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    On the Shoulders of Giants

    Page 28
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      8. Untruths, Lies, Falsifications

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      Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana University Press, 1976. Eco, Trattato di semiotica generale. Milan: Bompiani, 1975.

      Gracián y Morales, Baltasar. The Art of Worldly Wisdom. Trans. Christopher Maurer. New York: Doubleday, 1992. Facsimile edition: Gracián, Oráculo manual y arte de prudencia [1647]. Zaragoza: Institución Fernanto el Católico, 2001.

      Kant, Immanuel. Critique of Practical Reason and Other Works on the Theory of Ethics, 4th ed., trans. Thomas Kingsmill Abbott. London: Kongmans, Green and Co., 1889.

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      Scusa l’anticipo ma ho trovato tutti verdi. Ed. A. Bucciante. Turin: Einaudi, 2010.

      Swift, Jonathan. Gulliver’s Travels into Several Remote Regions of the World [1726]. London: George Routledge, 1882.

      Swift, Jonathan / John Arbuthnot. The Art of Political Lying. New York: Editions Dupleix, 2013.

      Tagliapietra, Andrea. Filosofia della bugia: Figure della menzogna nella storia del pensiero occidentale. Milan: Bruno Mondadori, 2001.

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      Weinrich, Harald. Metafora e menzogna: Sulla serenità dell’arte [Metaphor and Lie: On the Serenity of Art]. Bologna: Il Mulino, 1983.

      9. On Some Forms of Imperfection in Art

      Augustine. De civitate Dei. The City of God. In The Works of Aurelius Augustine, Bishop of Hippo, ed. Marcus Dods, vol. 1. Edinburgh: T. and T. Clark, 1871.

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      Croce, Benedetto. La poesia: Introduzione alla critica e storia della poesia e della letteratura [1936]. Milan: Adelphi, 1994.

      Diderot, Denis. Oeuvres completes, vol. 16: Salon de 1767, Salon de 1769 (Beaux Arts III). Critical edition annotated by E. M. Bukdahl, M. Delon, and A. Larenceau. Paris: Hermann, 1990.

      Dumas, Alexandre. The Count of Monte Cristo [1844]. New York: Random House / Modern Library, 1996.

      Dumas, Alexandre. The Three Musketeers [1844]. London: Wordsworth Editions, 1997.

      Greimas, Algirdas Julien. De l’imperfection [On Imperfection]. Périgueux: P. Fanlac, 1987.

      John Scotus Eriugena. De divisione naturae. Periphyseon: The Division of Nature. Trans. I.-P. Sheldon-Williams and John J. O’Meara. Paris: Bellarmin, 1987.

      Leopardi, Giacomo. Zibaldone di pensieri [1817–1832]. Critical edition, ed. G. Pacella. Milan: Garzanti, 1991.

      Levi-Montalcini, Rita. In Praise of Imperfection. Trans. Luigi Attardi. New York: Basic Books, 1988. Levi-Montalcini. Elogio dell’imperfezione. Milan: Garzanti, 1987.

      Montaigne, Michel Eyquem de. Essays of Montaigne [1580–1588]. Trans. Charles Cotton. New York: Edwin C. Hill, 1910.

      Moravia, Alberto. The Time of Indifference. Trans. Angus Davidson. New York: Farrar, Straus and Young, 1953. Moravia. Gli indifferenti. Milan: Alpes, 1929.

      Pareyson, Luigi. Estetica [1954]. Milan: Bompiani, 1988.

      Proust, Marcel. Pleasures and Days [1896]. Trans. Andrew Brown. London: Hesperus Press, 2004.

      Shakespeare, William. Hamlet [1600–1602]. New York: Simon and Schuster, 2012.

      Shakespeare, William. Romeo and Juliet [1594–1596]. New York: Simon and Schuster, 2004.

      Tanizaki, Junichiro. The Key [1956]. Trans. Howard Hibbett. New York: Alfred A. Knopf, 1961.

