Tricked

  PRAISE FOR

  THE IRON DRUID CHRONICLES

  BY KEVIN HEARNE

  Hounded

  “This is the best urban/paranormal fantasy I have read in years. Fast paced, funny, clever, and suitably mythic, this is urban fantasy for those worn-out by werewolves and vampires. Fans of Jim Butcher, Harry Connolly, Greg van Eekhout, Ben Aaronovitch, or Neil Gaiman’s American Gods will take great pleasure in Kevin Hearne’s Hounded. Highly recommended.”

  —JOHN OTTINGER III,

  editor of Grasping for the Wind

  “Filled with snarky descriptions … comradely characters, thumping action and a plot as stylized as a Renaissance Faire, this tale is outrageously fun.”

  —The Plain Dealer

  “A superb urban fantasy debut … with plenty of quips and zap-pow-bang fighting.”

  —Publishers Weekly (starred review)

  “Fans of fantasy and urban fantasy will eat this one up.… Hounded is a series debut that is absolutely not to be missed!”

  —My Bookish Ways

  “For both the urban fantasy and non–urban fantasy geekoids, Hounded is a tremendous read. Fun, well-written, and entertaining.”

  —Blood of the Muse

  “A page-turning and often laugh-out-loud-funny caper through a mix of the modern and the mythic.”

  —ARI MARMELL, author of The Warlord’s Legacy

  Hexed

  “Kevin Hearne … cranks out action and quips at a frenzied pace … in this fun and highly irreverent read.”

  —Publishers Weekly

  “Hearne’s writing is fast paced and spot on.… Hexed is steeped in magic and wrapped in awesome. It really doesn’t get much better than this!”

  —My Bookish Ways

  “The humor in Hexed is nonstop.… Hard to read without a smile plastered across your face.”

  —Blood of the Muse

  Hammered

  “In this adrenaline-spiked third Iron Druid adventure … Hearne provides lots of zippy plotting and rocking action scenes.… Fans will be thrilled.”

  —Publishers Weekly

  “I love, love, love this series, and Hammered is the best so far.… You’ll be turning pages in warp speed until the final battle, then you won’t be able to turn them fast enough.”

  —My Bookish Ways

  Tricked is a work of fiction. Names, places, and incidents either are products of the author’s imagination or are used fictitiously.

  A Del Ray eBook Edition

  Copyright © 2012 by Kevin Hearne

  Excerpt from Trapped by Kevin Hearne copyright © 2012 by Kevin Hearne

  All rights reserved.

  Published in the United States by Del Rey, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  DEL REY is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.

  This book contains an excerpt from the forthcoming book Trapped by Kevin Hearne. This excerpt has been set for this edition only and may not reflect the final content of the forthcoming edition.

  eISBN: 978-0-345-53463-7

  www.delreybooks.com

  Cover illustration: © Gene Mollica

  v3.1_r1

  Contents

  Cover

  Title Page

  Copyright

  Pronunciation Guide

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Epilogue

  Dedication

  Acknowledgments

  Other Books by This Author

  Excerpt from Trapped

  Pronunciation Guide

  There’s a reason the Navajo Code Talkers were so invaluable to the Marines in WWII. Their language, while beautiful, is really difficult to describe, filled with little glottal stops and special characters and mind-shredding verb constructions like the optative-semelfactive. They have no adjectives but rather use their verbs in an adjectival way. To illustrate how complicated it can get, there is no Navajo word for the verb to give but rather eleven different words that vary depending on the size and shape of what is being given. I don’t use many words of their language in this book, but I’ve done my best to give you a clue about the few you’ll see below. None of them are verbs. Also note that there are regional differences in pronunciation, just as there are different dialects in English, so some of these pronunciations may differ slightly depending on where you are in the Navajo Nation.

  Navajo

  Áłtsé Hashké = Aht SEH hash KEH (Translates to First Angry, or perhaps First Mad or First Scolder. It’s the proper name of one of the First People, Coyote.)

