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    Crushed Shells and Mud

    Page 4
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      They found the house I was living in.

      Bricks through the window.

      Threats.

      The poor people who were putting me up, they had to leave, too.

      DEREK

      And your parents, are they?

      LYDIA

      No, they’re not dead.

      Pause.

      I live with this woman now.

      She’s

      They’re in a kind of network.

      DEREK

      A network?

      LYDIA

      There are some people

      Who want to help us.

      Because there are places now where it’s too dangerous.

      Attacks.

      So the network help us move.

      She’s

      She’s really into it.

      Political.

      It’s a bit much to be honest.

      DEREK

      I’ve heard

      I’ve heard there’s this

      Woman.

      LYDIA

      No, it’s just fairy stories.

      DEREK

      Right.

      They look out. Pause.

      LYDIA

      It’s so quiet here.

      They listen to the silence.

      And the sea.

      Is this what you write about?

      DEREK

      Yes.

      And also characters.

      And things I’m feeling.

      LYDIA

      Can I read something?

      DEREK

      None of it’s any good.

      LYDIA

      That doesn’t matter.

      DEREK

      I wrote a story about a trawlerman that was okay.

      Pause.

      I think I have a copy of it somewhere.

      Pause. He rummages in his bag and then finds some typed pages.

      Please don’t feel you have to.

      LYDIA

      You don’t make me feel I have to do anything.

      Pause.

      DEREK

      I’ve been

      I’ve been meaning to ask

      What music do you like?

      LYDIA

      Loads of things.

      DEREK

      Yeah?

      LYDIA

      What do you like?

      DEREK

      Nineties.

      LYDIA

      Nineties?

      DEREK

      (Smiling.) Yeah.

      She smiles.

      I’ll do you a tape.

      LYDIA

      A tape?

      DEREK

      Well, a CD.

      LYDIA

      Old-school!

      DEREK

      I’m not very good with new things

      VINCENT enters.

      VINCENT

      Hi.

      LYDIA

      Hi.

      VINCENT

      I was looking for you.

      LYDIA

      Okay.

      VINCENT

      Come to the pub!

      It’s packed.

      It’s gonna be a night.

      They’ll be singing later.

      Are you coming?

      Pause.

      LYDIA

      (To DEREK.) Do you want to come?

      Pause.

      DEREK

      I don’t think I should.

      LYDIA

      You should come.

      DEREK

      No… I won’t.

      But you go.

      Pause.

      VINCENT

      (To LYDIA.) Are you coming, then?

      LYDIA

      I don’t think so.

      VINCENT

      I’ll buy you a drink.

      LYDIA

      I’m alright.

      VINCENT

      You enjoyed yourself last time.

      LYDIA

      I need an early night.

      VINCENT

      Why?

      LYDIA

      I’m going swimming tomorrow.

      Beat.

      Do you want to come, Derek?

      DEREK

      Sure. What time?

      LYDIA

      When would be best?

      DEREK

      Tide’s at eleven, so how about here at ten-thirty?

      LYDIA

      Perfect.

      Pause.

      DEREK

      I’ll see you tomorrow, then!

      LYDIA

      Yes.

      Pause. She exits.

      Pause. VINCENT looks on.

      VINCENT

      Just be careful, mate.

      DEREK

      Eh?

      VINCENT

      I don’t want you to get hurt.

      I don’t want you to think ‘oh things are going pretty well for me’ when they’re not.

      Is that what you think?

      ‘I’m quietly confident.’

      This new girl with the sweetest breath in England, she turns up and for some reason, for a few moments, she’s showing you some interest.

      It’s a mistake, Derek.

      It’s a mistake that awkward shy boys have made throughout history.

      When everything is up in the air, when everything’s new, this kind of girl they can sometimes make mistakes. Jumble people up. Get trapped with the wrong company.

      And the longer they’re trapped the more vicious the snap will be.

      DEREK

      What you on about?

      VINCENT

      Your goodness won’t turn her on.

      It’ll just make her feel terrible.

      Pause.

      I’m going to fuck her, Derek.

      I just know it. It’s like destiny.

      I will.

      I’ll fuck her and there’ll be fireworks all over London.

      That’s what I’m going to do.

      DEREK

      You won’t.

      VINCENT

      Why not?

      DEREK

      You just won’t

      VINCENT

      Why not?

      DEREK

      Leave it.

      VINCENT

      Of course, I know there must be some ‘thing’ about her.

      There’s always some ‘thing’ about girls like her.

      With a reason to be shy.

      Is she the girl who gets addicted?

      Or doesn’t like to eat.

      Or hides the cuts on her arms?

      I don’t care.

      I don’t care about any of that stuff.

      Pause.

      Are we still friends, Derek?

      DEREK

      Yes.

      VINCENT

      Do you promise?

      DEREK

      Yes.

      VINCENT

      I wish my soul could be more like yours.

      VINCENT gets out his knife.

      Do you trust me?

      DEREK

      Yes.

      VINCENT

      I want to prove to you that I care for you.

      How can I prove it?

      DEREK

      You don’t need to prove it.

      VINCENT cuts his own hand with his knife.

      No, Vince.

      VINCENT

      Do you think I’m a good person?

      DEREK

      I do.

      VINCENT holds DEREK’s hand.

      VINCENT

      Will you always be my friend?

      DEREK

      Yes.

      VINCENT

      Are we blood brothers?

      Pause.

      Don’t worry, the knife’s sharp.

