Surprised by Joy, Page 2

I soon staked out a claim to one of the attics and made it ‘my study’. Pictures, of my own making or cut from brightly coloured Christmas numbers of magazines, were nailed on the walls. There I kept my pen and inkpot and writing books and paint-box; and there

  What more felicity can fall to creature

  Than to enjoy delight with liberty?

  Here my first stories were written, and illustrated, with enormous satisfaction. They were an attempt to combine my two chief literary pleasures—‘dressed animals’ and ‘knights in armour’. As a result, I wrote about chivalrous mice and rabbits who rode out in complete mail to kill not giants but cats. But already the mood of the systematiser was strong in me; the mood which led Trollope so endlessly to elaborate his Barsetshire. The Animal-Land which came into action in the holidays when my brother was at home was a modern Animal-Land; it had to have trains and steamships if it was to be a country shared with him. It followed, of course, that the medieval Animal-Land about which I wrote my stories must be the same country at an earlier period; and of course the two periods must be properly connected. This led me from romancing to historiography; I set about writing a full history of Animal-Land. Though more than one version of this instructive work is extant, I never succeeded in bringing it down to modern times; centuries take a deal of filling when all the events have to come out of the historian’s head. But there is one touch in the History that I still recall with some pride. The chivalric adventures which filled my stories were in it alluded to very lightly and the reader was warned that they might be ‘only legends’. Somehow—but heaven knows how—I realised even then that a historian should adopt a critical attitude towards epic material. From history it was only a step to geography. There was soon a map of Animal-Land—several maps, all tolerably consistent. Then Animal-Land had to be geographically related to my brother’s India, and India consequently lifted out of its place in the real world. We made it an island, with its north coast running along the back of the Himalayas; between it and Animal-Land my brother rapidly invented the principal steamship routes. Soon there was a whole world and a map of that world which used every colour in my paint-box. And those parts of that world which we regarded as our own—Animal-Land and India—were increasingly peopled with consistent characters.

  Of the books that I read at this time very few have quite faded from memory, but not all have retained my love. Conan Doyle’s Sir Nigel, which first set my mind upon ‘knights in armour’, I have never felt inclined to re-read. Still less would I now read Mark Twain’s Yankee at the Court of King Arthur, which was then my only source for the Arthurian story, blissfully read for the sake of the romantic elements that came through and with total disregard of the vulgar ridicule directed against them. Much better than either of these was E. Nesbit’s trilogy, Five Children and It, The Phoenix and the Carpet, and The Story of the Amulet. The last did most for me. It first opened my eyes to antiquity, the ‘dark backward and abysm of time’. I can still re-read it with delight. Gulliver in an unexpurgated and lavishly illustrated edition was one of my favourites, and I pored endlessly over an almost complete set of old Punches which stood in my father’s study. Tenniel gratified my passion for ‘dressed animals’ with his Russian Bear, British Lion, Egyptian Crocodile, and the rest, while his slovenly and perfunctory treatment of vegetation confirmed my own deficiencies. Then came the Beatrix Potter books, and here at last beauty.

  It will be clear that at this time—at the age of six, seven, and eight—I was living almost entirely in my imagination; or at least that the imaginative experience of those years now seems to me more important than anything else. Thus I pass over a holiday in Normandy (of which, nevertheless, I retain very clear memories) as a thing of no account; if it could be cut out of my past I should still be almost exactly the man I am. But imagination is a vague word and I must make some distinctions. It may mean the world of reverie, day-dream, wish-fulfilling fantasy. Of that I knew more than enough. I often pictured myself cutting a fine figure. But I must insist that this was a totally different activity from the invention of Animal-Land. Animal-Land was not (in that sense) a fantasy at all. I was not one of the characters it contained. I was its creator, not a candidate for admission to it. Invention is essentially different from reverie; if some fail to recognise the difference that is because they have not themselves experienced both. Anyone who has will understand me. In my day-dreams I was training myself to be a fool; in mapping and chronicling Animal-Land I was training myself to be a novelist. Note well, a novelist; not a poet. My invented world was full (for me) of interest, bustle, humour, and character; but there was no poetry, even no romance, in it. It was almost astonishingly prosaic.1 Thus if we use the word imagination in a third sense, and the highest sense of all, this invented world was not imaginative. But certain other experiences were, and I will now try to record them. The thing has been much better done by Traherne and Wordsworth, but every man must tell his own tale.

