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    Titans of History


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      TITANS OF HISTORY

      SIMON SEBAG MONTEFIORE

      With John Bew, Martyn Frampton,

      Dan Jones and Claudia Renton

      New York • London

      © 2012 by Simon Sebag Montefiore

      All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by reviewers, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of the same without the permission of the publisher is prohibited.

      Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

      Any member of educational institutions wishing to photocopy part or all of the work for classroom use or anthology should send inquiries to Permissions c/o Quercus Publishing Inc., 31 West 57th Street, 6th Floor, New York, NY 10019, or to permissions@quercus.com.

      ISBN 978-1-62365-222-7

      Distributed in the United States and Canada by Random House Publisher Services

      c/o Random House, 1745 Broadway

      New York, NY 10019

      www.quercus.com

      Simon Sebag Montefiore was born in 1965 and read history at Gonville & Caius College, Cambridge University. Catherine the Great & Potemkin was shortlisted for the Samuel Johnson, Duff Cooper and Marsh Biography Prizes. Stalin: The Court of the Red Tsar won the History Book of the Year Prize at the British Book Awards. Young Stalin won the Costa Biography Award (UK), the LA Times Book Prize for Biography (US), Le Grand Prix de la Biographie Politique (France) and the Kreisky Prize for Political Literature (Austria). Montefiore’s books are published in 40 languages. His latest book is Jerusalem: The Biography. He is also the author of the novel Sashenka. A Fellow of the Royal Society of Literature and Visiting Professor at Buckingham University, he lives in London with his wife, the novelist Santa Montefiore, and their two children. He is the presenter of the BBC TV series, Jerusalem: the Making of a Holy City. For more information or to contact the author, see www.simonsebagmontefiore.com or follow him on Twitter @simonmontefiore

      John Bew is Harris Fellow in Modern British History and Director of Studies at Peterhouse, Cambridge. His biography of Lord Castlereagh, Enlightenment, War and Tyranny, was published in 2011.

      Martyn Frampton is Lecturer in Modern/Contemporary History at Queen Mary, University of London. His publications include The Long March (2009) and Legion of the Rearguard (2010)

      Dan Jones is a journalist and historian. He is the author of Summer of Blood (2009) and The Plantagenets (2012).

      Claudia Renton is a writer and actress who has appeared on stage with the RSC and at the Royal National Theatre, and on television for the BBC and ITV.

