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    The Voyage: Edited by Chandani Lokuge & David Morley

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    iv

      Ground Floor between Fiction and Poetry.

      The second time in as many days. It comes at me.

      The smell from where she sits between Travel

      and Crime is enough make browsers wrinkle

      features in ‘what is that ?’disgust. She stinks.

      Because clothes for sleeping rough, layer upon

      layer, are being walked in, underneath the visible

      leather-sheen great-coat and cap. Auschwitz ?

      That liberation shot at the wire ? No, here, beneath

      the 3 For 2 CD offers in the Borders Summer Sale.

      The truth is, she impregnates every last page of verse:

      the entire Carcanet list, the brand new Armitage,

      the Collected Muldoon, the Selected O’Hara, the new

      Billy Childish, 101 Poems That Will Change Your Life --

      you name it. We all track on by, join a queue

      to pay by plastic. She exits into Market Square, freeing

      up from under the cap her long streak-grey hair,

      making her way beyond us. I keep finding her

      days later, unremitting, unbearable still, in page

      after page of Paul Celan or Miklós Radnóti.

     

      v

      I’d made it-- broken the back

      of ‘Anna Karenina’ on a three day week

      of eight hour shifts, barely conscious

      of the world out there: the lines at Grunwick,

      the National Front, the exiled Shah. All done

      in top floor digs on the Lensfield Road, a room

      with a view over a carpark and a criminal

      Edwardian fire escape. Oliver’s army was here

      to stay. Talk over the chicken chow mein

      was of ‘narodnost’, commitment to the cause.

      Then to the place of labour: working flat out

      on bed or floor, a production line of borstal specials

      and Maxwell House brews from the communal tin.

      Snow drifted through

      the second night;

      an easterly wind jittering the string

      of the primitive extractor fan. History

      was one vast steppe. By dawn, water

      at Hobson’s Choice was laminated in ice.

      My classic set in Linotype Pilgrim fell apart

      at the death– individual leaves came away

      in my hands from the creased black spine.

      The only thing to stick was an image of Kitty

      and Levin under the Milky Way before the run

      of blank sheets you get at the very end.

     


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