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    After the Kiss

    Page 8
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      Becca

      One Art (with apologies to Elizabeth Bishop)

      The art of losing is hard to master;

      though others do seem filled with the intent

      to be lost that their loss should be no disaster.

      Lose someone every day. Accept the loneliness

      of lost friends, the hour badly spent with another.

      The art of losing is hard to master.

      Then practice losing farther, losing faster:

      acquaintances, and names, and where it was

      you meant

      to meet someone. All of these will bring disaster.

      I lost my mother’s trust. And look! my last, or

      next-to-last, of three loved classmates went.

      The art of losing is hard to master.

      I lost two best friends, lovely ones. And, vaster,

      some realms I owned, seven months—a true love.

      I miss it. And it was a disaster.

      —Especially losing him (the soothing poems, a chest

      I love) I shan’t have lied. It’s evident

      the art of losing’s too hard to master

      and I know it looks like a disaster.

      Sensory Overload

      He can’t not

      think of me I know he

      does.

      He must.

      because I can’t

      hear

      see

      smell

      feel

      find

      anything

      that doesn’t have

      his name

      his scent

      his taste

      his smile

      his self

      all over it.

      Extinguished

      Once a fire burned in me but now it is extinguished

      and I

      cannot even catch the scent of smoke.

      Ashes, ashes.

      Only ashes.

      It’s been a week of darkness. A week of

      nothing, I can’t

      even remember yesterday.

      The artifacts of my disappearance: tissues

      strewn across my floor, hair a tangled dirty mess,

      jeans hanging on my hip bones

      from seven days of being unable to eat.

      There is no fire in here. The fire is gone.

      I finally write these words—these sodden words—

      because once I was a fire-maker, and I don’t

      know how

      to do anything else.

      But they are damp words, wet words,

      and they will never catch.

      Scratching with bits of charcoal,

      my hands are black—blackened—

      with these attempts.

      Not even one coal left

      to light a torch, illuminate

      what has happened in the last week,

      what will happen in the week ahead.

      I am blind, scratching in ashes.

      There is no fire.

      And I am cold.

      Message in a Bottle

      Midnight? Sunset? I do not know

      light from day or dark from darker.

      These waves toss me

      from room to room,

      not really seeing and

      tasting only salt.

      I am floating on a gray sea, giving

      my body to the sharks, my dead heart to the tide,

      when a message swims up,

      a foreign text in a cell phone bottle:

      you are the one who

      knows everything in my soul—

      which is lost forever.

      Heavy with crust my eyes swim gray.

      There is nothing anymore I want to see;

      these are the scratchings of a crazy man,

      someone alone and moored

      on an island where the trees bear only

      fruits of humiliation

      and deceit,

      where strange birds call from trees,

      and the natives eat

      each other’s hearts.

      Gossip Fodder

      Misty Monday gray outside:

      weather for a zombie attack,

      and perhaps they’d mistake me for their kind.

      I stare

      into my locker a long time before I can take

      anything out,

      trying to visualize myself

      making it through another week at all,

      when Freya appears,

      poking her bony bent knees in the backs

      of my straight ones,

      making my legs half drop out

      from under me.

      Laughing, her face is all mouth

      with four slits for eyelids, nostrils.

      The rest, freckles.

      So many sometimes—I don’t mean to—I wonder

      what she got called

      on the elementary school playground.

      She’s had a Blow-Pop for breakfast:

      a big wad of pink gum snaps in her teeth

      —the sugar cloud floating from her glossy lips—

      and her tongue is green.

      Just trying to make you laugh, she smacks,

      grimacing a grin.

      I feel miserable

      and want to be left alone. I’m

      not even sure why we’re friends anymore,

      where she came from,

      why she’s sticking around,

      but I can’t say any of that because now

      —now that I abandoned

      all my other friends for Alec—

      she’s pretty much all I’ve got.

      Her voice turns serious: He wasn’t there.

      And I know where she means and when she means,

      and I know who she means and I don’t know

      if I want to know this or not.

      Probably a hot date, I snort. But she is ready for me.

      No but she was. And looking for him, you could tell.

      But trying not to.

      I had

      to hang out in the stoner garage I was so pissed,

      seeing her there.

      Her gum cracks and her gloss gleams. Her blue eyes

      bore into mine. I can see

      her nostrils working with excitement.

