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    Paterson (Revised Edition)

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      through the thicket .

      One warm day in April, G.B. had the inspiration to go in swimming naked with the boys, among whom, of course, was her brother, a satyr if there ever was one, to beat anybody up who presumed to molest her. It was at Sandy Bottom, near Willow Point where in later years we used to have picnics. That was before she turned whore and got syphilis. L.M. about that time, a young sailor, went to Rio unafraid of “children’s diseases” as the French (and others) called them—but it was no joke as Gauguin found out when his brains began to rot away

      . the times today

      are safer for the fornicators

      the moral’s

      as you choose but the brain

      need not putrefy

      or petrify

      for fear of venereal disease

      unless you wish it

      “Loose your love to flow”

      while you are yet young

      male and female

      (if it is worth it to you)

      ’n cha cha cha

      you’d think the brain

      ’d be grafted

      on a better root

      II.

      “ . I am no authority on Sappho and do not read her poetry particularly well. She wrote for a clear gentle tinkling voice. She avoided all roughness. ‘The silence that is in the starry sky,’ gives something of her tone, . ”

      A.P.

      Peer of the gods is that man, who

      face to face, sits listening

      to your sweet speech and lovely

      laughter.

      It is this that rouses a tumult

      in my breast. At mere sight of you

      my voice falters, my tongue

      is broken.

      Straightway, a delicate fire runs in

      my limbs; my eyes

      are blinded and my ears

      thunder.

      Sweat pours out: a trembling hunts

      me down. I grow paler

      than dry grass and lack little

      of dying.

      13 Nv Oke Hay my BilBill The Bull Bull, ameer.

      Is there anything in Ac Bul 2/ vide enc that seems cloudy to you, or INComprehensible/

      or that having comprehended you disagree with?

      The hardest thing to discover is WHY someone else, apparently not an ape or a Roosevelt cannot understand something as simple as 2 plus 2 makes four.

      McNair Wilson has just writ me, that Soddy got interested and started to study “economics” and found out what they offered him wasn’t economics but banditry

      Wars are made to make debt, and the late one started by the ambulating dunghill FDR has been amply successful.

      and the stink that elevated

      him still emits a smell.

      Also the ten vols/treasury reports sent me to Rapallo show that in the years from departure of Wiggin till the mail stopped you suckers had paid ten billion for gold that cd/have been bought for SIX billion.

      Is this clear or do you still want DEEtails?

      That sovereignty inheres in the POWER to issue money, whether you have the right to do it or not.

      don’t let me crowd you.

      If there is anything here that is OBskewer , say so.

      don’t worry re Beum,

      He didnt say you told him to send me the book, merely that he had metChu. let the young educ the young.

      Only naive remark I found in Voltaire wuz when he found two good books on econ/ and wrote : “Now people will understand it.” end quote.

      But if the buzzards on yr( and Del M’s) list had been CLEAR I wdn’t have spent so much time clarifying their indistinctnesses.

      You agree that the offering da shittahd aaabull instead of history is

      undesirable ??????

      There is a woman in our town

      walks rapidly, flat bellied

      in worn slacks upon the street

      where I saw her.

      Neither short

      nor tall, nor old nor young

      her

      face would attract no

      adolescent. Grey eyes looked

      straight before her.

      Her

      hair

      was gathered simply behind the

      ears under a shapeless hat.

      Her

      hips were narrow, her

      legs

      thin and straight. She stopped

      me in my tracks — until I saw

      her

      disappear in the crowd.

      An inconspicuous decoration

      made of sombre cloth, meant

      I think to be a flower, was

      pinned flat to her

      right

      breast — any woman might have

      done the same to

      say she was a woman and warn

      us of her mood. Otherwise

      she was dressed in male attire,

      as much as to say to hell

      with you. Her

      expression was

      serious, her

      feet were small.

      And she was gone!

      . if ever I see you again

      as I have sought you

      daily without success

      I’ll speak to you, alas

      too late! ask,

      What are you doing on the

      streets of Paterson? a

      thousand questions:

      Are you married? Have you any

      children? And, most important,

      your NAME! which

      of course she may not

      give me — though

      I cannot conceive it

      in such a lonely and

      intelligent woman

      . have you read anything that I have written?

      It is all for you

      or the birds .

      or Mezz Mezzrow

      who wrote .

      Knocking around with Rapp and the Rhythm Kings put the finishing touches on me and straightened me out. To be with those guys made me know that any white man, if he thought straight and studied hard, could sing and dance and play with the Negro. You didn’t have to take the finest and most original and honest music in America and mess it up because you were a white man; you could dig the colored man’s real message and get in there with him, like Rapp. I felt good all over after a session with the Rhythm Kings, and I began to miss that tenor sax.