  The first is itself the memory of a memory. As I stood beside a flowering currant bush on a summer day there suddenly arose in me without warning, and as if from a depth not of years but of centuries, the memory of that earlier morning at the Old House when my brother had brought his toy garden into the nursery. It is difficult to find words strong enough for the sensation which came over me; Milton’s ‘enormous bliss’ of Eden (giving the full, ancient meaning to ‘enormous’) comes somewhere near it. It was a sensation, of course, of desire; but desire for what? Not, certainly, for a biscuit-tin filled with moss, nor even (though that came into it) for my own past. 2—and before I knew what I desired, the desire itself was gone, the whole glimpse withdrawn, the world turned commonplace again, or only stirred by a longing for the longing that had just ceased. It had taken only a moment of time; and in a certain sense everything else that had ever happened to me was insignificant in comparison.

  The second glimpse came through Squirrel Nutkin; through it only, though I loved all the Beatrix Potter books. But the rest of them were merely entertaining; it administered the shock, it was a trouble. It troubled me with what I can only describe as the Idea of Autumn. It sounds fantastic to say that one can be enamoured of a season, but that is something like what happened; and, as before, the experience was one of intense desire. And one went back to the book, not to gratify the desire (that was impossible—how can one possess Autumn?) but to re-awake it. And in this experience also there was the same surprise and the same sense of incalculable importance. It was something quite different from ordinary life and even from ordinary pleasure; something, as they would now say, ‘in another dimension’.

  The third glimpse came through poetry. I had become fond of Longfellow’s Saga of King Olaf: fond of it in a casual, shallow way for its story and its vigorous rhythms. But then, and quite different from such pleasures, and like a voice from far more distant regions, there came a moment when I idly turned the pages of the book and found the unrhymed translation of Tegner’s Drapa and read

  I heard a voice that cried,

  Balder the beautiful

  Is dead, is dead—

  I knew nothing about Balder; but instantly I was uplifted into huge regions of northern sky, I desired with almost sickening intensity something never to be described (except that it is cold, spacious, severe, pale, and remote) and then, as in the other examples, found myself at the very same moment already falling out of that desire and wishing I were back in it.

  The reader who finds these three episodes of no interest need read this book no further, for in a sense the central story of my life is about nothing else. For those who are still disposed to proceed I will only underline the quality common to the three experiences; it is that of an unsatisfied desire which is itself more desirable than any other satisfaction. I call it Joy, which is here a technical term and must be sharply distinguished both from Happiness and from Pleasure. Joy (in my sense) has indeed one characteristic, and one only, in common with them; the fact that anyone who has experienced it will want
it again. Apart from that, and considered only in its quality, it might almost equally well be called a particular kind of unhappiness or grief. But then it is a kind we want. I doubt whether anyone who has tasted it would ever, if both were in his power, exchange it for all the pleasures in the world. But then Joy is never in our power and pleasure often is.

  I cannot be absolutely sure whether the things I have just been speaking of happened before or after the great loss which befell our family and to which I must now turn. There came a night when I was ill and crying both with headache and toothache and distressed because my mother did not come to me. That was because she was ill too; and what was odd was that there were several doctors in her room, and voices, and comings and goings all over the house and doors shutting and opening. It seemed to last for hours. And then my father, in tears, came into my room and began to try to convey to my terrified mind things it had never conceived before. It was in fact cancer and followed the usual course; an operation (they operated in the patient’s house in those days), an apparent convalescence, a return of the disease, increasing pain, and death. My father never fully recovered from this loss.

