Dying to Get Her Man

  Dying

  To Get

  Her Man

  By Judy Fitzwater

  Copyright 2002 and 2012 by Judy Fitzwater

  Originally published by The Ballantine Publishing Group, June 2002

  Cover art copyright 2011 by Vanessa Garcia

  This is a work of fiction. All characters and events described in this novel are fictitious or are used fictitiously.

  All rights reserved. This book, or any part of it, cannot be reproduced or distributed by any means without express permission in writing from the author.

  Chapter 1

  Love can kill. Suzanne Gray proved it two days ago when she dressed herself all in white, drew back her dark hair with a blue ribbon, gathered a bouquet of white roses, and spread a linen cloth across Richard Hovey's grave. Then she turned on a tape of "All You Need Is Love," swallowed a bottle of sleeping pills, and lay down to join him on the coldest day in Macon, Georgia's recent history, and froze to death, leaving only the shadow of a smile on her lips.

  Now all of Macon was talking about her death, including a deejay on a local radio station not thirty minutes ago, just as Jennifer Marsh and Sam Culpepper had pulled into the parking lot of the Casablanca Club.

  With thoughts of Suzanne in mind, Jennifer was not at all certain how she felt about "until death do us part" or how she intended to handle what she feared Sam was about to say as he gently brushed back her long, taffy brown hair. He kissed her shoulder on either side of her spaghetti strap and drew her close on the restaurant's dance floor, the ominous strains of "How Do I Live Without You" in the background.

  He'd seemed far too serious when he called to make a date for Saturday night and spoke those most dreaded of words, "We need to talk." If this was it, the big will-you-marry-me, she wasn't about to tell him no, but she sure wasn't ready to say yes. Not yet. Not until she had achieved at least some promise of success as a writer. All she needed was one contract for any of her mystery novels, or some other small acknowledgment of her talents.

  After all, Sam was a well known investigative reporter for the Macon Telegraph. He'd even done a number of acclaimed feature articles, including one about Richard Hovey. The article had garnered so much attention that Hovey had asked him to coauthor his memoirs. Of course that was before Hovey died. And before Suzanne had killed herself on his grave. What Sam planned to do now, only he knew—about the Hovey book and about his and Jennifer's relationship.

  There was a slim possibility, she supposed, that what Sam wanted to say had nothing to do with them as a couple.

  He nuzzled her neck, sending little sparks down her spine.

  Yeah, right. She gazed about the room. Candlelight, superb wine, a four-course dinner at one of Macon's trendiest restaurants, carrying a price tag equivalent to an entire night's catering for Dee Dee, bare tree branches wrapped in twinkling white lights reflected in floor-to-ceiling windows, cloth napkins, and tuxedoed waiters. The man was serious.

  "Jennifer," he whispered, his breath hot in her ear, as they swayed to the music. Sam didn't actually dance, but he swayed with the best of them. "We've known each other for some time now. You know how—"

  Suddenly Suzanne's death seemed of paramount importance and a far safer subject than whatever Sam was about to say.

  "Did you see the body?" Jennifer asked.

  "Oh, yeah. And lookin' really good, too." He cocked his head against hers. "That doesn't sound like a question you'd ask."

  Jennifer felt a blush sweep across her neck and down her chest. "I meant Suzanne Gray's body."

  He drew back and stared at her, his dark hair falling across his right eyebrow just the way she liked it. Then he pulled her close to him again, the fresh scent of his aftershave spicing her thoughts. She could have stayed like that forever, so comfortable in his arms. Too comfortable.

  "You don't want to know about that," Sam whispered. "We have something we need to—"

  Not so comfortable after all.

  Jennifer jerked back. "Oh, yes, I do. Tell me about the flowers."

  He sighed. "I suppose it'd be too much to hope you're talking about the roses I brought you tonight."

  "Suzanne's flowers."

  "Jennifer..."

  "I want to know. Please just humor me." She teased his lip with her finger. Not a good idea. She managed to snatch it away before he kissed it.

