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    Marble Faun & Green Bough

    Page 2
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      When I hear the blackbirds’ song

      Piercing cool and mellowly long,

      I pause to hear, nor do I breathe

      As the dusty gorse and heath

      Breathe not, for their magic call

      Holds all the pausing earth in thrall

      At noon; then I know the skies

      Move not, but halt in reveries

      Of golden-veiled and misty blue;

      Then the blackbirds wheeling through

      By Pan guarded in the skies,

      Piercing the earth with remorseless eyes

      Are burned scraps of paper cast

      On a lake quiet, deep, and vast.

      UPON a wood’s dim shaded edge

      Stands a dusty hawthorn hedge

      Beside a road from which I pass

      To cool my feet in deep rich grass.

      I pause to listen to the song

      Of a brook spilling along

      Behind a patchy willow screen

      Whose lazy evening shadows lean

      Their scattered gold upon a glade

      Through which the staring daisies wade,

      And the resilient poplar trees,

      Slowly turning in the breeze,

      Flash their facets to the sun,

      Swaying in slow unison.

      Here quietude folds a spell

      Within a stilly shadowed dell

      Wherein I rest, and through the leaves

      The sun a soundless pattern weaves

      Upon the floor. The leafy glade

      Is pensive in the dappled shade,

      While the startled sunlight drips

      From beech and alder fingertips,

      And birches springing suddenly

      Erect in silence sleepily

      Clinging to their slender limbs,

      Whitening them as shadow dims.

      As I lie here my fancy goes

      To where a quiet oak bestows

      Its shadow on a dreaming scene

      Over which the broad boughs lean

      A canopy. The brook’s a stream

      On which long still days lie and dream,

      And where the lusty summer walks—

      Around his head are lilac stalks—

      In the shade beneath the trees

      To let the cool stream fold his knees;

      While I lie in the leafy shade

      Until the nymphs troop down the glade.

      Their limbs that in the spring were white

      Are now burned golden by sunlight.

      They near the marge, and there they meet

      Inverted selves stretched at their feet;

      And they kneel languorously there

      To comb and braid their short blown hair

      Before they slip into the pool—

      Warm gold in silver liquid cool.

      Evening turns and sunlight falls

      In flecks between the leafèd walls,

      Like golden butterflies whose wings

      Slowly pulse and beat. Slow sings

      The stream in a lower key

      Murmuring down quietly

      Between its solemn purple stone

      With cooling ivy overgrown.

      Sunset stains the western sky;

      Night comes soon, and now I

      Follow toward the evening star.

      A sheep bell tinkles faint and far,

      Then drips in silence as the sheep

      Move like clouds across the deep

      Still dusky meadows wet with dew.

      I stretch and roll and draw through

      The fresh sweet grass, and the air

      Is softer than my own soft hair.

      I lift up my eyes; the green

      West is a lake on which has been

      Cast a single lily. —See!

      In meadows stretching over me

      Are humming stars as thick as bees,

      And the reaching inky trees

      Sweep the sky. I lie and hear

      The voices of the fecund year,

      While the dark grows dim and deep,

      And I glide into dreamless sleep.

      CAWING rooks in tangled flight

      Come crowding home against the night.

      And all other wings are still

      Except rooks tumbling down the hill

      Of evening sky. The crimson falls

      Upon the solemn ivied walls;

      The horns of sunset slowly sound

      Between the waiting sky and ground;

      The cedars painted on the sky

      Hide the sun slow flamingly

      Repeated level on the lake,

      Smooth and still and without shake,

      Until the swans’ inverted grace

      Wreathes in thought its placid face

      With spreading lines like opening fans

      Moved by white and languid hands.

      Now the vesper song of bells

      Beneath the evening flows and swells,

      And the twilight’s silver throat

      Slowly repeats each resonant note:

      The dying day gives those who sorrow

      A boon no king can give: a morrow.

      The westering sun has climbed the wall

      And silently we watch night fall

      While sunset lingers in the trees

      Its subtle gold-shot tapestries,

      The sky is velvet overhead

      Where petalled stars are canopied

      Like sequins in a spreading train

      Without fold or break or stain.

      A cool wind whispers by the heads

      Of flowers dreaming in their beds

      Like convent girls, filling their sleep

      With strange dreams from the outer deep.

      On every hill battalioned trees

      March skyward on unmoving knees,

      And like a spider on a veil

      Climbs the moon. A nightingale,

      Lost in the trees against the sky,

      Loudly repeats its jewelled cry.

      I AM sad, nor yet can I,

      For all my questing, reason why;

      And now as night falls I will go

      Where two breezes joining flow

      Above a stream whose gleamless deeps

      Caressingly sing the while it sleeps

      Upon sands powdered by the moon.

