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    Mozart: The Man Revealed

    Page 29
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      An essential reference work is The Cambridge Mozart Encyclopedia, edited by Cliff Eisen and Simon P. Keefe (Cambridge University Press, 2006).

      What is certain is that there will be a whole new raft of publications to mark the tercentenary of Mozart’s birth in forty years’ time. The world will be as keen to know about this musical genius as it is today, and has always been.

      Who can tell what original documents might have come to light by then? Maybe some of Leopold’s letters to his son will prove not to have been destroyed. Autograph manuscripts might be sitting in someone’s loft as I write this.

      There is always a danger that biographies like mine – like all the books I have listed above – will become outdated, or in certain aspects prove to be wrong. That, though, is not a reason for not writing them in the first place.

      We can be grateful that we know as much about this great artist as we do, and can only hope that future generations might be able to know more about him than we know today.

      This book is dedicated to the Emmy Award winning television documentary maker James Black. James was a lifelong lover of Mozart’s music. At the time that he became ill with dementia, he had completed a six-part television series on Mozart’s life that was soon to be put into production. His illness, and death in 2014, prevented this. His widow Nula is in talks to revive the series.

      Nula helped James for many years with his research on Mozart, just as my late wife Bonnie helped me for many years with my research on Beet-hoven. James and Bonnie, we are certain, would be elated to know that Nula and I are now married.

      The city of Salzburg is today ‘Mozart city’. Fly into Salzburg and you land at W. A. Mozart Airport. The city’s university is the Universität Mozarteum Salzburg. The house where he was born and the apartment in which his family later lived are museums dedicated to his life. On any day of the year (including Christmas) they are full of visitors – tourists, school groups, Mozart enthusiasts. They claim to be two of the most visited museums in the world.

      Souvenir shops bristle with Mozart memorabilia, from emblazoned T-shirts and mugs to boxes of Mozart chocolates in all shapes and sizes. The boxes, that is. The chocolates are always round, made of dark chocolate, marzipan and nougat, covered in gold or silver foil with a portrait of the composer, and universally known as Mozartkugeln (Mozart balls).

      All of which would rather surprise Mozart, since he, like his father, loathed the city, and the city thoroughly disliked him.

      Not everyone approves of the way the city has used Mozart’s name to such overwhelming commercial effect. In 2007 Salzburg Council commissioned a local artist to create a temporary installation that could stand alongside the statue in the Mozartplatz.

      Instead of making a separate work of art, he created an installation covering the much revered statue – top to bottom – in shopping trolleys to protest against the commercialisation of the city and its heritage. His work did not find favour with Salzburgers. Such was the outcry at the defamation of the city’s famous son that the trolleys were removed six months prematurely.

      There is not a night of the year when Mozart’s music cannot be heard in the city of his birth, from the most exclusive setting of the annual Salzburg Festival to the humblest abode. The same is true in Vienna, where music students, dressed in Mozart wigs and his famous red jacket and breeches, hand out leaflets for the day’s performances; though only one building bears witness to his ten-year residency in the city.

      Ultimately, as the people of Salzburg, and indeed Vienna, will readily admit, Wolfgang Amadeus Mozart belongs to the world.

      1. The Travel Diaries of Vincent and Mary Novello, quoted in Glover, Jane, Mozart’s Women (London: Macmillan, 2005)

      2. Solomon, Maynard, Mozart, A Life (London: Hutchinson, 1995)

      3. My extracts from Leopold Mozart’s letters are from Anderson, Emily The Letters of Mozart and His Family (London: Macmillan, 1966)

      4. Gutman, Robert W., Mozart, A Cultural Biography (New York: Harcourt, 1999)

      5. ibid.

      6. ibid.

      7. Niemetschek, Franz, Life of Mozart, trans. Helen Mautner (London, 1956)

      8. ibid.