  Children suffer not (I think) less than their elders, but differently. For us boys the real bereavement had happened before our mother died. We lost her gradually as she was gradually withdrawn from our life into the hands of nurses and delirium and morphia, and as our whole existence changed into something alien and menacing, as the house became full of strange smells and midnight noises and sinister whispered conversations. This had two further results, one very evil and one very good. It divided us from our father as well as our mother. They say that a shared sorrow draws people closer together; I can hardly believe that it often has that effect when those who share it are of widely different ages. If I may trust to my own experience, the sight of adult misery and adult terror has an effect on children which is merely paralysing and alienating. Perhaps it was our fault. Perhaps if we had been better children we might have lightened our father’s sufferings at this time. We certainly did not. His nerves had never been of the steadiest and his emotions had always been uncontrolled. Under the pressure of anxiety his temper became incalculable; he spoke wildly and acted unjustly. Thus by a peculiar cruelty of fate, during those months the unfortunate man, had he but known it, was really losing his sons as well as his wife. We were coming, my brother and I, to rely more and more exclusively on each other for all that made life bearable; to have confidence only in each other. I expect that we (or at any rate I) were already learning to lie to him. Everything that had made the house a home had failed us; everything except one another. We drew daily closer together (that was the good result)—two frightened urchins huddled for warmth in a bleak world.

  Grief in childhood is complicated with many other miseries. I was taken into the bedroom where my mother lay dead; as they said, ‘to see her’, in reality, as I at once knew, ‘to see it’. There was nothing that a grown-up would call disfigurement—except for that total disfigurement which is death itself. Grief was overwhelmed in terror. To this day I do not know what they mean when they call dead bodies beautiful. The ugliest man alive is an angel of beauty compared with the loveliest of the dead. Against all the subsequent paraphernalia of coffin, flowers, hearse, and funeral I reacted with horror. I even lectured one of my aunts on the absurdity of mourning clothes in a style which would have seemed to most adults both heartless and precocious; but this was our dear Aunt Annie, my maternal uncle’s Canadian wife, a woman almost as sensible and sunny as my mother herself. To my hatred for what I already felt to be all the fuss and flummery of the funeral I may perhaps trace something in me which I now recognise as a defect but which I have never fully overcome—a distaste for all that is public, all that belongs to the collective; a boorish inaptitude for formality.

  My mother’s death was the occasion of what some (but not I) might regard as my first religious experience. When her case was pronounced hopeless I remembered what I had been taught; that prayers offered in faith would be granted. I accordingly set myself to produce by willpower a firm belief that my prayers for her recovery would be successful; and, as I thought, I achieved it. When nevertheless she died I shifted my ground and worked myself into a belief that there was to be a miracle. The interesting thing is that my disappointment produced no results beyond itself. The thing hadn’t worked, but I was used to things not working, and I thought no more about it. I think the truth is that the belief into which I had hypnotised myself was itself too irreligious for its failure to cause any religious revolution. I had approached God, or my idea of God, without love, without awe, even without fear. He was, in my mental picture of this miracle, to appear neither as Saviour nor as Judge, but merely as a magician; and when He had done what was required of Him I supposed He would simply—well, go away. It never crossed my mind that the tremendous contact which I solicited should have any consequences beyond restoring the status quo. I imagine that a ‘faith’ of this kind is often generated in children and that its disappointment is of no religious importance; just as the things believed in, if they could happen and be only as the child pictures them, would be of no religious importance either.

  With my mother’s death all settled happiness, all that was tranquil and reliable, disappeared from my life. There was to be much fun, many pleasures, many stabs of Joy; but no more of the old security. It was sea and islands now; the great continent had sunk like Atlantis.

  II

  CONCENTRATION CAMP

  Arithmetic with Coloured Rods.

