The Burglar Who Liked to Quote Kipling, Page 3

  It’s even tighter on Copperwood Crescent, an elegant semicircle where massive piles of stone and brick sprawl on spacious wooded lots. The residents of Copperwood Crescent include a shipping-line heir, two upper-echelon mafiosi, the owner of a chain of budget funeral parlors, and two to three dozen similarly well-heeled citizens. One private cop car has as its sole responsibility the safeguarding of Copperwood Crescent, along with four adjoining and similarly exclusive streets—Ironwood Place, Silverwood Place, Pewterwood Place, and Chancery Drive.

  If Forest Hills Gardens is the soft underbelly of Queens, Copperwood Crescent is the ruby in its navel.

  I didn’t have any trouble finding the ruby. On my earlier trip I’d walked all around the neighborhood armed with pocket atlas and clipboard—a man with a clipboard never looks out of place. I’d found Copperwood Crescent then and I found it now, barely slowing the Pontiac as I rolled past Jesse Arkwright’s house, an enormous beamed Tudor number. On each of the three floors a light burned in a mullioned window.

  At the end of Copperwood Crescent I took a sharp left into Bellnap Court, a quiet block-long cul-de-sac that was out of bounds for the Copperwood-Ironwood-Silverwood-Pewterwood-Chancery patrol car. I parked at the curb between a couple of sizable oaks and cut the engine, removing my jumper wire from the ignition.

  You need a sticker to park on the street, but that’s to keep commuters from cluttering the area during daylight hours. Nobody gets towed at night. I left the car there and walked back to Copperwood Crescent. If the patrol car was on the job, I didn’t see it, nor did I notice anyone else walking about.

  The same three lights were lit in the Arkwright house. Without hesitation I walked the length of the driveway at the right of the house. I shined my pencil-beam flashlight through a garage window. A gleaming Jaguar sedan crouched on one side of the garage. The other stall was quite empty.

  Good.

  I went to the side door. Below the bell on the doorjamb was an inch-square metal plate slotted for a key. A red light glowed within, indicating that the burglar alarm was set. If I were Mr. Arkwright, equipped with the proper key, I could insert it in the slot and turn off the alarm. If, on the other hand, I were to insert anything other than the proper key, sirens would commence to sound and some signal would go off in the nearest police station.

  Fine.

  I rang the doorbell. The car was gone and the alarm was set, but you just never know, and the burglar least likely to wind up in the slam is the sort of chap who wears suspenders and a belt, just in case. I’d rung this bell before, when I’d come calling with my clipboard, asking meaningless questions in aid of a nonexistent sewer survey. As then, I listened to the four-note chime sound within the huge old house. I pressed my ear to the heavy door and listened carefully, and when the chimes quit echoing I heard nothing at all. No footsteps, no sign of human life. I rang again, and again I heard nothing.

  Good.

  I walked around to the rear of the house again. For a moment I just stood there. It was pleasant enough, the air uncharacteristically clear and clean. The moon wasn’t visible from where I stood but I could see a scattering of stars overhead. What really awed me was the silence. Queens Boulevard was only blocks away but I couldn’t hear any of its traffic. I suppose the trees kept the noise at bay.

  I felt hundreds of miles from New York. The Arkwright house belonged in a Gothic novel, brooding over windswept moors.

  Myself, I had no time for brooding. I put on my rubber gloves—skintight, their palms cut out for comfort’s sake—and went to have a look at the kitchen door.

  Thank God for burglar alarms and pickproof locks and tight security systems. They all help discourage the amateurs even as they give the citizenry a nice sense of safety and well-being. Without them, everybody would stash all the good stuff in safe-deposit boxes. Beyond that, they help make burglary the challenging occupation I’ve always found it. If any splay-fingered oaf could do as well, what fun would it be?

  The Arkwright home had a first-rate burglar alarm, Fischer Systems’ model NCN-30. I could see for myself that it was wired to all the ground-floor doors and windows. It might or might not have been connected to higher windows—most people don’t take the trouble—but I didn’t want to walk up a wall to find out one way or the other. It was simpler to rewire the system.