      9. Lever, Évelyne, Marie Antoinette: The Last Queen of France, trans. Catherine Temerson (London: Piatkus, 2001)

      10. Sadie, Stanley, Mozart: The Early Years 1756–1781 (Oxford: Oxford University Press, 2006)

      11. Eisen, Cliff, New Mozart Documents (London: Macmillan, 1991)

      12. Nannerl Mozarts Tagebuchblätter, ed. Geffray, Geneviève (ed.), with Angermüller, Rudolph, quoted in Sadie, Mozart: The Early Years

      13. The Leisure Hour (London 1882), quoted in Sadie, Mozart: The Early Years

      14. Diary of Father Beda Hübner, quoted in Sadie, Mozart: The Early Years

      15. From Friedrich Melchior’s La Correspondance littéraire, philosophique et critique, quoted in Glover, Mozart’s Women

      16. My extracts from Mozart’s letters are taken from Robert Spaethling’s Mozart’s Letters, Mozart’s Life, the first in which the translations attempt to reproduce in English Wolfgang’s often ungrammatical and misspelt German. See Acknowledgements.

      17. Solomon, Maynard, Mozart: A Life (London: Hutchinson, 1995)

      18. Burney, Charles, Music, Men and Manners in France and Italy, 1770, ed. H. Edmund Poole (London, 1974)

      19. Rousseau, Jean-Jacques, The Confessions, Book 7, trans. J. M. Cohen (London: Penguin, 1953)

      20. Johann Adolf Hasse, quoted in Sadie, Mozart: The Early Years

      21. Eisen, Cliff, New Mozart Documents

      22. Riesbeck, Caspar, Travels Through Germany in a Series of Letters (London, 1787)

      23. Reviews collected by Christian Daniel Schubart (1739–91), quoted in Gutman, Mozart, A Cultural Biography

      24. My extracts from Anna Maria Mozart’s letters are also from Anderson, Letters of Mozart and his Family

      25. Solomon, Mozart: A Life; Wolfgang Hildesheimer, Mozart, trans. by M. Faber (Oxford: Oxford University Press, 1985); Gutman, Mozart, A Cultural Biography

      26. Nissen, Georg Nikolaus von, Biographie W. A. Mozart’s (1828), quoted in Sadie, Mozart: The Early Years

      27. Gutman, Mozart, A Cultural Biography

      28. Nannerl Mozarts Tagebuchblätter, quoted in Glover, Mozart’s Women

      29. Landon, H.C. Robbins, Mozart and Vienna (London: Thames and Hudson, 1991)

      30. ibid.

      31. Nissen, Biographie W. A. Mozart’s, quoted in Glover, Mozart’s Women

      32. ibid.

      33. Nannerl Mozarts Tagebuchblätter, quoted in Glover, Mozart’s Women

      34. Solomon, Mozart: A Life

      35. Memoirs of Lorenzo Da Ponte, trans. Elisabeth Abbott, ed. Arthur Livingston (New York: Dover Publications, 1967)

      36. ibid.

      37. ibid.

      38. ibid.

      39. ibid.

      40. Glover, Mozart’s Women

      41. Memoirs of Lorenzo Da Ponte

      42. ibid.

      43. Glover, Mozart’s Women

      44. Solomon, Mozart: A Life

      45. ibid.

      46. ibid.

      47. Recounted in Otto Jahn: W.A. Mozart, 3rd ed. by H. Deiters, 1889-1891; Eng. trans. by P. D. Townsend, 1891

      48. Nissen, Biographie W. A. Mozart’s

      49. Friedrich Schlichtgroll, Mozarts Leben (Götha, 1793), facsimile edition of the reprint (Graz 1794), ed. Joseph Heinz Eibl (Kassel: Bärenreiter, 1974)

      50. Benyovszky, Karl, J. N. Hummel: Der Mensch und Künstler (1934), quoted in Solomon, Mozart: A Life

      51. Nissen, Biographie W. A. Mozart’s

      52. ibid.

      53. Jahn, Otto, The Life of Mozart (3 vols.), trans. Pauline D. Townsend (London: Novello, 1882)

      54. Solomon, Mozart, A Life

      55. Jahn, The Life of Mozart

      56. Niemetschek, Life of Mozart, trans. by Mautner

      57. ibid.

