10
Conservateur
Bras dessus bras dessous
Font des tours
A pas de loup.
Dans un égout
15
Une petite fille
En guenilles
Camarde
Regarde
Le directeur
20
Du Spectateur
Conservateur
Et crève d’amour.
[Commentary I 516–17 · Textual History II 346]
Mélange Adultère de Tout
En Amérique, professeur;
En Angleterre, journaliste;
C’est à grands pas et en sueur
Que vous suivrez à peine ma piste.
5
En Yorkshire, conférencier;
A Londres, un peu banquier,
Vous me paierez bien la tête.
C’est à Paris que je me coiffe
Casque noir de jemenfoutiste.
10
En Allemagne, philosophe
Surexcité par Emporheben
Au grand air de Bergsteigleben;
J’erre toujours de-ci de-là
A divers coups de tra là là
15
De Damas jusqu’ à Omaha.
Je célébrai mon jour de fête
Dans une oasis d’Afrique
Vêtu d’une peau de girafe.
On montrera mon cénotaphe
20
Aux côtes brûlantes de Mozambique.
[Commentary I 517–19 · Textual History II 346]
Lune de Miel
Ils ont vu les Pays-Bas, ils rentrent à Terre Haute;
Mais une nuit d’été, les voici à Ravenne,
A l’aise entre deux draps, chez deux centaines de punaises;
La sueur aestivale, et une forte odeur de chienne.
5
Ils restent sur le dos écartant les genoux
De quatre jambes molles tout gonflées de morsures.
On relève le drap pour mieux égratigner.
Moins d’une lieue d’ici est Saint Apollinaire
En Classe, basilique connue des amateurs
10
De chapitaux d’acanthe que tournoie le vent.
Ils vont prendre le train de huit heures
Prolonger leurs misères de Padoue à Milan
Où se trouve la Cène, et un restaurant pas cher.
Lui pense aux pourboires, et rédige son bilan.
15
Ils auront vu la Suisse et traversé la France.
Et Saint Apollinaire, raide et ascétique,
Vieille usine désaffectée de Dieu, tient encore
Dans ses pierres écroulantes la forme précise de Byzance.
[Commentary I 520–21 · Textual History II 347]
The Hippopotamus
And when this epistle is read among you, cause that it be read also in the church of the Laodiceans.
The broad-backed hippopotamus
Rests on his belly in the mud;
Although he seems so firm to us
He is merely flesh and blood.
5
Flesh and blood is weak and frail,
Susceptible to nervous shock;
While the True Church can never fail
For it is based upon a rock.
The hippo’s feeble steps may err
10
In compassing material ends,
While the True Church need never stir
To gather in its dividends.
The ’potamus can never reach
The mango on the mango-tree;
15
But fruits of pomegranate and peach
Refresh the Church from over sea.
At mating time the hippo’s voice
Betrays inflexions hoarse and odd,
But every week we hear rejoice
20
The Church, at being one with God.
The hippopotamus’s day
Is passed in sleep; at night he hunts;
God works in a mysterious way—
The Church can sleep and feed at once.
<
[Commentary I 521–25 · Textual History II 347–48]
25
Ascending from the damp savannas,
And quiring angels round him sing
The praise of God, in loud hosannas.
Blood of the Lamb shall wash him clean
30
And him shall heavenly arms enfold,
Among the saints he shall be seen
Performing on a harp of gold.
He shall be washed as white as snow,
By all the martyr’d virgins kist,
35
While the True Church remains below
Wrapt in the old miasmal mist.
[Commentary I 525 · Textual History II 348]
Dans le Restaurant
Le garçon délabré qui n’a rien à faire
Que de se gratter les doigts et se pencher sur mon épaule:
‘Dans mon pays il fera temps pluvieux,
Du vent, du grand soleil, et de la pluie;
5
C’est ce qu’on appelle le jour de lessive des gueux.’
(Bavard, baveux, à la croupe arrondie,
Je te prie, au moins, ne bave pas dans la soupe).
‘Les saules trempés, et des bourgeons sur les ronces—
C’est là, dans une averse, qu’on s’abrite.
10
J’avais sept ans, elle était plus petite.
Elle était toute mouillée, je lui ai donné des primevères.’
Les taches de son gilet montent au chiffre de trente-huit.
‘Je la chatouillais, pour la faire rire.
J’éprouvais un instant de puissance et de délire.’
15
Mais alors, vieux lubrique, à cet âge …
‘Monsieur, le fait est dur.
Il est venu, nous peloter, un gros chien;
Moi j’avais peur, je l’ai quittée à mi-chemin.
C’est dommage.’
20
Mais alors, tu as ton vautour!
Va t’en te décrotter les rides du visage;
Tiens, ma fourchette, décrasse-toi le crâne.
De quel droit payes-tu des expériences comme moi?
Tiens, voilà dix sous, pour la salle-de-bains.