  Sam frowned. "They were clutched in her hands. Frozen. Like she was. All that was in the article I wrote for the newspaper. I know you read it. So why are you asking?"

  Thank goodness. He was off topic now, and the spell he'd tried so hard to cast had been broken.

  "It just seems so sad. A woman dying alone in the cemetery all because of that Richard Hovey. Not the nicest man this city has ever laid claim to."

  Sam didn't need to know that even she'd felt a flutter whenever Hovey's photo splashed across the TV screen, which was pretty often what with his death seven days ago and then, just yesterday, the release of one of his most notorious clients, Simon DeSoto. There was no denying Hovey had charisma, charm, even good looks. Too bad he had no morals.

  "He was a good lawyer," Sam reminded her.

  "If by 'good,' you mean he almost always won, you're right. And I'll admit that if I were ever in trouble—and guilty—he'd be the one I'd want defending me."

  "That'd be quite a trick now that he's dead."

  Sam swung her around into a dip.

  She frowned at him and pulled herself back up. "Don't change the subject. I was talking about Suzanne. The poor woman was found by some groundskeeper. How old was she again?"

  "Thirty-nine."

  Nine years older than Jennifer.

  "She had a lot of life yet to live. Why would she give up like that, not even try—"

  "She's not the only one not trying," Sam pointed out.

  Oh, she was trying all right, and apparently succeeding. At least he was answering her questions. "Did she leave a suicide note?"

  "She had on some kind of lacy gloves. It was tucked inside the right one, next to her palm."

  Suddenly Jennifer really was more interested in Suzanne than in diverting Sam. "You didn't mention that in the article, and I haven't heard one word about it on any of the news reports. What did it say?"

  "It said that she was so nuts about Richard that she couldn't live without him."

  "The nuts part I'll go along with. Was it common knowledge that they were involved?"

  "No," Sam assured her. "Before Hovey's death, I'd never heard of her. He didn't mention her during the interviews he gave me for the book. Pretty much no one knew they were engaged, at least not until they were both dead."

  "Well, they know it now. They're calling her the Bride Who Died," Jennifer told him."

  "Yeah. I think we've got the Atlanta Eye to thank for that catchy phrase."

  "So you didn't know about the engagement when you were covering the story of her death?"

  "Oh, I knew. Shirley over at the style section made sure I knew. But her section had already gone to print carrying the announcement—in the same edition of the Telegraph that my article about Suzanne's death appeared in."

  "Then why didn't you include it?"

  "Hovey's family asked that we downplay the relationship, which they were totally unaware of—and which they deny. Out of respect for them and for both Hovey and Gray, I haven't reported it in any subsequent articles. Too easy to let controversy overtake the tragedy. I didn't want that to happen. But it does appear he was expecting Suzanne the night he died."

  "And just how do you know that?" Jennifer demanded, louder than she intended to. "Sam, you hold out on the reading public, but not on me. Now spill."

  Sam pulled her closer, his hand pressing against t
he small of her back, and spoke directly into her ear. "I'm telling you this for only one reason: so you'll understand what happened and let it go. Agreed?"

  She made a noncommittal nod of her head.

  "Agreed?" he repeated.

  "Okay, okay. Just tell me."

  "You know that Richard Hovey died from a fall at his home."

  "Of course. He slipped on the stairs. The fall broke his neck."

  "Right. He slipped on rose petals."

  She pulled back. "Rose petals?" she said out loud. He shushed her and pulled her back to him.

  She whispered, "What were rose petals doing on the stairs?"

  "When the police arrived at Hovey's townhouse, they found a trail of red petals leading from the top of the stairs into the bedroom, where the path split. Some petals led to the king-sized bed; others to the bathroom and a tub of water where oils and more petals were floating. There were candles, too, burned well into their wax at the landing, on top of the bedroom dresser, and on the counter in the bathroom. Oh, and a bottle of Silver Oak Cabernet Sauvignon and two wineglasses next to the bed."

