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    Selected Poems of Hilda Doolittle

    Page 7
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    red rhododendron.

      4

      Salt, salt the kiss

      of beauty where Love is,

      salt, salt the refrain,

      beat, beat again,

      say again,

      again,

      Beauty,

      our King

      is slain;

      beautiful the hands,

      beautiful the feet,

      the thighs beautiful;

      O is it right,

      is it meet?

      we have dared too long to worship

      an idol,

      to worship drab sack-cloth,

      to worship dead candles;

      light the candles, sing;

      tear down every effigy,

      for none has granted

      him beauty;

      too long,

      too long in the dark,

      the sea howls,

      and the wind,

      a shark rises

      to tear

      teeth, jaws; revels in horrors;

      too long, too long,

      have we propitiated the terror in the sea,

      forgotten its beauty,

      5

      I instil rest;

      there is no faith and no hope

      without sleep;

      the poppy-seed is alive to wake

      you to another world,

      take:

      take the poppy-seed,

      one grain has more worth than fields of ripe grain or

      barley,

      no yield of a thousand and thousand measure,

      baskets piled up and pressed down,

      no measure running over, can yield

      such treasure;

      He said,

      consider the flower of the field;

      did he specify

      blue or red?

      6

      Too long we prayed

      God in the thunder,

      wonderful though he be

      and our father;

      too long, too long in the rain,

      cowering lest he strike again;

      showering peril,

      disclosing our evil;

      He was right, we knew;

      so we fled

      him in rocks,

      cowered from the Power overhead,

      ate grass like the ox;

      we will submit;

      yes, we bled,

      cut ourselves to propitiate

      his wrath;

      for we asked,

      what, what awaits us,

      once dead?

      we never heard the Magician

      we never, never heard what he said.

      7

      We expected some gesture,

      some actor-logic,

      some turn of the head,

      he spoke simply;

      we had followed the priest and the answering word

      of the people;

      to this,

      was no answer;

      we expected some threat or some promise,

      some disclosure,

      we were not as these others;

      but he spoke to the rabble;

      dead,

      dead,

      dead were our ears

      that heard not, yet heard.

      8

      A basket,

      a fish

      or fish net,

      the knot of the cord

      that fastens the boat,

      the oar

      or the rudder,

      the board or the sail-cloth,

      the wind as it lifts sand and grass, the grass

      and the flower in the grass;

      the grape,

      the grape-leaf,

      the half-opened tendril,

      the red grape, the white grape, the blue grape,

      the size of the wood-vine stock,

      its roots in the earth,

      its bark and its contour,

      the shape of the olive,

      the goat,

      the kid and the lamb,

      the sheep,

      the shepherd,

      his wood-pipe,

      his hound,

      the wild-bird,

      the bird untrapped,

      the bird sold in the market;

      the laying of fish on the embers,

      the taste of the fish,

      the feel of the texture of bread,

      the round and the half-loaf,

      the grain of a petal,

      the rain-bow and the rain;

      he named these things simply;

      sat down at our table,

      stood,

      named salt,

      called to a friend;

      he named herbs and simples,

      what garnish?

      a fine taste,

      he called for some ripe wine;

      peeled a plum,

      remembered the brass bowl

      lest he stain

      our host’s towel;

      was courteous,

      not over-righteous;

      why a girl came where he sat,

      flung a rose from a basket,

      and one broke

      a fine box

      of Cyprian ivory,

      (or alabaster)

      a rare scent.

      9

      He liked jewels,

      the fine feel of white pearls;

      he would lift a pearl from a tray,

      flatter an Ethiopian merchant

      on his taste;

      lift crystal from Syria,

      to the light;

      he would see worlds in a crystal

      and while we waited for a camel

      or a fine Roman’s litter

      to crowd past,

      he would tell of the whorl of whorl of light

      that was infinity to be seen in glass,

      or a shell

      or a bead

      or a pearl.

      From Sigil

      XI

      If you take the moon in your hands

      and turn it round

      (heavy, slightly tarnished platter)

      you’re there;

      if you pull dry sea-weed from the sand

      and turn it round

      and wonder at the underside’s bright amber,

      your eyes

      look out as they did here,

      (you don’t remember)

      when my soul turned round,

      perceiving the other-side of everything,

      mullein-leaf, dog-wood leaf, moth-wing

      and dandelion-seed under the ground.

