Online Read Free Novel
  • Home
  • Romance & Love
  • Fantasy
  • Science Fiction
  • Mystery & Detective
  • Thrillers & Crime
  • Actions & Adventure
  • History & Fiction
  • Horror
  • Western
  • Humor

    The Chinese Typewriter

    Page 57
    Prev Next

    with relaxed radical-stroke system, 302–303, 304

      reorganized by Mao-era typists, 286, 288–290, 300, 307–308

      on Shu-style typewriter, 163–164, 364n1, 366n19

      sold blank by manufacturers, 311

      special usage region of, 163, 295, 297, 298, 303

      as territorial expanse, 191–192, 320

      training drills on, 179–180, 181f, 370n51, 371n55

      visibility of characters on, 270

      on Yu Binqi typewriter, 217

      Zhou Houkun’s “popular

      treaty ports in China, 64, 127

      trigraph coded transmission (telegraphy), 117, 120, 356n76

      “truth script

      Tsinghua University, 244

      Tsugi Kitahara, 204

      Turkle, Sherry, 198

      Twain, Mark, 177

      two-character compounds (ci), 180, 241, 286, 289, 291, 295–296, 306, 397n50

      Two Lists of Selected Characters Containing All in the Bible and Twenty Seven Other Books (Gamble), 81, 87

      type, materiality of, 17

      type-and-copy shops (dazi tengxieshe), 284

      type-and-mimeograph editions (dayinben), 285–286, 287f

      type design. See under movable type

      type lever (typewriter part), 30, 148

      “Types de Charles X” (Legrand), 91

      typesetters, Chinese, 82–84, 132 natural-language experimentation and, 290–295

      as “nomadic,” 83–84, 85

      typesetters, Western, 81–88, 102, 348n16

      typewriter, Arabic, 60, 61–63, 64, 344n52, 345n54 Jones keyboard for, 182, 187

      Olivetti model, 56, 58f

      typewriter, Chinese aurality of, 27, 29–30, 198

      challenge of creating, 25, 138–140

      functional mechanics of, 30, 199

      history of textual reproduction and, 170–171

      how to identify documents typed on, 283–284

      impact of, 24

      linguistic ambidexterity of, 226, 379n39

      measured against Western typewriter, 23–24, 27–32, 125, 164–165, 188, 190

      merits of, 170–171

      as monstrous imagined object, 35–44, 36f, 37f, 38f, 45, 65, 71–72, 192f, 192–193, 203, 316, 320–321

      national identity and, 229

      and personal relationship with user, 163–164, 198

      in popular culture, 35–40, 321

      as symbol of modernity, 124–125

      transnational nature of, 33

      used for state documents, 283–284

      used in Korean war, 280, 280f

      used to reproduce books, 285–286

      Western criticism of, 188

      See also typewriter models, Chinese

      typewriter, Hebrew, 60–61, 64, 343n45

      typewriter, Japanese, 200, 206f adaptability to Chinese, 209, 211

      dual modes of, 200, 209

      H-Style, 218

      Japanese Smith Typewriter (sumisu taipuraitā), 202

      kana-based, 202–204

      kanji-based, 204–205, 226, 378n38

      market for in occupied China, 222

      Remington and Underwood models, 202–204

      retrofitted to handle Chinese, 226, 385n100

      sound of, 223

      Sugimoto kanji typewriter, 204–205

      training regimens on, 203

      used in occupied China, 213

      Western denigration of kanji-based, 210–211

      typewriter, Romance language, 60

      typewriter, Russian, 60, 64

      typewriter, Siamese, 45–55, 49f, 53f change to shift-keyboard design, 51–53

      invention and design of, 45–50

      “Typewriter, The” (musical piece, Anderson), 27

      typewriter, Turkish, 182

      typewriter, Urdu, 182, 187

      typewriter, Western aurality of, 27–30, 58, 340n32

      Chinese response to, 24–25

      compared to machine gun, 28

      early diversity of, 42, 44, 45, 56

      encounter with Chinese script, 44, 63–65

      essence of, 41

      expansion to foreign scripts, 44, 46, 53–54, 63, 123

      in film, 28

      functional mechanics of, 41, 59

      globalization of, 55–64, 124

      iconic nature of, 24, 28, 71, 74

      inability to encompass Chinese, 123–124, 129, 139, 200

      revolutionary nature of, 23

      as symbol of modernity, 124

      as “true” typewriter, 124–125, 164–165, 188

      universality claimed for, 64, 71, 73f

      See also shift-keyboard typewriter; typewriter form, universal; typewriter models, Western