[Commentary I 526–28 · Textual History II 349–50]
25
Phlébas, le Phénicien, pendant quinze jours noyé,
Oubliait les cris des mouettes et la houle de Cornouaille,
Et les profits et les pertes, et la cargaison d’étain:
Un courant de sous-mer l’emporta très loin,
Le repassant aux étapes de sa vie antérieure.
30
Figurez-vous donc, c’était un sort pénible;
Cependant, ce fut jadis un bel homme, de haute taille.
[Commentary I 528–29 · Textual History II 350]
Whispers of Immortality
Webster was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.
5
Daffodil bulbs instead of balls
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.
Donne, I suppose, was such another
10
Who found no substitute for sense,
To seize and clutch and penetrate;
Expert beyond experience,
He knew the anguish of the marrow
The ague of the skeleton;
15
No contact possible to flesh
Allayed the fever of the bone.
· · · · ·
Grishkin is nice: her Russian eye
Is underlined for emphasis;
; Uncorseted, her friendly bust
20
Gives promise of pneumatic bliss.
The couched Brazilian jaguar
Compels the scampering marmoset
With subtle effluence of cat;
Grishkin has a maisonnette;
<
[Commentary I 529–33 · Textual History II 350–53]
25
The sleek Brazilian jaguar
Does not in its arboreal gloom
Distil so rank a feline smell
As Grishkin in a drawing-room.
And even the Abstract Entities
30
Circumambulate her charm;
But our lot crawls between dry ribs
To keep our metaphysics warm.
[Commentary I 533–34 · Textual History II 353–55]
Mr. Eliot’s Sunday Morning Service
Look, look, master, here comes two religious caterpillars.
The Jew of Malta
Polyphiloprogenitive
The sapient sutlers of the Lord
Drift across the window-panes.
In the beginning was the Word.
5
In the beginning was the Word,
Superfetation of τὸ ἕν,
And at the mensual turn of time
Produced enervate Origen.
A painter of the Umbrian school
10
Designed upon a gesso ground
The nimbus of the Baptized God.
The wilderness is cracked and browned
But through the water pale and thin
Still shine the unoffending feet
15
And there above the painter set
The Father and the Paraclete.
· · · · ·
The sable presbyters approach
The avenue of penitence;
The young are red and pustular
20
Clutching piaculative pence.
Under the penitential gates
Sustained by staring Seraphim
Where the souls of the devout
Burn invisible and dim.
[Commentary I 534–38 · Textual History II 355]
25
Along the garden-wall the bees
With hairy bellies pass between
The staminate and pistillate,
Blest office of the epicene.
Sweeney shifts from ham to ham
30
Stirring the water in his bath.
The masters of the subtle schools
Are controversial, polymath.
[Commentary I 539–40 · Textual History II 355–56]
Sweeney Among the Nightingales
ὤμοι, πέπληγμαι καιρίαν πληγὴν ἔσω.
Apeneck Sweeney spreads his knees
Letting his arms hang down to laugh,
The zebra stripes along his jaw
Swelling to maculate giraffe.
5
The circles of the stormy moon
Slide westward toward the River Plate,
Death and the Raven drift above
And Sweeney guards the hornèd gate.
Gloomy Orion and the Dog
10
Are veiled; and hushed the shrunken seas;
The person in the Spanish cape
Tries to sit on Sweeney’s knees
Slips and pulls the table cloth
Overturns a coffee-cup,
15
Reorganised upon the floor
She yawns and draws a stocking up;
The silent man in mocha brown
Sprawls at the window-sill and gapes;
The waiter brings in oranges
20
Bananas figs and hothouse grapes;
The silent vertebrate in brown
Contracts and concentrates, withdraws;
Rachel née Rabinovitch
Tears at the grapes with murderous paws;
<
[Commentary I 540–44 · Textual History II 356–57]
25
She and the lady in the cape
Are suspect, thought to be in league;
Therefore the man with heavy eyes
Declines the gambit, shows fatigue,
Leaves the room and reappears
30
Outside the window, leaning in,
Branches of wistaria
Circumscribe a golden grin;
The host with someone indistinct
Converses at the door apart,
35
The nightingales are singing near
The Convent of the Sacred Heart,
And sang within the bloody wood
When Agamemnon cried aloud
And let their liquid siftings fall
To stain the stiff dishonoured shroud.
[Commentary I 544–46 · Textual History II 357–58]
The Waste Land
1922
‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Σίβυλλα τί θέλεις; respondebat illa: ἀποθανεῖν θέλω.’
For Ezra Pound
il miglior fabbro.
I. The Burial of the Dead
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
5
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
10
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
15
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.
What are the roots that clutch, what branches grow
20
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
25
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
30
I will show you fear in a handful of dust.
<
[Commentary I 600–607 · Textual History II 359–74]
Frisch weht der Wind
Der Heimat zu,
Mein Irisch Kind,
Wo weilest du?
35
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
40
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
45
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were
his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
50
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
55
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
[Commentary I 607–14 · Textual History II 374–75]
60
Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
65
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying: ‘Stetson!
70
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘O keep the Dog far hence, that’s friend to men,
75
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’