      58. ibid.

      59. Nissen, Biographie W. A. Mozart’s, quoted in Glover, Mozart’s Women


      60. ibid.

      61. ibid.

      62. ibid.

      63. ibid.

      64. ibid.

      65. Gärntner, Heinz, Constanze Mozart: After the Requiem trans. by R. G. Pauly (Milwaukee: Amadeus Press, 1986)

      Page numbers in italic refer to illustrations

      A

      Adriatic Sea 84

      Allegri, Gregorio 79–80

      Alps 74, 86, 92, 101

      Amsterdam 53–54

      Ancaster, Duke of 78

      Antwerp 33, 54

      Arco, Count 166, 168, 170–172

      Asti von Asteburg, Madame d’ 88

      Augsburg 2, 3, 5, 29–30, 62, 104, 121–123, 125, 128–131, 140

      Austerlitz, Battle of 1

      B

      Bach, Johann Christian 46–47

      Baden 235–237, 240, 242, 243, 246–249

      Bäsle see Mozart, Maria Anna Thekla

      Bath 77

      Bavaria 1, 2, 15, 28, 108, 128, 131, 160

      Bedford, Duke of 39

      Beethoven, Johann van 45

      Beethoven, Ludwig van xi, 45, 54, 67, 74, 123, 195, 210, 223, 231, 240, 244, 253

      Belgium 32, 54

      Berlin 180, 221, 231

      Berne 54

      Black Forest 131

      Bohemia 62, 131

      Bologna 73, 76, 83–85, 87, 88, 120

      Bonn xi, 54, 74, 223, 244

      Bonnières, Adrien-Louis de, Duc de Guînes 151

      Bozen 100

      Brahms, Johannes 210

      Brenner Pass 92, 94, 100

      Britain 39, 80

      Brussels 32, 54

      Burney, Charles 85, 131

      C

      Calais 40, 49

      Cambrai 54

      Canterbury 50

      Casanova, Giacomo 213

      Catherine the Great 178

      Ceneda 213

      Ceseletti family 89

      Chabot, Duchesse de 143

      Channel 40, 44, 49

      Charlotte, Queen 41–42, 46, 47, 57

      China 62

      Clement XIV, Pope 79, 81

      Closset, Dr Thomas Franz 235, 250

      Colloredo, Count Hieronymus Franz de Paula Joseph 98–99, 99, 101, 105, 106, 109, 111, 113–114, 119–120, 150, 159, 160, 163, 165–168, 170–172, 177–178, 198–200

      Cologne 45

      Copenhagen 256

      D

      Da Ponte, Lorenzo 196, 213, 214, 215–218, 220–222

      Danube River 18, 19, 25, 63

      Donaueschingen 54

      Dover 40–41

      Dresden 231–232

      Duschek, Josepha 232, 234

      E

      Emilian, Pater 125

      England 42, 45, 46, 78

      Eslinger, Joseph Richard 17

      Eugen, Duke Karl 30

      Eyck, Count van 35, 36

      F

      Farinelli 76

      Ferdinand, Archduke 95, 96, 97, 100, 101

      Firmian, Count Karl Joseph von 74–75

      Florence 64, 73, 76–78, 83, 85

      France 20, 38, 39, 140

      Frankfurt 27, 31, 237, 244

      Franz, Emperor 20, 57, 63, 64

      G

      Geneva 54, 60

      George III, King 41–42, 47, 57

      Gerl, Barbara 241

      Germany 1, 27, 31, 32, 38, 54, 131

      Glover, Jane 217

      Gluck, Christoph Willibald 19, 68, 69, 141, 189, 195, 221, 224

      Goethe, Johann Wolfgang von 27, 32

      Gottlieb, Anna xii, 241

      Grimm, Friedrich Melchior 36, 143, 149

      Gutman, Robert 129

      H

      Hagenauer, Johann Lorenz 9, 16–19, 24–25, 28, 29, 31–33, 35, 49, 54–56, 63, 64, 67, 69, 89, 93, 19

