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    New Collected Poems

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      around the lick they found

      “very good, mostly

      oak timber; a great many

      small creeks and branches;

      scarce as much water

      among them all as would

      save a man’s life

      while he traveled across them.”

      One day, engaged in this work,

      Uncle James and his neighbor’s

      son, Sam Adams, were passing

      round the outskirts of the lick,

      where had gathered a large herd

      of the buffalo. The beasts

      pressed together for the salt,

      stomped, coughed, suckled

      their calves, the dust rising

      over their humps and horns,

      their tails busy at flies.

      They minded less than flies

      the two men who moved

      around them, thinking of other

      lives, times to come.

      And yet Sam Adams, boylike

      perhaps, though he was nineteen

      and a man in other ways,

      would be diverted from his work

      to gaze at the buffalo,

      more numerous than all

      his forefather’s cattle, oblivious

      abundance, there by no man’s

      will—godly, he might

      have thought it, had he not

      thought God a man.

      And why

      he shot into the herd

      is a question he did not answer,

      anyhow until afterwards,

      if at all—if he asked at all.

      He saw an amplitude

      so far beyond his need

      he could not imagine it,

      and could not let it be.

      He shot.

      And the herd, unskilled

      in fear of such a weapon

      or such a creature, ran

      in clumsy terror directly

      toward the spot where the boy

      and the man were standing.

      Agile, the boy sprang

      into a leaning mulberry.

      Not so young, or active,

      or so used to haste,

      Uncle James took shelter

      behind a young hickory

      whose girth was barely larger

      than his own.

      Then it seemed

      the earth itself rose,

      gathered, fled past them.

      The great fall of hooves shook

      ground and tree. Leaves

      trembled in the one sound.

      Dust hid everything

      from everything. Bodies

      beat against each other

      in heavy flight. Black horns

      sheared bark from the hickory

      that protected Uncle James.

      It fled. The hectic pulse

      died in the ground. The dust

      thinned. Day returned,

      as it seemed, after nightmare.

      And there was Sam Adams

      looking out of his tree

      at Uncle James, who looked

      back, his hat now tilted.

      “My good boy, you must not

      venture that again.”

      And they walked southeast from there

      two days, some thirty miles,

      left a tomahawk and fish gig

      at a fine spring, and marked

      a gum sapling at that place.

      (This poem makes extensive borrowings

      from various accounts of the McAfee

      brothers’ 1773 expedition into Kentucky.)

      THE SLIP

      for Donald Davie

      The river takes the land, and leaves nothing.

      Where the great slip gave way in the bank

      and an acre disappeared, all human plans

      dissolve. An aweful clarification occurs

      where a place was. Its memory breaks

      from what is known now, begins to drift.

      Where cattle grazed and trees stood, emptiness

      widens the air for birdflight, wind, and rain.

      As before the beginning, nothing is there.

      Human wrong is in the cause, human

      ruin in the effect—but no matter;

      all will be lost, no matter the reason.

      Nothing, having arrived, will stay.

      The earth, even, is like a flower, so soon

      passeth it away. And yet this nothing

      is the seed of all—the clear eye

      of Heaven, where all the worlds appear.

      Where the imperfect has departed, the perfect

      begins its struggle to return. The good gift

      begins again to return. The good gift

      begins again its descent. The maker moves

      in the unmade, stirring the water until

      it clouds, dark beneath the surface,

      stirring and darkening the soul until pain

      perceives new possibility. There is nothing

      to do but learn and wait, return to work

      on what remains. Seed will sprout in the scar.

      Though death is in the healing, it will heal.

      HORSES

      When I was a boy here,

      traveling the fields for pleasure,

      the farms were worked with teams.

      As late as then a teamster

      was thought an accomplished man,

      his art an essential discipline.

      A boy learned it by delight

      as he learned to use

      his body, following the example

      of men. The reins of a team

      were put into my hands

      when I thought the work was play.

      And in the corrective gaze

      of men now dead I learned

      to flesh my will in power

      great enough to kill me

      should I let it turn.

      I learned the other tongue

      by which men spoke to beasts

      —all its terms and tones.

      And by the time I learned,

      new ways had changed the time.

