Flowering Judas and Other Stories: A Library of America eBook Classic

  Flowering Judas and Other Stories

  KATHERINE ANNE PORTER

  T H E L I B R A R Y O F A M E R I C A

  Volume compilation, notes, and chronology copyright © 2008 by Literary Classics of the United States, Inc., New York, N.Y.

  All rights reserved.

  No part of this book may be reproduced commercially by offset-lithographic or equivalent copying devices without the permission of the publisher.

  The Collected Stories of Katherine Anne Porter copyright © 1944, 1941, 1940, 1939, 1937, 1936, 1935, 1934, 1930, renewed 1972, 1969, 1968, 1967, 1965, 1963, 1962, 1958 by Katherine Anne Porter. “Virgin Violeta” and “The Martyr” copyright © 1924, 1923 by Century Magazine, renewed 1951, 1950 by Meredith Publishing Company. “Hacienda” copyright © 1934 by Harrison of Paris.

  Reproduced with the permission of The Permissions Company, Inc., on behalf of the Katherine Anne Porter Literary Trust.

  THE LIBRARY OF AMERICA, a nonprofit publisher, is dedicated to publishing, and keeping in print, authoritative editions of America’s best and most significant writing. Each year the Library adds new volumes to its collection of essential works by America’s foremost novelists, poets, essayists, journalists, and statesmen.

  If you would like to request a free catalog and find out more about The Library of America, please visit www.loa.org/catalog or send us an e-mail at [email protected] with your name and address. Include your e-mail address if you would like to receive our occasional newsletter with items of interest to readers of classic American literature and exclusive interviews with Library of America authors and editors (we will never share your e-mail address).

  Library of Congress Catalog Number: 2008927625

  ISBN 978–1–59853–029–2 (print)

  ISBN 978–1–59853–330–9 (epub)

  DARLENE HARBOUR UNRUE

  IS THE EDITOR OF THIS VOLUME

  Contents

  FLOWERING JUDAS AND OTHER STORIES

  María Concepción

  Virgin Violeta

  The Martyr

  Magic

  Rope

  He

  Theft

  That Tree

  The Jilting of Granny Weatherall

  Flowering Judas

  The Cracked Looking-Glass

  Hacienda

  Chronology

  Note on the Texts

  Notes

  FLOWERING JUDAS AND OTHER STORIES

  María Concepción

  MARÍA CONCEPCIÓN walked carefully, keeping to the middle of the white dusty road, where the maguey thorns and the treacherous curved spines of organ cactus had not gathered so profusely. She would have enjoyed resting for a moment in the dark shade by the roadside, but she had no time to waste drawing cactus needles from her feet. Juan and his chief would be waiting for their food in the damp trenches of the buried city.

  She carried about a dozen living fowls slung over her right shoulder, their feet fastened together. Half of them fell upon the flat of her back, the balance dangled uneasily over her breast. They wriggled their benumbed and swollen legs against her neck, they twisted their stupefied eyes and peered into her face inquiringly. She did not see them or think of them. Her left arm was tired with the weight of the food basket, and she was hungry after her long morning’s work.

  Her straight back outlined itself strongly under her clean bright blue cotton rebozo. Instinctive serenity softened her black eyes, shaped like almonds, set far apart, and tilted a bit endwise. She walked with the free, natural, guarded ease of the primitive woman carrying an unborn child. The shape of her body was easy, the swelling life was not a distortion, but the right inevitable proportions of a woman. She was entirely contented. Her husband was at work and she was on her way to market to sell her fowls.

  Her small house sat half-way up a shallow hill, under a clump of pepper-trees, a wall of organ cactus enclosing it on the side nearest to the road. Now she came down into the valley, divided by the narrow spring, and crossed a bridge of loose stones near the hut where María Rosa the beekeeper lived with her old godmother, Lupe the medicine woman. María Concepción had no faith in the charred owl bones, the singed rabbit fur, the cat entrails, the messes and ointments sold by Lupe to the ailing of the village. She was a good Christian, and drank simple herb teas for headache and stomachache, or bought her remedies bottled, with printed directions that she could not read, at the drugstore near the city market, where she went almost daily. But she often bought a jar of honey from young María Rosa, a pretty, shy child only fifteen years old.

