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Krewe of Hunters, Volume 1: Phantom Evil ; Heart of Evil ; Sacred Evil ; The Evil Inside

Heather Graham




  Krewe of Hunters Series Volume 1

  PHANTOM EVIL

  HEATHER GRAHAM

  HEART OF EVIL

  HEATHER GRAHAM

  SACRED EVIL

  HEATHER GRAHAM

  THE EVIL INSIDE

  HEATHER GRAHAM

  The Krewe of Hunters: an unusual FBI unit, solving unusual crimes.

  See where—and how—this elite group first began. Read the first four Krewe books and see why Publishers Weekly says Heather Graham “stands at the top of the romantic suspense category.”

  PHANTOM EVIL

  FBI agent Jackson Crow is haunted by the deaths of two teammates. Just like New Orleans police officer Angela Hawkins, Jackson has the gift—or the curse—of paranormal intuition. Both are drawn into an apparently unsolvable case involving the death of a senator’s wife. Suicide, murder—or the work of ghosts?

  HEART OF EVIL

  A man’s corpse is discovered on Donegal Plantation in Louisiana—exactly where patriarch Marshall Donegal had been found dead in the 1860s. Heiress Ashley Donegal turns to the Krewe of Hunters, which includes an old flame of hers, Agent Jake Mallory. Ashley and Jake are determined to get to the root of the evil, and the secrets, that haunt the plantation.

  SACRED EVIL

  The body of a promising young starlet has been found between two of Manhattan’s oldest graveyards, and the details of the crime scene are no coincidence. Detective Jude Crosby recognizes the tableau: a recreation of Jack the Ripper’s gruesome work. Jude calls on Krewe member Whitney Tremont, and what they learn is far more shocking than either could have predicted.…

  THE EVIL INSIDE

  Long ago, a historic New England house was the witness to madness…and murder. Now, the horrific murders begin again, with a teenage boy the main suspect. Krewe member Jenna Duffy investigates, with the help of attorney Samuel Hall.

  When there’s a crime that can’t be explained, when the dead make their presence known, who are you going to call? The Krewe of Hunters!

  Table of Contents

  PHANTOM EVIL

  Prologue

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  New Orleans Recipes

  HEART OF EVIL

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Epilogue

  SACRED EVIL

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Epilogue

  Manhattan

  The Perfect New York Strip Steak

  THE EVIL INSIDE

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Epilogue

  Rum Punch

  New England Clam Chowder

  Baked Scrod

  PHANTOM EVIL

  Also by HEATHER GRAHAM

  NIGHT OF THE VAMPIRES

  THE KEEPERS

  GHOST MOON

  GHOST NIGHT

  GHOST SHADOW

  THE KILLING EDGE

  NIGHT OF THE WOLVES

  HOME IN TIME FOR CHRISTMAS

  UNHALLOWED GROUND

  DUST TO DUST

  NIGHTWALKER

  DEADLY GIFT

  DEADLY HARVEST

  DEADLY NIGHT

  THE DEATH DEALER

  THE LAST NOEL

  THE SÉANCE

  BLOOD RED

  THE DEAD ROOM

  KISS OF DARKNESS

  THE VISION

  THE ISLAND

  GHOST WALK

  KILLING KELLY

  THE PRESENCE

  DEAD ON THE DANCE FLOOR

  PICTURE ME DEAD

  HAUNTED

  HURRICANE BAY

  A SEASON OF MIRACLES

  NIGHT OF THE BLACKBIRD

  NEVER SLEEP WITH STRANGERS

  EYES OF FIRE

  SLOW BURN

  NIGHT HEAT

  PHANTOM EVIL

  HEATHER GRAHAM

  Dedicated to the Hotel Monteleone, and the wonderful staff there, and to everyone who has helped me all these years to keep Writers for New Orleans up and about—and our writers writing on for the beautiful and historical city of New Orleans!

  Dennis Hewitt, Jorge Cortazar, Irwin Lee, Michael Montgomery, Elsa Trochez, Wayne Crawford, Bertilla Burton, Kathy Bass (Le Café), Lucille Williams (Le Café), Estefania Ramirez, Kelly Morgan, “Albe” Hendrix, Ricky Jones, Al Barras, Burt Robinson, Darren Carey, Joseph Lecour, Ken Dillion, Robert Kotish, Ruoal Vives, Alex Olisevsci

  Lawrence Williams, Keith Donatto, Marvin Andrade, Grace Bocklud, Bryan Isbell (Royal AV)

  Chef Randy Buck (Executive Chef), Chef Jose Munguia (Sous Chef), Chef Ming Duong (Pastry Chef), Fred Connerly, Jorge Melara, Renee Penny, Hilda Henderson, Thomas Joseph

  At Fifi Mahoney’s—the world’s most amazing wig shop

  Brian Peterson, Marcy Hesseling, Nikki McCoy, Jamie Gandy, Bobby Munroe, Megan Lunz

  And at Harrah’s

  Jordan Smith, K. Brandt

  And…very especially, Sheila Vincent, who has gone above and beyond for us, so very many times!

  writersforneworleans.com

  theoriginalheathergraham.com

  eheathergraham.com

  PROLOGUE

  The house on Dauphine

  “Mommy.”