      typewriter art, 203

      “typewriter boy,” nonexistent, 177

      typewriter form, universal, 59 confronted with Chinese, 64–65

      as constitutive of technolinguistic consciousness, 74

      stretched by foreign scripts, 60, 61

      See also shift-keyboard typewriter

      “typewriter girl,” 173, 176–177

      typewriter industry, Chinese formation of, 170–172

      Japanese domination of, 200, 212, 214, 217, 220–221, 223–225, 232, 235

      in postwar period, 230–233, 387n115

      thriving in 1940s, 229

      typewriter models, Chinese Brumbaugh patent, 151, 152f

      Double Pigeon, 195, 199, 233–235, 234f

      Grant and Legros Chinese phonetic typewriter, 183–184

      Hammond Multiplex, 185

      Horizontal-style machine, 228

      improved Shu-style machine, 224

      Japanese-built Chinese machines, 212, 213, 228, 274, 378n38

      MingKwai, 237, 243, 244–247, 263–281, 268–269f, 273f, 275f, 316, 392–393n54 (see also Lin Yutang)

      “Mr. Fan Wanneng Chinese Typewriter

      “People’s Welfare Typewriter,” 230, 231f

      pre-MingKwai prototype, 391–392n38

      Qi Xuan typewriter, 147–159, 148f, 204, 265

      “Reformed” typewriter of 1956, 303

      Remington Chinese Phonetic Typewriter, 182–183, 184f, 187, 265

      Sheffield typewriter, 126–137, 133f, 140, 166, 167, 359n36, 359n38

      Shu-style typewriter, 161–164, 162f, 167–169, 170–172, 175, 182, 188–191, 189f, 191f, 197, 212, 224, 265, 274, 308, 364n1, 366n14, 366n19

      Standard Horizontal-Vertical-style Chinese-Japanese Typewriter, 226

      Standard-style machine, 228

      Suganuma-style machine, 228

      Superwriter, 196–199, 200, 233–235, 374n2

      Underwood Chinese National Phonetic Typewriter, 185, 186–187

      Wang Kuoyee patent, 151, 153f

      Wanneng (“All-Purpose”) typewriter, 223–224, 224f, 228, 230–232, 233, 235, 302–303

      Yu Binqi typewriter, 216–220, 224, 380n61, 381n71

      Zhou Houkun typewriter, 138–145, 144f, 146f, 148, 149, 156–159, 165–167

      typewriter models, multi-language “Oriental Type-Writer

      “Universal Eastern alphabet typewriter” (Tcherkassov and Hill), 62–63

      typewriter models, Western American Visible Typewriter, 42

      Circular Index, 46

      Hall Typewriter, 46

      Hammond models, 391n36

      Hughes Typewriter for the Blind, 46

      index typewriters, 46, 56, 131, 343n37

      Lambert typewriter, 42

      L.C. Smith & Brothers “Standard

      Malling-Hansen Writing Ball, 42

      Mignon, 343n37

      Olivetti Lettera 22, 27, 71, 72f

      Remington Number 7, 55

      Remington Number 10, 55

      Sholes and Glidden Type-Writer, 46

      Smith-Corona Elliott model, 202

      Smith Premier Number 4, 47, 51

      Underwood Number 1, 342n30

      See also double-keyboard typewriter; shift-keyboard typewriter

      “Typewriter Tip Tip Tip” (song), 29

      typing classes, given by Commercial Press, 167. See also ty
    ping schools, Chinese

      typing schools, Chinese, 164, 182, 301, 303, 380n61 curricula in, 178–180, 197, 213

