SAMUEL DANIEL
Love is a sickness full of woes,
All remedies refusing;
A plant that with most cutting grows,
Most barren with best using.
Why so?
More we enjoy it, more it dies;
If not enjoyed, it sighing cries,
Hey ho.
Love is a torment of the mind,
A tempest everlasting;
And Jove hath made it of a kind,
Not well, nor full nor fasting.
Why so?
More we enjoy it, more it dies;
If not enjoyed, it sighing cries,
Hey ho.
ANONYMOUS
Dunt Dunt Dunt Pittie Pattie
On Whitsunday morning
I went to the fair
my yellowhaird laddie
was selling his ware
he gied me sic a blythe blink
with his bonny black ee
and a dear blink and a fair blink
it was unto me
I wist not what ailed me
when my laddie cam in
the little wee sternies
flew aye frae my een
and the sweat it dropped down
from my very ee bree
for my heart aye played
dunt dunt dunt pittie pattie
I wist not what ailed me
when I went to my bed
I tossd and I tumbled
and sleep frae me fled
now its sleeping and waking
he’s aye in my ee
and my heart aye plays
dunt dunt dunt pittie pattie
JOHN KEATS
La Belle Dame sans Merci. A Ballad
O what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.
O what can ail thee, knight-at-arms,
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.
I see a lily on thy brow,
With anguish moist and fever-dew,
And on thy cheeks a fading rose
Fast withereth too.
I met a lady in the meads,
Full beautiful – a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.
I made a garland for her head,
And bracelets too, and fragrant zone;
She looked at me as she did love,
And made sweet moan.
I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.
She found me roots of relish sweet,
And honey wild, and manna-dew,
And sure in language strange she said –
‘I love thee true’.
She took me to her elfin grot,
And there she wept and sighed full sore,
And there I shut her wild wild eyes
With kisses four.
And there she lullèd me asleep
And there I dreamed – Ah! woe betide! –
The latest dream I ever dreamt
On the cold hill side.
I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried – ‘La Belle Dame sans Merci
Thee hath in thrall!’
I saw their starved lips in the gloam,
With horrid warning gapèd wide,
And I awoke and found me here,
On the cold hill’s side.
And this is why I sojourn here
Alone and palely loitering,
Though the sedge is withered from the lake,
And no birds sing.
HENRY HOWARD, EARL OF SURREY
Alas, so all things now do hold their peace,
Heaven and earth disturbed in nothing.
The beasts, the air, the birds their song do cease,
The night’s chair the stars about doth bring.
Calm is the sea, the waves work less and less:
So am not I, whom love, alas, doth wring,
Bringing before my face the great increase
Of my desires, whereat I weep and sing
In joy and woe as in a doubtful ease.
For my sweet thoughts sometime do pleasure bring,
But by and by the cause of my disease
Gives me a pang that inwardly doth sting,
When that I think what grief it is again
To live and lack the thing should rid my pain.
WILLIAM SHAKESPEARE
Sonnet 147
My love is as a fever, longing still
For that which longer nurseth the disease;
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care.
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen’s are,
At random from the truth vainly express’d;
For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.
D. H. LAWRENCE
Bei Hennef
The little river twittering in the twilight,
The wan, wondering look of the pale sky,
This is almost bliss.
And everything shut up and gone to sleep,
All the troubles and anxieties and pain
Gone under the twilight.
Only the twilight now, and the soft ‘Sh!’ of the river
That will last for ever.
And at last I know my love for you is here;
I can see it all, it is whole like the twilight,
It is large, so large, I could not see it before,
Because of the little lights and flickers and interruptions,
Troubles, anxieties and pains.
You are the call and I am the answer,
You are the wish, and I the fulfilment,
You are the night, and I the day.
What else? it is perfect enough.
It is perfectly complete,
You and I,
What more – ?
Strange, how we suffer in spite of this!
EMILY GROSHOLZ
On Spadina Avenue
Driven by love and curiosity,
I entered the painted shops along Toronto’s
Chinatown, and lingered
in one red pharmacy, where every label
was printed in mysterious characters.
Beside myself, not knowing what I stopped for,
I read the scrolling dragons, roots, and flowers
intelligible as nature,
and quizzed the apothecary on her products.
Lovesick for my husband. She was puzzled,
for how could I explain
my private fevers to a perfect stranger?
I questioned her obliquely, hit-or-miss:
Lady, what’s this button full of powder?
What’s this ointment in the scaly tube?
Who are these dry creatures in the basket
and how are they applied?