      TO MY DARLING CHILDREN LILY AND SASHA

      Contents

      INTRODUCTION

      RAMESES THE GREAT

      DAVID & SOLOMON

      NEBUCHADNEZZAR II

      CYRUS THE GREAT

      THE BUDDHA

      CONFUCIUS

      SUN TZU

      LEONIDAS

      HERODOTUS

      ALCIBIADES

      PLATO

      ARISTOTLE

      ALEXANDER THE GREAT

      QIN SHI HUANGDI

      HANNIBAL

      JUDAH THE MACCABEE AND HIS BROTHERS

      CICERO

      CAESAR

      HEROD THE GREAT

      CLEOPATRA

      AUGUSTUS & LIVIA

      JESUS

      CALIGULA

      NERO

      MARCUS AURELIUS

      COMMODUS

      CONSTANTINE THE GREAT

      ATTILA THE HUN

      MUHAMMAD

      MUAWIYA & ABD AL-MALIK

      ZHAO WU

      CHARLEMAGNE

      HAROUN AL-RASHID

      MAROZIA AND THE PAPAL PORNOCRACY

      BASIL THE BULGAR SLAYER

      HASSAN AL-SABBAH AND THE ASSASSINS

      GODFREY OF BOUILLON & THE CRUSADER KINGS OF JERUSALEM

      ELEANOR OF AQUITAINE

      SALADIN

      RICHARD THE LIONHEART & JOHN SOFTSWORD

      GENGHIS KHAN

      FREDERICK II OF HOHENSTAUFEN

      ISABELLA & ROGER MORTIMER

      EDWARD III & THE BLACK PRINCE

      TAMERLANE

      RICHARD II

      HENRY V

      GILLES DE RAIS

      JOAN OF ARC

      TORQUEMADA

      VLAD THE IMPALER

      RICHARD III

      SAVONAROLA

      ISABELLA & FERDINAND

      COLUMBUS

      SELIM THE GRIM

      PIZARRO

      BARBAROSSA & SILVER ARM

      THE BORGIAS: POPE ALEXANDER VI AND HIS CHILDREN CESARE AND LUCREZIA

      MAGELLAN

      BABUR

      CORTÉS

      HENRY VIII

      SULEIMAN THE MAGNIFICENT

      IVAN THE TERRIBLE

      ELIZABETH I

      AKBAR THE GREAT

      TOKUGAWA IEYASU

      GALILEO

      SHAKESPEARE

      ABBAS THE GREAT

      WALLENSTEIN

      CROMWELL

      AURANGZEB

      PEPYS

      LOUIS XIV

      NEWTON

      MARLBOROUGH

      PETER THE GREAT

      NADER SHAH

      VOLTAIRE

      SAMUEL JOHNSON

      FREDERICK THE GREAT

      CASANOVA

      CAPTAIN COOK

      CATHERINE THE GREAT

      POTEMKIN

      WASHINGTON

      JEFFERSON

      TOUSSAINT LOUVERTURE

      TALLEYRAND

      MOZART

      ROBESPIERRE

      NELSON

      WELLINGTON

      NAPOLEON I

      BEETHOVEN

      JANE AUSTEN

      SHAKA

      BYRON

      BALZAC

      PUSHKIN

      ALEXANDRE DUMAS PÈRE & FILS

      DISRAELI

      GARIBALDI

      NAPOLEON III

      LINCOLN

      JACK THE RIPPER

      DARWIN

      DICKENS

      BISMARCK

      FLORENCE NIGHTINGALE

      PASTEUR

      FRANCISCO LÓPEZ & ELIZA LYNCH

      TOLSTOY

      CIXI

      LEOPOLD II

      TCHAIKOVSKY

      CLEMENCEAU

      SARAH BERNHARDT

      MAUPASSANT

      OSCAR WILDE

      WILHELM II

      LLOYD GEORGE

      TOULOUSE-LAUTREC

      RASPUTIN

      GANDHI

      TRUJILLO

      LENIN

      UNGERN VON STERNBERG

      PROUST

      SHACKLETON, SCOTT & AMUNSDEN

      CHURCHILL

      IBN SAUD

      VILLA & ZAPATA

      STALIN

      EINSTEIN

      ENVER, TALAT & JEMAL: THE THREE PASHAS

      ATATÜRK

      PICASSO

      ROOSEVELT

      MUSSOLINI

      TOJO

      BEN-GURION

      HITLER

      NEHRU

      BULGAKOV

      FRANCO

      MAO ZEDONG

      ISAAC BABEL

      YEZHOV

      ZHUKOV

      CAPONE

      BERIA

      HEMINGWAY

      HIMMLER & HEYDRICH

      KHOMEINI

      ORWELL

      DENG XIAOPING

      DUVALIER

      SCHINDLER

      HOXHA OF ALBANIA

      KIM IL SUNG & KIM JONG IL

      ODETTE SANSOM


      JFK

      NASSER, SADAT, MUBARAK

      THE CEAUŞESCUS OF ROMANIA

      MANDELA

      THE SHAH OF IRAN

      JOHN PAUL II

      SAKHAROV

      NGUEMA

      POL POT

      IDI AMIN

      THATCHER

      ANNE FRANK

      GORBACHEV & YELTSIN

      ELVIS

      SADDAM HUSSEIN

      KADAFFI

      MUHAMMAD ALI

      AUNG SAN SUU KYI

      ESCOBAR

      OSAMA BIN LADEN

      LIST OF ILLUSTRATIONS

      ACKNOWLEDGMENTS

      Thank you to David North, Mark Smith, Patrick Carpenter and my editor, Josh Ireland, at Quercus; to my fellow contributors Dan Jones, Claudia Renton, John Bew and Martyn Frampton, all gifted historians; my agent Georgina Capel, Anthony Cheetham, Slav Todorov, Richard Milbank, Mark Hawkins-Dady; Professor F. M. Eloischari; Robert Hardman, Jonathan Foreman. And, above all, my darling children Lily and Sasha and my wife Santa.