  Times Educational Supplement,

  19 November 1954

  Clop-clop-clop-clop . . . we are in a four-wheeler rattling over the uneven squaresets of the Belfast streets through the damp twilight of a September evening, 1908; my father, my brother, and I. I am going to school for the first time. We are in low spirits. My brother, who has most reason to be so, for he alone knows what we are going to, shows his feelings least. He is already a veteran. I perhaps am buoyed up by a little excitement, but very little. The most important fact at the moment is the horrible clothes I have been made to put on. Only this morning—only two hours ago—I was running wild in shorts and blazer and sandshoes. Now I am choking and sweating, itching too, in thick dark stuff, throttled by an Eton collar, my feet already aching with unaccustomed boots. I am wearing knickerbockers that button at the knee. Every night for some forty weeks of every year and for many a year I am to see the red, smarting imprint of those buttons in my flesh when I undress. Worst of all is the bowler-hat, apparently made of iron, which grasps my head. I have read of boys in the same predicament who welcomed such things as signs of growing up; I had no such feeling. Nothing in my experience had ever suggested to me that it was nicer to be a schoolboy than a child or nicer to be a man than a schoolboy. My brother never talked much about school in the holidays. My father, whom I implicitly believed, represented adult life as one of incessant drudgery under the continual threat of financial ruin. In this he did not mean to deceive us. Such was his temperament that when he exclaimed, as he frequently did, ‘There’ll soon be nothing for it but the workhouse,’ he momentarily believed, or at least felt, what he said. I took it all literally and had the gloomiest anticipation of adult life. In the meantime, the putting on of the school clothes was, I well knew, the assumption of a prison uniform.

  We reach the quay and go on board the old ‘Fleetwood boat’; after some miserable strolling about the deck my father bids us good-bye. He is deeply moved; I, alas, am mainly embarrassed and self-conscious. When he has gone ashore we almost, by comparison, cheer up. My brother begins to show me over the ship and tell me about all the other shipping in sight. He is an experienced traveller and a complete man of the world. A certain agreeable excitement steals over me. I like the reflected port and starboard lights on the oily water, the rattle of winches, the warm smell from the engine-room skylight. We cast off. The black space widens between us and the quay; I feel the throb of screws underneath me. S
oon we are dropping down the Lough and there is a taste of salt on one’s lips, and that cluster of lights astern, receding from us, is everything I have known. Later, when we have gone to our bunks, it begins to blow. It is a rough night and my brother is sea-sick. I absurdly envy him this accomplishment. He is behaving as experienced travellers should. By great efforts I succeed in vomiting; but it is a poor affair—I was, and am, an obstinately good sailor.

  No Englishman will be able to understand my first impressions of England. When we disembarked, I suppose at about six next morning (but it seemed to be midnight), I found myself in a world to which I reacted with immediate hatred. The flats of Lancashire in the early morning are in reality a dismal sight; to me they were like the banks of Styx. The strange English accents with which I was surrounded seemed like the voices of demons. But what was worst was the English landscape from Fleetwood to Euston. Even to my adult eye that main line still appears to run through the dullest and most unfriendly strip in the island. But to a child who had always lived near the sea and in sight of high ridges it appeared as I suppose Russia might appear to an English boy. The flatness! The interminableness! The miles and miles of featureless land, shutting one in from the sea, imprisoning, suffocating! Everything was wrong; wooden fences instead of stone walls and hedges, red brick farmhouses instead of white cottages, the fields too big, haystacks the wrong shape. Well does the Kalevala say that in the stranger’s house the floor is full of knots. I have made up the quarrel since; but at that moment I conceived a hatred for England which took many years to heal.

  Our destination was the little town of—let us call it Belsen—in Hertfordshire. ‘Green Hertfordshire’, Lamb calls it; but it was not green to a boy bred in County Down. It was flat Hertfordshire, flinty Hertfordshire, Hertfordshire of the yellow soil. There is the same difference between the climate of Ireland and of England as between that of England and the Continent. There was far more weather at Belsen than I had ever met before; there I first knew bitter frost and stinging fog, sweltering heat and thunderstorms on the great scale. There, through the curtainless dormitory windows, I first came to know the ghastly beauty of the full moon.