Larger Font   Reset Font Size   Smaller Font  

Charlie Chan Mysteries - The Agony Column

Earl Derr Biggers




  Project Gutenberg Etext The Agony Column, by Earl Derr Biggers

  Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!!

  Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this.

  **Welcome To The World of Free Plain Vanilla Electronic Texts**

  **Etexts Readable By Both Humans and By Computers, Since 1971**

  These Etexts Prepared By Hundreds of Volunteers and Donations

  Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations.

  The Agony Column

  by Earl Derr Biggers

  July, 1999 [Etext #1814]

  Project Gutenberg Etext The Agony Column, by Earl Derr Biggers ******This file should be named 1rbnh10.txt or 1rbnh10.zip******

  Corrected EDITIONS of our etexts get a new NUMBER, 1rbnh11.txt VERSIONS based on separate sources get new LETTER, 1rbnh10a.txt

  This Etext prepared by an anonymous Project Gutenberg volunteer.

  Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition.

  We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing.

  Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less.

  Information about Project Gutenberg (one page)

  We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-six text files per month, or 432 more Etexts in 1999 for a total of 2000+ If these reach just 10% of the computerized population, then the total should reach over 200 billion Etexts given away this year.

  The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only 5% of the present number of computer users.

  At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 3,333 Etexts unless we manage to get some real funding; currently our funding is mostly from Michael Hart’s salary at Carnegie-Mellon University, and an assortment of sporadic gifts; this salary is only good for a few more years, so we are looking for something to replace it, as we don’t want Project Gutenberg to be so dependent on one person.

  We need your donations more than ever!

  All donations should be made to “Project Gutenberg/CMU”: and are tax deductible to the extent allowable by law. (CMU = Carnegie-Mellon University).

  For these and other matters, please mail to:

  Project Gutenberg P. O. Box 2782 Champaign, IL 61825

  When all other email fails…try our Executive Director: Michael S. Hart [email protected] forwards to [email protected] and archive.org if your mail bounces from archive.org, I will still see it, if it bounces from prairienet.org, better resend later on… .

  We would prefer to send you this information by email.

  ******

  To access Project Gutenberg etexts, use any Web browser to view http://promo.net/pg. This site lists Etexts by author and by title, and includes information about how to get involved with Project Gutenberg. You could also download our past Newsletters, or subscribe here. This is one of our major sites, please email [email protected], for a more complete list of our various sites.

  To go directly to the etext collections, use FTP or any Web browser to visit a Project Gutenberg mirror (mirror sites are available on 7 continents; mirrors are listed at http://promo.net/pg).

  Mac users, do NOT point and click, typing works better.

  Example FTP session:

  ftp sunsite.unc.edu login: anonymous password: your@login cd pub/docs/books/gutenberg cd etext90 through etext99 dir [to see files] get or mget [to get files…set bin for zip files] GET GUTINDEX.?? [to get a year’s listing of books, e.g., GUTINDEX.99] GET GUTINDEX.ALL [to get a listing of ALL books]

  ***

  **Information prepared by the Project Gutenberg legal advisor**

  (Three Pages)

  ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this “Small Print!” statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what’s wrong is not our fault. So, among other things, this “Small Print!” statement disclaims most of our liability to you. It also tells you how you can distribute copies of this etext if you want to.

  BEFORE! YOU USE OR READ THIS ETEXT By using or reading any part of this PROJECT GUTENBERG-tm etext, you indicate that you understand, agree to and accept this “Small Print!” statement. If you do not, you can receive a refund of the money (if any) you paid for this etext by sending a request within 30 days of receiving it to the person you got it from. If you received this etext on a physical medium (such as a disk), you must return it with your request.

  ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts, is a “public domain” work distributed by Professor Michael S. Hart through the Project Gutenberg Association at Carnegie-Mellon University (the “Project”). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project’s “PROJECT GUTENBERG” trademark.

  To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project’s etexts and any medium they may be on may contain “Defects”. Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

  LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the “Right of Replacement or Refund” described below, [1] the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NO
TICE OF THE POSSIBILITY OF SUCH DAMAGES.

  If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.

  THIS ETEXT IS OTHERWISE PROVIDED TO YOU “AS-IS”. NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

  Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.

  INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.

  DISTRIBUTION UNDER “PROJECT GUTENBERG-tm” You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this “Small Print!” and all other references to Project Gutenberg, or:

  [1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this “small print!” statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as EITHER:

  [*] The etext, when displayed, is clearly readable, and does not contain characters other than those intended by the author of the work, although tilde (), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR

  [*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR

  [*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).

  [2] Honor the etext refund and replacement provisions of this “Small Print!” statement.

  [3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don’t derive profits, no royalty is due. Royalties are payable to “Project Gutenberg Association/Carnegie-Mellon University” within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.

  WHAT IF YOU WANT TO SEND MONEY EVEN IF YOU DON’T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to “Project Gutenberg Association Carnegie-Mellon University”.p>

  ENDTHE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

  This Etext prepared by an anonymous Project Gutenberg volunteer.

  The Agony Column

  by Earl Derr Biggers

  CHAPTER I

  London that historic summer was almost unbearably hot. It seems, looking back, as though the big baking city in those days was meant to serve as an anteroom of torture - an inadequate bit of preparation for the hell that was soon to break in the guise of the Great War. About the soda-water bar in the drug store near the Hotel Cecil many American tourists found solace in the sirups and creams of home. Through the open windows of the Piccadilly tea shops you might catch glimpses of the English consuming quarts of hot tea in order to become cool. It is a paradox they swear by.