      INTRODUCTION

      When I was a child, I read a short article—like one of those contained in this book—about the sinister world of Josef Stalin. It fascinated me enough to make me read more on the subject. Many years later, I found myself working in the Russian archives to research my first book on Stalin. My aim is that these short biographies will encourage and inspire readers to find out more about these extraordinary individuals—the men and women who created the world we live in today.

      But history is not just the drama of the terrible and thrilling events of times gone by: we must understand our past to understand our present and future. “Who controls the past controls the future,” wrote George Orwell, author of 1984, and, “Who controls the present controls the past.” Karl Marx joked about Napoleon and his nephew Napoleon III that “all historical facts and and personages appear twice—the first time as a tragedy, the second time as farce.” Marx was wrong about this—as he was about much else: history does not repeat itself but it contains many warnings and lessons. Great men and women have rightly studied history to help them steer the present. For example three of the 20th century’s most homicidal monsters, Hitler, Stalin and Mao—all of whom appear in this book—were history buffs who spent much of both their misspent youths and their years in power reading about their own historical heroes.

      At the time that Hitler came to order the slaughter of European Jewry in the Holocaust, he was encouraged by the Ottoman massacres of the Armenians during the First World War: “Who now remembers the Armenians?” he mused. The Armenian massacres feature in this book. When Stalin ordered the Great Terror, he looked back to the atrocities of his hero, Ivan the Terrible: “Who now remembers the nobles killed by Ivan the Terrible?” he asked his henchmen. Ivan the Terrible too is in this book. And Mao Zedong, as he unleashed waves of mass killings on China, was inspired by the First Emperor, another character who can be found in this book’s pages.

      This is a collection of biographies of individuals who have each somehow changed the course of world events. This list can never be either complete or quite satisfactory: I have chosen the names; thus the list is totally subjective. There may be names you think are missing and others whose very inclusion you question: that is the fun and frustration of lists. You will find familiar names here—Elvis Presley, Jack Kennedy, Jesus Christ, Bismarck and Winston Churchill for example—but also many you may not know. Our modern world is dominated by the Near and Far East so that in this book you will not just find “traditional” leaders such as Henry VIII or George Washington but also the creators of the rising powers of today: Ayatollah Khomeini, Supreme Leader of Islamic Iran, Deng, who forged modern China, King Ibn Saud, founder of Saudi Arabia.

      When I started this project, I tried to divide these characters into good and bad, but I realized that this was futile because many of the greatest—Napoleon, Cromwell, Genghis Khan, Peter the Great, to name just a few—combined the heroic with the monstrous. In this book, I leave it to you to make such judgments. We can go further still: the political and artistic genius of even the most admirable of these characters requires ambition, insensitivity, egocentricity, ruthlessness, even madness, as much it demands decency and heroism. “Reasonable people,” said George Bernard Shaw, “adapt themselves to the world. Unreasonable people adapt the world to themselves. Therefore change is only possible through unreasonable people.” Greatness needs courage (above all) and willpower, charisma, intelligence and creativity but it also demands characteristics that we often associate with the least admirable people: reckless risk-taking, brutal determination, sexual thrill-seeking, brazen showmanship, obsession close to fixation and something approaching insanity. In other words, the qualities required for greatness and wickedness, for heroism and monstrosity, for brilliant, decent philanthropy and brutal dystopian murderousness are not too far distant from each other. The Norwegians alone have a word for this: stormannsgalskap—the madness of great men.

      In the last half-century, many history teachers seemed to enjoy making history as boring as possible, reducing it to the dreariness of mortality rates, tons of coal consumed per household and other economic statistics, but the study of any period in detail shows that the influence of character on events is paramount, whether we are looking at the autocrats of the ancient world or the modern democratic politicians of our own day. In the 21st century, no one who looks at world history after 9/11 would now claim that the character of US President George W Bush was not decisive in its contribution to the momentous decisions that were taken during this period. Plutarch, the inventor of biographical history, puts this best in his introduction to his portraits of Alexander and Caesar: “It is not histories I am writing, but lives; and in the most glorious deeds, there is not always an indication of virtue, of vice; indeed a small thing like a phrase or a jest often makes a greater revelation of a character than battles where thousands die.”