  María Concepción and her husband, Juan Villegas, were each a little past their eighteenth year. She had a good reputation with the neighbors as an energetic religious woman who could drive a bargain to the end. It was commonly known that if she wished to buy a new rebozo for herself or a shirt for Juan, she could bring out a sack of hard silver coins for the purpose.

  She had paid for the license, nearly a year ago, the potent bit of stamped paper which permits people to be married in the church. She had given money to the priest before she and Juan walked together up to the altar the Monday after Holy Week. It had been the adventure of the villagers to go, three Sundays one after another, to hear the banns called by the priest for Juan de Dios Villegas and María Concepción Manríquez, who were actually getting married in the church, instead of behind it, which was the usual custom, less expensive, and as binding as any other ceremony. But María Concepción was always as proud as if she owned a hacienda.

  She paused on the bridge and dabbled her feet in the water, her eyes resting themselves from the sun-rays in a fixed gaze to the far-off mountains, deeply blue under their hanging drift of clouds. It came to her that she would like a fresh crust of honey. The delicious aroma of bees, their slow thrilling hum, awakened a pleasant desire for a flake of sweetness in her mouth.

  “If I do not eat it now, I shall mark my child,” she thought, peering through the crevices in the thick hedge of cactus that sheered up nakedly, like bared knife blades set protectingly around the small clearing. The place was so silent she doubted if María Rosa and Lupe were at home.

  The leaning jacal of dried rush-withes and corn sheaves, bound to tall saplings thrust into the earth, roofed with yellowed maguey leaves flattened and overlapping like shingles, hunched drowsy and fragrant in the warmth of noonday. The hives, similarly made, were scattered towards the back of the clearing, like small mounds of clean vegetable refuse. Over each mound there hung a dusty golden shimmer of bees.

  A light gay scream of laughter rose from behind the hut; a man’s short laugh joined in. “Ah, hahahaha!” went the voices together high and low, like a song.

  “So María Rosa has a man!” María Concepción stopped short, smiling, shifted her burden slightly, and bent forward shading her eyes to see more clearly through the spaces of the hedge.

  María Rosa ran, dodging between beehives, parting two stunted jasmine bushes as she came, lifting her knees in swift leaps, looking over her shoulder and laughing in a quivering, excited way. A heavy jar, swung to her wrist by the handle, knocked against her thighs as she ran. Her toes pushed up sudden spurts of dust, her half-raveled braids showered around her shoulders in long crinkled wisps.

  Juan Villegas ran after her, also laughing strangely, his teeth set, both rows gleaming behind the small soft black beard growing sparsely on his lips, his chin, leaving his brown cheeks girl-smooth. When he seized her, he clenched so hard her chemise gave way and ripped from her shoulder. She stopped laughing at this, pushed him away and stood si
lent, trying to pull up the torn sleeve with one hand. Her pointed chin and dark red mouth moved in an uncertain way, as if she wished to laugh again; her long black lashes flickered with the quick-moving lights in her hidden eyes.

  María Concepción did not stir nor breathe for some seconds. Her forehead was cold, and yet boiling water seemed to be pouring slowly along her spine. An unaccountable pain was in her knees, as if they were broken. She was afraid Juan and María Rosa would feel her eyes fixed upon them and would find her there, unable to move, spying upon them. But they did not pass beyond the enclosure, nor even glance towards the gap in the wall opening upon the road.

  Juan lifted one of María Rosa’s loosened braids and slapped her neck with it playfully. She smiled softly, consentingly. Together they moved back through the hives of honey-comb. María Rosa balanced her jar on one hip and swung her long full petticoats with every step. Juan flourished his wide hat back and forth, walking proudly as a game-cock.