      Thomas Aquinas. Summa Theologiae: Latin Text and English Translation. New York: McGraw-Hill, 61 vols., 1964–. Repr. New York: Cambridge University Press, 2006.

      William of Auvergne. “De Bono et Malo” [13th century; “On Good and Evil”]. Transcription of Latin manuscript: J. Reginald O’Donnell. “Tractatus Magistri Guillelmi Alvernensis De Bono Et Malo.” Medieval Studies 8 (1946): 245–299.

      10. Some Revelations on Secrecy

      Ancient and Mystical Order Rosae Crucis (AMORC). Manuel Rosicrucien. Paris: Éd. rosicruciennes, 1984.

      Baillet, Adrien. La Vie de Monsieur Descartes. Paris: Daniel Horthemels, 1691.

      Barruel, Augustin. Mémoires pour servir à l’histoire du jacobinisme, 5 vols. Hamburg: P. Fauche libraire, 1798–1799.

      Brown, Dan. The Da Vinci Code. New York: Doubleday, 2003.

      Casanova, Giacomo. The Story of My Life [1789–1798]. Trans. Stephen Sartarelli and Sophie Hawks. London: Penguin Classics, 2001.

      Di Bernardo, Giuliano. Freemasonry and Its Image of Man. Trans. Guy Aston and Giuliano di Bernardo. Tunbridge Wells, UK: Freestone, 1989. Di Bernardo. Filosofia della massoneria. Venice: Marsilio, 1987.

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      Ibn Khaldun. The Muqaddimah: An Introduction to History. Trans. Franz Rosenthal. Princeton: Princeton University Press, 1994.

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      11. Conspiracy

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      Chiesa, Giulietto, and Roberto Vignoli, eds. Zero. Perché la versione ufficiale sull’11 / 9 è un falso [Zero: Why the Official Version about 9 / 11 Is a Fraud]. Casale Monferrato: Piemme, 2007.

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      12. Representations of the Sacred

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      Tauler, Johannes. Sermons [1300–1361]. Trans. Maria Shrady. Mahwah, NJ: Paulist Press, 1985.

      Teresa of Ávila, Saint. The Book of My Life [1562]. Trans. Mirabai Starr. Boston: New Seeds, 2007.

      William of Ockham. Summa logicae. In Ockham: Philosophical Writings, A Selection, trans. Philotheus Boehner. Edinburgh: Nelson, 1957.

      Index

      Abraham (Biblical figure), 2, 131

      absolute, 262; ambiguity of term, 74; beauty as substitute for, 80–81; identification with God, 74–75; meaning of, 73, 75–81; poets and, 79–80; in positivism, 86; truth and, 81, 81–85. See also relative; sacred; truth

      Absolute Knowledge (Magritte), 73

      abstract art, 40

      Accademia d’Italia, 17

      Accetto, Torquato, 177–178, 224

      Achilles, 147–148

      advertisements, 20–21

      Aesop, 50–51

      aesthetic, Hisperic, 4–5

      aesthetic detachment, 42–44, 47

      aesthetic ecstasy, 116–117, 117

      Aesthetic of Ugliness (Rosenkrantz), 45

      aesthetics, classical, 5

      aesthetics of ruins, 202–203

      À La Recherche du Temps Perdu (Proust), 28

      Albertus Magnus, 34

      alchemical fire, 109–112

      Aldhelm of Malmesbury, 5

      aletheia, 171. See also truth

      Alexander the Great, 10

      Allen, Woody, 141

      Almirante, Giorgio, 57

      Alphonsus Liguori, Saint, 107

      AMORC (Anticus et mysticus ordo rosae crucis), 229

      Anatomy of Melancholy, The (Burton), 71–72

      ancestors / ancients, 9–11, 13–14. See also history; past; shoulders of giants

      ancients. See ancestors / ancients

      Andronikos, 48–49

      Anna Karenina (Tolstoy), 130, 131. See also Karenina, Anna (fictional character)

