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    The Monogram Murders: The New Hercule Poirot Mystery

    Page 30
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      “I did, but you did not. You believed, as did our friend Signor Lazzari, that Mademoiselle Jennie was dead and that it was her blood on the floor. Alors, I wanted you to demand of yourself: a suitcase, a laundry cart on wheels—both of these are objects that could have been brought into room 402, right to the spot where the dead body was. Why, then, would a killer pull the body toward the door? He would not! She would not! The trail of blood going in the direction of the door was a hoax; its aim was to suggest to us that the body had been dragged out of the room, since it was not in the room. It was the small detail of verisimilitude, so important to lend credence to the murder scene.

      “But for Hercule Poirot, it was a detail that allowed him to know what he already strongly suspected: that Jennie Hobbs had not been murdered in that room and neither had anybody else. I could imagine no method of removing a corpse that would necessitate the trail of blood smears going toward the door. No killer would take his victim’s body out into the public corridor of a hotel without first hiding it inside some sort of receptacle—a container. Every container I could think of could easily have been taken into the room, traveling toward the body rather than requiring the body to travel toward it. It was such simple logic, Catchpool. I was surprised you did not grasp this point at once.”

      “Handy tip for you, Poirot,” I said. “Next time you’d like me to grasp something at once, open your mouth and tell me facts, whatever they are. Be straightforward about it. You’ll find it saves a lot of bother.”

      He smiled. “Bien. From my good friend Catchpool, I shall endeavor to learn the comportement straightforward. I start immediately!” He produced an envelope from his pocket. “This arrived for me an hour ago. You might not welcome my interference in your personal affairs, Catchpool—you may think, ‘Poirot, he sticks in his oar where it is not wanted’—but this letter expresses gratitude for that very vice of mine that you find so intolerable.”

      “If you’re referring to Fee Spring, she is not my ‘personal affairs’ and never will be,” I said, eyeing the missive in his hand. “Which poor stick’s private business have you meddled in now? And gratitude for what?”

      “For bringing together two people who love each other very much.”

      “Who is the letter from?”

      Poirot smiled. “Dr. and Mrs. Ambrose Flowerday,” he said. And he handed it to me to read.

      THE END

      About the Author

      SOPHIE HANNAH is the internationally bestselling author of nine psychological thrillers, which have been published in more than twenty countries and adapted for television. Sophie is an Honorary Fellow of Lucy Cavendish College, Cambridge.

      Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

      www.agathachristie.com

      www.sophiehannah.com

      Also by Sophie Hannah

      Little Face

      The Truth-Teller’s Lie

      The Wrong Mother

      The Dead Lie Down

      The Cradle in the Grave

      The Other Woman’s House

      Kind of Cruel

      Also by Agatha Christie

      Mysteries

      The Man in the Brown Suit

      The Secret of Chimneys

      The Seven Dials Mystery

      The Mysterious Mr. Quin

      The Sittaford Mystery

      The Hound of Death

      The Listerdale Mystery

      Why Didn’t They Ask Evans?

      Parker Pyne Investigates

      Murder Is Easy

      And Then There Were None

      Towards Zero

      Death Comes as the End

      Sparkling Cyanide

      Crooked House

      They Came to Baghdad

      Destination Unknown

      Spider’s Web*

      The Unexpected Guest*

      Ordeal by Innocence

      The Pale Horse

      Endless Night

      Passenger to Frankfurt

      Problem at Pollensa Bay

      While the Light Lasts

      Poirot

      The Mysterious Affair at Styles

      The Murder on the Links

      Poirot Investigates

      The Murder of Roger Ackroyd

      The Big Four

      The Mystery of the Blue Train

      Black Coffee*

      Peril at End House

      Lord Edgware Dies

      Murder on the Orient Express

      Three Act Tragedy

      Death in the Clouds

      The ABC Murders

      Murder in Mesopotamia

      Cards on the Table

      Murder in the Mews

      Dumb Witness

      Death on the Nile

      Appointment with Death

      Hercule Poirot’s Christmas

      Sad Cypress

      One, Two, Buckle My Shoe

      Evil under the Sun

      Five Little Pigs

      The Hollow

      The Labours of Hercules

      Taken at the Flood

      Mrs. McGinty’s Dead

      After the Funeral

      Hickory Dickory Dock

      Dead Man’s Folly

      Cat Among the Pigeons

      The Adventure of the Christmas Pudding

      The Clocks

      Third Girl

      Hallowe’en Party

      Elephants Can Remember

      Poirot’s Early Cases

      Curtain: Poirot’s Last Case

      Marple

      The Murder at the Vicarage

      The Thirteen Problems

      The Body in the Library

      The Moving Finger

      A Murder Is Announced

      They Do It with Mirrors

      A Pocket Full of Rye

      4:50 from Paddington

      The Mirror Crack’d from Side to Side

      A Caribbean Mystery

      At Bertram’s Hotel

      Nemesis

      Sleeping Murder

      Miss Marple’s Final Cases

      Tommy & Tuppence

      The Secret Adversary

      Partners in Crime

      N or M?

      By the Pricking of My Thumbs

      Postern of Fate

      Published as Mary Westmacott

      Giant’s Bread

      Unfinished Portrait

      Absent in the Spring

      The Rose and the Yew Tree

      A Daughter’s a Daughter

      The Burden

      Memoirs

      An Autobiography

      Come, Tell Me How You Live

      The Grand Tour

      Plays and Stories

      Akhnaton

      The Mousetrap and Other Plays

      The Floating Admiral†

      Star Over Bethlehem

      Hercule Poirot and the Greenshore Folly

      * novelized by Charles Osborne

      † contributor

      Credits

      Cover design by Mary Schuck

      Author photograph by Philippa Gedge

      Copyright

      This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

      AGATHA CHRISTIE and POIROT are registered trademarks of Agatha Christie Limited.

      THE MONOGRAM MURDERS. Copyright © 2014 by Agatha Christie Ltd. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.

      FIRST EDITION

      EPUB Edition September 2014 ISBN 9780062297235

      ISBN 9
    78-0-06-229721-1

      14 15 16 17 18 OV/RRD 10 9 8 7 6 5 4 3 2 1

      About the Publisher

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      www.harpercollins.com.au

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      HarperCollins Publishers New Zealand

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      www.harpercollins.co.nz

      United Kingdom

      HarperCollins Publishers Ltd.

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      www.harpercollins.co.uk

      United States

      HarperCollins Publishers Inc.

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      New York, NY 10007

      www.harpercollins.com

     

     

     



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