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    Shakespeare

    Page 58
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      7 Quoted in Halliwell-Phillips, Volume Two, pages 355-6.

      8 ibid., page 363.

      9 ibid.

      10 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 106.

      11 Christine Eccles: The Rose Theatre, page 94.

      12 Quoted in P. Whitfield White: Theatre and Reformation, page 49.

      13 ibid., page 51.

      Chapter Twenty-six

      1 E.J.L. Scott (ed.): Letter Book of Gabriel Harvey (London, 1884), page 67.

      2 Quoted in G.K. Hunter: John Lyly: The Humanist as Courtier, page 87.

      3 Quoted in Charles Nicholl: A Cup of News: The Life of Thomas Nashe, page 61.

      4 Quoted in F.S. Boas: Christopher Marlowe, page 241.

      5 Quoted in Nicholl: The Reckoning, page 242.

      6 ibid., page 474.

      Chapter Twenty-seven

      1 Quoted in G.L. Hosking: The Life and Times of Edward Alleyn, page 36.

      2 See E.A.J. Honigmann: Shakespeare: The “Lost Years,” page 109.

      3 E.B. Everitt: The Young Shakespeare, page 61.

      Chapter Twenty-eight

      1 Quoted in Eric Sams: The Real Shakespeare, page 163.

      2 ibid., page 66.

      3 ibid., page 67.

      4 ibid.

      Chapter Twenty-nine

      1 The most notable defender is Eric Sams, in Shakespeare’s Lost Play: Edmund Ironside.

      2 I am indebted for these observations to Eric Sams.

      3 Quoted in Charles Praetorius (ed.): The Troublesome Raigne of John, King of England, page xvi.

      Chapter Thirty

      1 Quoted in Bate (ed.): The Romantics on Shakespeare, page 543.

      Chapter Thirty-one

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 305.

      2 Quoted in E.A.J. Honigmann (ed.): King John, pages xlviii-xlix (London, 1954).

      Chapter Thirty-two

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 306.

      2 ibid., page 298.

      3 ibid.

      4 Quoted in David George: “Shakespeare and Pembroke’s Men,” page 312.

      Chapter Thirty-three

      1 Quoted in George: “Shakespeare and Pembroke’s Men,” page 307.

      2 Quoted in Gross (ed.): After Shakespeare, page 23.

      3 Quoted in Bate (ed.): The Romantics on Shakespeare, page 279.

      Chapter Thirty-four

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume Two, page 831.

      2 Quoted in Nungezer: A Dictionary of Actors, page 78.

      3 ibid., page 72.

      4 Quoted in C.T. Onions and S. Lee (eds): Shakespeare’s England, Volume One, page 301.

      5 ibid., page 304.

      Chapter Thirty-five

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 347.

      2 Quoted in A. Freeman: Thomas Kyd, page 25.

      3 The best analysis of the whole episode is to be found in Charles Nicholl’s masterly The Reckoning.

      4 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 369.

      5 Quoted in G.P.V Akrigg: Shakespeare and the Earl of Southampton, page 182.

      6 Quoted in C.C. Stopes: The Life of Henry, 3rd Earl of Southampton, page 56.

      7 Quoted in Akrigg, Shakespeare and the Earl of Southampton, page 197.

      8 ibid.

      9 Quoted in Drake: Shakespeare and His Times, Volume Two, page 12.

      Chapter Thirty-six

      1 Richard Wilson: Secret Shakespeare, page 134.

      2 Quoted in F. Yates: John Florio, page 127.

      3 See in particular Stewart Trotter: Love’s Labour’s Found.

      4 Translation by H.T. Lowe-Parker.

      5 ibid.

      Chapter Thirty-eight

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 207.

      2 Quoted in Nungezer: A Dictionary of Actors, page 219.

      3 Quoted in M.C. Bradbrook: The Rise of the Common Player, page 72.

      4 Quoted in Irwin Smith: Shakespeare’s Blackfriars Playhouse, page 258.

      Chapter Thirty-nine

      1 Quoted in M. Hattaway: Elizabethan Popular Theatre, page 72.

      2 Quoted in Joseph: Elizabethan Acting, page 149.

      3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page214.

