Too long, this time of year, the days!
But nights, at least the nights are short.
As night shows where her one moon is,
A hand’s-breadth of pure light and bliss,
So life’s night gives my lady birth
And my eyes hold her! What is worth
The rest of heaven, the rest of earth?
O loaded curls, release your store
Of warmth and scent, as once before
The tingling hair did, lights and darks
Outbreaking into fairy sparks,
When under curl and curl I pried
After the warmth and scent inside,
Through lights and darks how manifold –
The dark inspired, the light controlled!
As early Art embrowns the gold.
What great fear, should one say, ‘Three days
That change the world might change as well
Your fortune; and if joy delays,
Be happy that no worse befell!’
What small fear, if another says,
‘Three days and one short night beside
May throw no shadow on your ways;
But years must teem with change untried,
With chance not easily defied,
With an end somewhere undescried.’
No fear! – or if a fear be born
This minute, it dies out in scorn.
Fear? I shall see her in three days
And one night, now the nights are short,
Then just two hours, and that is morn.
ROBERT GRAVES
Not to Sleep
Not to sleep all the night long, for pure joy,
Counting no sheep and careless of chimes,
Welcoming the dawn confabulation
Of birds, her children, who discuss idly
Fanciful details of the promised coming –
Will she be wearing red, or russet, or blue,
Or pure white? – whatever she wears, glorious:
Not to sleep all the night long, for pure joy,
This is given to few but at last to me,
So that when I laugh and stretch and leap from bed
I shall glide downstairs, my feet brushing the carpet
In courtesy to civilized progression,
Though, did I wish, I could soar through the open window
And perch on a branch above, acceptable ally
Of the birds still alert, grumbling gently together.
ELIZABETH BISHOP
Invitation to Miss Marianne Moore
From Brooklyn, over the Brooklyn Bridge, on this fine
morning,
please come flying.
In a cloud of fiery pale chemicals,
please come flying,
to the rapid rolling of thousands of small blue drums
descending out of the mackerel sky
over the glittering grandstand of harbor-water,
please come flying.
Whistles, pennants and smoke are blowing. The ships
are signaling cordially with multitudes of flags
rising and falling like birds all over the harbor.
Enter: two rivers, gracefully bearing
countless little pellucid jellies
in cut-glass epergnes dragging with silver chains.
The flight is safe; the weather is all arranged.
The waves are running in verses this fine morning.
Please come flying.
Come with the pointed toe of each black shoe
trailing a sapphire highlight,
with a black capeful of butterfly wings and bon-mots,
with heaven knows how many angels all riding
on the broad black brim of your hat,
please come flying.
Bearing a musical inaudible abacus,
a slight censorious frown, and blue ribbons,
please come flying.
Facts and skyscrapers glint in the tide; Manhattan
is all awash with morals this fine morning,
so please come flying.
Mounting the sky with natural heroism,
above the accidents, above the malignant movies,
the taxicabs and injustices at large,
while horns are resounding in your beautiful ears
that simultaneously listen to
a soft uninvented music, fit for the musk deer,
please come flying.
For whom the grim museums will behave
like courteous male bower-birds,
for whom the agreeable lions lie in wait
on the steps of the Public Library,
eager to rise and follow through the doors
up into the reading rooms,
please come flying.
We can sit down and weep; we can go shopping,
or play at a game of constantly being wrong
with a priceless set of vocabularies,
or we can bravely deplore, but please
please come flying.
With dynasties of negative constructions
darkening and dying around you,
with grammar that suddenly turns and shines
like flocks of sandpipers flying,
please come flying.
Come like a light in the white mackerel sky,
come like a daytime comet
with a long unnebulous train of words,
from Brooklyn, over the Brooklyn Bridge, on this fine
morning,
please come flying.
MONIZA ALVI
A Bowl of Warm Air
Someone is falling towards you
as an apple falls from a branch,
moving slowly, imperceptibly as if
into a new political epoch,
or excitedly like a dog towards a bone.
He is holding in both hands
everything he knows he has –
a bowl of warm air.
He has sighted you from afar
as if you were a dramatic crooked tree
on the horizon and he has seen you close up
like the underside of a mushroom.
But he cannot open you like a newspaper
or put you down like a newspaper.
And you are satisfied that he is veering towards you
and that he is adjusting his speed
and that the sun and the wind and rain are in front of him
and the sun and the wind and rain are behind him.
JOHN MONTAGUE
All Legendary Obstacles
All legendary obstacles lay between
Us, the long imaginary plain,
The monstrous ruck of mountains
And, swinging across the night,
Flooding the Sacramento, San Joaquin,
The hissing drift of winter rain.
All day I waited, shifting
Nervously from station to bar
As I saw another train sail
By, the San Francisco Chief or
Golden Gate, water dripping
From great flanged wheels.
At midnight you came, pale
Above the negro porter’s lamp.
I was too blind with rain
And doubt to speak, but
Reached from the platform
Until our chilled hands met.
You had been travelling for days
With an old lady, who marked
A neat circle on the glass
With her glove, to watch us
Move into the wet darkness
Kissing, still unable to speak.
