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    Crushed Shells and Mud

    Page 3
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      DEREK

      Lydia?

      VINCENT

      Yes, Lydia.

      DEREK

      No.

      VINCENT

      Are you in love with her?

      DEREK

      No!

      VINCENT

      Would you like to hold her hand?

      DEREK

      Vince!

      VINCENT

      Give her little feather-kisses.

      DEREK

      Shut up!

      VINCENT

      And read her poetry?

      DEREK

      No!

      VINCENT

      Read her poetry and then take her into that caravan, and try to

      VINCENT pushes DEREK hard, against the side of the caravan, then pins him there.

      Find a way in.

      VINCENT pushes his hand up DEREK’s face, smearing his nose.

      DEREK

      Get off!

      VINCENT

      (Forcing against DEREK.) Try and pop / your

      DEREK

      Getoff / Vince!

      VINCENT

      Try and pop your little chap in!

      Beat. VINCENT lets DEREK go.

      I’m really sorry, Derek, that was inappropriate.

      Pause.

      I’m sorry, I really am.

      DEREK

      Are you alright, mate?

      VINCENT

      Yeah.

      DEREK

      Is it your dad?

      How are you feeling?

      VINCENT

      Oh fuck off, Derek.

      Just fuck off.

      LYDIA enters.

      LYDIA

      Hi.

      DEREK

      Hi.

      VINCENT

      Your man’s been beating back the path.

      DEREK

      Should be able to get down, now.

      LYDIA goes over to the path and looks down to the sea.

      LYDIA

      It must have been a lot of work!

      DEREK

      It needed doing.

      Beat.

      I was thinking of having a swim.

      LYDIA

      I don’t have my kit.

      DEREK

      Another time, perhaps?

      VINCENT

      (To LYDIA.) I’ve got something for you, as it happens.

      Pause. He gets out a brown paper bag containing some weed.

      It’s sweet.

      LYDIA

      Yeah?

      VINCENT

      Like you.

      LYDIA smiles, shaking her head – ‘that old one’.

      (To DEREK.) Can we go inside the caravan?

      Do you mind, Derek?

      DEREK

      Not at all.

      VINCENT

      Are you sure?

      DEREK

      Let me just clear some things.

      VINCENT

      Don’t trouble yourself, mate.

      DEREK goes in. VINCENT turns to LYDIA.

      VINCENT

      He’s tidying away his writing.

      LYDIA

      I’m sorry?

      VINCENT

      He does his writing in there.

      LYDIA

      Oh!

      DEREK

      (Popping his head round the door.) What?

      VINCENT

      I was saying you do your writing in there.

      DEREK

      (Embarrassed.) Not really.

      VINCENT

      Nothing to be embarrassed about!

      LYDIA

      What writing do you do, Derek?

      DEREK

      (Embarrassed.) Do you want the light on?

      LYDIA

      No / it’s fine.

      DEREK

      I’ll put it on.

      DEREK goes back in, and turns the light on.

      Pause. He comes out.

      It’s ready.

      VINCENT goes inside. LYDIA goes to the door.

      LYDIA

      (Of the weed.) Come and join us, Derek?

      Pause. DEREK outside.

      DEREK

      No I’m okay.

      VINCENT

      (From inside.) Derek, we might be some time!

      DEREK and LYDIA.

      DEREK

      I need to get back, anyway.

      Do the tea.

      Maybe I’ll see you soon?

      Pause.

      LYDIA

      Yeah, we should…

      DEREK

      I could show you the pools.

      LYDIA

      (Heartbreakingly non-committal.) Sure.

      DEREK

      I can do most times.

      LYDIA

      Okay.

      Pause. DEREK has prewritten his number on a piece of paper. He gives it to her.

      DEREK

      This is my number, if you need anything.

      She takes it. Smiles.

      I’ll see you around, anyway.

      LYDIA

      Yeah.

      Pause.

      DEREK

      Have a good night.

      Pause.

      LYDIA

      Have a good night, Derek.

      She goes into the caravan. Pause. The sun.

      The sea. The sound of it. DEREK exits.

      Scene Four

      A Meditation

      In the darkness, a recording: the voice of the OLD LADY. A meditation.

      OLD LADY

      I’ve got my heart.

      I’ve got my heart.

      I’ve got my blood.

      I’ve got my blood.

      I’ve got my wings.

      I’ve seen the way.

      I’m going to be born.

      I’m going to be born any day.

      Any day this search will be over.

      Any day I’ll find you.

      And take you home.

      Scene Five

      Seeing

      A few days later.

      By the caravan. Dusk.

      LYDIA enters, from the path, anxious that she’s been followed. She looks around. She knocks on the door of the caravan. Nobody answers. So she goes in. She turns the light on. Now she can be seen through one of the windows.

      DEREK enters from the track.

      LYDIA unbuttons her blouse.

      There is a dark mark on her belly.

      She examines it. She feels the burden of something. She quickly buttons up again.

      DEREK sees everything.

      Then, fiddling in her bag, LYDIA takes out a little syringe kit. She loads a syringe from a little medical bottle. Then she injects herself with the syringe. She does this quite briskly, professionally.

      DEREK is riveted.

      LYDIA holds some cotton wool to her arm, then closes her eyes. Then she gets up, clears away.

      DEREK hides.

      She opens up the caravan door and steps out.

      She stretches, like a dancer. Some steps.

      At the mouth of the path she takes a moment to take in this world.

      Then she walks down the track.

      When she has gone, DEREK goes closer to the caravan. He takes the blooded handkerchief out of his notebook.

      He looks at it, fearful, awestruck – like it has all the power in the universe.