      VINCENT cuts DEREK’s arm. DEREK cries out.

      That wasn’t so bad, was it?

      VINCENT puts his bleeding hand on DEREK’s arm.

      That wasn’t so bad.

      DEREK struggles with feelings of fainting.

      What’s wrong with you?

      Are you alright?

      DEREK

      Yes.

      VINCENT

      Don’t faint.

      DEREK

      I’m not.

      VINCENT

      It was nothing.


      You haven’t gone through anything.

      DEREK

      No.

      VINCENT

      You’ve no right to be all frightened.

      DEREK

      No.

      VINCENT

      You’re always fucking frightened, but I’m not that bad.

      I could make you lost again, but I’m not that bad. You’ve never really been through anything really shit, Derek.

      I’m sorry, but you haven’t.

      Scene Seven

      A Swim

      By the caravan. A lovely bright day, a bit of a breeze.

      DEREK runs in quickly from the beach, up the path barefoot, trying not to run on anything sharp. He is wearing faded old swimming shorts, a bit big.

      He looks back to the sea as he dries himself off with a towel.

      LYDIA runs in, in a one-piece swimming suit. She dries herself with her towel.

      DEREK

      Alright?

      LYDIA

      Yes!

      DEREK

      Nippy breeze!

      DEREK dries himself with his towel, then puts it around his shoulders.

      LYDIA

      How was that!

      DEREK

      Wonderful!

      LYDIA closes her eyes and feels something.

      LYDIA

      I love this bit.

      After swimming.

      The tingling feeling.

      Do you get that?

      DEREK

      Yes.

      She picks up her clothes, and goes into the caravan.

      LYDIA

      I’m getting changed.

      DEREK

      Okay.

      She opens the window, wide, and pokes her head out.

      LYDIA

      Is there anyone coming?

      DEREK

      No.

      DEREK turns around as she gets changed in the caravan, and remains loyally disinterested in what is going on behind him.

      LYDIA takes off her swimsuit. She quickly puts on some knickers and jeans. Shielding her chest with her arm, she briefly looks up to see if DEREK is watching.

      They are both aware of what might be there.

      LYDIA

      I don’t want you to see it.

      Beat.

      It’s horrible.

      DEREK

      It is what it is.

      LYDIA

      It’s like evil.

      DEREK

      It’s not evil.

      Maybe it will fade.

      LYDIA

      And scar.

      DEREK

      We all get scars.

      Pause. LYDIA looks at DEREK, then finishes getting dressed, comes out of the caravan.

      DEREK goes into the caravan, and brings out a CD he has made.

      I made you a CD!

      LYDIA

      Oh!

      Pause. He hands it to her.

      DEREK

      I’m going to get changed now.

      LYDIA

      I’ll turn round.

      LYDIA

      (Of the inlay card, upon which is neatly written the name of each track.) You wrote it all out!

      DEREK

      Yes!

      LYDIA

      You made me a CD!

      DEREK

      Yes.

      LYDIA

      Shall we play it?

      DEREK

      Alright.

      I’ll bring the thing out here.

      DEREK finishes changing, and then drags his CD player out of the caravan, which is connected to an extension cable.

      He puts the CD in, and presses play.

      A song begins, from 1995. It is a wonderful song.

      LYDIA

      Who’s this?

      DEREK

      Oh

      He hands the CD case to LYDIA. She looks.

      LYDIA

      I don’t know it.

      When did it come out?

      DEREK

      1995.

      Pause. They listen to the song for a bit. What a wonderful song.

      I don’t think we have to fall into the abyss, you know?

      I think we can all find a way through.

      There’s no reason why we can’t.

      Don’t you think?

      I remember

      When it was on the news for the first time.

      When all those people started dying in London.

      In London!

      So many people, in our country!

      And we started getting very frightened.

      And the blaming began:

      ‘This is so typical.’

      ‘These city people with their loose… ’

      ‘Well, this is what happens when you behave like that.’

      Pause.

      If we had stood up for your people

      LYDIA

      I don’t have a people.

      We’re not a ‘people’.

      DEREK

      You’re brave.

      LYDIA

      I’m not brave.

      DEREK

      (Bravely putting his hand on her shoulder.) You are. I’ve seen it.

      But that hand on her is the last straw, she snaps.

      LYDIA

      Get your hand off me.

      Beat.

      DEREK

      I think you have such courage.

      LYDIA

      Then you don’t know me.

      DEREK

      I think you’re a good person.

      LYDIA

      How do you think I got it?

      Pause. LYDIA starts to anger.

      Don’t make me feel bad.

      DEREK

      I’m sorry.

      LYDIA

      You’re making me feel shit.

      DEREK

      I’m so sorry

      LYDIA

      And you’ve got one over me.

      DEREK

      I’d never say anything!

      VINCENT enters.

      VINCENT

      Never say what?

      He is carrying a bunch of wildflowers.

      Hello.

      LYDIA

      Hello.

      VINCENT

      (Of the flowers.) I brought you these.

      These are poppies.

      And bugle.

      And dog roses.

      And elderflower.

      Honeysuckle.

      Ragged Robin.

      LYDIA

      How do you know all their names?

      VINCENT

      My mum used to teach me.

      She used to have a florist.

      They’re showing a film at the hall tonight.

      LYDIA

      What is it?

      VINCENT

      Four Weddings and a Funeral

      Have you seen it?

      LYDIA

      Yeah.

      VINCENT

      We could go for a drink, afterwards.

      Pause.

      LYDIA

     


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