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    Pete Milano's Guide to Being a Movie Star

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      Sammy and the Princess comes out next summer. The premiere is in New York City at the Ziegfeld Theatre on July 20. My whole family is going to come, and a ton of my friends. My girlfriend Mareli will be there, too. Afterward, there is going to be a big party catered by my dad, because Shana Fox really loves his pizza.

      I’m a little worried about the reaction. What if people think I’m a bad actor? Shana said most actors don’t read their reviews—but I’m pretty sure I’m not going to be able to help it. But maybe it won’t be so bad. There have already been some blog posts by people who somehow have seen parts of the movie or something, although I don’t know how that happens. My favorite was on the website TeenMovie.com, which said, “Pete Milano looks like someone to keep an eye on—he’s adorable and funny, and seems like a kid we’d like to hang around with.” That made me feel good, because it was written by kids.

      So that’s about it for my experience making a movie. It was really fun, even though it got a little crazy there for a while. I recommend it to everyone, if they have the chance, but I know that’s not likely. I know how lucky I was. And I’ll never forget it.

      I stopped reading. Then I looked up at Mrs. Sleep, Ms. Ferrell, and Mrs. Albone, who were all sitting in front of me.

      “Very nice job,” said Mrs. Sleep. “I’m glad you took this assignment seriously, Mr. Milano. Your paper was very thoughtful and well written.”

      “I agree,” said Ms. Ferrell. “Well done, Pete.”

      Mrs. Albone nodded. “Well done indeed,” she said. Then she smiled. “Maybe you should make a movie more often.”

      Everyone laughed except Mrs. Sleep. “Mrs. Albone brings up a good point, Peter,” she said. “Now that it’s over, how do you feel about the experience? Is it something you want to continue doing?”

      “Wow,” I said. “I’m not sure. I hadn’t really thought about it.”

      Mrs. Sleep pushed her glasses up on her nose. “Well, you may have to think about it, especially if others agree with the people on that website.”

      I thought for a second. I knew Sheldon Felden liked me—after we’d finished shooting, he’d pulled me aside and said, “Kid. I think you got it. And there are people out there who are going to want it.” So maybe that means I would get an offer to act in another movie. And that would mean more excitement, more people thinking I was talented, more cool people to meet, and more getting to pretend I was someone else. But it would also mean more drama at school, and more jealousy and stuff with my friends, and more missed soccer games. And also, aren’t there a ton of young people who act in movies and get all conceited and think they’re awesome, and then when they become adults their careers are over, because they’re not cute kids anymore? Who needs that???

      “So, what’s it going to be, Pete?” Ms. Ferrell asked. “Do you want to be an actor, or do you want to have a normal life?”

      I thought for a second.

      “Yes,” I said.

      * * *

      When I got outside Mrs. Sleep’s office, all my friends were waiting for me.

      “How’d it go?” asked Charlie Joe.

      I waited a beat (dramatic pause), then gave the thumbs-up.

      “I will live to see another day,” I said.

      I high-fived Timmy, Charlie Joe, and Katie. Then I grabbed Mareli’s hand, pulled her toward me, and kissed her—right on the lips.

      “I owed you that,” I told her.

      “Payment accepted,” she told me.

      Everyone hooted and hollered.

      It was just like in a movie.

      SAMMY AND THE PRINCESS, FINAL SCENE

      EXT. OUTSIDE THE DORM—DAY

      IT’S THE LAST DAY OF THE YEAR—PARENTS PICKING UP THEIR KIDS. SAMMY’S MOM AND DAD ARE HELPING HIM LOAD UP THE CAR.

      DAD

      So, quite a year, huh son?

      SAMMY

      That’s one way to put it, yeah.

      MOM

      I don’t know what it is about you, Sammy, but … you’ve changed. You’ve grown up.

      SAMMY

      Is that a good thing?

      MOM

      It’s a very good thing.

      CROFT COMES UP TO THE CAR.

      CROFT

      See you around, little man.

      THEY FIST BUMP.

      SAMMY

      Mom, Dad, you remember Croft.

      THEY DON’T LOOK TOO THRILLED TO SEE HIM.

      SAMMY (Cont’d)

      Don’t worry, you guys. We’re pals now. We respect each other.

