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    The 2021 Griffin Poetry Prize Anthology

    Page 4
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      sasquatch. In the winter

      the poor souls gather

      round him for warmth

      as he hugs them one by one.

      * * *

      He likes to smoke cigars

      and does so in his one room

      just off the main drag.

      As he blows the smoke,

      he brushes his long hair

      from his face and takes a sip

      of cheap wine and stares at

      his feet. He smiles, remembering

      his mother always telling him

      to keep his big feet clean.

      So he does as the cigar smoke fills

      his one room, his hairy hand raising

      one last toast to his mother.

      * * *

      Some nights he meets with the lost

      and they ask him for guidance

      and forgiveness. He gives them

      both, telling them it’ll be alright

      as they carry on with their misery.

      He brushes the hair out of his face

      as the next lost brother comes

      to show him his wounds. The sasquatch

      rubs his hands together and places them

      upon the wounds. The man is healed

      and says Thank you as the sasquatch

      turns and pukes out the poison

      he has taken from his brother.

      * * *

      One night the sasquatch does not

      come out so someone who knows him

      goes to his room and finds him

      in his final sleep. A cigar in the corner

      burns slowly and as the smoke

      goes up into the air, the spirit of

      this sasquatch also begins to float

      back to the sky. As he returns

      to his home, he looks back down

      to the people of earth

      and whispers, Thank you.

      I Don’t Know When I Am Going

      I put a stake into my arm

      to become Christ on the cross

      and all those thoughts and

      big desires come to me

      as I take myself off the cross

      and my hands and feet bleed.

      The blood drips onto the floor

      as I sit in this shithole of a city.

      For me it is more wonderful

      than any picture of heaven.

      * * *

      As the day mixes with torment

      and old blessings, I open my eyes.

      The first thing I see is the big city

      and all the evil. There in the distance

      I hear the wolves as they howl

      to the great moon. Up into the mountains,

      they sip the pure waters and move

      even higher to join a group of angels.

      Together they dance the night away.

      * * *

      As I sit in my squalor, I remember

      being a small child on an island upriver.

      We were so simple and all we had to eat

      was the fish we caught the last summer.

      I remember the salty smoked taste

      as my mouthful of new teeth chewed

      and chewed. When the drugs are all gone

      I know I will be sick so I go out and hunt

      for the blackness. When I find it, I stop

      and rest and stare up to the heavens.

      * * *

      To me it is just the dark skies

      of empty secrets and I smile

      as I remember being a child back home.

      But now I do not have any teeth

      to chew on smoked fish. I stopped

      eating long ago anyway and now

      inject my liquid dinner into an old arm

      and rest here as the heavens open up.

      All you can see are the angels and wolves

      as they dance upward and upward

      until they are no more. The sky

      blackens again as I sit here

      and chew away what is left of me.

      Songs of the Mountains

      There was this man who was

      a simple man. He loved his family

      and listened to his elders

      when they spoke about the past.

      Like all of us, this man had a gift.

      He could hear songs: he was able

      to pull the songs out of the air

      when he was on his boat fishing.

      He would share them with the elders

      and they’d tell him those songs

      were gifts and one day they will

      go back to where they came from.

      But for now, the man was told

      to share them in ceremony,

      at funerals and gatherings, where

      he was joined by drummers

      and singers. One day those songs

      went back to where they came

      from until another young man

      had the gift of song.

      * * *

      There was another man they say

      came from the sky a thousand

      years ago. He had many gifts

      but he was very strong and it was

      his belief that the people must

      listen to his teachings. When they

      did not, he would go to them

      and give them a choice—and

      these men would always

      choose wrong. Now they

      are turned into large rocks

      or mountains. Some were

      also punished because they

      overfished or hunted too much

      or they were just greedy and

      selfish. The mountains around

      the river grew and grew over

      the time he was among us.

      He gave us all his teachings

      but some of us, even today,

      do not listen.

      * * *

      There was this great woman

      who carried the gift of love

      and she also carried the gift

      of giving each child their gift

      and she would always travel

      by canoe. She would go up and

      down the river and she would go

      into a village where all the children

      came to her and she would touch

      each child upon the head and later

      in their lives they would find

      their gifts. She would also go

      to the mothers who had just

      given birth where she would kiss

      the child and lightly blow into

      the child’s mouth and each of

      these babies would survive

      all the diseases our people

      would suffer. Each baby would

      be given a name and a gift

      by this great woman as she

      would leave the village

      and paddle by canoe upriver.

      * * *

      As she passed by,

      a new mountain

      would appear

      and in the distance

      she could hear a song

      she had not heard

      in a long time.

      As she paddled

      and paddled,

      she smiled.

      The Sturgeon’s Lover

      In the deepest part of the river

      there lived a great sturgeon

      and she swam along the bottom

      and fed upon the dead who had fallen.

      She was about three hundred years old

      and when she was full, she came to

      the surface and jumped as high as


      she could and all the males came

      to her and she kissed each male

      and let them have her. Months later

      she quietly went to her favourite part

      of the river and there she released

      her eggs in the millions and then began

      again to swim the bottom and to search

      for any new bodies that had fallen

      from upriver, which she feasted upon

      with her old softly kissed lips.

      * * *

      The legend goes that a fisherman

      had fallen into the waters and was drowning

      when the great sturgeon came to him

      and asked him for a kiss. He agreed

      and the two fell in love and together

      they would feed upon all the food

      at the bottom of the river. One day

      her eggs came to life and created

      the people across the water.

