Online Read Free Novel
  • Home
  • Romance & Love
  • Fantasy
  • Science Fiction
  • Mystery & Detective
  • Thrillers & Crime
  • Actions & Adventure
  • History & Fiction
  • Horror
  • Western
  • Humor

    Inge Sebyan Black

    Prev Next


      24. What might you say to the subject as you flow from interviewing into

      interrogating?

      CHAPTER 10

      Setting, Location, Intensity, and

      Approach in the Interview

      To ensure the success of an interview, investigators must consider many fac-

      tors, including where the interview will take place, how the participants will

      be positioned within the interview room, how intensely the interviewer will

      press for information, and what approach the interviewer will use in ques-

      tioning the interviewee. All these elements require careful planning because

      they have a significant impact on the outcome of every interview. This

      chapter suggests ways in which environmental setting, participant location,

      intensity, and approach can be incorporated into the interview process.

      ENVIRONMENTAL SETTING

      As a private investigator, my interviews are usually dictated by where I can

      find the interviewee. Planning when and where to find the interviewee is

      my priority, but after that, privacy is an important element of successful

      interviews. In a perfect world, you would have a comfortable, private room,

      but this is not always possible. Your goal is to obtain information through the

      interview. You will want to conduct your interview in a private space, quiet

      and free from disturbances. There is little to gain by transporting inter-

      viewees to some distant site that you think is ideal. Doing so might cause

      unnecessary disruption. Focus on opportunity, space, and availability and,

      of course, the questions.

      I have sat in my car for hours waiting for my interviewee to be alone.

      LOCATION OF PARTICIPANTS

      Personal Space

      There is an invisible boundary, known as personal space, around each of us.

      We become uncomfortable when strangers intrude in our personal space.

      Most Americans reserve about a foot and a half of space around them for

      intimate conversation. They allow casual interactions in the space between

      about a foot and a half to about four feet. Impersonal transactions take place

      beyond about four feet. Personal space varies depending on culture, social

      115

      116

      The Art of Investigative Interviewing

      status, personal history, and upbringing. Sometimes people of high status

      assume and are granted more personal space than people of lower status.

      Proxemics is the study of the spatial distances that people maintain

      between themselves and others. Knowledge of proxemics can help you

      become a better interviewer. Recognize that there may be an invisible

      boundary that surrounds your interviewee. Whether standing or sitting dur-

      ing an interview, be sensitive to the interviewee’s level of comfort and use it

      to determine how the interviewee defines his or her personal space. Enter

      this space with care to avoid alarming the interviewee. Moving too quickly

      into the interviewee’s personal space may cause undue stress, which might

      restrict the flow of communication.

      Conversation, Moderate, and Intimate Locations

      I believe that it is helpful to identify three distinct distances between inter-

      view participants. In order of decreasing physical distance, I call these the

      conversation, moderate, and intimate locations. When I say location, I mean to

      include both distance and position. Most interviews take place in the con-

      versation or moderate location.

      As you begin the interview, position yourself in the conversation loca-

      tion, about six feet away from the interviewee, and then gradually move

      closer into the moderate location, where you can conduct most of the inter-

      view. Not only does moving closer convey your warmth, but also it will help

      both you and the interviewee focus more fully on the discussion. The display

      of positive motives generally sparks productive results. The intimate loca-

      tions are used when the interviewee needs comforting, when using intensity

      level 4 (reviewed later in the chapter), or during other portions of the

      follow-up phase. Of course, space limitations may prevent you from begin-

      ning the interview in the conversation location or moving closer to the

      interviewee than the moderate location.

      The Conversation Location

      In the conversation location, the interview participants are situated about six

      feet apart, as shown in Figures 10.1 and 10.2. This is a “safe” distance for the interviewee, just beyond easy physical reach. In this location, participants have enough room to lean forward without touching and can move

      their legs comfortably. The conversation location permits the investigator

      to observe the interviewee for nonverbal communication at critical

      moments. The conversation location is used between points A and C of

      the polyphasic flowchart shown in Chapter 9 (refer back to Figure 9.1).

      Setting, Location, Intensity, and Approach in the Interview

      117

      Figure 10.1 The conversation location. The interview participants are located about six feet apart.

      R

      I

      Figure 10.2 Overhead view of a typical interview room, 10 by 12 feet, showing

      participants in the conversation location. I ¼ interviewer; R ¼ respondent.