  She had dozed, Regina Holloway thought. Sheer exhaustion from the work she engaged in at the house on Dauphine Street. Sheer exhaustion had finally allowed her to drift off to sleep. The word, the whisper, was something she had conjured in her mind; she had been so desperate to hear it spoken again.

  Waking, not opening her eyes, she listened to what was real. The sound of musicians down the street, and the spattering of applause that followed their jazz numbers. The deep, sad heartbeat of the saxophone. The distant noise of the mule-driven carriages that took tourists around the historic French Quarter. Sometimes, the sound of laughter.

  She breathed in the smell of pine cleaner, which they had been using on the house. Beneath it—drifting in from the open French doors that led to the cou
rtyard of the beautiful home—was the sweet scent of the magnolia trees that grew against the rear wall. They’d finally gotten their home in the French Quarter, with its subtle and underlying hint of strange days gone by.

  Some said that it was haunted by those days, by that history, certainly not always so pleasant. This house had been, after all, owned by Madden C. Newton, the killer who had terrorized many a victim in the years following the Civil War. The tour group carriages rolled by with tales of ghosts and ghastly visions seen by previous owners. But neither she nor David believed in ghosts, and the house had been a steal. Now, of course, she longed with her whole heart to believe in ghosts. If they existed, she might see her Jacob again.

  But ghosts were not real.

  The house was a house. Brick, wood, mortar, lath, plaster and paint. She and David had both grown up on the “other” side of town; they had dreamed of owning such a house. They had, however, never dreamed that they would live in it alone.

  Yes, she knew what was real, and what wasn’t. She was learning to live without the painkillers that had gotten her through the first months after Jacob had been lost. The painkillers had given her several strange visions, but none of them ghostly.

  “Mommy.”

  But she heard the word, and she heard it clearly. She opened her eyes, and a scream froze in her throat.

  A little boy stood there. A little boy just about Jacob’s age, seven. He was dressed in Victorian-era breeches, a little vest and frock coat, knickers and boots.

  And an ax blade cut into his skull, the shaft protruding from it. A trail of blood seeped down the sides of his face.

  “Mommy, it hurts. It hurts so badly. Help me, Mommy,” he said, looking at her with wide, blue, trusting eyes.

  She so desperately wanted to scream. She had seen her son in dreams, but this wasn’t her son. She knew the stories about the house, knew about the murders that had taken place here just after the Civil War….

  Yes, she knew, but at the worst of times, she hadn’t had such strange and horrible visions.

  He wasn’t real.

  * * *

  Sounds emitted from her at last. Not screams. Just sounds. Sounds of terror, like the nonsense chatter of an infant. She wanted to scream.

  “Mommy, please. Mommy, I need you.”

  It wasn’t Jacob, and it wasn’t Jacob’s voice. And Jacob had been killed in a car accident six months ago; a drunk driver had nearly killed them all, veering over three lanes on I-10 late at night.

  Jacob had died at the hospital, in her arms. He had been buried at Lafayette Cemetery, dressed in his baseball uniform, which he had loved so dearly. She wasn’t hearing her son’s voice.

  Just his words.

  Mommy, it hurts. It hurts so badly. Help me, Mommy.

  Jacob’s words, those he had spoken when she had held him at the hospital, just seconds before the internal bleeding had taken his sweet, young life.

  This was not Jacob.

  No.

  She closed her eyes, unable to scream. She prayed that David would come home, Senator David Holloway. Her husband, handsome, even, lucid, rational, wonderful, ever there for her in their shared grief. David could hold her, and she would find strength. He was due home. Dusk had come. Dusk, and yet, there had still been pink-and-yellow streaks remaining in the sky, casting light upon the dust motes that had danced in the room. Dust motes that became the image of a murdered child.

  He would go away. He wasn’t real. He was the result of the local lore about the house, that was all.

  “Mommy, please, I need you. Please, just hold my hand.”

  She opened her eyes. He hadn’t gone away. He was standing there, anguished eyes on her, reproach and confusion in them. The boy was wondering how she could ignore him, stare at him with such horror in her own expression.

  “Mommy?”

  “You’re not…not there,” she whispered.

  “Mommy, don’t leave me! I’m scared. I’m so scared. Take my hand, hold it, please, I’m so scared!” he said.

  * * *

  And then, the little boy reached out. She recoiled inwardly, sheets of icy fear sweeping through her with the rage of a storm. And then…

  She felt the little hand. That little hand, reaching for hers. It was warm, it was vital, and it seemed so alive.

  The fingers squeezed hers. She squeezed back.

  “I need you, Mommy,” he said.

  She didn’t scream. She managed words. “It’s all right,” she said.

  Suddenly the twilight became infused with dust motes that sailed on pink-and-yellow ribbons of light, a palette fueled by the dying of the day. Soon, the harsh neon lights of night would take over on Bourbon Street, and the rock bands would reign over the plaintive drumbeat of jazz. Soon, David would come home, and she would hear some psychobabble about her imagining the ghost of a long-dead child to take the place of Jacob.