      Man, I was gone with it — inspiration’s mammy was with me. And to top it all, I walked down Madison Street one day and what I heard made me think my ears were lying. Bessie Smith was shouting the Downhearted Blues from a record in a music shop. I flew in and bought up every record they had by the mother of the blues — Cemetery Blues, Bleedin’ Hearted, and Midnight Blues — then I ran home and listened to them for hours on the victrola. I was put in a trance by Bessie’s mournful stories and the patterns of true harmony in the piano background, full of little runs that crawled up and down my spine like mice. Every note that woman wailed vibrated on the tight strings of my nervous system; every word she sang answered a question I was asking. You couldn’t drag me away from that victrola, even to eat.

      . . or the Satyrs, a

      pre-tragic play,

      a satyric play!

      All plays

      were satyric when they were most devout.

      Ribald as a Satyr!

      Satyrs dance!

      all the deformities take wing

      Centaurs

      leading to the rout of the vocables

      in the writings

      of Gertrude

      Stein — but

      you cannot be

      an artist

      by mere ineptitude

      The dream

      is in pursuit!

      The neat figures of

      Paul Klee

      fill the canvas

      but that

      is not the work

      of a child .

      the cure began, perhaps

      with the abstraction

      of Arabic art

      Dürer

      with his Melancholy

      was aware
    of it—

      the shattered masonry. Leonardo

      saw it,

      the obsession,

      and ridiculed it

      in La Gioconda.

      Bosch’s

      congeries of tortured souls and devils

      who prey on them

      fish

      swallowing

      their own entrails

      Freud

      Picasso

      Juan Gris.

      A letter from a friend

      saying:

      For the last

      three nights

      I have slept like a baby

      without

      liquor or dope of any sort!

      we know

      that a stasis

      from a chrysalis

      has stretched its wings .

      like a bull

      or a Minotaur

      or Beethoven

      in the scherzo

      from the Fifth Symphony

      stomped

      his heavy feet

      I saw love

      mounted naked on a horse

      on a swan

      the tail of a fish

      the bloodthirsty conger eel

      and laughed

      recalling the Jew

      in the pit

      among his fellows

      when the indifferent chap

      with the machine gun

      was spraying the heap .

      he had not yet been hit

      but smiled

      comforting his companions .

      comforting

      his companions

      Dreams possess me

      and the dance

      of my thoughts

      involving animals

      the blameless beasts

      (Q. Mr. Williams, can you tell me, simply, what poetry is?

      A.Well . . . I would say that poetry is language charged with emotion. It’s words, rhythmically organized . . . A poem is a complete little universe. It exists separately. Any poem that has worth expresses the whole life of the poet. It gives a view of what the poet is.

      Q.All right, look at this part of a poem by E. E. Cummings, another great American poet:

      (im)c-a-t(mo)

      b,j;l:e

      FallleA

      ps.!fl

      OattumblI

      sh?dr

      IftwhirlF

      (U1) (1Y)

      &&&

      Is this poetry?

      A.I would reject it as a poem. It may be, to him, a poem. But I would reject it. I can’t understand it. He’s a serious man. So I struggle very hard with it — and I get no meaning at all.

      Q.You get no meaning? But here’s part of a poem you yourself have written: “2 partridges/2 mallard ducks/a Dungeness crab/24 hours out/of the Pacific/and 2 live-frozen/trout/from Denmark . . .” Now, that sounds just like a fashionable grocery list!

      A.It is a fashionable grocery list.

      Q.Well — is it poetry?

      A.We poets have to talk in a language which is not English. It is the American idiom. Rhythmically it’s organized as a sample of the American idiom. It has as much originality as jazz. If you say “2 partridges, 2 mallard ducks, a Dungeness crab” — if you treat that rhythmically, ignoring the practical sense it forms a jagged pattern. It is, to my mind, poetry.

      Q.But if you don’t “ignore the practical sense” . . . you agree that it is a fashionable grocery list.

      A.Yes. Anything is good material for poetry. Anything. I’ve said it time and time again.

      Q.Aren’t we supposed to understand it?

      A.There is a difference of poetry and the sense. Sometimes modern poets ignore sense completely. That’s what makes some of the difficulty . . . The audience is confused by the shape of the words.

      Q.But shouldn’t a word mean something when you see it?

      A.In prose, an English word means what it says. In poetry, you’re listening to two things . . . you’re listening to the sense, the common sense of what it says. But it says more. That is the difficulty.

      . . . . )

      III.

      Peter Brueghel, the elder, painted

      a Nativity, painted a Baby

      new born!

      among the words.