  About nine o’clock on the morning of Friday, July twenty-fourth, in that memorable year nineteen hundred and fourteen, Geoffrey West left his apartments in Adelphi Terrace and set out for breakfast at the Canton. He had found the breakfast room of that dignified hotel the coolest in London, and through some miracle, for the season had passed, strawberries might still be had there. As he took his way through the crowded Strand, surrounded on all sides by honest British faces wet with honest British perspiration he thought longingly of his rooms in Washington Square, New York. For West, despite the English sound of that Geoffrey, was as American as Kansas, his native state, and only pressing business was at that moment holding him in England, far from the country that glowed unusually rosy because of its remoteness.

  At the Carlton news stand West bought two morning papers - the Times for study and the Mail for entertainment and then passed on into the restaurant. His waiter - a tall soldierly Prussian, more blond than West himself - saw him coming and, with a nod and a mechanical German smile, set out for the plate of strawberries which he knew would be the first thing desired by the American. West seated himself at his usual table and, spreading out the Daily Mail, sought his favorite column. The first item in that column brought a delighted smile to his face:

  “The one who calls me Dearest is not genuine or they would write to me.”

  Any one at all familiar with English journalism will recognize at once what department it was that appealed most to West. During his three weeks in London he had been following, with the keenest joy, the daily grist of Personal Notices in the Mail. This string of intimate messages, popularly known as the Agony Column, has long been an honored institution in the English press. In the days of Sherlock Holmes it was in the Times that it flourished, and many a criminal was tracked to earth after he had inserted some alluring mysterious message in it. Later the Telegraph gave it room; but, with the advent of halfpenny journalism, the simple souls moved en masse to the Mail.

  Tragedy and comedy mingle in the Agony Column. Erring ones are urged to return for forgiveness; unwelcome suitors are warned that “Father has warrant prepared; fly, Dearest One!” Loves that would shame by their ardor Abelard and Heloise are frankly published - at ten cents a word - for all the town to smile at. The gentleman in the brown derby states with fervor that the blonde governess who got off the tram at Shepherd’s Bush has quite won his heart. Will she permit his addresses? Answer; this department. For three weeks West had found this sort of thing delicious reading. Best of all, he could detect in these messages nothing that was not open and innocent. At their worst they were merely an effort to side-step old Lady Convention; this inclination was so rare in the British, he felt it should be encouraged. Besides, he was inordinately fond of mystery and romance, and these engaging twins hovered always about that column.

  So, while waiting for his strawberries, he smiled over the ungrammatical outburst of the young lady who had come to doubt the genuineness of him who called her Dearest. He passed on to the second item of the morning. Spoke one whose heart had been completely conquered:

  MY LADY sleeps. She of raven tresses. Corner seat from Victoria, Wednesday night. Carried program. Gentleman answering inquiry desires acquaintance. Reply here. - LE ROI.

  West made a mental note to watch for the reply of raven tresses. The next message proved to be one of Aye’s lyrics - now almost a daily feature of the column:

  DEAREST: Tender loving wishes to my dear one. Only to be with you now and always. None “fairer in my eyes.” Your name is music to me. I love you more than life itself, my own beautiful darling, my proud sweetheart, my joy, my all! Jealous of everybody. Kiss your dear hands for me. Love you only. Thine ever. - AYE.

  Which, reflected West, was generous of Aye - at ten cents a word - and in striking
contrast to the penurious lover who wrote, farther along in the column:

  - loveu dearly; wantocu; longing; missu -

  But those extremely personal notices ran not alone to love. Mystery, too, was present, especially in the aquatic utterance:

  DEFIANT MERMAID: Not mine. Alligators bitingu now. ‘Tis well; delighted. - FIRST FISH.

  And the rather sanguinary suggestion:

  DE Box: First round; tooth gone. Finale. You will FORGET ME NOT.

  At this point WEST’s strawberries arrived and even the Agony Column could not hold his interest. When the last red berry was eaten he turned back to read:

  WATERLOO: Wed. 11:53 train. Lady who left in taxi and waved, care to know gent, gray coat? - SINCERE.

  Also the more dignified request put forward in:

  GREAT CENTRAL: Gentleman who saw lady in bonnet 9 Monday morning in Great Central Hotel lift would greatly value opportunity of obtaining introduction.

  This exhausted the joys of the Agony Column for the day, and West, like the solid citizen he really was, took up the Times to discover what might be the morning’s news. A great deal of space was given to the appointment of a new principal for Dulwich College. The affairs of the heart, in which that charming creature, Gabrielle Ray, was at the moment involved, likewise claimed attention. And in a quite unimportant corner, in a most unimportant manner, it was related that Austria had sent an ultimatum to Serbia. West had read part way through this stupid little piece of news, when suddenly the Thunderer and all its works became an uninteresting blur.

  A girl stood just inside the door of the Carlton breakfast room.

  Yes; he should have pondered that despatch from Vienna. But such a girl! It adds nothing at all to say that her hair was a dull sort of gold; her eyes violet. Many girls have been similarly blessed. It was her manner; the sweet way she looked with those violet eyes through a battalion of head waiters and resplendent managers; her air of being at home here in the Carlton or anywhere else that fate might drop her down. Unquestionably she came from oversea - from the States.