  María Concepción came out of the heavy cloud which enwrapped her head and bound her throat, and found herself walking onward, keeping the road without knowing it, feeling her way delicately, her ears strumming as if all María Rosa’s bees had hived in them. Her careful sense of duty kept her moving toward the buried city where Juan’s chief, the American archaeologist, was taking his midday rest, waiting for his food.

  Juan and María Rosa! She burned all over now, as if a layer of tiny fig-cactus bristles, as cruel as spun glass, had crawled under her skin. She wished to sit down quietly and wait for her death, but not until she had cut the throats of her man and that girl who were laughing and kissing under the cornstalks. Once when she was a young girl she had come back from market to find her jacal burned to a pile of ash and her few silver coins gone. A dark empty feeling had filled her; she kept moving about the place, not believing her eyes, expecting it all to take shape again before her. But it was gone, and though she knew an enemy had done it, she could not find out who it was, and could only curse and threaten the air. Now here was a worse thing, but she knew her enemy. María Rosa, that sinful girl, shameless! She heard herself saying a harsh, true word about María Rosa, saying it aloud as if she expected someone to agree with her: “Yes, she is a whore! She has no right to live.”

  At this moment the gray untidy head of Givens appeared over the edges of the newest trench he had caused to be dug in his field of excavations. The long deep crevasses, in which a man might stand without being seen, lay crisscrossed like orderly gashes of a giant scalpel. Nearly all of the men of the community worked for Givens, helping him to uncover the lost city of their ancestors. They worked all the year through and prospered, digging every day for those small clay heads and bits of pottery and fragments of painted walls for which there was no good use on earth, being all broken and encrusted with clay. They themselves could make better ones, perfectly stout and new, which they took to town and peddled to foreigners for real money. But the unearthly delight of the chief in finding these worn-out things was an endless puzzle. He would fairly roar for joy at times, waving a shattered pot or a human skull above his head, shouting for his photographer to come and make a picture of this!

  Now he emerged, and his young enthusiast’s eyes welcomed María Concepción from his old-man face, covered with hard wrinkles and burned to the color of red earth. “I hope you’ve brought me a nice fat one.” He selected a fowl from the bunch dangling nearest him as María Concepción, wordless, leaned over the trench. “Dress it for me, there’s a good girl. I’ll broil it.”

  María Concepción took the fowl by the head, and silently, swiftly drew her knife across its throat, twisting the head off with the casual firmness she might use with the top of a beet.

  “Good God, woman, you do have nerve,” said Givens, watching her. “I can’t do that. It gives me the creeps.”

  “My home country is Guadalajara,” explained María Con-cepción, without bravado, as she picked and gutted the fowl.

  She stood and regarded Givens condescendingly, that diverting white man who had no woman of his own to cook for him, and moreover appeared not to feel any loss of dignity in preparing his own food. He squatted now, eyes squinted, nose wrinkled to avoid the smoke, turning the roasting fowl busily on a stick. A mysterious man, undoubtedly rich, and Juan’s chief, therefore to be respected, to be placated.

  “The tortillas are fresh and hot, señor,” she murmured gently. “With your permission I will now go to market.”

  “Yes, yes, run along; bring me another of these tomorrow.” Givens turned his head to look at her again. Her grand manner sometimes reminded him of royalty in exile. He noticed her unnatural paleness. “The sun is too hot, eh?” he asked.

  “Yes, sir. Pardon me, but Juan will be here soon?”

  “He ought to be here now. Leave his food. The others will eat it.”

  She moved away; the blue of her rebozo became a dancing spot in the heat waves that rose from the gray-red soil. Givens liked his Indians best when he could feel a fatherly indulgence for their primitive childish ways. He told comic stories of Juan’s escapades, of how often he had saved him, in the past five years, from going to jail, and even from being shot, for his varied and always unexpected misdeeds.