  Áńł’įįh = unn TEE (Means the Witchery Way, or the Corpse-Poison Way.)

  ch’įįdii = CHEE dee (A ghost, but specifically the part of one’s spirit that wasn’t in harmony with the universe at the time of death.)

  Diné = dih NEH (Means the People. It’s what the Navajo call themselves; the term Navajo was slapped on them by the Spanish and it stuck. In this book, art will imitate life; the Diné will call themselves Diné, and everyone else—including Atticus—will call them Navajo.)

  Diné Bahane’ = dih NEH bah HAH neh (Means Story of the People. It is the Navajo creation story, parts of which are sung in various ceremonies.)

  Hataałii = hah TAH hlee (This translates to singer, a person who sings at ceremonial occasions and creates sandpaintings, important in many rituals from blessing structures to restoring balance in those who have lost it; in crude terms, a medicine man.)

  Hózh = hoh ZHOH (This means very good, or great energy, everything spiffy and balanced in the world, which English sometimes translates to blessing. To be honest, it doesn’t translate well into English; it’s just one of those words that are too big for Anglo-Saxon noises.)

  Hózhji = hoh ZHOH jee (This means Blessing Way.)

  Nílch’i = NIL cheh (Literally, air, but in stories this is the name of the wind. And, yeah, that l with the cross through it doesn’t really get pronounced like an English l, but it’s more of a guttural noise behind your molars; using an l is just an expedient approximation.)

  Stunning Sandstone Edifices

  Tyende = tee YEH in DEH (This mesa is located about ten miles southwest of Kayenta. Incredibly beautiful sandstone—just don’t be in a wash after a rain. Get to the high ground FAST, because they aren’t kidding about flash floods.)

  Wolverines of Especial Interest

  Faolan = FWAY lawn (This isn’t a Navajo name, by the way; we’re back to the Irish here.)

  Tuatha Dé Danann

  Ogma = OG mah (Pronounced og as in log. It’s not like the Ó in Aenghus Óg. That had a diacritical mark over it so you’d pronounce it as a long O. This one’s short. Ogma is credited with teaching Druids Ogham script, among other things.)

  Chapter 1

  The best trick I ever pulled off was watching myself die. I did a respectable job of it too—the dying, I mean, not the watching.

  The key to dying well is to make a final verbal ejaculation that is full of r
age and pain but not tainted in the least by squeals of terror or pleas for mercy. This was my father’s wisdom—about the only shred of it that has managed to lodge firmly in my mind all these years. He died while trying to steal somebody else’s cows.

  It would be an ignominious end today, but before the common era in Ireland, it was honorable and manly to die in a cattle raid, as such theft was called. Before he left to meet his doom, my father must have had some dark premonition about it, because he shared with me all his opinions about dying properly, and I will never forget his final words: “A man’s supposed to shit himself after he dies, son, not before. Try to remember that, lad, so that when your time comes, you won’t make a right girly mess of it. Now fuck off and go play in the bog.”

  Like many silly codes of bravery and manliness, the meat of my father’s instruction on how to die well can be distilled to a simple slogan: Die angry at maximum volume. (Dying silently is out of the question; the world’s last Druid should not go gentle into that good night.)

  During infrequent spates of morbidity, I used to speculate on my eventual manner of death. I figured it would happen on a city street somewhere, cut off from the power of the earth, unable to summon a magical mulligan that would let me see the sunrise. But at the same time, I hoped it would be in a cool city with a bitchin’ name, like Kathmandu or Bangkok or maybe Climax, Michigan. I never thought it would be in a dried-up place called Tuba City.

  Situated in the southwestern portion of the Navajo Nation in Arizona, Tuba City rests on a red sandstone mesa with no visible means of economic support. The first question I asked when I saw it—besides “Where are all the tubas?”—was, “Why is anybody living here?” The red rocks may have a stark beauty to them, but beyond that Tuba City is nearly treeless, dusty, and notably lacking in modern amenities of dubious worth, like golf courses and cafeteria-style dining. It does have a reservoir and some pastures nestled into a canyon, but otherwise it’s puzzling why nine thousand souls would adopt an address there.