      Scene Six

      Derek Knows

      By the caravan. A grey morning.

      DEREK and LYDIA.

      DEREK

      Thanks for coming

      LYDIA

      Sorry I

      DEREK

      Thank you.

      LYDIA

      (A little briskly.) I can’t stay that long.

      DEREK

      Sure.

      LYDIA

      I’m sorry I didn’t call.

      DEREK

      Don’t worry about that.

      LYDIA

      It’s been really busy.

      DEREK

      I know…

      Finding your feet.

      LYDIA

      Yes.

      Pause.

      DEREK

      Lydia… there’s something I have to say to you.

      Pause.


      LYDIA

      (Getting the wrong end of the stick.) Derek, I think you’re really / sweet

      DEREK

      No, you misunderstand / me.

      LYDIA

      Really, I think you’re lovely, / but

      DEREK

      Please listen to / me.

      LYDIA

      I’m not sure / that.

      DEREK

      No, I understand.

      LYDIA

      I’m not really in a / place…

      DEREK

      That wasn’t why…

      Lydia, I want you to know that you can trust me.

      Pause.

      LYDIA

      What are you talking about?

      DEREK

      I can help you, Lydia.

      LYDIA

      To what?

      DEREK

      If you need it.

      LYDIA

      I don’t know what you mean.

      DEREK

      I was walking here last night.

      And the…

      The light was on. In the caravan.

      Pause.

      And I saw you.

      Pause.

      With the needle.

      Pause.

      There’s a new shot, isn’t there?

      LYDIA

      What do you mean?

      DEREK

      I read that they’re trialling a new drug.

      LYDIA

      I don’t know what you’re talking about.

      DEREK

      And I saw the mark.

      LYDIA

      You were watching me?

      DEREK

      I was just there.

      LYDIA

      You were watching me?

      DEREK

      I was in the wrong / place.

      LYDIA

      You can’t watch me!

      DEREK

      At the wrong time.

      LYDIA

      It’s nothing!

      DEREK

      I’m so sorry.

      LYDIA

      (Desperate.) It’s nothing! It wasn’t that!

      DEREK

      My heart goes out to / you

      LYDIA

      No, no, no!

      DEREK

      If there’s anything I can do.

      LYDIA

      You don’t know what you’re saying!

      You don’t know.

      DEREK

      Please.

      LYDIA

      Little fucking

      Fucking nothing.

      Creep.

      She screws herself up, the ugliness of her anger.

      Get away from me! Get away!

      Beat.

      He starts to stumble off, but she suddenly struggles.

      He hears.

      He turns round.

      LYDIA

      (Struggles.) Oh shit.

      She closes her eyes, feeling like she will faint.

      DEREK turns back.

      DEREK

      Are you okay?

      LYDIA

      Just go!

      Pause. DEREK doesn’t know what to do. She starts to crumple.

      DEREK

      Can I help you?

      LYDIA

      No.

      DEREK

      Please sit.

      She sits.

      It’s okay.

      It’ll be okay.

      Pause. DEREK goes to give her a bottle of water from his bag.

      She drinks it, without her lips touching the rim.

      LYDIA

      My lips haven’t touched it.

      DEREK

      It’s okay.

      Pause. DEREK tries to approach.

      LYDIA

      Don’t come close.

      DEREK

      Why not?

      LYDIA

      You could die.

      DEREK

      I won’t die.

      Pause.

      LYDIA

      Was it obvious?

      DEREK

      No.

      LYDIA

      It isn’t obvious!

      DEREK

      I was in the wrong place at the wrong time.

      Pause.

      You don’t have to be friends with me.

      You don’t have to see me.

      But I just want you to know you can trust me.

      I’ll be your excuse, if you need one.

      I’ll be your lookout.

      I won’t ask for anything.

      I won’t breathe a word!

      Pause. LYDIA looks at him. He smiles.

      Pause. The sound of the sea.

      It’s high tide now.

      Everything’s washed away.

      Forgotten.

      LYDIA suddenly struggles.

      It’ll be okay, don’t you worry.

      You’ll be as right as rain.

      LYDIA rallies.

      LYDIA

      Do you have any food?

      DEREK runs inside the caravan and comes out with an apple and a chocolate bar.

      He hands her the apple, and then:

      DEREK

      Chocolate.

      Pause. LYDIA eats.

      Is it okay?

      She’s stronger now.

      Are you feeling any better?

      LYDIA

      I can control it.

      With my shot

      If I’m lucky I might live for ages.

      I might live to be old.

      It doesn’t matter at all on a day-to-day – (Of whatever is inside her body.) It doesn’t wake up!

      It’s sleeping.

      I ignore it.

      It doesn’t concern me.

      You can’t get it from just touching me.

      You could touch me now and you’d never get it.

      And not through

      Not through

      Kissing.

      The medication… suppresses it.

      I’m not contagious any more.

      And I’m so careful

      The idea of passing it / on

      DEREK

      You don’t need / to

      LYDIA

      I want you to know that.

      Pause.

      I went… to the pub… with Vince.

      There was this guy.

      He was doing a speech.

      He was so clever.

      You could see his eyes dart around the room.

      Every time he looked at you:

      ‘Is he one?’ ‘Is she one?’

      He looked at me, and he knew.

      DEREK

      He couldn’t.

      LYDIA

      I don’t know how but he did.

      You saw my mark?

      It’s horrible.

      DEREK

      No.

      LYDIA

      It’s foul.

      DEREK

      It’s just a mark.

      Pause.

      LYDIA

      (The nightmare looming again.) I can’t do it again.

      I can’t.

      Pause.

      Last time, I had to move, when they found out. In Sussex.

     


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