  “I am never a minute too soon to get him out of one pickle or another,” he would say. “Well, he’s a good worker, and I know how to manage him.”

  After Juan was married, he used to twit him, with exactly the right shade of condescension, on his many infidelities to María Concepción. “She’ll catch you yet, and God help you!” he was fond of saying, and Juan would laugh with immense pleasure.

  It did not occur to María Concepción to tell Juan she had found him out. During the day her anger against him died, and her anger against María Rosa grew. She kept saying to herself, “When I was a young girl like María Rosa, if a man had caught hold of me so, I would have broken my jar over his head.” She forgot completely that she had not resisted even so much as María Rosa, on the day that Juan had first taken hold of her. Besides she had married him afterwards in the church, and that was a very different thing.

  Juan did not come home that night, but went away to war and María Rosa went with him. Juan had a rifle at his shoulder and two pistols at his belt. María Rosa wore a rifle also, slung on her back along with the blankets and the cooking pots. They joined the nearest detachment of troops in the field, and María Rosa marched ahead with the battalion of experienced women of war, which went over the crops like locusts, gathering provisions for the army. She cooked with them, and ate with them what was left after the men had eaten. After battles she went out on the field with the others to salvage clothing and ammunition and guns from the slain before they should begin to swell in the heat. Sometimes they would encounter the women from the other army, and a second battle as grim as the first would take place.

  There was no particular scandal in the village. People shrugged, grinned. It was far better that they were gone. The neighbors went around saying that María Rosa was safer in the army than she would be in the same village with María Concepción.

  María Concepción did not weep when Juan left her; and when the baby was born, and died within four days, she did not weep. “She is mere stone,” said old Lupe, who went over and offered charms to preserve the baby.

  “May you rot in hell with your charms,” said María Con-cepción.

  If she had not gone so regularly to church, lighting candles before the saints, kneeling with her arms spread in the form of a cross for hours at a time, and receiving holy communion every month, there might have been talk of her being devil-possessed, her face was so changed and blind-looking. But this was impossible when, after all, she had been married by the priest. It must be, they reasoned, that she was being punished for her pride. They decided that this was the true cause for everything: she was altogether too proud. So they pitied her.

  During the year that Juan and María Rosa were gone María Concepción sold her fowls and looked after
her garden and her sack of hard coins grew. Lupe had no talent for bees, and the hives did not prosper. She began to blame María Rosa for running away, and to praise María Concepción for her behavior. She used to see María Concepción at the market or at church, and she always said that no one could tell by looking at her now that she was a woman who had such a heavy grief.

  “I pray God everything goes well with María Concepción from this out,” she would say, “for she has had her share of trouble.”

  When some idle person repeated this to the deserted woman, she went down to Lupe’s house and stood within the clearing and called to the medicine woman, who sat in her doorway stirring a mess of her infallible cure for sores: “Keep your prayers to yourself, Lupe, or offer them for others who need them. I will ask God for what I want in this world.”

  “And will you get it, you think, María Concepción?” asked Lupe, tittering cruelly and smelling the wooden mixing spoon. “Did you pray for what you have now?”

  Afterward everyone noticed that María Concepción went oftener to church, and even seldomer to the village to talk with the other women as they sat along the curb, nursing their babies and eating fruit, at the end of the market-day.

  “She is wrong to take us for enemies,” said old Soledad, who was a thinker and a peace-maker. “All women have these troubles. Well, we should suffer together.”

  But María Concepción lived alone. She was gaunt, as if something were gnawing her away inside, her eyes were sunken, and she would not speak a word if she could help it. She worked harder than ever, and her butchering knife was scarcely ever out of her hand.

  *

  Juan and María Rosa, disgusted with military life, came home one day without asking permission of anyone. The field of war had unrolled itself, a long scroll of vexations, until the end had frayed out within twenty miles of Juan’s village. So he and María Rosa, now lean as a wolf, burdened with a child daily expected, set out with no farewells to the regiment and walked home.