      4 ibid.

      5 Quoted by Daniel Seltzer: “Elizabethan Acting in Othello,” Shakespeare Quarterly, 10 (1959).

      6 Quoted in M. White: Renaissance Drama in Action, page 59.

      7 Quoted in Joseph: Elizabethan Acting, page 17.

      Chapter Forty

      1 Quoted in Joseph: Elizabethan Acting, page 9.

      2 Quoted in P. Thomson: Shakespeare’s Theatre, page 110.

      3 Fynes Moryson: Itinerary (London, 1617), page 476.

      4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 278.

      5 John Southworth: Shakespeare the Player, page 173.

      6 Quoted in J.B. Matthews: Molière: His Life and Works, page 39.

      7 Quoted in Shakespeare Survey, 17, page 197.

      8 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 84.

      9 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 262.

      10 ibid., page 190.

      11 Quoted in Michael Wood: In Search of Shakespeare, page 146.

      12 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 191.

      Chapter Forty-one

      1 Quoted in Gross (ed.): After Shakespeare, page 24.

      2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 133.

      3 I am indebted for these suggestions to Rolf Soellner’s essay, “Shakespeare’s Lucrece and the Garnier – Pembroke Connection,” Shakespeare Studies XV (1982).

      4 Quoted in Halliwell-Phillips: Outlines of the Life of Shakespeare, page 119.

      5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 197.

      6 John Donne: letter to Sir Henry Goodere in Letters to Severall Persons of Honour (1651).

      Chapter Forty-two

      1 Quoted in R. Fraser: Shakespeare: The Later Years, page 9.

      2 Quoted in R.A. Foakes (ed.): The Comedy of Errors, Arden edition (London, 1962), pages 116-7.

      3 Quoted in Picard: Elizabeth’s London, page 206.

      4 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 255.

      5 Quoted in W. Nicholas Knight: Shakespeare’s Hidden Life, page 159.

      6 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 255.

      Chapter Forty-three

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 393.

      2 See Peter Ackroyd: Albion (London: 2002).

      Chapter Forty-five

      1 Quoted in Bate (ed.): The Romantics on Shakespeare, page 182.

      2 Quoted in Emrys Jones: Scenic Form in Shakespeare, page 4.

      3 Quoted in R. Dutton: William Shakespeare: A Literary Life, page 113.

      4 Quoted in Gross (ed.): After Shakespeare, pages 23-4.

      Chapter Forty-six

      1 Quoted in Marchette Chute: Shakespeare of London, page 81.

      2 Quoted in Richard Dutton: “The Birth of the Author,” in R.B. Parker and S. Zitner (eds): Elizabethan Theater, page 73.

      Chapter Forty-seven

      1 Quoted in Gross (ed.): After Shakespeare, page 169.

      2 Quoted in Ivor Brown: Shakespeare and the Actors, page71.

      Chapter Forty-eight

      1 Quoted in Ian Archer: The Pursuit of Stability, page 1.

      2 ibid., page 10.

      3 Quoted in Schoenbaum: Shakespeare’s Lives, page 462.

      4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 253.

      5 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 421.

      6 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 353.

      7 See Peter Farey: Deception in Deptford, on the internet – www.users.globalnet
    .co.uk/˜hadland/tvp/tvpintro.htm

      8 ibid.

      9 Quoted in Jonathan Bate (ed.): Titus Andronicus, Arden edition (London, 1995), pages 43-4.

      Chapter Forty-nine

      1 Quoted in Peter Thomson: Shakespeare’s Professional Career, page 117.

      2 Julia Kristeva: Tales of Love, trans. L.S. Roudiez (New York, 1987), page 9.

      3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 416.

      Chapter Fifty

      1 I am indebted to Katherine Duncan-Jones for this observation.

      2 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 84.

      3 Noted in Brian Morris (ed.): The Taming of the Shrew, Arden edition (London, 1981), page 84.

      4 See Duncan-Jones: Ungentle Shakespeare, page 157. My discussion of this issue owes a great deal to her perspicacity.

      Chapter Fifty-one

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, pages 455-6.

      2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 108.