  On the north end of town, where the BIA Road intersects with Indian Route 6220, a large white water tower juts out of the desert. It overlooks a few dilapidated trailers on the very edge of the city, and then there is naught but a rocky mesa with scattered shrubs gamely trying to make a living in a few inches of sandy soil. I’d flown to the top of the tower as an owl, carrying a wee pair of binoculars in my talons, and now I was camouflaged in my human form, lying flat, and peering northeast into the barren waste where I was about to die.

  The dying had to be done. The Morrigan had seen it in a lucid vision, and she doesn’t get those unless it’s really dire and inevitable, like James Earl Jones telling you in his Darth Vader voice, “It is your desss-tiny.” And, frankly, I probably deserved it. I’d been very naughty recently and, in retrospect, epically stupid. Because I couldn’t bear to break my word, I’d taken Leif Helgarson to Asgard to kill Thor and he managed to pull it off, but we killed a few extra Æsir in the process and turned Odin into a drooling vegetable. Now the remaining Æsir were slavering for me to shuffle off my mortal coil, as were several other thunder gods who took Thor’s demise as a personal affront to all things thundery.

  After building flaming funeral ships for their dead and resolving to avenge them—for some people approach vengeance like an all-you-can-eat buffet—the Æsir sent Týr and Vidar after the surviving members of our company. I had no idea where Perun or Zhang Guo Lao were hiding, and I hadn’t an inkling of whether Hrym and the frost giants ever made it out of Asgard. Leif was safe, because they saw Thor smash his skull with Mjöllnir; thanks to the peculiar regeneration capabilities of vampires and the dutiful attentions of Dr. Snorri Jodursson, Leif hadn’t quite died, but it would be some time before we knew if he’d make a full recovery.

  I, on the other hand, wasn’t safe at all, because I had people to look out for. Perun could spend the next century as an eagle and they’d never find him. Zhang Guo Lao, I’d heard, was capable of true invisibility when he stood still; since he could go full ninja, they’d never get him either. I could go to a nice plane somewhere and be safe—I could even take Oberon and Granuaile with me—but without true contact with the elementals of earth, Granuaile wouldn’t be able to advance her training as a Druid, and the world desperately needs more Druids. So my choices were to stay on earth and die or leave earth and let the world slowly die of neglect—which wouldn’t truly help, since all planes connected to earth would die at the same time.

  I decided to stay and die. Loudly.

  Týr and Vidar found me quickly enough once they knew who to ask for. I’d blown my cover somewhat spectacularly some months earlier by killing Aenghus Óg, so by now almost anyone paranormal or supernatural could have pointed them to Arizona. They chased me up to Tuba City, towing along five thunder gods for backup: Ukko from Finland, Indra from India, Lei Gong from China, Raijin from Japan, and Shango from Nigeria. All of them are very powerful gods and quite beloved by their people, but few are the tales in which we hear of their wit or perception.

  Indra was quite the character, for example, and undoubtedly the most powerful of the lot currently. He had a reputation for lovin’ the ladies, a tendency I couldn’t criticize myself, but he got himself into some awful trouble for it once. He chose to lay down with the wife of a magician, who of course found out immediately that Indra was “in da house” and assigned him a punishment worthy of Dante: Since the thunder god could think of nothing but vaginas, the cuckolded husband cursed Indra with a thousand vaginas all over his body. Indra had to walk around like that for a while, until Krishna took pity on him and commuted the sentence by turning all the vaginas into eyes. Still, think of the optometrist appointments.

  The Morrigan observed, “They may be sharing the brain of a nuthatch between them.” She was perched on the water tower beside me in the shape of a battle crow, making sure that I “died” precisely as her vision foretold. We’d both been worried initially about her vision of my death—she because it meant she’d break her oath to keep me alive, and I for obvious reasons—until I remembered the Plan. I’d conceived the Plan before the Morrigan shared her vision with me but realized only later that the Plan could fulfill her vision of my death without me actually having to die for it. Now we watched with faint amusement as someone who looked like me cursed the circling thunder gods and asserted that they all were spawned from the puffy red asses of baboons. The gods sent bolt after bolt of lightning at him with no apparent effect as he stood in a puddle of mud.