      CROFT

      That’s right, Mr. and Mrs. Powell. Your son … he stands up for what he believes in. That’s pretty cool. See you around, bro!

      HE PUNCHES SAMMY ON THE ARM. SAMMY WINCES, THEN PUNCHES CROFT BACK—A SAD, LITTLE PUNCH.

      CROFT

      Dude, you gotta start lifting.

      SAMMY

      I’ll get right on that.

      CROFT WAVES AND WALKS AWAY.

      MOM

      So, where’s …

      SAMMY

      Clarissa?

      MOM

      Yes, Clarissa. If you don’t mind my asking.

      DAD

      She’s a terrific girl.

      SAMMY

      She’s … with her parents, I think. There’s probably a ton of security around them and stuff. I’ll just send her a text or something.

      THEY’RE JUST ABOUT TO DRIVE AWAY WHEN …

      CLARISSA

      Sammy! Sammy, wait!

      CLARISSA COMES RUNNING UP.

      CLARISSA

      I just wanted you to know … that you’re the best friend I’ve ever had.

      SAMMY

      I am?

      CLARISSA

      Yes. And one day … I know you will make a princess very, very happy.

      THEY LOOK AT EACH OTHER FOR A LONG MOMENT.

      SAMMY

      Any princess in particular?

      CLARISSA (After a pause)

      Perhaps.

      THEY HUG. THEN SAMMY GETS IN HIS CAR AND THEY DRIVE AWAY. SAMMY SITS IN THE BACK, LOOKING OUT THE WINDOW AND THINKING.

      DAD

      So Sammy, overall … if you had to pick one thing … what would be the most important thing you learned this year?

      A LONG PAUSE BEFORE SAMMY FINALLY ANSWERS.

      SAMMY

      Life can be really weird sometimes.

      MOM

      Oh, come on! You can do better than that!

      SAMMY

      Okay, okay, fine! (He thinks)

      Life can be really weird sometimes …

      So through it all, you need to remember to hold on to what’s more important.

      (He thinks some more)

      And never teach air hockey to a princess on an empty stomach.

      AND THEY DRIVE OFF INTO THE DISTANCE.

      FADE TO BLACK …

      THE END

      CLOSING CREDITS

      Pete Milano took all his friends to the world premiere of the movie, which was held at Jookie’s in Eastport. Afterward, there was an air-hockey tournament; Jake Katz came in first, shocking everyone.

      Sammy and the Princess went on to become a big hit, with reviewers praising the film’s “authentic feel” and “plausible storyline.”

      Mareli Quinones made Pete another chocolate/coconut cake—this time for the premiere—and it turned out to be even more delicious when it was served on plates.

      Pete and Shana Fox signed on to star in the sequel, Sammy and the Princess: Malvanian Summer!—to be directed by Ashley Kinsley.

      Dex Bannion declined to be a part of the film, because he was on tour with his band, THE DOG WOOFERS.

      Sheldon Felden celebrated the success of the movie by marrying his longtime girlfriend, twenty-seven-year-old actress/waitress Misty Plains.

      Nano—whose real name turned out to be Seymour Wiffler—decided to quit directing and become a full-time knitter. He specializes in scarves.

      ABOUT THE AUTHOR

      Tommy Greenwald has enjoyed reading all his life, which is why he’s appalled that his kids Charlie, J
    oe and Jack, would prefer getting a dental check-up to checking out a book. After years of pleading, threatening, and bribing, Tommy finally decided the only way to get his kids to read was to write a book about how to get out of reading. The result was Charlie Joe Jackson’s Guide to Not Reading. And they read it! (So they say.) The Executive Creative Director at SPOTCO, an entertainment advertising agency in New York City, Tommy lives in Connecticut with his wife, Cathy; his non-reading sons, Charlie, Joe and Jack; and his dogs, Moose and Coco. You can sign up for email updates here.

      ABOUT THE ILLUSTRATOR

      Rebecca Roher is a cartoonist and illustrator from Toronto, Ontario. She is currently working on her first graphic novel, Bird in a Cage, to be released in May 2016 by Conundrum Press. The original comic won Best English Comic at Expozine 2014. Her comic, Mom Body, was nominated for an Ignatz Award and has been featured on New York Times Now, Huffington Post, BuzzFeed and Yahoo Parenting. Find more at www.rebeccaroher.com or sign up for email updates here.