      early entrepreneurial era of, 174–175

      enrollment data from, 174, 227–228

      establishment of first, 172

      during Japanese occupation, 226–229

      Latin-alphabet typing in, 179

      in Manchukuo, 213

      See also names of individual schools

      typing schools, Japanese, 205 in occupied China, 213, 223

      typing schools, Siamese, 51

      “typist fever

      typists, Chinese, 164, 172 and allegiance in Manchukuo, 213–214

      demands for “production” by, 299, 300

      employment of in Communist government, 300

      gender of, 172–174, 175–177, 227, 274

      media representations of, 172–177, 173f

      in occupied China, 229

      patriotic images of, 284, 285f

      and sensitivity to machine’s materiality, 180

      Sheffield as first, 134

      spread of in government and business, 175

      tray bed reorganization experiments by, 235, 286–290, 304–311, 398n62

      typists, Japanese, 207, 207f in occupied China, 213, 222–223

      “U Can’t Touch This” (MC Hammer), 40

      Underwood, John T., 342n30

      Underwood Typewriter Company, 42 Arabic typewriter and, 344n50, 344n52

      Chinese phonetic typewriter and, 185, 186

      failure to encompass Chinese, 71, 159, 199

      at Panama-Pacific exposition, 147

      sale of Japanese kana typewriter, 203–204

      Siamese typewriter and, 53, 54

      visible typewriting and, 50, 342n30

      UNESCO, Chinese typewriter used in, 306–308, 398n62

      Union Typewriter Company, 50

      United Front alliance, 254

      United Nations, 279 Chinese typewriter used in, 306–308, 398n62

      Universal History (Sheffield), 129

      universal telegraphic language, 106, 108–109, 110, 353n59

      University of Illinois at Urbana-Champaign, 138

      University of the Philippines, 260

      upper-case letters, frequency of in English, 47

      user-driven change, 304, 311

      user experience, 260, 270

      users of information technology, 21 and hypothetical “average Chinese user,” 253, 262–263, 303

      vernacularization of Chinese, 15, 19, 20–21 state-sponsored movement, 140, 142, 303

      vernacular taxonomy. See natural-language arrangement

      vertigo zoom, 389n10

      Victory and Success Typing Academy, 174

      Viguier, Septime Auguste, 110, 327, 354n70

      visible typing, 50–51, 55, 342n30

      Wade, Sir Thomas Francis, 128

      Wagner, Franz X., 342n30

      Wall Street Journal, 56

      Walsh, Richard, 272, 278

      Wan Guchan, 170

      Wan Laiming, 170

      Wang Chao, 185

      Wang Guihua, 305–306, 398n58

      Wang, H.L., 389n9

      Wang Jialong, 298

      Wang Jingchun, 327

      Wang Kuoyee, 151

      Wang Xinshun, 294

      Wang Xizhi, 5, 94, 183, 256–258

      Wang Yi, 216

      Wang Yunwu, 250, 252, 296, 327

      Wang Zhen, 82

      Warlord period, 254, 371n55

      War of Resistance Against Japan (1937–1945), 200, 220, 229, 230

      Waseda University, 215

      Washington Post, 155

      Watt, Lori, 230

      wax duplicating paper, 219

      Wei Geng, 227

      Wei Shuo (Lady Wei), 94–95

      weights and measures, 140

      Wen, King, 99

      Wenhua Chinese Typewriter Company, 233

      Western Civilization Union, 126, 128

      White Terror, 254

      Who’s Minding the Store? (film), 28

      Williams, Samuel Wells, 66

      Wilson, Mary Badger, 210–211

      women, professional, 173, 176, 205, 366n29

      women’s magazines, 141, 207

      woodblock printing, 82, 96

      word processing, 315

      Writing Systems (Sampson), 69

      Wu Zhihui, 185

      Wubi. See Five-Stroke retrieval system

      Wuxi, 137

      Wyckoff, Seamans, and Benedict, 55, 343n33

      Xia Liang, 175

      Xu Bing, 16–18, 22

      Xu Shen, 77

      Yamagata Girls’ Professional School

      Yana Fumio, 204

      Yanagiwara Sukeshige, 203, 204

      Yang, Daqing, 221

      Yang Yuying, 148, 154

      Yasujiro Sakai, 327

      Ye Shuyi, 176

      Yen, James, 142, 327

      Yesu. See Jesus

      yin-yi-xing triad, 16–20, 22, 23

      Yost (typewriter company), 46, 50, 60–61, 342n30

      Yu Binqi, 215–220, 215f, 230, 232, 233, 327, 380n59, 384n93 and anti-Japanese politics, 218–220

      decline of business, 223, 224–225

      modifies Japanese typewriter, 217–218

      and typewriting enterprise, 216–217, 380n60

      See also typewriter models, Chinese: Yu Binqi typewriter

      Yu Shuolin, 216, 384n93

      Yuan Shikai, 371n55

      Yu Binqi Chinese Typing Professional School, 216–217, 232, 380n60, 380n61

      Yucai Chinese Typing School, 228

      Yunnan University Mao Zedong-ism Artillery Regiment Foreign Language Division Propaganda Group

      Yu-Style Chinese Typewriter Company, 233

      Zhang Jiying, 283, 290–293, 293f, 294, 295, 297, 298, 300, 302, 327, 395n26

      Zhang Xiangling, 188–189, 190, 373n74, 373n77

      Zhang Yimou, 1

      Zhang Yuanji, 157, 159, 166–167, 171, 250, 365n12

      Zhanwang (periodical), 176

      Zhao Yuanren (Yuen Ren Chao), 138, 186, 237, 273, 327

      Zhongshan University, 260

      Zhou Houkun, 123, 137–146, 146f, 148, 265, 267, 327, 359n49, 362n68, 365n5 attempt to mass-produce typewriter, 145