  There are a few ways to beat a burglar alarm. One brutally direct method calls for cutting the lines supplying power to the house. This does lack subtlety—all the lights go out, for openers—and it’s counter-productive when you’re dealing with a good system like the NCN-30, because they have fail-safe devices that trigger them under such circumstances. (This can have interesting ramifications during a power failure, incidentally.)

  Ah, well. I used some wires of my own, splicing them neatly into the picture, wrapping their ends ever so neatly with electrical tape, and by the time I was done the alarm was working as well as it had ever worked, but for the fact that it no longer covered the kitchen door. A regiment of cavalry could parade through that door without NCN-30 kicking up a fuss. The whole operation was more than your average burglar could do, and isn’t it lucky that I’m not your average burglar?

  With the alarm hors de combat, I turned my attention to the thick oak door, an hors of another color. A skeleton key opened its original lock, but there were two others, a Segal and a Rabson. I held my little flashlight in one hand and my ring of picks and probes in the other and went to work, pausing now and again to press an ear against the thick wood. (It’s like seashells; if you listen carefully you can hear the forest.) When the last tumbler tumbled I turned the knob and tugged and shoved and nothing happened.

  There was a manual bolt on the inside. I ran the flashlight beam down the edge of the door until I located it, then made use of a handy little tool I’d fashioned from a hacksaw blade, slipping it between door and jamb and working it to and fro until the bolt parted. I tried the door again, and wouldn’t you know there was a chain lock that stopped it when it was three inches ajar? I could have sawed through that as well, but why? It was easier to slip my hand inside and unscrew the chain lock from its moorings.

  I pushed the door all the way open and made an illegal entry a crooked accountant would have been proud of. For a moment I just stood there, glowing, radiant. Then I closed the door and locked the locks. I couldn’t do anything about the bolt I’d sawed through, but I did take a moment to restore the chain bolt.

  Then I set out to explore the house.

  There’s absolutely nothing like it.

  Forget everything I said to Ray Kirschmann. True, I was getting older. True, I shrank from the prospect of getting chewed by attack dogs and shot by irate householders and locked by the authorities in some pickproof penitentiary cell. True, true, all of it true, and so what? None of it mattered a whit when I was inside someone else’s dwelling place with all his worldly goods spread out before me like food on a banquet table. By God, I wasn’t that old! I wasn’t that scared!

  I’m not proud of this. I could spout a lot of bilge about the criminal being the true existential hero of our times, but what for? I don’t buy it myself. I’m not nuts about criminals and one of the worst things about prison was having to associate with them. I’d prefer to live as an honest man among honest men, but I haven’t yet found an honest pursuit that lets me feel this way. I wish there were a moral equivalent of larceny, but there isn’t. I’m a born thief and I love it.

  I made my way through a butler’s pantry and an enormous brick-floored kitchen, crossing a hallway to the formal living room. The light I’d noted from the street cast a warm glow over the room. It was a noteworthy object in and of itself, a leaded-glass dragonfly lamp by Tiffany. I’d last seen one in an antique shop on upper Madison Avenue with a $1,500 tag on it, and that was a few years ago.

  But I hadn’t come all the way to Queens to steal furniture. I’d come with a very specific purpose, and I didn’t really need to be in the living room at all. I didn’t have to
take inventory, but old habits die hard, and I could hardly avoid it.

  The lamp made it easy, saving me the trouble of using my flashlight. There was a timer so that it would turn itself off during daylight hours and resume its vigil at dusk, burning bravely until dawn, announcing to passers-by that nobody was home.

  Considerate of them, I thought, to leave a light for the burglar.

  The lamp was perched on an ornamental French kneehole desk. Four of the desk’s six drawers were fakes, but one of the others held a Patek Philippe pocket watch with a hunting scene engraved on its case.

  I closed the drawer without disturbing the watch.

  The dining room was worth a look. A sideboard absolutely loaded with silver, including two complete sets of sterling tableware and a ton of hallmarked Georgian serving pieces. No end of fine porcelain and crystal.

  I left everything undisturbed.