      I don’t want to listen to her,

      but it is better than just

      reading alone in the library,

      better than being with no one. And maybe

      if Freya spins it right, I can make believe

      it really is just another bit of gossip,

      and not something awful

      happening

      to me.

      Being Hamlet

      We’re reading him out loud in class

      and Mr. Burland is letting me

      be the prince.

      Dark days, dark mood,

      dark-ness—

      the dark of him enfolds me while I read,

      and I am wrapped in his misery

      instead of mine.

      Oh unholy ghost

      —oh twisting tempest—

      how I too know the paralysis

      of loss.

      Reading, it’s as though I am him:

      so angry you could weep,

      so sad you want to kill someone,

      so confused you can do neither.

      I read.

      And when I am done everyone looks

      as though an electric current

      has passed through the room.

      No one

      will look squarely at me.

      It is like I’ve been possessed

      and they are afraid

      this sorrowed ghost will climb into them too.

      Bittersweet Victory

      The call for submission posters we created

      have done their job.

      After school at writer’s forum

      and Mr. Burland is pleased, handing

      two stacks of stories and poems over—already

      a pile thick enough for a magazine,

      with two weeks still to go

      and more rolling
    in.

      Some of these are good,

      Sara says, grunting in her own surprise and

      handing me a batch to see

      for myself.

      Even Rama is smiling,

      looking over Caitlyn’s shoulder, laughing

      at a bad metaphor but

      quite obviously tickled

      by the bounty we’ve reaped

      after such hard work.

      We should be

      tossing the papers up in the air, letting

      these entries rain down on us like confetti.

      We have

      done better than last year and

      our magazine

      —from the initial looks of it—

      might be

      something

      we would all actually read.

      I should be happy.

      I should be proud.

      But I should also be able

      to tell Alec

      about this.

      Sighting

      Just after the rush of a was-busy Thursday

      —people have cleared—and I’m

      finally with my bussing bucket out on the floor

      stacking sticky latte glasses,

      scraping plates of brie-crossaint goo and

      mooshed turtle brownie mess.

      I

      am moving to the next table when

      our faces meet like a movie set

      —the door swinging open right onto there she is—

      the girl

      kissing Alec in Freya’s photo,

      the alienishly tall redhead: her.

      the one I saw—yes I know for sure—

      at the Lake House

      two weeks ago in the kitchen as I

      bolted from the party angry at Alec

      and hating my life.

      I saw her standing there—see her standing now—

      and thought

      how pretty she was,

      and strange, with those red eyebrows.

      Last week too—before I knew—

      I served her cake.

      She came in and

      ordered decaf. I thought

      it was interesting she was alone.

      But now she is here—alone—and all I can think is

      I am going to faint and then throw up.

      Or maybe throw up and faint.

      The rush of blood to the head is so strong I can’t see

      and then I can’t move,

      which is when she strides past

      —almost close enough to touch—

      in her smooth-fitting jeans,

      her equestrian boots, and a cashmere wrap that’s

      going to swallow her.

      She is all slow motion:

      red hair heaped up on her head, not even

      wearing any makeup.

      I am going to

      collapse. My whole body is

      shaking

      but somehow I am bolting

      —my rag still wet on the table—

      to the kitchen and the giant walk-in cooler

      where I squat among the bins of pre-cut lemons,

      the quarts of organic cream,

      wrapping my arms around my shins

      —my face pressed in my knees—the cold giving me

      a real reason to shudder.

      I gulp in

      big breaths of dry, cardboard-smelling air.

      I want to cry

      but I can’t.

      I am already going to be in trouble

      for leaving Margot out there,

      for abandoning my post.

      I cannot cry.

      —I must go back out there I can’t stay in here

      another minute—

      I cannot cry.

      —I will never stop crying—

      I can’t.

      Borrowed Determination

      Emerging finally

      from the safe, dark caverns of the kitchen

      —damp-faced and still shaking—

      unsteady

      on my feet,

      I am unsure

      if I can face

      the face

      that just waltzed in.

      What’s wrong with you? Margot says

      with more disgust than concern—

      making Nadia turn,

      bringing the crying in me all over again.

      My friend is

      immediately

      two small hands on my shoulders,

      face set with strength.

      She’s here, I whisper. She came in.

      (Trailing unstoppable images of

      her face-his-face-their-hands

      behind her, reeking the perfume of

      he-picked-me-not-you.)