      At the beginning of the interview, position your chair to the left or right

      of the interviewee’s chair at an angle of about 45 degrees. Avoid facing the

      interviewee squarely and presenting yourself symbolically as a threat. It is

      preferable that there be no obstruction between participants other than

      the corner of a desk. You can lean back or forward in your chair, depending

      on the context of the interview. However, avoid leaning your chair back

      against a wall, and don’t put your feet up on the desk. Keep your body posi-

      tion alert, and project an attentive, professional appearance at all times.

      Begin the interview with yourself and the interviewee in the conversa-

      tion location. Be careful not to violate the interviewee’s personal space.

      If you go past that invisible line and step into the interviewee’s “flight area,”

      she will probably back off to increase the space between you. The inter-

      viewee’s flight area is located somewhere within the moderate location.

      118

      The Art of Investigative Interviewing

      The Moderate Location

      The moderate location brings interview participants to within about four feet

      of one another, as shown in Figures 10.3 and 10.4. This is close enough to allow the investigator to gently touch the interviewee’s arm or shoulder if

      appropriate. In the moderate location, participants are generally situated at a

      45-degree angle, as in the conversation location. At this distance, legs can be

      crossed carefully. Most interviews and many interrogations can be con-

      ducted from the moderate location.

      The Intimate Locations

      In the first intimate location, the participants are situated about two feet apart, as shown in Figures 10.5 and 10.6. As the intensity of the interview increases, the interviewer moves into the second intimate location, to within about a

      Figure 10.3 The moderate location. The investigator gradually and inconspicuously moves closer to the interviewee until they are about four feet apart.

      Figure 10.4 Overhead view of a typical interview room, 10 by 12 feet, showing


      participants in the moderate location. I ¼ interviewer; R ¼ respondent.

      Setting, Location, Intensity, and Approach in the Interview

      119

      Figure 10.5 The first intimate location. Participants are seated about two feet apart.

      R

      I

      Figure 10.6 Overhead view of a typical interview room, 10 by 12 feet, showing

      participants in the first intimate location. I ¼ interviewer; R ¼ respondent.

      foot of the interviewee and facing him, as shown in Figures 10.7 and 10.8.

      The intimate locations may be the most stressful or the most reassuring,

      depending on how the interview is conducted. In these locations, you

      can easily reach the interviewee. Your chair is situated quite close to the

      interviewee’s chair so that your knee is next to the interviewee’s knee. In

      this position, the crossing of legs is next to impossible. This distance is

      reserved for in-depth interviews requiring intense interpersonal communi-

      cation, great empathy, and lots of encouragement. It is also used for inter-

      rogations in which an admission or a confession is sought.

      The investigator’s shift in position from intimate location 1 to intimate

      location 2 often accompanies a change in the interview strategy, from

      resolving inconsistencies (interviewing) to attempting to gain an admission

      or a confession (interrogating). The successful investigator will make this

      transition smoothly, not only in shifting position, but also in the comments,

      120

      The Art of Investigative Interviewing

      Figure 10.7 The second intimate location. Participants are seated about one foot apart.

      R

      I

      Figure 10.8 Overhead view of a typical interview room, 10 feet by 12 feet, showing participants in the second intimate location. I ¼ interviewer; R ¼ respondent.

      questions, and intensity she employs. In the intimate locations, the rhetorical

      questions and statements used differ from the investigator’s previous efforts

      to assist the interviewee to rationalize and save face.

      REVIEW AND ENCOURAGEMENT INTENSITIES

      Throughout the interview, you need to review the facts of the case and their

      implications with the interviewee and encourage him to answer questions

      truthfully. Using verbal and nonverbal communication, your goal is to per-

      suade the interviewee to reveal information or to make an admission or a

      confession. The intensity of this review and encouragement varies through-

      out the different stages of the interview process. The objective of using vary-

      ing degrees of intensity is to bring out verbal and nonverbal signals that

      Setting, Location, Intensity, and Approach in the Interview

      121

      indicate that the interviewee is lying. Intensity, the amount of effort put into making the investigator’s presentation remarkable or powerful, is signaled by

      the investigator’s total presentation: how and where the participants are

      seated; the investigator’s tone of voice, facial expressions, and body lan-

      guage; and the investigator’s questions and comments and how they are

      formulated.

      Review

      The topics you choose to review with the interviewee vary with the phases

      of the interview, as does the intensity of that review. From general to more

      specific, the investigator’s level of review might increase as follows:

      •

      Inquiry into the circumstances of the matter under investigation.

      •

      Discussion regarding the interviewee’s knowledge, opportunity, access,

      and motivation as they relate to the matter under investigation.

      •

      Consideration of the totality of the circumstances in lesser or greater

      depth.