  The library, also on the ground floor, was a room I would have gladly called my own. It measured perhaps twelve by twenty feet, with a glorious Kerman carpet covering most of the buffed parquet floor. Custom-built bookshelves of limed English oak lined two walls. In the middle of the room, centered beneath a fruited Tiffany shade, stood a tournament-size pool table. At the room’s far end, twin portraits of Arkwright ancestors in gilded oval frames looked down in solemn approbation.

  A pair of wall racks, one holding cue sticks, the other a locked cabinet that displayed sporting rifles and shotguns. A couple of overstuffed leather chairs. An elaborate bar, the crystal glassware etched with game birds in flight. Enough liquor in one form or another to float a fair-sized cabin cruiser, plus decanters of sherry and port and brandy placed at convenient intervals about the room. A smoker’s stand, mahogany, with a few dozen briar pipes and two cased meerschaums. A cedar cabinet of Havanas. A whole room of brass and wood and leather, and I yearned to nail the door shut and pour myself a stiff Armagnac and stay there forever.

  Instead I scanned the bookshelves. They were a jumble, but there was no shortage of dollar value. While they ran heavily to uncut sets of leather-bound memoirs of unremembered hangers-on at pre-Revolutionary Versailles, there were plenty of other items as well, many of which I’d never seen outside of the catalogs of the better book dealers and auction galleries. I happened on a pristine first of Smollet’s rarest novel, The Adventures of Sir Laurence Greaves, and there were any number of fine bindings and important first editions and Limited Editions Club issues and private press productions, all arranged in no discernible order and according to no particular plan.

  I took one book from the shelves. It was bound in green cloth and not much larger than an ordinary paperback. I opened it and read the flowing inscription on the flyleaf. I paged through it, closed it, and put it back on the shelf.

  I left the library as I’d found it.

  The stairs were dark. I used my flashlight, went up and down the staircase three times. There was one board that creaked and I made sure I knew which one it was. Fourth from the top.

  The others were comfortingly silent.

  Twin beds in the master bedroom, each with its own bedside table. His and hers closets. His ran to Brooks Brothers suits and cordovan shoes. I especially liked one navy suit with a muted stripe. It wasn’t that different from the one I was wearing. Her closet was full of dresses and furs, including one Ray’s wife would have salivated over. Good labels in everything. A drawer in the dressing table—French Provincial, white enamel, gold trim—held a lot of jewelry. A cocktail ring caught my eye, a stylish little item with a large marquise-cut ruby surrounded by seed pearls.

  There was some cash in the top drawer of one of the bedside tables, a couple hundred dollars in tens and twenties. In the other table I found a bank-book—eighteen hundred dollars in a savings account in the name of Elfrida Grantham Arkwright.

  I didn’t take any of these things. I didn’t take the Fabergé eggs from the top of the chest of drawers, or the platinum cuff links and tie bar, or any of the wristwatches, or, indeed, anything at all.

  In Jesse Arkwright’s study, all the way at the rear of the house’s second floor, I found a whole batch of bankbooks. Seven of them, secured by a rubber band, shared the upper right drawer of his desk with postage stamps and account ledgers and miscellaneous debris. The savings accounts all had sizable balances and the quick mental total I ran came to a little better than sixty thousand dollars.

  I’ll tell you. It gave me pause.

  I once knew a fellow who’d been tossing an apartment in Murray Hill, filling a pillowcase with jewelry and silver, when he came across a bankbook with a balance in five figures. Clever lad that he was, he promptly turned his pillowcase inside out and put everything back where he’d found it. He left the premises looking as though he’d never visited them in the first place, taking nothing but that precious bankbook. That way the residents wouldn’t know they’d been burgled, and wouldn’t miss the bankbook, and he could drain their account before they suspected a thing.

  Ah, the best-laid plans. He presented himself at the teller’s window the very next morning, withdrawal slip in hand and bankbook at the ready. It was a small withdrawal—he was merely testing the waters—but that particular teller happened to know that particular depositor by sight, and the next thing the chap knew he was doing a medium-long bit in Dannemora, which is when I ran into him.

  So much for bankbooks.