      And there I’ll lie to hear it croon

      In fondling a wayward star

      Fallen from the shoreless far

      Sky, while winds in misty stream,

      Laughing and weeping in a dream,

      Whisper of an orchard’s trees

      That, shaken by the aimless breeze,

      Let their blossoms fade and slip

      Soberly, as lip to lip

      They touch the misty grasses fanned

      To ripples by the breeze.

      Here stand

      The clustered lilacs faint as cries

      Against the silken-breasted skies;

      They nod and sway, and slow as rain

      Their slowly falling petals stain

      The grass as through them breezes stray,

      Smoothing them in silver play.

      And we, the marbles in the glade,

      Dreaming in the leafy shade

      Are saddened, for we know that all

      Things save us must fade and fall,

      And the moon that sits there in the skies

      Draws her hair across her eyes:

      She sees the blossoms blow and die,

      Soberly and quietly,

      Till spring breaks in the waiting glade

      And the first thin branchèd shade

      Falls ’thwart them, and the swallows’ cry

      Calls down from the stirring sky,

      Thin and cold and hot as flame

      Where spring is nothing but a name.

      The stream flows calmly without sound

      In the darkness gathered round;

      Trembling to the vagrant breeze

      About me stand the inky trees

      Peopled by some bird’s loud cries,

      Until it se
    ems as if the skies

      Had shaken down their blossomed stars

      Seeking among the trees’ dim bars,

      Crying aloud, each for its mate,

      About the old earth, insensate,

      Seemingly, to their white woe,

      But their sorrow does she know

      And her breast, unkempt and dim,

      Throbs her sorrow out to them.

      The dying day gives all who sorrow

      The boon no king may give: a morrow.

      THE ringèd moon sits eerily

      Like a mad woman in the sky,

      Dropping flat hands to caress

      The far world’s shaggy flanks and breast,

      Plunging white hands in the glade

      Elbow deep in leafy shade

      Where birds sleep in each silent brake

      Silverly, there to wake

      The quivering loud nightingales

      Whose cries like scattered silver sails

      Spread across the azure sea.

      Her hands also caress me:

      My keen heart also does she dare;

      While turning always through the skies

      Her white feet mirrored in my eyes

      Weave a snare about my brain

      Unbreakable by surge or strain,

      For the moon is mad, for she is old,

      And many’s the bead of a life she’s told;

      And many’s the fair one she’s seen wither:

      They pass, they pass, and know not whither.

      The hushèd earth, so calm, so old,

      Dreams beneath its heath and wold—

      And heavy scent from thorny hedge

      Paused and snowy on the edge

      Of some dark ravine, from where

      Mists as soft and thick as hair

      Float silver in the moon.

      Stars sweep down—or are they stars?—

      Against the pines’ dark etchèd bars.

      Along a brooding moon-wet hill

      Dogwood shines so cool and still,

      Like hands that, palm up, rigid lie

      In invocation to the sky

      As they spread there, frozen white,

      Upon the velvet of the night.

      THE world is still. How still it is!

      About my avid stretching ears

      The earth is pulseless in the dim

      Silence that flows into them

      And forms behind my eyes, until

      My head is full: I feel it spill

      Like water down my breast. The world,

      A muted violin where are curled

      Pan’s fingers, waits, supine and cold

      And bound soundlessly in fold

      On fold of blind calm rock

      Edgeless in the moonlight’s shock,

      Until the hand that grasps the bow

      Descends; then grave and strong and low

      It rises to his waiting ears.

      The music of all passing years

      Flows over him and down his breast

      Of ice and gold, as in the west

      Sunsets flame, and all dawns burn

      Eastwardly, and calm skies turn

      Always about his frozen head:

      Peace for living, peace for dead.

      And the hand that draws the bow

      Stops not, as grave and strong and low

      About his cloudy head it curls

      The endless sorrow of all worlds,

      The while he bends dry stricken eyes

      Above the throngs; perhaps he sighs

      For all the full world watching him

      As seasons change from bright to dim.

      And my eyes too are cool with tears

      For the stately marching years,

      For old earth dumb and strong and sad

      With life so willy-nilly clad,

      And mute and impotent like me

      Who marble bound must ever be;

      And my carven eyes embrace

      The dark world’s dumbly dreaming face,

      For my crooked limbs have pressed

      Her all-wise pain-softened breast

      Until my hungry heart is full

      Of aching bliss unbearable.

      THE hills are resonant with soft humming;

      It is a breeze that pauses, strumming

      On the golden-wirèd stars

      The deep full music to which was

      The song of life through ages sung;

      And soundlessly there weaves among

      The chords a star, a falling rose

      That only this high garden grows;

      A falling hand with beauty dumb

      Stricken by the hands that strum

      The sky, is gone: yet still I see

      This hand swiftly and soundlessly

      Sliding now across my eyes

      As it then slid down the skies.