      •

      Consideration of the interviewee’s relationship to the totality of the cir-

      cumstances, with less or more focus.

      •

      Coverage of the totality of the circumstances as related to the inter-

      viewee’s knowledge, opportunity, access, and motivation.

      Encouragement

      The reason to encourage the interviewee is to reassure him or her and to

      reach a certain objective, which is the truth. During the process of trying

      to reach that goal, only positive methods to encourage the interviewee to

      tell the truth are suggested:

      •

      Persuading

      •

      Selling

      •

      Influencing

      •

      Calling for the truth

      The use of review and encouragement does not involve bullying, threaten-

      ing, coercing, or punishing the interviewee.

      Intensity Levels

      Now let’s look at each intensity level and illustrate the specific kinds of

      review and encouragement that operate at each level.

      122

      The Art of Investigative Interviewing

      Level One

      Level one, representing general review and minimal encouragement, is used

      in all interviews from point A to between points C and D on the polyphasic

      flowchart (refer back to Figure 9.1). At this level, the least amount of effort is employed in using review and encouragement. No attempt is made to point

      out gaps or inconsistencies in the interviewee’s story. Level one is also used

      for the preliminary inquiry during the precontact section of the initial phase.

      While obtaining details regarding the matter under investigation, it isn’t

      appropriate to challenge the information provided. There will be a time

      for that later, if necessary.

      Level Two

      Level two, used from between points C and D to point F on the flowchart,

      represents the greatest amount of general review and minimal encourage-

      ment. Compared to level one, in this level there is more effort to use these

      tools. No gaps in the interviewee’s story are pointed out or challenged, but

      some effort is made to clarify details. The “bones” discussed in Chapter 9 are

      used to draw out the truth. At this intensity level, interviewees may, through

      verbal and nonverbal signs, indicate that they are trying to dodge your ques-

      tions or are providing dishonest answers.

      Level Three

      Used between points F and I of the flowchart, intensity level three involves

      specific review and persistent encouragement. At this level, the interviewer

      discusses any inconsistencies that he noted earlier in the interview. This is

      not a time to interrogate but rather a time to revisit investigative detail.

      The interviewer must be bold enough to state clearly that there are incon-

      sistencies that must be resolved. The investigator tries to persuade the inter-

      viewee that it is inevitable that the truth will eventually be discovered.

      During this level, culpable interviewees will probably reveal further signs

      of their deception. Then it is time for the interviewer to take on the role of

      interrogator and look for an admission or a confession. The interviewer puts

      on a different hat, so to speak, becoming assertive and more determined.

      Between points H and I of the interview process, the interrogator begins

      to sell the subject on the idea of telling the truth to “get this thing cleared

      up.” Having taken this road, the interrogator cannot back down—unless he

      becomes convinced that it’s the wr
    ong direction.

      Don’t rush to use intensity level three with interviewees as soon as you

      notice inconsistencies. Make it a general rule to tune in to inconsistencies

      Setting, Location, Intensity, and Approach in the Interview

      123

      during the primary phase without pouncing on interviewees because of

      them. Throughout the interview, gradually focus attention on the inconsis-

      tencies and become more assertive in pointing out gaps in the interviewee’s

      story. Become less accepting of excuses while you begin to challenge the

      patterns of deception. Sell the interviewee on the idea of willingly divulging

      the truth.

      Level Four

      Level four, used between points I and K on the flowchart, represents a

      greater intensity of specific review and persistent encouragement than level

      three. Sometimes even the victim is found to be lying and is then interro-

      gated. Most interviewees never reach this level of interaction, however,

      because the investigator decides that they are being truthful. Remember that

      it is a mistake to interrogate everyone as though they were guilty or decep-

      tive. Level four reaches its greatest intensity between points J and K as the

      interrogator attempts to gain an admission or a confession. (A confession

      includes several significant incriminatory statements, whereas an admission

      is one or more incriminatory statements of a more minor nature.) This level

      of intensity includes greater efforts to help the subject rationalize and save

      face while she confesses total or partial responsibility for the matter under

      investigation.

      Level Five

      Level five is used between points K and M on the flowchart. It represents

      about the same intensity of specific review and persistent encouragement

      as in level four; however, level five represents more effort by the investigator in reviewing and encouraging more focus of energy and determination. The

      interrogator moves closer to the subject while showing a greater degree of

      certainty that the subject committed the crime. More persuasion is used in

      level five to sell the subject on the idea to confess. By this point in the interrogation, your subject may have provided an admission but not a complete

     


    Prev Next
Online Read Free Novel Copyright 2016 - 2026