      Anselm of Aosta, 9

      Anselm of Canterbury, Saint, 78

      Antichrist, 54

      anti-globalization movement, 18–19

      antinomies, 145–150

      anti-relativists, 93

      Antonello da Messina, 39

      aphorisms. See maxims / aphorisms

      apocrypha, 187–188

      Apologia della menzogna (Battista), 177

      Apparition, The (Redon), 26

      Apuleius, 10

      Aquinas, Thomas, 9, 11, 19, 25, 33, 34, 81, 84, 92, 176, 264; on beauty, 30–31, 41–42, 197; on resurrection, 197–198; on ugliness, 45

      Arcadian Shepherds, The (Poussin), 258

      archetypes, 218–219

      Arendt, Hannah, 193–194

      Aristarchus of Samos, 171

      Aristotle / Aristotelian tradition, 8, 9, 15, 147–148, 184; beauty and, 34; fire and, 102; sign in, 264; on ugliness, 47

      art: fire as cause of, 112–115; imperfection in, 201–224; ugliness in, 51, 57–62

      Arthur (king), 10

      Artist’s Shit (Manzoni), 70

      Art Nouveau, 68

      Art of Love, The (Ovid), 3

      Art of Worldly Wisdom, The (Gracián), 178

      Ascent of Mount Carmel, The (John of the Cross), 269–271

      Asclepius, 190

      Asmodeus, 258–259

      Astor, John Jacob, 249

      atomic bomb, 121–122

      attractiveness, 200–201

      Augustine, Saint, 11, 25, 51, 92, 175, 198, 264, 265

      Aulus Gellius, 149

      authenticity, 186–187; judgments of, 192; proof of, 190–192

      authority, 10–11

      Auto da fé (Canetti), 120

      avant-garde art, 40, 41; Boldini, 68; ugliness in, 65–67


      Averroës, 92

      Babel, tower of, 6

      Bachelard, Gaston, 99, 100–101

      Bacon, Francis, 174

      bad faith, 182–183

      Báez, Fernando, 121

      bagatelle, 176

      Bagatelles pour un massacre (Céline), 55

      Baigent, Michael, 259, 260–261

      Baillet, Adrien, 230

      ballet, 69

      barber paradox, 148–149

      Barbey d’Aurevilly, Jules, 26–27, 59

      Baroque era: descriptions of hell in, 107–108; lies in, 176–179; secrets in, 224–225

      Barruel, Augustin, 234, 248

      Battista, Giuseppe, 177

      Baudelaire, Charles, 63

      beauty, 25–44, 34; in Christianity, 51; of consumption, 41; criteria for, 27–38, 35, 197 (see also light / claritas; proportion); detachment and, 47; disinterest and, 42–44; as element of virtue, 31; evidence for ideals of, 27–29; of fire, 103; vs. good, 42; in historical periods, 27–29; identified with goodness, 50; integrity and, 35; medieval ideas of, 104; moral, 31; proposed by mass media, 41; relativity of, 39, 43; as substitute for absolute, 80–81; uncertainties concerning definition of, 25; of Venice, 117. See also sublime

      Being and Nothingness (Sartre), 182–183

      Benedict XVI (pope), 236, 237. See also Ratzinger, Joseph

      Bergman, Ingrid, 216

      Berlusconi, Silvio, 74

      Bernard, Saint, 37, 43

      Bernard of Chartres, 11, 12, 13

      bestiaries, 35, 36

      Betrothed, The (Manzoni), 128

      Bettetini, Maria, 170

      Bhagavad-Gita, 122

      black Americans, fascists’ description of, 54–55

      Boethius, 29–30

      Bogart, Humphrey, 218

      Böhme, Jakob, 271

      Boldini, Giovanni, 68

      Bonaparte, Napoleon, 172

      Bonaventure, Saint, 9, 19, 35, 47, 105

      Bond villains, 61–62

      Book of the Frenzied Devotee’s Desire to Learn About the Riddles of Ancient Scripts (Nabati), 223

      books, burning of, 120–121

      Bosch, Hieronymus, 39

      Botticelli, Sandro, 27

      Bovary, Emma (fictional character), 133, 135–136, 140–141, 144

     


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