      Nadia’s tiny fingers squeeze

      into my muscles,

      she whispers

      —but it is a warrior scream through my spirit—

      You will not let her beat you.

      Staring Contest

      Does she have eyes

      in the back of her head? Brown glaring mean ones

      under all that red hair?

      Is she somehow watching me

      —watching her—

      without moving a muscle,

      without lifting her chin,

      not even when

      I overheat

      a whole carafe of steamed milk that bubbles over

      everywhere and

      Margot says Shit loud enough to hear?

      She must because the rest of her is

      unmoving,

      uncaring,

      and perfectly blank—seeing, I guess

      who can outcool who,

      who can do it without ever

      losing

      her cool.

      If so I am already losing.

      If so she doesn’t have to rub it in.

      She can’t have

      just walked in here, she has to

      know who I am. (She can’t have just walked in.

      Why else is she here?)

      Maybe she is waiting

      for me to say something first, is challenging me

      in some secret code I don’t know.

      By now the back of her head

      must be burning

      from where my eyes are boring holes into it.

      Soon her whole face will be on fire,

      and she will look over, melting.

      But no—

      after two hours on that laptop she gets up, glides out,

      doesn’t look back or sideways,

      leaving me alone at the counter

      the image of her burned in my eyes

      for a very long time.

      Secret Knowledge

      After work I want to call Freya

      —call someone—

      since I can’t call Alec. I want to say

      She came in today;

      I know her. And she doesn’t know me.

      I want to tell a person

      who isn’t Nadia, someone

      who will have a little more

      Ohmygod in their voice, someone just as stunned

      and astonished

      as I was this afternoon,

      someone who’ll want to hear

      all the mean things inside me,

      who will throw in one or two things herself.

      Telling Freya though

      will mean telling

      half the school,

      and I want to keep this to myself awhile:

      a small stone of poison to roll between my fingers—

      unsure how to use it

      unsure

      how much harm it could do.

      Called Out

      As the rest of my chemistry class

      pulls desks together

      for group problems,

      Mrs. Baetz stops at my desk and

      asks me into

      her office

      at the back of the room.

      I have only been in here once before,

      last year

      when I assured her I understood

      how far ahead I was

      and
    she could help the others

      without any guilt.

      Now she is guilty-faced again and

      leaning forward on her knees.

      She wants to know

      am I okay?

      What I like about Mrs. Baetz is

      how she leaves me

      to do my thing,

      so this intimacy is weird.

      I am not sure

      where to look.

      I tell her I am fine.

      On her desk

      a stack of yesterday’s tests, waiting.

      Mine on top

      —a sad, red C.

      The numb feeling replaces

      any shock or shame.

      It could be anyone’s test there;

      what does she want?

      Just personal stuff, I finally give her,

      and the chair squeaks

      as she uncrosses her legs.

      I can feel her

      deciding about me.

      I hope personal stuff now, she finally says,

      won’t ruin your good future, Becca.

      My head jerks up,

      staring her full-on.

      Now was my future

      and it is already

      very much ruined.

      Bootstraps

      When the phone rings after dinner I am

      dry-eyed and empty on my bed,

      staring at the ceiling

      trying to pretend it’s not Friday.

      I am so startled I answer

      without looking;

      brother’s Heya kid

      is a strange surprise.

      You know he’s a bastard is the first thing he says,

      and it is so embarrassing

      (Mom told him)

      and so sweet

      (he’s calling me)

      that I laugh.

      I start to ask him

      why do boys do this?

      What is the appeal

      of someone shiny and new?

      But instead he surprises

      when he goes on:

      I can also guarantee

      he’s pretty eaten up.

      This gets my

      attention,

      and he explains how

      —invisibly—

      Alec’s just as smashed-up as I am.

      Because love wrecks us too, kiddo—

      we just wear it different.

      Sometimes

      a lot worse,

      because it’s on the inside.

      The thought of

      Alec sad

      makes me sad

      but it also feels better,

      and Ian telling me anything

      about his hidden secret heart

      is enough to make

      a lot of other things go away.

      We change the subject to roommates and classes

      and then he says, bootstrap time before he hangs up.

      It was our mantra together

      when mom and dad got divorced

      when we forged signatures,

      learned laundry,

      put ourselves to bed.

      So since he actually called

      —and will be here

      for his spring break

     


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