      3 Quoted in Leslie Hotson: Shakespeare versus Shallow, page 12.

      4 Quoted in J.Q. Adams: A Life of William Shakespeare, page 227.

      5 Quoted in Park Honan: Shakespeare: A Life, page 220.

      6 Quoted in Bate (ed.): The Romantics on Shakespeare, page 357.

      Chapter Fifty-two

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 248.

      2 Quoted in Adams: A Life of William Shakespeare, page 163.

      3 Quoted in Nungezer: A Dictionary of Actors, page 73.

      4 Quoted in R. Dutton: William Shakespeare: A Literary Life, page 42.

      5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 559.

      6 Quoted in Katherine Duncan-Jones (ed.): Shakespeare’s Sonnets, Arden edition (London, 1997), page 2.

      7 Quotations from Trotter: Love’s Labour’s Found, page 68.

      Chapter Fifty-three

      1 Quoted in Gross (ed.): After Shakespeare, page 17.

      2 I am indebted for this information to Eric Partridge: Shakespeare’s Bawdy, passim.

      3 Quoted in Stone: The Family, Sex and Marriage in England, page 519.

      4 Ted Hughes: Shakespeare and the Goddess of Complete Being, page 164.

      Chapter Fifty-five

      1 Quoted in Schoenbaum: Shakespeare’s Lives, p. 14.

      2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 178.

      3 Quoted in Honan: Shakespeare: A Life, page 237.

      4 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 178.

      Chapter Fifty-six

      1 Quoted in Nicholl: A Cup of News: The Life of Thomas Nashe, page 243.

      2 ibid.

      3 Quoted in Thomson: Shakespeare’s Professional Career, page 120.

      4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 196.

      5 Quoted in Brian Gibbons (ed.): Romeo and Juliet, Arden edition (London, 1980), page 3.

      6 I am indebted for this observation to Nicholl: A Cup of News, pages 2423.

      7 Fynes Moryson: Itinerary, page 476.

      8 Quoted in Thomson: Shakespeare’s Professional Career, page 85.

      Chapter Fifty-seven

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 95.

      2 E.A.J. Honigmann: The Stability of Shakespeare’s Texts, page 188.

      3 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 194.

      4 ibid., pages 197-8.

      5 See J.B. Leishmann (ed.): The Three Parnassus Plays, passim.

      6 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 195.

      Chapter Fifty-eight

      1 Quoted in Nicholas Knight: Shakespeare’s Hidden Life, page 199.

      2 ibid., page 205.

      3 ibid., page 216.

      4 Quoted in E.A.J. Honigmann: Shakespeare’s Impact on His Contemporaries, page 8.

      5 ibid., pages 8-9.

      Chapter Fifty-nine

      1 Quoted in Kay: Shakespeare: His Life, Work and Era, page 191.

      2 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 211.

      3 ibid., page 245.

      4 Quoted in Wood: In Search of Shakespeare, page 326.

      5 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 153.

      6 Quoted in Garry O’Connor: William Shakespeare: A Popular Life, page 161.

      Chapter Sixty

      1 John Stow: The Survey of London (London, 1912), page 154.

      2 Quoted in R.A. Foakes (ed.): Henslowe’s Diary, page 277.

      3 Quoted in Peter Ackroyd: London (London, 2000), page 690.

      4 Quoted in T.F. Ordish: Shakespeare’s London, page 129.

      Chapter Sixty-one

      1 See Bernard Beckerman: Shakespeare at the Globe, page 106.

      Chapter Sixty-three

      1 Quoted in Grace Ioppolo: Revising Shakespeare, page 213.

      2 Quoted in John Southworth: Shakespeare the Player, page 113.

      3 ibid.

      4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 97.

      Chapter Sixty-four

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 116.

      2 Quoted in C.S. Baskerville: The Elizabethan Jig, page 108.

      3 Quoted in Stephen Greenblatt: Shakespearean Negotiations, page 112.

      4 Simon Callow: Charles Laughton, page 6.

      5 Barnaby Rich: Roome for a Gentleman (London, 1609), page 23.

      6 Quoted in J.P. Collier: The History of English Dramatic Poetry to the Time of Shakespeare, Volume Three (London, 1931), page 145.