      XII

      Are these ashes in my hand

      or a wand

      to conjure a butterfly

      out of a nest,

      a dragon-fly

      out of a leaf,

      a moon-flower

      from a flower-husk,

      or fire-flies

      from a thicket?

      XIV

      Now let the cycle sweep us here and there,

      we will not struggle,

      somewhere,

      under a forest-ledge,

      a wild white-pear

      will blossom;

      somewhere,

      under an edge of rock,

      a sea will open;

      slice of the tide-shelf

      will show in coral, yourself,

      in conch-shell, myself;

      somewhere,

      over a field-hedge,

      a wild bird

      will lift up wild, wild throat,

      and that song heard,

      will stifle out this note

      and this song note.

      XV

      So if you love me,

      love me everywhere,

      blind to all argument

      or phantasy,

      claim the one signet;

      truly in the sky,

      God marked me to be his,

      scrawled, “I, I, I

      alone can comprehend

      this subtlety”:

      a song is very simple

      or is bound

      with inter-woven complicated sound;

      one undertakes

      the song’s integrity
    ,

      another all the filament

      wound round

      chord and discord,

      the quarter-note and whole

      run of iambic

      or of coryamb:

      “no one can grasp,”

      (God wrote)

      “nor understand

      the two, insolvent,

      only he and you”;

      shall we two witness

      that his writ is wise

      or shall we rise,

      wing-tip to purple wing,

      create new earth,

      new skies?

      XVI

      But it won’t be that way,

      I’m sane,

      normal again;

      I’m sane,

      normal as when

      we last sat in this room

      with other people who spoke

      pleasant speakable things;

      though

      you lifted your brow

      as a sun-parched branch to the rain,

      and I lifted my soul

      as from the northern gloom,

      an ice-flower to the sun,

      they didn’t know

      how

      my heart woke

      to a range and measure

      of song

      I hadn’t known;

      as yours spoke through your eyes,

      I recalled

      a trivial little joke we had,

      lest the others see

      how the walls stretched out

      to desert and sand,

      the Symplegedes

      and the sea.

      XVII

      Time breaks the barrier,

      we are on a reef,

      wave lengthens on to sand,

      sand keeps wave-beat

      furrowed in its heart,

      so keep print of my hand;

      you are the sea-surge,

      lift me from the land,

      let me be swept out in you,

      let me slake the last,

      last ultimate thirst;

      I am you;

      you are cursed;

      men have cursed God,

      let me be no more man,

      God has cursed man,

      let me go out and sink

      into the ultimate sleep;

      take me,

      let your hand

      gather my throat,

      flower from that land

      we both have loved,

      have lost;

      O wand of ebony, keep away the night,

      O ivory wand,

      bring back the ultimate light

      on Delphic headland;

      take me,

      O ultimate breath,

      O master-lyrist,

      beat my wild heart to death.

      XVIII

      Are we unfathomable night

      with the new moon

      to give it depth

      and carry vision further,

      or are we rather stupid,

      marred with feeling?

      will we gain all things,

      being over-fearful,

      or will we lose the clue,

      miss out the sense

      of all the scrawled script,

      being over-careful?

      is each one’s reticence

      the other’s food,

      or is this mood

      sheer poison to the other?

      how do I know

      what pledge you gave your God,

      how do you know

      who is my Lord

      and Lover?

      XIX

      “I love you,”

      spoken in rhapsodic metre,

      leaves me cold:

      I have a horror

      of finality,

      I would rather guess,

      wonder whether

      either of us

      could for a moment

      endure the other,

      after the first fine flavour

      of irony

      had worn off.

      Calypso

      I

      CALYPSO

      (perceiving the long-wandering Odysseus,

      clambering ashore) Clumsy futility, drown yourself —

      did I ask you to this rock-shelf,

      did I lure you here?

      did I call far and near,

      come, come Odysseus,

      you, you, you alone

      are the unmatchable mate,

      my own?

      sea-nymph may sing;

      I didn’t say anything

      even to the air;

      I was alone,

      bound hair,

      unbound

      and let it fall,

      wound in no fillet nor any pearl

      nor coral,

      only nodded

      peaceful things;

      I asked no wings

      to lift me to mid-heaven,

      to drop me to earth;

      I was alone now

      my beautiful peace has gone;

      did I ask you here?