  So much, too, for a double handful of Krugerrands, those large gold coins the South Africans stamp out for people who want to invest in the yellow metal. I like gold—what’s not to like?—but they were in a drawer with a handgun, and I dislike guns at least as much as I like gold. The ones in the library were for show, at least. This one was here for shooting burglars.

  So much for the Krugerrands. So much, too, for a shoulder-height set of glassed-in shelves full of Boehm birds and Art Nouveau vases and glass paperweights. I spotted a Lalique ashtray just like the one on my grandmother’s coffee table, and a positive gem of a Daum Nancy vase, and Baccarat and Millefiori weights galore, and—

  It was starting to get to me. I couldn’t look anywhere without seeing ten things I wanted to steal. Every flat surface in that study held bronzes, all of them impressive. Besides the usual bulls and lions and horses, I noticed one of a camel kneeling alongside a Legionnaire. The latter wore a kepi on his head and a pained expression on his face, as if he were sick of jokes about Legionnaire’s Disease.

  A couple of stamp albums. One general worldwide collection that didn’t look to be worth much, but the other was a Scott Specialty Album for the Benelux countries, and a quick thumbing didn’t reveal too many blank spaces.

  And a coin collection. Lord above, a coin collection! No albums, just a dozen black cardboard boxes two inches square and ten inches long. Each was crammed to capacity with two-by-two coin envelopes. I didn’t have time to check them but I couldn’t resist. I opened one box at random and found it was filled with Barber quarters and halves, all Proofs or Uncirculated specimens. Another box contained superb Large Cents catalogued by Sheldon numbers.

  How could I possibly leave them?

  I left them. I didn’t take a thing.

  I was in one of the guest bedrooms on the second floor, playing my penlight over the walls and admiring a very nice pencil-signed Rouault lithograph, when I heard a car in the driveway. I checked my watch. It was 11:23. I listened as the automatic garage door swung upward, listened as the car’s engine cut out. As the garage door swung down again I quit listening and walked the length of the hall to the staircase leading to the third floor. I was up those stairs and crouching on the third-floor landing by the time Jesse Arkwright’s key hit the slot at the side of the house. First he turned off the burglar alarm, then he opened the door, and I fancied I could hear him refastening half a dozen locks after he and Elfrida had made their entrance.

  Muffled conversation, barely audible two floors below me. I moved a rubber-gloved forefinger and wiped perspiration from my forehead. I’d plan
ned on this, of course. I’d even checked the attic stairs earlier to make sure there were no squeakers in the lot.

  All the same, I didn’t like it. Burglary’s a tightly wired proposition at best, but I generally get to do my work in precious solitude. If householders come home while I’m on the job, my usual impulse is to depart abruptly.

  This time I had to linger.

  Two floors below, a teakettle whistled briefly, then sighed as someone removed it from the flame. For an instant I’d mistaken its cry for a police siren. Nerves, I thought, taking deep breaths, beseeching the patron saint of burglars for a dose of serenity.

  Maybe I’d been right when I talked to Kirschmann. Maybe I was getting too old for this. Maybe I didn’t have the requisite sang-froid. Maybe—

  Crouching was uncomfortable. I got stiffly to my feet. The attic was finished off, its central hallway covered with a length of faded maroon carpeting. I walked clear to the front of the house, where a brass floorlamp equipped with a timer sent out forty watts’ worth of light through a curtained window. A maid’s room, it looked to be, although the household no longer employed live-in servants.

  A day bed stretched along one wall. I lay down on top of it pulled a green and gold afghan coverlet over myself, and closed my eyes.

  I couldn’t really hear much from where I was. At one point I thought I heard footsteps on the stairs, and then a few moments later I fancied that I could hear the clatter of balls on the pool table in the library. This was probably a case of my imagination filling in the blanks. After an evening at the theater, the Arkwright routine was supposed to be quite predictable. Home around eleven-thirty, a spot of coffee and something sweet in the breakfast nook, and then Elfrida would pop upstairs with a book of crosswords while Jesse ran a rack or two at the pool table, nipped at one of the crystal decanters, read a few pages of one of his leather-bound classics, and then hied his own bulk up the stairs and joined his wife in their chamber.