Superlatively
WILLIAM SHAKESPEARE
Sonnet 130
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such r
oses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
IAN DUHIG
From the Irish
According to Dineen, a Gael unsurpassed
in lexicographical enterprise, the Irish
for moon means ‘the white circle in a slice
of half-boiled potato or turnip’. A star
is the mark on the forehead of a beast
and the sun is the bottom of a lake, or well.
Well, if I say to you your face
is like a slice of half-boiled turnip,
your hair is the colour of a lake’s bottom
and at the centre of each of your eyes
is the mark of the beast, it is because
I want to love you properly, according to Dineen.
BEN JONSON
from A Celebration of Charis, in Ten Lyric Pieces
Her Triumph
See the chariot at hand here of Love,
Wherein my lady rideth!
Each that draws is a swan or a dove,
And well the car Love guideth.
As she goes, all hearts do duty
Unto her beauty;
And enamour’d, do wish, so they might
But enjoy such a sight,
That they still were to run by her side,
Through swords, through seas, whither she would ride.
Do but look on her eyes, they do light
All that Love’s world compriseth!
Do but look on her hair, it is bright
As Love’s star when it riseth!
Do but mark, her forehead’s smoother
Than words that soothe her!
And from her arched brows, such a grace
Sheds itself through the face
As alone there triumphs to the life
All the gain, all the good, of the elements’ strife.
Have you seen but a bright lily grow,
Before rude hands have touch’d it?
Have you mark’d but the fall of the snow
Before the soil hath smutch’d it?
Have you felt the wool of the beaver?
Or swan’s down ever?
Or have smelt of the bud of the briar?
Or the nard in the fire?
Or have tasted the bag of the bee?
Oh so white! Oh so soft! Oh so sweet is she!
THE KING JAMES BIBLE
from The Song of Solomon
My beloved is white and ruddy,
the chiefest among ten thousand.
His head is as the most fine gold,
his locks are bushy, and black as a raven.
His eyes are as the eyes of doves by the rivers of water,
washed with milk, and fitly set.
His cheeks are as a bed of spices, as sweet flowers:
his lips like lilies, dropping sweet-smelling myrrh.
His hands are as gold rings set with the beryl:
his belly is as bright ivory overlaid with sapphires.
His legs are as pillars of marble, set upon sockets of fine
gold:
his countenance is as Lebanon, excellent as the cedars.
His mouth is most sweet, yea, he is altogether lovely.
GEORGE GORDON, LORD BYRON
She Walks in Beauty
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair’d the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
AUSTIN CLARKE
The Planter’s Daughter
When night stirred at sea
And the fire brought a crowd in,
They say that her beauty
Was music in mouth
And few in the candlelight
Thought her too proud,
For the house of the planter
Is known by the trees.
Men that had seen her
Drank deep and were silent,
The women were speaking
Wherever she went –
As a bell that is rung
Or a wonder told shyly,
And O she was the Sunday
In every week.
E. E. CUMMINGS
somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain,has such small hands
WILLIAM SHAKESPEARE
from The Merchant of Venice, V, i
LORENZO:
The moon shines bright. In such a night as this,
When the sweet wind did gently kiss the trees
And they did make no noise, in such a night
Troilus methinks mounted the Troyan walls,
And sighed his soul toward the Grecian tents
Where Cressid lay that night.
JESSICA:
In such a night
Did Thisbe fearfully o’ertrip the dew,
And saw the lion’s shadow ere himself,
And ran dismayed away.
LORENZO:
In such a night
Stood Dido with a willow in her hand
Upon the wild sea banks, and waft her love
To come again to Carthage.
JESSICA:
In such a night
Medea gathered the enchanted herbs
That did renew old Aeson.
LORENZO:
In such a night
Did Jessica steal from the wealthy Jew,
And with an unthrift love did run from Venice
As far as Belmont.
JESSICA:
In such a night
Did young Lorenzo swear he loved her well,
Stealing her soul with many vows of faith,
And ne’er a true one.
LORENZO:
In such a night
Did pretty Jessica, like a little shrew,
Slander her love, and he forgave it her.
JESSICA:
I would out-night you, did nobody come;
But hark, I hear the footing of a man.
OGDEN NASH
Reprise
Geniuses of countless nations
Have told their love for generations
Till all their memorable phrases
Are common as goldenrod or daisies.
Their girls have glimmered like the moon,
Or shimmered like a summer noon,
Stood like lily, fled like fawn,
Now the sunset, now the dawn,
Here the princess in the tower
There the sweet forbidden flower.
Darling, when I look at you
Every aged phrase is new,
And there are moments when it seems
I’ve married one of Shakespeare’s dreams.
Persuasively
MAYA ANGELOU
Come. And Be My Baby
The highway is full of big cars
going nowhere fast
And folks is smoking anything that’ll burn
Some people wrap their lives around a cocktail glass
And you sit wondering
where you’re going to turn.
I got it.
Come. And be my baby.
Some prophets say the world is gonna end
tomorrow
But others say we’ve got a week or two
The paper is full of every kind of blooming horror
And you sit wondering
What you’re gonna do.
I got it.
Come. And be my baby.
JOHN KEATS
To Fanny
I cry your mercy, pity, love – ay, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen – without a blot!