      7 Quoted in Christine Eccles: The Rose Theatre, page 31.

      8 Quoted in William C. Hazlitt (ed.): The English Drama and Stage (London, 1869), page 184.

      Chapter Sixty-five

      1 Quoted in M.C. Bradbrook: John Webster, page 21.

      2 Quoted in Gurr: Playgoing in Shakespeare’s London, page 47.

      3 ibid., page 45.

      4 Quoted in Onions and Lee: Shakespeare’s England, Volume One, page 276.

      5 Quoted in Joseph: Elizabethan Acting, page 141.

      6 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 155.

      Chapter Sixty-six

      1 See S. Sohmer: Shakespeare’s Mystery Play, pages 11-13.

      2 Quoted in Wood: In Search of Shakespeare, page 227.

      3 Quoted in Drake: Shakespeare and His Times, Volume Two, page 2.

      4 Quoted in Bate (ed.): The Romantics on Shakespeare, page 282.

      5 Quoted in F.D. Hoeniger (ed.): Pericles, Arden edition (London, 1962), page 146.

      6 Quoted in G. Schmidgall: Shakespeare and the Poet’s Life, page 125.

      7 Spurgeon: Shakespeare’s Imagery, page 190.

      8 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 214.

      Chapter Sixty-seven

      1 Quoted in A.R. Humphreys (ed.): Much Ado About Nothing, Arden edition (London, 1981), page 33.

      2 D. Wiles: Shakespeare’s Clown, page 136.

      3 Quoted in Nungezer (ed.): A Dictionary of Actors, page 17.

      4 ibid., page 19.

      Chapter Sixty-eight

      1 Quoted in Gurr: Playgoing in Shakespeare’s London, page 155.

      2 Quoted in Adams: A Life of William Shakespeare, pages 325-6.

      3 Quoted in Leishmann (ed.): The Three Parnassus Plays, page 59.

      4 Quoted in Fripp: Shakespeare: Man and Artist, Volume Two, page 566.

      5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 199.

      Chapter Sixty-nine

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 323.

      2 ibid., page 324.

      3 ibid., page 326.

      4 ibid., page 325.

      Chapter Seventy

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 42.

      2 Quoted in Mark Eccles: Shakespeare in Warwickshire, page
    99.

      3 See in particular Richard Wilson: Will Power, pages 104-17.

      Chapter Seventy-one

      1 Wrightson: English Society, 1580-1680, page 197.

      2 Quoted in Gross (ed.): After Shakespeare, page 162.

      3 Quoted in Onions and Lee (eds): Shakespeare’s England, Volume One, page 42.

      4 Quoted in Halliwell-Phillips: Outlines of the Life of Shakespeare, Volume One, page 314.

      5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 197.

      Chapter Seventy-two

      1 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 165.

      2 Quoted in Honan: Shakespeare: A Life, page 320.

      3 ibid., page 319.

      4 ibid., page 320.

      5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 177.

      6 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 165.

      7 ibid., page 166.

      8 Quoted in Stephanie Nolen: Shakespeare’s Face, page 164.

      9 Onions and Lee (eds): Shakespeare’s England, Volume Two, page 20.

      10 Quoted in Duncan-Jones: Ungentle Shakespeare, page 197.

      11 Fripp: Shakespeare’s Stratford, page 75.

      Chapter Seventy-three

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 328.

      2 First noticed by Katherine Duncan-Jones in Ungentle Shakespeare, pages 157-8.

      3 Quoted in A. Cargill: Shakespeare the Player, page 5.

      Chapter Seventy-four

      1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 189.

      2 Quoted in Duncan-Jones: Ungentle Shakespeare, page 165.

      3 See Neville Coghill: Shakespeare’s Professional Skills, page 78 ff.

      4 Quoted in R.M. Foakes (ed.): Henslowe’s Diary, page 47.

      Chapter Seventy-five

      1 Quoted in Fripp: Shakespeare: Man and Artist, Volume Two, page 588.

      2 Quoted in Honan: Shakespeare: A Life, page 301.

      3 ibid., page 299.

      4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, pages 214-15.

     


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