      The Hague 49–51, 53–54, 62

      Hamilton, William 80

      Handel, George Frideric 41

      Haydn, Joseph 26, 108, 206, 207, 210, 211, 237, 238

      Haydn, Michael 26, 60

      Heidelberg 31, 131

      Herberstein, Count 18, 19

      Hildesheimer, Wolfgang 129

      Hofdemel, Franz and Magdalena 230, 241

      Holy Roman Empire 1, 2, 16, 32, 57, 81

      Hummel, Johann Nepomuk 235

      Hungary 62

      I

      Innsbruck 92

      Italy 59, 62, 68, 73, 74, 84, 88–89, 91, 94, 96, 102, 103, 118, 120, 137, 140

      J

      Jahn, Otto 235, 241

      Joseph II, Emperor 18, 19, 63, 163, 220–224, 236, 237, 253, 254

      K

      Karl Theodor, Elector 131, 133, 160

      Klosterneuberg 212

      Koblenz 31

      Köchel, Ludwig von 14

      L

      Lange, Joseph 157, 159, 173, 177, 234, 258

      Lausanne 54

      Leipzig 231–232, 234

      Leopold, Emperor 19, 237–238

      Lichnowsky, Count 231

      Ligniville, Eugenio Marquess of 76

      Lille 50

      Lincolnshire 78

      Linley, Thomas 77, 77, 78, 85

      Linz 18, 19, 202, 212

      Lodi 76

      Lombardy 74

      London 32, 38–43, 43, 44–47, 47, 48–50, 60–62, 78, 80, 85, 94, 222, 238

      Loreto 84

      Lothringen, Prince Karl Alexander von 32–33

      Louis Philippe, Duc d’Orléans 36

      Louis XV 35, 36, 222

      Luxembourg 32

      Lyons 54, 97

      M

      Mainz 31

      Mannheim 121, 126, 128, 130–132, 132–133, 135, 137–140, 156

      Mannheim-Munich orchestra 181

      Mantua 73, 74

      Maria Elizabeth, Archduchess 64, 66

      Maria Theresa, Empress 18–20, 21, 25, 38, 57, 63, 65, 70, 92, 95–96, 102, 106, 163, 189, 247

      Marie Antoinette 20, 222

      Maximilian III of Bavaria 16, 108, 118, 119, 120

      Mechelen 54

      Melk 63

      Milan 73, 74–76, 83, 86, 88, 92–95, 97, 99–102, 109, 259

      Teatro Regio Ducal 75, 92, 95, 99

      Modena, Duke of 75

      Modena, Princess Maria Beatrice of 95

      Moravia 66

      Mozart, Anna Maria 6, 7, 7, 8, 19, 25, 27, 43, 50, 53, 79, 80, 93, 95, 101, 106, 107, 115–118, 121, 126, 129–135, 139–151, 154, 155, 158, 161, 227

      Mozart, Anna Maria Thekla (Bäsle) 6, 121–123, 124, 125–130, 132, 155–156, 158, 234

      Mozart, Constanze xi, xii, 157, 174, 175, 176, 177, 178–189, 196–204, 206, 208, 209, 211, 212, 219, 221, 223, 227, 228, 231–236, 238, 240, 242, 243, 245–251, 253, 254, 256–259, 259

      Mozart, Franz Alois 121

      Mozart, Franz Xaver Wolfgang xi, 190, 245, 255, 257, 260

      Mozart, Karl Thomas xi, 204–205, 209, 228, 231, 240, 245, 255, 259

      Mozart, Leopold xi, 2–3, 5, 5, 6–9, 11–14, 15–22, 24–26, 27–28, 30–33, 35–36, 38–54, 56–71, 73–81, 83–86, 88–92, 100–118, 120–121, 129, 131–138, 140–147, 149–153, 155, 158, 160–164, 166–170, 172–175, 177, 179, 181, 184–186, 196–201, 204, 207–212, 215, 224, 225, 227, 237, 260