  No one could take her son’s place.

  But suddenly she wasn’t frightened. She needed to reassure a child.

  “It’s all right,” she said again.

  “It’s going to be dark. See, outside, in the courtyard, it’s going to be dark,” the little boy said.

  “There are lights everywhere. In the courtyard, on the gates,” Regina said. “I’ll turn on the room light. I won’t leave you in darkness.”

  She sat up, still feeling the cling of that little hand. She walked to the French doors; it was spring, and the air was so fresh and beautiful, as if newly washed, and the scent of flowers was in the air. The inhabitants of the Quarter loved to twine vines and set flowers out on their patios and balconies. For a moment, Regina inhaled deeply.

  Yes, she was desperate. In so much pain. They would say that she was seeking a companion to make up for Jacob, not replace him. That sounded insane. She would never make up a little child with an ax sticking out of his head.

  “I love the courtyard, Mommy,” he said, leading her.

  “Yes, it’s so pretty,” she said. Hysteria started to rise in her again. She was thirty-five years old, and now she had an imaginary friend.

  He looked at her again, leaning against the railing. Suddenly, it seemed that the light hit the child’s great blue eyes strangely. There was a look of cunning in those eyes.

  She thought she heard something behind her. She turned and frowned with confusion.

  And then shock.

  She was dimly aware of being pushed.

  She was fully aware of falling.

  Her scream tore from her lips at last, until it was cut off abruptly.

  Skull shattered, neck broken, Regina lay dead with her eyes wide open.

  CHAPTER ONE

  Jackson Crow sat staring at the pile of dossiers before him. This was his first meeting with the man on the other side of the desk: Adam Harrison, white haired, dignified, slim and a taste for designer suits. The office was modest, nicely appointed, but far from opulent. Plate-glass windows looked over row houses in Alexandria, Virginia, and other companies with shared space in the building had names such as Brickell and Sons, Attorneys-at-Law, Chase Real Estate and B. K. Blake, Criminal Investigation.

  Adam had just handed him the folders. “Jackson, do you have any idea of why you’re here?”

  He’d returned to his old Behavioral Sciences Unit in D.C. to discover that he was being given a new assignment. His leave of absence, it seemed, was somehow permanent.

  His last assignment, despite the excellent work done by him and his colleagues, had ended with three of them being dead. Yet if it hadn’t been for his intuition, two other fellow agents might have died as well. Local police had not responded to the call sent out, and there was no way to blame himself.

  Naturally, he did.

  Maybe the empathy of his superiors had caused them to give him a new assignment, in a different place—behind a desk.

  He’d heard things about Adam Harrison. He’d worked solo over the years—and for the government where the government could not act offici
ally. Adam went in where others did not.

  It wasn’t because of extreme danger. Rather, it might be considered that he went in because of extreme weirdness.

  “No,” he said simply.

  “First, let me assure you, you are not being let go. You will still be working for Uncle Sam,” Adam told him. “The assignments will come from me, but you’ll be heading up the team. A new team.”

  A cushy job somewhere behind a desk that didn’t involve serial killers, kidnapping or bodies discovered beneath concrete.

  Jackson wasn’t sure how he felt; numb, perhaps.

  “Take a look at this.”

  He hadn’t had a chance to look at the files yet, but Adam now handed him a month-old New Orleans newspaper bearing the headline Wife of Senator David Holloway Dies from Fall into Courtyard.

  He looked up at Adam.

  “Read the full article,” Adam suggested.

  He read silently.

  Regina Holloway, the wife of beloved state Senator David Holloway, died yesterday in a fall from a balcony at their recently purchased French Quarter mansion on Dauphine Street. Six months ago, the Holloways lost their only son, Jacob, in an accident on I-10. While there is speculation that Regina cast herself over the balcony, David Holloway has strenuously denied such a possibility; his wife was doing well and coming to terms with their loss; they were planning on building a family again.

  The police and the coroner’s office have yet to issue an official cause of death. The house, one of the grand old Spanish homes in the Quarter, was once the killing ground of the infamous Madden C. Newton, the “carpet-bagger” responsible for the torture slayings of at least twenty people. Less than ten years ago, a teenager who had broken into the then-empty house also perished in a fall; the coroner’s office ruled his death accidental. The alleged drug dealer had raced into the vacant house to elude police.

  An uneasy feeling swept over Jackson, but he calmly set the newspaper back on the desk and looked at Adam Harrison.

  “That’s a tragic story,” he said. “It sounds likely that the poor woman did commit suicide, and the senator is in denial. I’m afraid I’ve seen other instances in which a woman could not accept the loss of her child.”

  “Many people are insistent that the house is haunted,” Adam said.

  “And that a ghost committed this murder?” Jackson asked. He leaned forward in his chair. “I’m not at all sure I believe in ghosts, Adam. And if they did exist, wouldn’t they be things of mist and imagination? Hardly capable of tossing a woman over a balcony.”