      By TOMMY GREENWALD

      Jack Strong Takes a Stand

      Katie Friedman Gives Up Texting! (And Lives to Tell About It.)

      Pete Milano’s Guide to Being a Movie Star

      The CHARLIE JOE JACKSON Series

      Charlie Joe Jackson’s Guide to Not Reading

      Charlie Joe Jackson’s Guide to Extra Credit

      Charlie Joe Jackson’s Guide to Summer Vacation

      Charlie Joe Jackson’s Guide to Making Money

      Charlie Joe Jackson’s Guide to Planet Girl

      Thank you for buying this

      Roaring Brook ebook.

      To receive special offers, bonus content,

      and info on new releases and other great reads,

      sign up for our newsletters.

      Or visit us online at

      us.macmillan.com/newslettersignup

      For email updates on Tommy Greenwald, click here.

      For email updates on Rebecca Roher, click here.

      CONTENTS

      Title Page

      Copyright Notice

      Dedication

      Introduction

      Act One: Lights!

      It’s Impossible To Not Steal Pom-Poms

      The Lady With The Laptops

      Relate-ability

      Home

      Hello? Is This Hollywood On The Phone?

      Real Friends

      Acting

      Who’s That Girl?

      The Best Part About Being In A Movie

      The Audition

      Almost Famous

      The Wait

      SF/10B

      Act Two: Camera!

      The Night Before

      Mrs. Sleep

      Just Nano

      The First Rule Of Show Business

      Oasis

      Things Start To Get Weird

      Actor To Actor

      Ready For Nothing

      Hurry Up And … Fail

      Act Three: Action!

      It’s Lonely At The Top

      Delicious Food, Lousy Conversation

      Leaving A Mark

      Shelden Feldon Doesn’t Smoke A Cigar

      Shana

      The Return Of Iris

      Math Problem

      Confusion

      The Sound Cake Makes When It Hits Human Skin

      Act Four: Every Movie Needs A Happy Ending

      Sometimes, Even Seven Apologies Aren’t Enough

      Jookie’s

      Quite A Scene

      On The Run Again

      Back To School

      Closing Credits

      About the Author

      About the Illustrator

      By Tommy Greenwald

      Copyright

      Text copyright © 2016 by Tommy Greenwald

      Illustrations copyright © 2016 by Rebecca Roher

      Inspired by illustrations drawn by J.P. Coovert for the Charlie Joe Jackson series

      Published by Roaring Brook Press

      Roaring Brook Press is a division of Holtzbrinck Publishing Holdings Limited Partnership

      175 Fifth Avenue, New York, New York 10010

      mackids.com

      All rights reserved

      The Library of Congress has cataloged the print edition as follows:

      Names: Greenwald, Tommy.

      Title: Pete Milano’s guide to being a movie star / by Tommy Greenwald; illustrations by Rebecca Roher.

      Description: First edition. | New York: Roaring Brook Press, 2016. | Summary: Pete Milano, class clown, is used to getting into trouble while amusing people, but now his tricks have gained him an audition for a movie that could lead to stardom—and the loss of his girlfriend and other friends.

      Identifiers: LCCN 2015026682 | ISBN 9781626721678 (hardback) | ISBN 9781626721685 (ebook)

      Subjects: | CYAC: Motion pictures—Production and direction—Fiction. | Middle schools—Fiction. | Schools—Fiction. | Friendship—Fiction. | Dating (Social customs)—Fiction. | Humorous stories. | BISAC: JUVENILE FICTION / Humorous Stories. | JUVENILE FICTION / Social Issues / Friendship.

      Classification: LCC PZ7.G8523 Pet 2016 | DDC [Fic]—dc23

      LC record available at http://lccn.loc.gov/2015026682

      Our eBooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at (800) 221-7945 ext. 5442 or by e-mail at MacmillanSpecialMarkets@macmillan.com.

      eISBN 9781626721685

      First hardcover edition, 2016

      eBook edition, February 2016

     

     

     



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