      O laugh, most intimate waters,

      little cove

      and the answering ripples

      of the spring

      that sends clear water to the salt,

      tell me,

      did I whisper to you ought

      that would work a charm?

      did I, unwittingly,

      invoke some swallow

      to fly low,

      to beat into the hollow

      of those great eyes,

      stupid as an ox,

      wide with surprise?

      did I? did I?

      I am priestess, occult, nymph

      and goddess,

      then what was my fault?

      there must have been fault

      somewhere,

      in the wind,

      in the air,

      some counter-trick

      to mock magic,

      some counter-smile

      some malign goddess

      to smile awry,

      O see, Calypso, poor girl,

      is caught at last;

      O oaf, O ass,

      O any slow, plodding and silly

      animal,

      O man,

      I am amused to think you may

      fall;

      here where I feel

      maiden-hair,

      where I clutch the root of the

      sea-bay,

      where I slide a thin foot along

      a crack,

      you will slip;

      you are heavy,

      great oaf,

      walrus,

      whale, clumsy on land,

      clumsy with your great arms

      with an oar

      at sea;

      you have no wit in the air,

      you are fit only to clamber

      to climb, then to fall;

      then to fall;

      you will slide clumsy

      unto the sand.

      ODYSSEUS On land, I know my way

      as well as by sea,

      she who is light as a bird,

      who shouts wilful words

      back to me,

      shall know,

      Odysseus is at home; witness O land,

      O rock,

      O little fern that is torn here,

      where my hand fondles the rock,

      to set back the torn root,

      O shoot of bay-tree, here

      a hand tore

      a leaf,

      leaf is scattered,

      a shredded branch

      lies below on the shore

      making a letter;

      I lean forward to read-alpha? it

      must be —

      well begin then —

      climb higher —

      what letter did the branch make?

      omega-the end?

      a snake, wound to a cypher,

      nothing, nothing for you

      O land-lover,

      but to follow;

      Odysseus,

      climb higher!

      CALYPSO Idiot;

      did he think he could reach the

      ledge?

     
    why, already he leans over the

      edge;

      he is dizzy,

      he will fall —

      shout, shout O sea-gulls,

      large pickings for the wrasse,

      the eel;

      we eat Odysseus, the land-walrus

      to-morrow with parsley

      and bean-sauce —

      eat,

      that’s what I could do;

      eat fruit —

      drink deep from crystal ball

      ODYSSEUS Where has she flown?

      ah, a wild-plum branch has

      caught —

      what?

      the gilt clasp of a sandal?

      vanity for a nymph —

      a nymph is a woman

      CALYPSO

      (below in the cave) What is that?

      ODYSSEUS Ah, I see,

      a narrow track concealed,

      and not too carefully.

      CALYPSO Isn’t he drowned yet?

      ODYSSEUS

      (peers down) There she is under the ground.

      CALYPSO (in the cave) Now I am free;

      no one can find,

      no one can follow —

      ODYSSEUS -but me.

      CALYPSO Vision of obscene force

      what brought you here?

      away —

      evil goddesses of the west,

      I will counter-provoke the

      elements —

      will flood your shallow sands

      with sea-water —

      my father —

      ODYSSEUS Your father?

      CALYPSO A king, a god —

      owner of ocean —

      ODYSSEUS

      (clasps her) All men are fathers,

      kings and gods

      CALYPSO Too soon—O hound —

      beast of an insensitive pack —

      you can not take me that way —

      ODYSSEUS A nymph is a woman.

      CALYPSO No human to weep

      like your Greek —

      ODYSSEUS Laugh then.

      CALYPSO Not at the command of men.

      ODYSSEUS You will do as I say —

      why did you wear sandals like a

      woman,

      if you are not human?

      CALYPSO I am half of the air —

      the rocks hurt my feet —

      ODYSSEUS (drops her) Beware you will moan soon that you are not all woman.

      CALYPSO (her hair spread on his chest. He sleeps) What did he say?

      O you gods—O you gods —

      he shall never get away.

      II

      CALYPSO (on land) O you clouds,

      here is my song;

      man is clumsy and evil,

      a devil.

      O you sand,

      this is my command,

      drown all men in slow breathless

      suffocation then they may understand.

      O you winds,

     


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