  “Give them a little credit, Morrigan,” I said. “They found me here, after all.”

  “Only after you allowed them to by parading around this foolish copy of yourself. It still took them a week, but, very well: They are sharing the brains of two nuthatches.”

  The Atticus O’Sullivan they assaulted was a near-perfect replica. The tattoos on his right side were a precise copy of mine. The slightly curly mane of red hair would have shone luxuriantly in the sun had it not been pouring rain on him, and the goatee blazed with character on his chin. He was foulmouthed and had his Irish up, and he had my wallet and my cell phone in the pockets of his jeans. There was an iron amulet on a silver chain around his neck, with five square charms on either side of it and a fulgurite talisman in the back protecting him from the lightning. The fulgurite was real, but the amulet and charms were little more than costume jewelry. He did, however, carry Fragarach in his right hand—the real Fragarach, not a facsimile—for extra special verisimilitude.

  Yet a clever enemy would not have been fooled. He didn’t have Oberon or Granuaile by his side, for one thing, and he wasn’t casting a single Druidic binding—not that this bunch would know it if he did. They were still trying to fry him electrically.

  “What are they thinking?” the Morrigan asked. “If the first hundred lightning bolts don’t work, the hundred-and-first one will?”

  “That strategy would require them to count,” I said, “which is improbable if they’re sharing two nuthatch brains.”


  “Good point,” the Morrigan conceded.

  Týr, the Norse god of single combat, waved off the thunder gods to approach my double with a shield and an axe. Vidar, Odin’s son, armed with a long sword, followed close behind. The thunder gods floated down to the muddy earth behind the faux Atticus to cut off any escape.

  Poor Týr clearly didn’t know anything about Fragarach. The only people who saw me use it in Asgard died immediately afterward, and thus he’d never been told that my ancient Fae sword cut through shields and armor like a chainsaw through mozzarella. Týr crouched behind his shield as my double charged, thinking to take the blow and then strike back quickly with his axe. He took the blow all right. He took it right through the center of his body, as Fragarach sliced down through his shield, his forearm, and his torso. Everyone—including my double—was startled that Týr was now half off. Literally.

  But Vidar, the god of vengeance, recovered first. Yelling, “For Odin!” he thrust his long sword into the unprotected left side of that handsome Irish lad’s rib cage, definitely stabbing a lung and maybe the liver too. The man who was supposed to be me cried out his pain magnificently—“Garrl! Urk! Auggh!”—and tried to raise Fragarach for another blow, but the strength wasn’t in his limbs anymore. Vidar yanked out his sword with a slurping noise, and the Druid poseur collapsed in the mud.

  They apparently knew enough about Druids not to leave it there. They didn’t want me healing from a wound that would be mortal to anyone else. So they all descended on the body and chopped it up into pieces with whatever gigantic, godlike phallus-weapon they had, far beyond my capacity to heal.

  “Yeesh. What a mess,” I said. “Cue the Chooser of the Slain.”

  “Yes, let’s finish this,” the Morrigan said, leaping off the tower and flapping through the rain as Vidar finally ceased his butchery and shook his fist at the sky.

  “Vengeance is miiiine!” he roared.

  I snorted quietly at him from my vantage point. “Dream on.”

  The Morrigan is a spooky creature by default, but she can turn up the spookiness to eleven whenever she wishes. Her eyes glow red and minor harmonics creep into her voice, vibrating on a frequency guaranteed to produce shuddering fits, liquid bowels, and tiny screams of fear. At least that’s what her voice o’ doom does to normal people. Gods are able to take it a little better. Still, they flinch. The Morrigan shifted to her human form about twenty yards away from the cluster of gods, a svelte seductress with milk-white skin and coal-black hair, and advanced toward them.