  "How romantic."

  "Yeah," Sam agreed, "until you add an aromatic corpse to the mix."

  That did take some of the magic away.

  "The police concluded that Hovey was expecting a woman Saturday night, had created the scene, and then slipped on a small pile of petals on the slick hardwood floor at the top of the stairs. His feet flew out from under him, and down the stairs he went."

  "How horrible," Jennifer said. "No wonder Suzanne was devastated. Here she was expecting to... to... well, you know, but instead... Did she call the police?"

  "No. The doors were locked. If she came to his house, she must not have come in. The police didn't know about Suzanne. None of his friends or family gave them her name, and she didn't come forward so she was never questioned. And, as I said, none of us in the media knew about her until she died herself. He was discovered Monday morning when his cleaning service arrived and let themselves in."

  "How did you manage to keep the story quiet? Surely the cleaning crew saw the petals."

  "They didn't go upstairs, and Hovey's fall had taken most of the ones on the stairs down with him. Besides, Hovey had been lying there long enough that I doubt they noticed anything but his body. The smell had to be unbelievable. If they did see petals, they were shriveled, and I'm sure they didn't catch the significance."

  She could have done without the image of Hovey's decaying body. "You didn't print any of this in the newspaper."

  "It seemed only right to leave the man some privacy."

  "And so—her lover dead—Suzanne killed herself, and no one even knew they'd ever been in love."

  "Well-known people sometimes have private affairs. He died and she obviously had a difficult time dealing with it. Most likely she had unresolved issues, things left unsaid. She may have even blamed herself for his death, for not getting to his house earlier, or for him putting together the evening in the first place. You know, the usual stuff. Survivor's guilt."

  "Just how usual do you think this sort of thing is?" Jennifer demanded, offended as she was certain Suzanne would have been.

  "It happens," he assured her. "Two people leave important things unsaid..."

  There he was, trying to make this personal again. "When did she write the suicide note? It would have been awfully cold and dark out there at his grave."

  "Presumably at home. It was typed or printed—"

  Jennifer broke Sam's grip and took a step back. "It was printed, as in not written by hand? What about the signature?"

  "It wasn't signed. It's pretty obvious—"

  "That she may not have written it," Jennifer insisted loudly just as the music stopped. "Sam, what if Suzanne Gray was murdered?"

  Chapter 2

  Sam pasted on a fake grin and spoke through clenched teeth, never moving a lip, nodding at the other dancers who'd all stopped to stare. "Suzanne Gray committed suicide. She wasn't murdered."

  He took her back into his arms as the strains of "With or Without You" started up. He actually tried a kind of waltzing turn step that had nothing whatsoever to do with the beat of the music. She was having none of it.

  Jennifer lowered her voice, both feet firmly planted on the ground. "Maybe. Maybe not. But who would forget to sign a suicide note? All those preparations and she doesn't even write her name? How'd you even know who she was?"

  Sam closed his eyes, obviously aware of what was about to come. "Her name was typed."

  "Like some business letter signature?" Jennifer just shook her head. "You're not going to convince me that you don't think something fishy is going on, something other than suicide, Sam. You know better. Richard Hovey was into all sorts of specious activity. Lord knows what part of the primordial slime his clients crawled out of. I'll give you his fall on the stairs—I can't really see gangsters strewing rose petals and lighting candles—but what if Suzanne got mixed up in some of his goings-on? What if she found out something she wasn't supposed to know? What if, with Richard dead, she felt no obligation to keep what she knew to herself? What if she decided to blackmail—"

  "Put a rein on that overactive writer's imagination of yours," he told her. "In your books, of course Suzanne would have been murdered, but this is real life. Her man died. She killed herself. It's no more complicated than that."

  He paused, obviously waiting for her to reply, but all she did was stare at him. "Look, the police believe her death to be a suicide. Let's leave it at that. Did you get any writing done today?"