      Armed men,

      savagely armed men

      armed with pikes,

      halberds and swords

      whispering men with averted faces

      got to the heart

      of the matter

      as they talked to the pot bellied

      greybeard (center)

      the butt of their comments,

      looking askance, showing their

      amazement at the scene,

      features like the more stupid

      German soldiers of the late

      war

      — but the Baby (as from an

      illustrated catalogue

      in colors) lies naked on his Mother’s

      knees

      — it is a scene, authentic

      enough, to be witnessed frequently

      among the poor (I salute

      the man Brueghel who painted

      what he saw —

      many times no doubt

      among his own kids but not of course

      in this setting

      The crowned and mitred heads

      of the 3 men, one of them black,

      who had come, obviously from afar

      (highwaymen?)

      by the rich robes

      they had on — offered

      to propitiate their gods

      Their hands were loaded with gifts

      — they had eyes for visions

      in those days — and saw,

      saw with their proper eyes,

      these things

      to the envy of the vulgar soldiery

      He painted

      the bustle of the scene,

      the unkempt straggling

      hair of the old man in the

      middle, his sagging lips

      —— incredulous

      that there was so much fuss

      about such a simple thing as a baby

      born to an old man

      out of a girl and a pretty girl

      at that

      But the gifts! (works of art,

      where could they have picked

      them up or more properly

      have stolen them?)

      — how else to honor

      an old man, or a woman?

      — the soldiers’ ragged clothes,

      mouths open,

      their knees and feet

      broken from 30 years of

      war, hard campaigns, their mouths

      watering for the feast which

      had been provided

      Peter Brueghel the artist saw it

      from the two sides: the

      imagination must be served —

      and he served

      dispassionately

      It is no mortal sin to be poor — anything but this featureless tribe that has the money now — staring into the atom, completely blind — without grace or pity, as if they were so many shellfish. The artist, Brueghel, saw them . : the suits of his peasants were of better stuff, hand woven, than we can boast.

      — we have come in our time to the age of shoddy, the men are shoddy, driven by their bosses, inside and outside the job to be done, at a profit. To whom? But not true of the Portuguese mason, his own boss “in the new country” who is building a wall for me, moved by oldworld knowledge of what is “virtuous” . “that stuff they sell you in the stores now-a-days, no good, break in your hands . that manufactured stuff, from the factory, break in your hands, no care what they turn out”

      The Gospel according to St. Matthew, Chapter I, verse 18, — Now the birth of Jesus Christ was on this wise: When as his mother Miriam was espoused to Joseph before they came together she was found with child of the Holy Ghost.

      19 Then Joseph her husband, being a just man, and not willing to make her a public example, was minded to put her away privately.

      20 But while he thought on these things, beho
    ld, the angel of the Lord, appeared to him in a dream, saying, Joseph, thou son of David, fear not to take unto thee Miriam thy wife: for that which is conceived in her is of the Holy Ghost.

      Luke . . And Mary kept all these sayings, pondering them in her heart.

      . no woman is virtuous

      who does not give herself to her lover

      — forthwith

      Dear Bill:

      . . . . . . . . . . . . . . . .

      I am told by a dear friend in Paris, G.D. who is married to Henri Matisse’s daughter, and who is the one vibrant head I have met in Europe, that France today is ruled by the gendarme and the concierge. In socialist Denmark I knew a highly intelligent author, a woman, who had come to America and there had a child by a wretched scribbler. Poor and forsaken she had returned to Copenhagen, where she earned her niggard indigence doing reviews for the Politiken, and giving occasional lectures on Middle English and early Danish. She lived in the slummy part of that beautiful city, trying to support a wonderful boy, sturdy, loving, and very masculine. It was my joy to bring him oranges, chocolate, and those precious morsels which his mother could not afford. She told me that the socialist police had called on her one night, asking why she had not paid her taxes to the government. Poverty was her reply. Do you recall the epitaph on Thomas Churchyard’s tombstone? ‘Poverty and Obscurity doth this tomb enclose.’ A week later they returned, threatening to remove her furniture and have it impounded by the government. When she again pleaded that if she gave what Kroners she had her little boy would starve, the police said: ‘We went to the Vin Handel last evening, and learned from the proprietor that you had bought a bottle of wine; if you can afford to drink wine you certainly can pay your taxes.’ She then said ‘I am so poor, and so driven to despair by it that I had to have a bottle of wine to relieve me of my melancholia.’

      I am quite sure too that people only have the kind of government that their bellies crave. Furthermore, I cannot cure one soul in the earth. Plato took three journeys to Dionysius, the Tyrant of Syracuse, and once was almost killed and on another occasion was nearly sold into slavery because he imagined that he influenced a devil to model his tyranny upon The Republic. Seneca was the teacher of Nero, and Aristotle tutored Alexander of Macedon. What did they teach?

      We are content here because it is cheap; my wife can eat chateaubriand for seven pesetas, about 15 or 16 cents. Going to the shops in the morning is a ritual; there is the greeting from the woman who runs the Panaderia, and the salutation (courtesy always eases the spirit and relieves the nervous system), from the man or his wife at the lecheria (where you get milk), and an expansive smile from the humble woman who sells you three pesetas worth of helio, ice….

      Edward

      Paterson has grown older

     


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