      Commercial Press and, 159, 165–167, 364n104

      debates Qi Xuan, 157–158

      on duty of engineers, 138–139

      mechanics of typewriter built by, 143

      reception of typewriter built by, 143–145, 156–159

      See also typewriter models, Chinese: Zhou Houkun typewriter

      Zhou Yaru, 228

      Zhu Yunming, 95

      Zhuangzi, 76, 99

      zhuyin fuhao (Chinese Phonetic Alphabet), 183–187, 279, 366n19. See also typewriter models, Chinese: Remington Chinese Phonetic Typewriter

      Studies of the Weatherhead East Asian Institute

      Columbia University

      Selected Titles

      (Complete list at: http://weai.columbia.edu/publications/studies-weai/)

      The Chinese Typewriter: A History, by Thomas S. Mullaney. MIT Press, 2017.

      Darwin, Dharma, and the Divine: Evolutionary Theory and Religion in Modern Japan, by G. Clinton Godart. University of Hawai‘i Press, 2017.

      The Cultural Revolution on Trial: Mao and the Gang of Four, by Alexander C. Cook. Cambridge University Press, 2016.

      Dictators and Their Secret Police: Coercive Institutions and State Violence, by Sheena Chestnut Greitens. Cambridge University Press, 2016.

      Inheritance of Loss: China, Japan, and the Political Economy of Redemption after Empire, by Yukiko Koga. University of Chicago Press, 2016.

      Homecomings: The Belated Return of Japan’s Lost Soldiers, by Yoshikuni Igarashi. Columbia University Press, 2016.

      The Social Life of Inkstones: Artisans and Scholars in Early Qing China, by Dorothy Ko. University of Washington Press, 2016.

      Samurai to Soldier: Remaking Military Service in Nineteenth-Century Japan, by D. Colin Jaundrill. Cornell University Press, 2016.

      The Red Guard Generati
    on and Political Activism in China, by Guobin Yang. Columbia University Press, 2016.

      Accidental Activists: Victim Movements and Government Accountability in Japan and South Korea, by Celeste L. Arrington. Cornell University Press, 2016.

      Negotiating Rural Land Ownership in Southwest China: State, Village, Family, by Yi Wu. University of Hawai‘i Press, 2016.

      Ming China and Vietnam: Negotiating Borders in Early Modern Asia, by Kathlene Baldanza. Cambridge University Press, 2016.

      Ethnic Conflict and Protest in Tibet and Xinjiang: Unrest in China’s West, coedited by Ben Hillman and Gray Tuttle. Columbia University Press, 2016.

      One Hundred Million Philosophers: Science of Thought and the Culture of Democracy in Postwar Japan, by Adam Bronson. University of Hawai‘i Press, 2016.

      Conflict and Commerce in Maritime East Asia: The Zheng Family and the Shaping of the Modern World, c. 1620–1720, by Xing Hang. Cambridge University Press, 2016.

      Chinese Law in Imperial Eyes: Sovereignty, Justice, and Transcultural Politics, by Li Chen. Columbia University Press, 2015.

      Imperial Genus: The Formation and Limits of the Human in Modern Korea and Japan, by Travis Workman. University of California Press, 2015.

      Yasukuni Shrine: History, Memory, and Japan’s Unending Postwar, by Akiko Takenaka. University of Hawai‘i Press, 2015.

      The Age of Irreverence: A New History of Laughter in China, by Christopher Rea. University of California Press, 2015.

      The Nature of Knowledge and the Knowledge of Nature in Early Modern Japan, by Fede­rico Marcon. University of Chicago Press, 2015.

      The Fascist Effect: Japan and Italy, 1915–1952, by Reto Hofmann. Cornell University Press, 2015.

      The International Minimum: Creativity and Contradiction in Japan’s Global Engagement, 1933–1964, by Jessamyn R. Abel. University of Hawai‘i Press, 2015.

      Empires of Coal: Fueling China’s Entry into the Modern World Order, 1860–1920, by Shellen Xiao Wu. Stanford University Press, 2015.

      Casualties of History: Wounded Japanese Servicemen and the Second World War, by Lee K. Pennington. Cornell University Press, 2015.

     


    Prev Next
Online Read Free Novel Copyright 2016 - 2026