      SIMON SEBAG MONTEFIORE

      RAMESES THE GREAT

      c. 1302–1213 BC

      His majesty slaughtered them all; they fell before his horse, and his majesty was alone, none with him.

      Inscription on the temple walls of Luxor

      Rameses II was the most magnificent of the Egyptian pharaohs, whose long reign—over sixty years—saw both military successes and some of the most impressive building projects of the ancient world. He subdued the Hittites and the Libyans, and led Egypt into a period of creative prosperity but he was probably the villain of the Exodus.

      Some of the greatest wonders of the ancient world owe their existence to Rameses: he typifies the old-fashioned hero-king, admired for his conquests and monumental works, often won and built at a terrible human cost. His reign marks the high point of the Egypt of the pharaohs, in terms of both imperial power and artistic output.

      During the reign of Rameses’ father, Seti I, Egypt had been involved in struggles for control over Palestine and Syria with the Hittites of Anatolia (in modern Turkey). Despite some initial success, when Rameses inherited the throne in 1279 BC Hittite power extended as far south as Kadesh in Syria.

      Having been a ranking military officer, in title at least, since the age of ten, Rameses was keen to begin his reign with a victory. However, his first engagement with the Hittites, at the Battle of Kadesh in 1274, was a strategic failure. Despite winning the battle, Rameses could not consolidate his position and capture the actual city of Kadesh. In the eighth or ninth year of his reign he captured towns in Galilee and Amor, and shortly afterward he broke through the Hittite defenses, taking the Syrian towns of Katna and Tunip. No Egyptian ruler had been in Tunip for at least 120 years.

      Despite these successes, Rameses found his advances against the Hittite empire unsustainable, so in 1258 the two sides met at Kadesh and agreed the first recorded peace treaty in history. With typical ostentation, the treaty was inscribed not on lowly papyrus but on silver, in both Egyptian and Hittite. It went further than merely agreeing to end hostilities; it also est
    ablished an alliance by which both sides agreed to help the other in the event of an attack from a third party. Refugees from the long years of conflict were given protection and the right to return to their homelands.

      The treaty ushered in a period of prosperity that lasted until the later years of Rameses’ reign. During that time the pharaoh indulged his ruling passion: building gargantuan monuments, many of which can still be seen in various parts of Egypt. The Ramesseum was a vast temple complex built near Kurna, which incorporated a school for scribes. It was decorated with pillars recording victories, such as the Battle of Kadesh, and featured statues of Rameses that stood 56ft (17m) tall and weighed more than 1000 tons. On an even bigger scale were the monuments built at the temple of Abu Simbel. Four colossal statues of Rameses, each more than 65ft (20m) high, dominate the vast façade of the temple, which also includes friezes and depictions of other Egyptian gods and pharaohs, and statues of Rameses’ favorites and family. Among these was his favorite wife Nefertari, who had her own, smaller temple built to the northeast. Her tomb in the Valley of the Queens features some of the most magnificent art of the entire ancient Egyptian period.

      These works are only a few of the vast architectural projects of Rameses’ reign. He completed the buildings of his father, finishing the hall at Karnak and the temple at Abydos, and in the east built the frontier city of Per-Atum. He inscribed his name and records of all his deeds on many of the monuments built by his predecessors. There is little of the surviving architecture of ancient Egypt that does not bear his mark.

      It is possible that Rameses was the pharaoh of the biblical book of Exodus, the ruler who cruelly enslaved the Israelites until God sent the ten plagues that persuaded the pharaoh to release the Chosen People: this miraculous escape is celebrated in the Jewish festival of Passover. They were led to freedom by an Israelite boy discovered abandoned in Nile bulrushes and raised as an Egyptian prince with the name Moses. As they wandered through Sinai, God granted Moses the Ten Commandments. If the Israelites obeyed them, God promised them the land of Canaan. When Moses asked the nature of this God, the answer came: “I am that I am.” But Moses died before he reached Canaan. It is highly likely that Rameses’s monuments were built by slave labor. Many Semites did settle in Egypt and Moses’ name is Egyptian, which suggests that he at least originated there. There is no reason to doubt that Moses, the first charismatic leader of the monotheistic religions, did receive a divine revelation after such an escape from slavery. Overall, the tradition of a Semitic people escaping captivity is plausible but defies dating.

     


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