      The tractors came. The horses

      stood in the fields, keepsakes,

      grew old, and died. Or were sold

      as dogmeat. Our minds received

      the revolution of engines, our will

      stretched toward the numb endurance

      of metal. And that old speech

      by which we magnified

      our flesh in other flesh

      fell dead in our mouths.

      The songs of the world died

      in our ears as we went within

      the uproar of the long syllable

      of the motors. Our intent entered

      the world as combustion.

      Like our travels, our workdays

      burned upon the world,

      lifting its inwards up

      in fire. Veiled in that power

      our minds gave up the endless

      cycle of growth and decay

      and took the unreturning way,

      the breathless distance of iron.

      But that work, empowered by burning

      the world’s body, showed us

      finally the world’s limits

      and our own. We had then

      the life of a candle, no longer

      the ever-returning song

      among the grassblades and the leaves.

      Did I never forget?

      Or did I, after years,

      remember? To hear that song

      again, though brokenly

      in the distances of memory,

      is coming home. I came to

      a farm, some of it unreachable

      by machines, as some of the world

      will always be. And so

      I came to a team, a pair

      of mares—sorrels, with white

      tails and manes, beautiful!—

      to keep my sloping fields.

      Going behind them, the reins

      tight over their backs as they stepped

      thei
    r long strides, revived

      again on my tongue the cries

      of dead men in the living

      fields. Now every move

      answers what is still.

      This work of love rhymes

      living and dead. A dance

      is what this plodding is,

      a song, whatever is said.

      THE WHEEL

      (1982)

      It needs a more refined perception to recognize throughout this stupendous wealth of varying shapes and forms the principle of stability. Yet this principle dominates. It dominates by means of an ever-recurring cycle . . . repeating itself silently and ceaselessly . . . . This cycle is constituted of the successive and repeated processes of birth, growth, maturity, death, and decay.

      An eastern religion calls this cycle the Wheel of Life and no better name could be given to it. The revolutions of this Wheel never falter and are perfect. Death supersedes life and life rises again from what is dead and decayed.

      Sir Albert Howard,

      The Soil and Health: A Study of Organic Agriculture

      I

      OWEN FLOOD / JANUARY 13, 1920–MARCH 27,1974

      REQUIEM

      1.

      We will see no more

      the mown grass fallen behind him

      on the still ridges before night,

      or hear him laughing in the crop rows,

      or know the order of his delight.

      Though the green fields are my delight,

      elegy is my fate. I have come to be

      survivor of many and of much

      that I love, that I won’t live to see

      come again into this world.

      Things that mattered to me once

      won’t matter any more,

      for I have left the safe shore

      where magnificence of art

      could suffice my heart.

      2.

      In the day of his work

      when the grace of the world

      was upon him, he made his way,

      not turning back or looking aside,

      light in his stride.

      Now may the grace of death

      be upon him, his spirit blessed

      in deep song of the world

      and the stars turning, the seasons

      returning, and long rest.

      ELEGY

      1.

      To be at home on its native ground

      the mind must go down below its horizon,

      descend below the lightfall

      on ridge and steep and valley floor

      to receive the lives of the dead. It must wake

      in their sleep, who wake in its dreams.

      “Who is here?” On the rock road between

      creek and woods in the fall of the year,

      I stood and listened. I heard the cries

      of little birds high in the wind.

      And then the beat of old footsteps

      came around me, and my sight was changed.

      I passed through the lens of darkness

      as through a furrow, and the dead

      gathered to meet me. They knew me,

      but looked in wonder at the lines in my face,

      the white hairs sprinkled on my head.

      I saw a tall old man leaning

      upon a cane, his open hand

      raised in some fierce commendation,

      knowledge of long labor in his eyes;

      another, a gentler countenance,

      smiling beneath a brim of sweaty felt

      in welcome to me as before.

      I saw an old woman, a saver

      of little things, whose lonely grief

      was the first I knew; and one bent

      with age and pain, whose busy hands

      worked out a selflessness of love.

      Those were my teachers. And there were more,

      beloved of face and name, who once bore

      the substance of our common ground.

      Their eyes, having grieved all grief, were clear.

      2.

      I saw one standing aside, alone,

      weariness in his shoulders, his eyes

      bewildered yet with the newness

      of his death. In my sorrow I felt,

      as many times before, gladness

      at the sight of him. “Owen,” I said.