  Now he was trying to distract her, but she wasn't about to let him beat her at her own game. "Sam Culpepper, you know better. If Suzanne loved Richard Hovey enough to kill herself, she would have tucked that suicide note next to her heart, not in her glove. And even if she did put it in her right glove, she'd most likely have been left-handed. Was she?"

  "Not according to her sister." He was already a step ahead of her. "But Suzanne did have terrible handwriting, which might explain—"

  "Ah hah! Sam, if we let this woman's murder go unsolved, we'll... we'll be abetting her murderer."

  "Whoa!" Sam took her hand and led her to their table. People were staring again. "I bear no responsibility for anyone's actions except my own. And neither do you."

  "I'm sorry. I didn't mean to imply it's your fault that she's dead," she assured him as she sat and Sam pushed in her chair. As soon as he took his seat, she leaned forward and whispered loudly, "But it may be our fault—assuming she was killed by some criminal—that her murderer isn't caught if we don't even consider the possibility and investigate." Drat. That wasn't much better. "I mean we just can't ignore—"

  "I'm not ignoring anything," Sam assured her, placing his napkin on his lap and refilling her wineglass.

  Sam motioned to the waiter, who was immediately at their table. "Do you think you could speed up our entrees?"

  "I'll check on them right away." Then he disappeared, as a good waiter should.

  She studied his face. No smile, just that piercing stare of his, and she immediately understood. He had already considered the possibility that Suzanne Gray could have been murdered. He suspected it the moment he'd seen the note, but he hadn't written his suspicions in the newspaper, and he hadn't told her.

  "I'm looking into it," Sam confessed, "but I can't imagine anyone going to such lengths to stage a death like that one if it wasn't suicide."

  "Of course not. Don't you see? That's why it's even more probable Suzanne's death was murder."

  "Only in mystery novels. Jennifer... trust me on this one."

  He was definitely holding out on her. "You intend to go forward with the book about Hovey, don't you?"

  "Hovey's ex-wife Ruth has agreed to cooperate. She's releasing some of his papers to me as soon as she's had a chance to go through them."

  Her mind was racing. "Without Hovey to censor what you write and with all the media attention surrounding his and Suzanne's deaths, this
could be big, couldn't it, Sam? I mean with Hovey's notoriety, the interviews you had with him, and his ex-wife's cooperation, if you do turn up something that proves Suzanne's death wasn't suicide... Or even if it was, it has a kind of Romeo-and-Juliet spin."

  "Let's not get ahead of ourselves. Ruth Hovey may try to influence the book as the price for her help, and my take is that she'll want as little included about Suzanne Gray as possible."

  "What's up with her?"

  "She fought the divorce."

  "Even more interesting. This could actually be a career maker, Sam, like All the President's Men was for Woodward and Bernstein."

  "Hardly like—"

  "You could probably do it even without Ruth's cooperation if she gets too tyrannical. This would be a much bigger true crime book than The Channel Fourteen Murders that we wrote together and that the publisher wouldn't let me put my name on. We could do this one together, too, only this time—"

  "We?"

  "You'll need me on this one," she told him, sitting back and taking a sip of the full-bodied red wine. It had already begun to give her a headache, but it was worth it. "You need someone to represent Suzanne's feelings, someone to tell you how a woman thinks."

  "Jennifer, you don't think like anybody—man or woman—that I've ever met."

  She grinned at him. "I'll take that as a compliment, however it was intended. We'll need an 'in' to Suzanne's part of the story. We should interview her friends, her coworkers. You mentioned a sister."

  "Marjorie Turner. She hates journalists and the way some of the newspapers have sensationalized her sister's death, but for some reason she likes me." He grinned.

  "That's because you're fair and honest and have really cute knees."

  "I don't think Mrs. Turner has had an opportunity to view my knees."

  "More's the pity. She has no idea what she's missing. What's this sister like?"

  "Middle-aged, married. Not my type."

  "Good. With lots of gray hair, I hope. It's great that she trusts you. So you admit Suzanne's death is a possible murder?"