      The people lived there for centuries

      and the sturgeon and man would visit

      from time to time, bringing them food

      to survive the cold wet winters

      until the people too walked into

      the water and fell to the bottom

      as the man kissed his lover.

      * * *

      Today we do not fish for sturgeon

      as their numbers have been decimated

      by overfishing and loss of spawning

      grounds. Whenever I catch a sturgeon

      in my net I let her go and she always

      turns back and smiles as she flicks

      her mighty tail and splashes me.

      My son always laughs as I stand there

      stunned and wet, while the great sturgeon

      slowly swims away and turns back

      to blow us a kiss. We both wipe

      our lips as the great sturgeon

      falls to the bottom of the water.

      There, waiting for her, is her lover.

      He kisses her one last time.

      She cries as she begins to eat him.

      Days into Days

      Days turn into days and hours well they

      just creep on and today nothing really

      happened, no angels falling and all that

      and that poor guy still sits on the cross

      in our old church where no one from

      our village goes to and kneels and that’s

      okay too as the day turns into another day.

      * * *

      When you walk with depression

      the world can sometimes play tricks

      on you and one moment you can crack

      a smile and the next your eyes fill with

      tears but you fight them off as you are

      not ready to sob out loud and that too

      is okay, so you try and appear happy

      but really your whole being just

      wants to scream because life is

      sometimes unfair and that poor guy

      on the cross he weeps in our old church

      where we choose not to kneel

      * * *

      For my children I can only imagine

      what they are going through after

      losing their mother and I am there

      for them and they know me pretty

      good and we carry on the best we can as

      our days become days and the hours fall

      as if they were angels from up above.

      * * *

      Let us pray for our children of this

      village as the river that surrounds us

      spills its tears into the salty ocean

      and our children stand up and say

      their names and shout out the words

      to their mother who is now on the other

      side and sometimes they say that God

      is there but we have never seen him

      and his son sits on a wall in our old

      church where we will never kneel.

      Canisia Lubrin

      The Dyzgraphxst

      The Dyzgraphxst is Canisia Lubrin’s spectacular feat of architecture called a poem. In this book, built with “I” — a single mark on the page, a voice, a blade, “a life-force soaring back” — and assembled over seven acts addressing language, grammar, sentence, line, stage, and world, the poet forms, invents, surprises, and sharpens life. Generous, generating, and an abundance of rigour. A wide and widening ocean of feeling are the blueprints of this book. It is shaped to be “the shape of the shape / of the shape of a thing that light curves over time / length to width to depth and all of us its information.”

      here—beginning the unbeginning

      owning nothing but that wounding

      sense of waking to speak as I would

      * * *

      after the floods, then, after women unlike

      Eve giving kind to the so-and-so, trying

      to tell them it is time to be unnavigable,

      * * *

      after calling them back to what

      the tongue cuts speaking the thing of

      them rolled into stone

      * * *

      speaking I after all, after all theories

      of abandonment priced and displayed,

      the word was a moonlit knife

      * * *

      with those arrivants

      lifting their hems to dance, toeless

      with the footless child they invent

      ain’t the monstrous always intimate

      and before any protest turns it inward

      inmate into a vineyard, ain’t there a moan

      * * *

      digging one thousand years into the past

      as by this interruption: do you accept

      this collect call this collect that call

      * * *

      accept the charges how, I, now the daughter,

      is here forgetting the voice of her father

      or whomever the father voiced

      * * *

      magnum me facit dominus, dwindling

      away some rubbery word for fire

      or a glance back to something sincere

      * * *

      Jejune, all of these words inflate our undivided lives anyway

      Dream # 27

      I can feel an offer

      * * *

      a voice and the nightwork

      * * *

      merely inviting sightseeing, or I can

      * * *

      again be the daywork opening dull

      * * *

      if the new forts don’t care the sky is dark

      * * *

      what we make of a more basic abundant black

      * * *

      is not the same as marking the intruding light

      * * *

      or feeling bad, don’t name it leftover-sky, interloper

      * * *

      or call it foreign shelter, porous as I am elsewhere a dream

      someone’s eyesword you left here

      * * *

      * * *

      * * *

      * * *

      * * *

      * * *

      ————————

      word with the wing of a monarch butterfly

      protruding from a tear duct, radioactive

      * * *

      and fallen on the ridge of a cheekbone,

      or a cathedral blocking traffic,

      and now the whole banana

      * * *

      economy my hand scrubs means

      never to name this derangement

      of spent hours, the many revolutions

      * * *

      I have lost, I could not

      number them, though

      I haven’t the heart t
    o

      * * *

      leave them (un)numbered

      or to most of all deny

      that numbering at their core

      * * *

      Jejune, all of these words are of people, anyway

      where i have found my good sense

      by its reach into my acceptance

      or omuamua o moo ah moo ah

      * * *

      tout long kod ni bout how this must end

      how dare the undead nerve in my ear

      that does not behave as its length, it exists

      * * *

      to think about the echo one loses as a spaceship

      elides spaceshit, we’re responsible for the decom­-

      posting as the things I calls strange, things called mad

      * * *

      we give to no-one the shape of the shape

      of the shape of a thing that light curves over time

      length to width to depth and all of us its information

      I was that speck in the halogen confusion of myself

      If I were once planted in dirt, if I were once the taste

      of wood after mourning, the split-tongue of the long

      * * *

      beast out of water, another bête belonging to something

      bigger than a point of view, wider than this expanse

      of doors mapping the incalculable coasts of Black continents,

     


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