      Soft the breeze, a steady flame

      Cooled by the forest whence it came,

      Slipping across the dappled lea

      To climb the dim walls of the sea;

      To comb the wave-ponies’ manes back

      Where the water shivers black

      With quiet depth and solitude

      And licks the caverned sky. The wood

      Stirs to a faint far mystic tone:

      The reed of Pan who, all alone

      In some rock-chilled silver dell,

      Thins the song of Philomel

      Sad in her dark dim echoed bower

      Watching the far world bud and flower,

      Watching the moon in ether stilled

      Who, with her broad face humped and hilled

      In sleep, dreams naked in the air

      While Philomel dreams naked here.

      Clear and sad sounds Pan’s thin strain,

      Dims in mystery, grows again;

      Mirrors the light limbs falling, dying,

      Soothes night voices calling, crying,

      Stills the winds’ far seeking tone

      Where fallow springs have died and grown;

      Hushes the nightbirds’ jewelled cries

      And flames the shadows’ subtleties

      Through endless labyrinthine walls

      Of sounding corridors and halls

      Where sound and silence soundless keep

      Their slumbrous noon. Sweet be their sleep.

      ALL day I run before a wind,

      Keen and blue and without end,

      Like a fox before the hounds

      Across the mellow sun-shot downs

      That smell like crispened warm fresh bread;

      And the sky stretched overhead

      Has drawn across its face a veil

      Of gold and purple. My limbs fail

      And I plunge panting down to rest

      Upon earth’s sharp and burning breast.

      I lie flat, and feel its cold

      Beating heart that’s never old,

      And yet has felt the ages pass

      Above its heather, trees, and grass.

      The azure veils fall from the sky

      And on the world’s rim shimmering lie,

      While the bluely flashing sea

      Pulses through infinitely.

      Up! Away! Now I will go

      To some orchard’s golden row

      Of bursting mellow pears and sweet

      Berries and dusky grapes to eat.

      I singing crush them to my lips,

      Staining cheek and fingertips,

      Then fill my hands, I know not why,

      And off again along the sky

      Down through the trees, beside the stream

      Veiled too, and golden as a dream,

      To lie once more in some warm glade

      Deep walled by the purple shade

      My fruits beside, and so I lie

      In thin sun sifting from the sky

      Like a cloak to cover me:

      I sink in sleep resistlessly

      While the sun slides smoothly down

      The west, and green dusk closes round

      My glade that the sun filled up

      As gold wine sta
    nds within a cup.

      Now silent autumn fires the trees

      To slow flame, and calmly sees

      The changing days burn down the skies

      Reflected in her quiet eyes,

      While about her as she kneels

      Crouch the heavy-fruited fields

      Along whose borders poplars run

      Burnished by the waning sun.

      Vineyards struggle up the hill

      Toward the sky, dusty and still,

      Thick with heavy purple grapes

      And golden bursting fruits whose shapes

      Are full and hot with sun. Here each

      Slow exploding oak and beech

      Blaze up about her dreaming knees,

      Flickering at her draperies.

      Each covert, a blaze of light

      Upon horizons blueish white

      Is a torch, the pines are bronze

      And stiffly stretch their sculptured fronds

      Over the depthless hushed ravine

      Wherein their shadows change to green,

      Then to purple in the deeps

      Where the waiting winter sleeps.

      THE moon is mad, and dimly burns,

      And with her prying fingers turns

      Inside out thicket and copse

      Curiously, and then she stops

      Staring about her, and the down

      Grows sharp in sadness gathering round,

      Powdering each darkling rock

      And the hunchèd grain in shock

      On shock in solemn rows;

      And after each a shadow goes

      Staring skyward, listening

      Into the silence glistening

      With watching stars that, sharp and sad,

      Ring the solemn staring mad

      Moon; and winds in monotone

      Brood where shaken grain had grown

      In bloomless fields that raise their bare

      Breasts against the dying year.

      And yet I do not move, for I

      Am sad beneath this autumn sky,

      For I am sudden blind and chill

      Here beneath my frosty hill,

      And I cry moonward in stiff pain

      Unheeded, for the moon again

      Stares blandly, while beneath her eyes

      The silent world blazes and dies,

      And leaves slip down and cover me

      With sorrow and desire to be—

      While the world waits, cold and sere—

      Like it, dead with the dying year.

      THE world stands without move or sound

      In this white silence gathered round

      It like a hood. It is so still

      That earth lies without wish or will

      To breathe. My garden, stark and white,

      Sits soundless in the falling light

     


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