      He turned—lifted, tilted his hand.

      I handed him a clod of earth

      picked up in a certain well-known field.

      He kneaded it in his palm and spoke:

      “Wendell, this is not a place

      for you and me.” And then he grinned;

      we recognized his stubbornness—

      it was his principle to doubt

      all ease of satisfaction.

      “The crops are in the barn,” I said,

      “the morning frost has come to the fields,

      and I have turned back to accept,

      if I can, what none of us could prevent.”

      He stood, remembering, weighing the cost

      of the division we had come to,

      his fingers resting on the earth

      he held cupped lightly in his palm.

      It seemed to me then that he cast off

      his own confusion, and assumed

      for one last time, in one last kindness,

      the duty of the older man.

      He nodded his head. “The desire I had

      in early morning and in spring,

      I never wore it out. I had

      the desire, if I had had the strength.

      But listen—what we prepared

      to have, we have.”

      He raised his eyes.

      “Look,” he said.

      3.

      We stood on a height,

      woods above us, and below

      on the half-mowed slope we saw ourselves

      as we once were: a young man mowing,

      a boy grubbing with an axe.

      It was an old abandoned field,

      long overgrown with thorns and briars.

      We made it new in the heat haze

      of that midsummer: he, proud

      of the ground intelligence clarified,

      and I, proud in his praise.

      “I wish,” I said, “that we could be

      back in that good time again.”

      “We are back there again, today

      and always. Where else would we be?”

      He smiled, looked at me, and I knew

      it was my mind he led me through.

      He spoke of some infinitude

      of thought.

      He led me to another

      slope beside another woods,

      this lighted only by stars. Older

      now, the man and the boy lay

      on their backs in deep grass, quietly

      talking. In the distance moved

      the outcry of one deep-voiced hound.

      Other voices joined that voice:

      another place, a later time,

      a hunter’s fire among the trees,

      faces turned to the blaze, laughter

      and then silence, while in the dark

      around us lay long breaths of sleep.

      4.

      And then, one by one, he moved me

      through all the fields of our lives,

      preparations, plantings, harvests,

      crews joking at the row ends,

      the water jug passing like a kiss.

      He spoke of our history passing through us,

      the way our families’ generations

      overlap, the great teaching

      coming down by deed of companionship:

      characters of fields and times and men,

      qualities of devotion and of work—

      endless fascinations, passions

      old as mind, new as light.

      All our years around us, near us,

      I saw him furious and narrow,

      like most men, and saw the virtue

      that made him unlike most.

      It was his passion to be true


      to the condition of the Fall—

      to live by the sweat of his face, to eat

      his bread, assured that cost was paid.

      5.

      We came then to his time of pain,

      when the early morning light showed,

      as always, the sweet world, and all

      an able, well-intentioned man

      might do by dark, and his strength failed

      before the light. His body had begun

      too soon its earthward journey,

      filling with gravity, and yet his mind

      kept its old way.

      Again, in the sun

      of his last harvest, I heard him say:

      “Do you want to take this row,

      and let me get out of your way?”

      I saw the world ahead of him then

      for the first time, and I saw it

      as he already had seen it,

      himself gone from it. It was a sight

      I could not see and not weep.

      He reached and would have touched me

      with his hand, though he could not.

      6.

      Finally, he brought me to a hill

      overlooking the fields that once

      belonged to him, that he once

      belonged to. “Look,” he said again.

      I knew he wanted me to see

      the years of care that place wore,

      for his story lay upon it, a bloom,

      a blessing.

      The time and place so near,

      we almost were the men we watched.

      Summer’s end sang in the light.

      We spoke of death and obligation,

      the brevity of things and men.

      Words never moved so heavily

      between us, or cost us more. We hushed.

      And then that man who bore his death

      in him, and knew it, quietly said:

      “Well. It’s a fascinating world,

      after all.”

      His life so powerfully

      stood there in presence of his place

      and work and time, I could not

      realize except with grief

      that only his spirit now was with me.

      In the very hour he died, I told him,

      before I knew his death, the thought

      of years to come had moved me

      like a call. I thought of healing,

      health, friendship going on,

      the generations gathering, our good times

      reaching one best time of all.

      7.

      My mind was overborne with questions

      I could not speak. It seemed to me

      we had returned now to the dark

     


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