubt.

  “What are you up to, Abner?”

  Abner went to his steamer trunk and filled his arms with bottles of black powder, which he carried to the center of the square of swastikas. He squatted and opened one of the bottles, filled his hand, and started drawing again. A funny thing about priests, old and feeble as they got, once they hunkered over their so-called medicine they might as well be locked into place by magnets; it took two men to budge them. All a matter of balance, of course. The new pattern Abner drew was a curl of black sand that grew into a spiral.

  “Don’t you get angry at me, Flea.” Abner refilled his hand. “But I think about this a lot and I just decided something had to be done about this world. First of all, there are the goddamn Navajos. Those bastards gotta go. Then, I think, all the Federal Courts and the Indian Bureau. Them, too.” Powder hissed from Abner’s hand, widening the spiral. “They’re killing us, Flea. They are, always have been. Now it’s them and the companies. Peabody Coal. El Paso Gas. I’m going to fix them, Flea. It’s all up to me and I’m going to take care of them, Flea.”

  Abner stopped to open another bottle.

  Youngman had to smile at the continued sound of his own Hopi name. He never heard it except from Abner.

  “You’re going to stop El Paso Gas?”

  “I’m not sorry about that, just about the people.”

  “Sure.”

  That would shake El Paso’s corporate structure, Youngman thought, knowing that a spaced-out 90-year-old Hopi medicine man out in the middle of the desert was going to take them on. I’ll drink to that, he added to himself.

  “I seen the shovels digging up the Black Mesa,” Abner spat out the door. “I hear about them taking the water.”

  “Water’s going to Los Angeles. Hey, Abner, why don’t you lay off your medicine and share some of this juice.” Youngman offered the wine. Abner shook his head.

  “Then Los Angeles has to go, too. Them and Tucson, Phoenix, Albuquerque. All them cities.”

  “A lot of people. You tell anyone else about this?”

  Abner twisted on his knees, his arms outstretched like the points of a compass, and the black spiral swung around itself once, then a second time, curved delicately to the right, and veered into a larger circle in the opposite direction.

  From where he sat, Youngman could see the stripped trucks outside. Oxidized carapaces like the remains of prehistoric animals. Hell of a lot of fossils in this country, he thought. Including Indians. He twisted the cap back on the wine.

  “How’re you going to do it, Abner? Get a rifle and start popping cars on the highway? Dynamite? How’re you going to stop everybody?”

  “Not stop them, end them.” Abner looked up. He had small, powerful eyes, black centers with mottled whites, “I’m going to end the world.”

  The two whorls of black sand were complete. The smaller curled around itself three times, the larger one four. Together, they were a pair of serpentines five feet across. Although Abner had had to stop and begin again many times between handfuls of sand, there was no sign of a break or a falter. Not the slightest flaw in the concentric lines. In the dark of the shed, Abner’s art was as pure and glistening as a double-coiled snake.

  Nervous, Youngman looked out the door, past the trucks and his jeep. The sky was as blue as water, as deep as turquoise set in a silver conch. Air moved like a dancer with a dragging foot over the sandy ground, rattling dry seed pods. On the northern horizon stood the wall of the Black Mesa. To the south, Phoenix was two hundred miles distant; east, Albuquerque was one hundred fifty. They could have been on different planets. That’s what he’d been after, Youngman reminded himself, a different planet. He dug the last cigarette out of his pack.

  Abner went to his trunk for bottles of a bright red sand.

  “How’re you going to end the world?”

  “Different.” Abner gestured for Youngman to give him a puff on the cigarette. “First world was ended by fire. People were led wrong by a woman and a snake. The Creator sent down flames and opened up the volcanoes. Everything was on fire and burned up, except for a few good Hopis.”

  Abner started drawing a ring of the red sand within the swastikas and around the double serpentine.

  “Second world was good until people got too prosperous, too fat. They only cared about getting rich. The Creator saw what was happening and he stopped the world from turning. The earth went out of its orbit and everything froze, everything was covered with ice. Everyone died except the few good Hopis.”

  Youngman blew out a sigh of smoke. The story was the litany of his youth, heard over and over again.

  “Third world was perfect.” Abner measured out the arc of red sand. “Cities were full of jewels and feather rags. People forgot the simple way. Women became whores. Men started fighting, flying from city to city to make war. The Creator got fed up. He put a few good Hopis in hollow reeds and covered the world with rain and water.”

  From the altar, the dolls listened with rigid attention. A cloud-faced
star god. A horned corn god. A round-headed clown. A dancer holding a plumed serpent. Dumb witnesses on a steamer trunk.

  The red ring was done. Abner got a bottle of white sand and another of orange.

  “At last, the land rose and the Creator let the Hopis come ashore in the desert.” He opened the bottle of orange sand first. “He said, ‘This is your Fourth World now. Its name is Tuwaqachi, World Complete. Its color is sikyangpu, yellow-white. Its direction is north, towards the Black Mesa. Its caretaker is Masaw, the god of death. From now on, you will have to follow the simple way.’ ”

  The figure Abner drew between the serpentine and the ring was the outline of a running dog.

  “Coyote Clan,” he told Youngman. “You.”

  “Swell,” Youngman said, uncomfortably.

  Abner unstoppered the bottle of white sand and stepped carefully to the other side of the serpentine.

  “So, we have worlds before and worlds after. For us, after the Fourth World there will be a Fifth.”

  “Maybe,” Youngman suggested, “maybe, you’re rushing things a little.”

  “The prophecies, you mean? Well, this world is supposed to end with atomic bombs, that’s what some of the other priests say. I’ve been waiting for it but I don’t think it’s going to happen very soon. You can’t depend on that. So, I’m going to end it now.”

  “When?”

  “Today.”

  On the edge of the red ring, Abner finished the white outline of a bird. Then he excused himself and went out of the shed behind a bush to urinate. Youngman waited, wishing for nothing more than another cigarette. Abner returned, sniffing.

  “It’s a good day, huh? How’s the machine running?”

  “The jeep? It’s okay. Look, I have to go see the Momoas now but then I’m going on into the hills. You want to come with me?”

  Abner shook his head and chuckled. His eyes were slightly glazed.

  “You didn’t go out there to take a leak,” Youngman said. “You ate some more of that junk.”

  “Want some?”