      Mozart, Maria Anna (Nannerl) xii, 6–9, 11–12, 14–19, 23, 23, 24, 27, 28, 37, 38, 40, 41, 45, 47, 50–51, 52, 54, 55, 60, 63, 66–67, 71, 74–76, 84, 87, 95, 96, 100, 101, 106, 107, 110, 111, 115, 116, 118, 143, 158, 160, 162, 190, 199, 200–201, 208, 209, 210, 224, 225, 226, 227, 258

      Mozart, Raimund Leopold 197–202

      Mozart, Wolfgang Amadeus x, 52, 72, 82, 144, 147, 191–193, 223, 234

      Andante and Allegro in C major for clavier 14

      Apollo et Hyacinthus 59, 67

      Ascanio in Alba 92, 95, 97

      Ave verum corpus 240

      Bastien und Bastienne 70

      birth 8–9, 10

      childhood 11–14, 15–26, 27–38, 39–48, 49–58, 59–70, 71–82, 83–92, 93–102

      Clarinet Concerto in A 248

      Clarinet Quintet in A 236

      Concerto for Flute and Harp 151

      Coronation Mass 159

      Cosí fan
    tutte 221, 236

      death 251–252, 251–251; 254, 256, 259

      Die Zauberflöte (The Magic Flute) xii, 214, 242, 243, 245, 246, 246–247, 249

      Die Entführung aus dem Serail 180–181, 181, 183, 216

      Die Schuldigkeit des ersten Gebots 61

      Don Giovanni 218, 219, 219–222, 232, 258

      Eine kleine Nachtmusik 222

      Exsultate, jubilate 101

      funeral 253, 254

      Grabmusik 61

      Haffner Serenade 112

      Haffner Symphony 185, 188

      Haydn Quartets 210

      Idomeneo, rè di Creta 160–162, 163, 178, 200

      Jupiter Symphony 228–229

      La clemenza di Tito 244, 245, 246, 247, 250

      La finta giardiniera 108, 110

      La finta semplice 69, 108

      ‘Laudate Dominum’ 159

      Le nozze di Figaro (The Marriage of Figaro) xii, 217, 218, 220, 222, 232

      ‘Little’ Symphony in G minor 108

      Linz Symphony 202

      Lucio Silla 100–101

      marriage to Constanze 175–188

      Mass in C minor 200

      Mitridate, rè di Ponto 84–85, 88, 93

      Paris Symphony 151–153, 153, 158

      Piano Concerto No. 11 191

      Piano Concerto No. 12 191

      Piano Concerto No. 13 191

      Piano Concerto No. 14 204

      Piano Concerto No. 15 204

      Piano Concerto No. 16 204

      Piano Concerto No. 17 204

      Piano Concerto No. 18 204

      Piano Concerto No. 19 204

      Piano Concerto No. 20 in D minor 210

      Piano Concerto No. 25 in C 229

      Piano Concerto No. 27 in B flat 239

      Piano Concerto No. 9 in E flat major 112

      Piano Sonata No. 11 in A major 180

      Requiem 243–245, 245, 248, 249–250

      scatology 122, 126, 135, 198

      Sinfonia concertante in E flat 159–160

      String Quintet No. 3 in C 222

      String Quartet No. 19 in C major 211

      String Quartet in D minor 197

      Symphony in F 67

      Symphony No. 39 228

      Symphony No. 40 228

      Vesperae solennes de confessore 159

      Munich 15, 16, 28, 29, 30, 54, 57, 104, 108–110, 116, 117, 117, 118, 120–121, 131, 156, 157, 160–163, 168, 173, 177, 198, 206

      Mannheim-Munich orchestra 181

      N

      Naples 62, 64, 73, 80, 81, 83, 84

      Nardini, Pietro 77

      Nassau-Weilburg, Princess Caroline of 50–51

      Nelson, Horatio 80

      Netherlands 32, 54

     


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