The deer tails gleamed in fat, uneven rows,
unrolled sea horses darkened on the shelves,
and other customers with clearer motives
stepped in behind my back.
I couldn’t say, his troublesome male beauty
assails me sometimes, watching him at night
next to the closet door
half-dressed, or naked on the bed beside me.
An evening amorou
sness keeps me awake
for hours brooding, even after love:
how fast in time we are,
how possibly my love could quit this world
and pull down half of heaven when he goes.
The patient Chinese lady has no cure,
and serves her other customers in order.
Across the curled-up, quiet, ochre lizards,
giant starfish, quince, and ginger root,
she turns to look at me.
We both know I’m not ill with this or that,
but suffer from a permanent condition,
a murmur of the heart, the heart itself
calling me out of dreams
to verify my warm, recurrent husband
who turns and takes me in his arms again
and sleepily resumes his half of heaven.
ELIZABETH THOMAS
Remedia Amoris
Love, and the Gout invade the idle Brain,
Busyness prevents the Passion, and the Pain:
Ceres, and Bacchus, envious of our Ease,
Blow up the Flame, and heighten the Disease.
Withdraw the Fuel, and the Fire goes out;
Hard Beds, and Fasting, cure both Love and Gout.
WALTER SAVAGE LANDOR
Hearts-Ease
There is a flower I wish to wear,
But not until first worn by you.
Hearts-ease: of all Earth’s flowers most rare;
Bring it; and bring enough for two.
Impatiently
EDMUND WALLER
Song
Go, lovely rose,
Tell her that wastes her time and me,
That now she knows
When I resemble her to thee
How sweet and fair she seems to be.
Tell her that’s young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
Small is the worth
Of beauty from the light retired;
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die that she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair.
EMILY DICKINSON
If you were coming in the Fall,
I’d brush the Summer by
With half a smile, and half a spurn,
As Housewives do, a Fly.
If I could see you in a year,
I’d wind the months in balls –
And put them each in separate Drawers,
For fear the numbers fuse –
If only Centuries, delayed,
I’d count them on my Hand,
Subtracting, till my fingers dropped
Into Van Dieman’s Land.
If certain, when this life was out –
That yours and mine, should be –
I’d toss it yonder, like a Rind,
And take Eternity –
But, now, uncertain of the length
Of this, that is between,
It goads me, like the Goblin Bee –
That will not state – its sting.
ALFRED, LORD TENNYSON
Mariana
‘Mariana in the moated grange’
Measure for Measure
With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look’d sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, ‘The night is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen’s low
Came to her: without hope of change,
In sleep she seem’d to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, ‘The day is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
A sluice with blacken’d waters slept,
And o’er it many, round and small,
The cluster’d marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarlèd bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, ‘The night is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
All day within the dreamy house,
The doors upon their hinges creak’d;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek’d,
Or from the crevice peer’d about.
Old faces glimmer’d thro’ the doors,
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
The sparrow’s chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, ‘I am very dreary,
He will not come,’ she said;
She wept, ‘I am aweary, aweary,
Oh God, that I were dead!’
CHRISTINA G. ROSSETTI
Twilight Night, II
Where my heart is (wherever that may be)
Might I but follow!
If you fly thither over heath and lea,
O honey-seeking bee,
O careless swallow,
Bid some for whom I watch keep watch for me.
Alas! that we must dwell, my heart and I,
So far asunder.
Hours wax to days, and days and days creep by;
I wa
tch with wistful eye,
I wait and wonder:
When will that day draw nigh – that hour draw nigh?
Not yesterday, and not I think today;
Perhaps tomorrow.
Day after day ‘tomorrow’ thus I say:
I watched so yesterday
In hope and sorrow,
Again today I watch the accustomed way.
ANNE MICHAELS
Three Weeks
Three weeks longing, water burning
stone. Three weeks leopard blood
pacing under the loud insomnia of stars.
Three weeks voltaic. Weeks of winter
afternoons, darkness half descended.
Howling at distance, ocean
pulling between us, bending time.
Three weeks finding you in me in new places,
luminescent as a tetra in depths,
its neon trail.
Three weeks shipwrecked on this mad island;
twisting aurora of perfumes. Every boundary of body
electrified, every thought hunted down
by memory of touch. Three weeks of open eyes
when you call, your first question,
Did I wake you…
ROBERT BROWNING
In Three Days
So, I shall see her in three days
And just one night, but nights are short,
Then two long hours, and that is morn.
See how I come, unchanged, unworn!
Feel, where my life broke off from thine,
How fresh the splinters keep and fine, –
Only a touch and we combine!