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    In an Absent Dream

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      Diana’s eyes filled with slow and terrible tears. “I thought you loved me.”

      “I do love you, Diana, I genuinely do, but the place I belong…” She hesitated. “If I don’t go back before I turn eighteen, I can’t go back at all. I can’t imagine growing old in this world. I’m sorry, I can’t. If I stay any longer, I could be trapped.”

      “I wanted…” Diana shook her head. “I wanted you to see me go to high school. I wanted a sister. Can’t you stay and be my sister?”

      Lundy hesitated. Then, finally, in a small voice, she said, “I can try.”

      * * *

      SEE HER NOW as she was then, almost a woman, still technically a child, running, running, through the trees, a shopping bag filled with everything she could grab—forks and spoons and candlesticks, lace doilies and roller skates—thumping against her hip as her feet pound against the soil. How she runs, Katherine Lundy, sweet seventeen and running out of time.

      How she ran.

      She reached the door, flung it open, flung herself inside, past the rules and through the passage, out into the evening air. It smelled sweet; it smelled like home.

      She kept running.

      The shutters were open at Vincent’s pie stand. Moon, who had somehow become a young woman while she wasn’t looking—while she was away doing the same in a foreign land—lifted her head from the dough she’d been kneading, surprise slowly bleeding into delight.

      “Lundy!” she cried. “Are you home? Are you finally home? I was so worried, I thought—”

      “I need to stop,” said Lundy.

      Moon blinked. “What?”

      “I need to stop,” repeated Lundy. “My sister, she’s not ready to let me go, and the Archivist said I had to take the oath before I turned eighteen. If I can stop getting older, I won’t turn eighteen. I need to stay where I am for a little while, until Diana can let go, and I can come home. Please, will you help me?” She held up her bag. “I’m prepared to give fair value.”

      “I—”

      “Please.”

      Moon stopped. In a small voice, she said, “Follow me.” Then she turned, not bothering to remove her apron, and walked away from the dough on the counter.

      Lundy followed. Together, not quite side by side, they walked the length of the Market, until they reached a familiar trail, until a small, rickety shack came into view. Moon stopped. Lundy looked at her curiously.

      “This is as far as I go,” said Moon. “You were my best friend ever. Remember that, okay? I loved you a lot. Even if you did build a boat big enough to bury yourself in.” Then she turned and walked away.

      Lundy blinked after her for a moment before she started, cautiously, toward the shack. The door was closed. Opening it seemed wrong; instead, she raised her hand, and knocked.

      The door swung open. The Archivist was there. Wearily, she looked at Lundy, and asked, “It’s to be this, is it? What have you come to ask me for?”

      “I…” Lundy took a breath. “My sister needs me. I don’t want to turn eighteen. I need to wait. Can you help me wait?”

      “Lundy—”

      “Please.”

      “What you’re asking for isn’t what you want. Come home. Stay with us. Be safe and happy and stay.”

      Lundy, lover of rules, lover of loopholes, shook her head. Like a dog with a bone, she had found her solution. “No. If I don’t turn eighteen, the curfew doesn’t apply. I can stay. Please.”

      The Archivist closed her eyes for a long moment. When she opened them again, the weariness was gone, replaced with sorrow. “Can you give fair value?”

      Silently, Lundy held out her sack of stolen trinkets. The Archivist took it, ran her hand through its contents, and sighed.

      “Wait here,” she said, and vanished into the shack. When she returned, she no longer held the sack. Instead, she held a small vial the color of a ripe strawberry, carved from a single bright crystal. She offered it to Lundy.

      Lundy took it.

      “If you drink this,” she said, “you will not turn eighteen. But it isn’t … Please. You asked a question, and you paid the price of it, but please. There will be consequences if you do this. Stay. Please. Just stay.”

      “Whatever the consequences are, I’ll pay them,” said Lundy, and opened the vial, and drank.

      It tasted like water. It tasted like nothing. It tasted like tears. Again, the Archivist sighed. Lundy looked at her. She was crying.

      “The rules are the rules,” said the Archivist. “They were set for a reason. I set them for a reason.”

      Lundy’s eyes widened. “What?”

      “Names have power, child,” said the Archivist. “Titles, too. They call me ‘the Archivist’ because it would be an insult to call me by my name. But I was here first, and I will be here last, and the Market lives because I am its heart. I loved you so much. I truly did.”

      “I don’t…”

      “I asked you to remember the curfew, and you did, you did, but you didn’t give me fair value for it, because you forgot Mockery.” The Archivist—the Market—seemed to shimmer, and for a moment she was a girl with white feathers tangled in her hair, a sign of the swan she could have been, if she had lived, if she had been given time enough to grow. “You forgot that sometimes, fair value comes from change, and death, and sacrifice. You can’t have everything and give fair value. You can’t stop your clock and expect to stay a part of the world. You’ve followed the rules, my love, my little Lundy, but you’ve betrayed them at the same time, and your punishment is the punishment that has awaited all rulebreakers, for a broken rule pains us all. Banishment. Go.”

      Lundy’s eyes went wide. “How will I get the potion to start me aging again?”

      The Market smiled, heartbroken. “You don’t.”

      She closed the door.

      Lundy tried to reach for it, and found she couldn’t move; couldn’t breathe. Couldn’t do anything but stand there, struggling against the air, until she turned on her heel and fled, running back the way she had come.

      None of the people she passed would look her in the eye. Vincent’s stall was shuttered; Moon was nowhere to be seen. Lundy ran on, fighting against the ache in her lungs, the rejection she could feel from every side, until the door was there, slamming open to admit her.

      There was no release even in the passage, which pressed down against her like it was trying to force her out. She stumbled to the final door, tumbled out into the dust, and fell to her hands and knees, gasping.

      When she had her breath back, she looked behind herself. The door was gone.

      “I was sure,” she whispered, and all was silence.

      EPILOGUE

      COME BUY, COME BUY

      1990

      THE WOMAN, WHO APPEARED to be in her early fifties, and was dressed like she had never met a color she didn’t feel compelled to keep somewhere on her person, stepped out of her car and considered the house. It looked perfectly ordinary in every possible way, as did the town around it. She knew better. She paid attention, which was sometimes the dearest coin of all, and she had heard the rumors, the stories of a little girl who aged, not forward as children are intended to do, but in reverse, slow as the hands of a clock running backward.

      (One of those rumors had come in the form of a letter from the girl’s younger sister turned older and wiser and sadder. “My sister disappeared when she was a child,” the woman had written. “Now my son has done the same, and I think it’s happening again, and she still needs someone to save her…”)

      “Well,” she said, and started up the walk. The doorbell was in good repair; the sound it made rang out clearly. Settling on her heels, she waited.

      The door opened, just a crack, several minutes later. “My parents aren’t home,” said the girl on the other side, who couldn’t have been more than fourteen years old, but who had the eyes of a woman grown and condemned.

      “I know, dear,” said the woman. She smiled, clearly trying to be engaging. “My name is Eleanor West. I’ve been looking for you for qui
    te some time, Miss Lundy. I think we’re going to be very good friends, you and I.”

      Slowly, Lundy pulled the door open and looked at Eleanor. Neither said a word.

      It was not, perhaps, a happy ending. But it was what they had, and so we shall leave them to it as we head on, ever on, toward the next, patiently waiting door.

      ALSO BY SEANAN MCGUIRE

      Dusk or Dark or Dawn or Day

      Deadlands: Boneyard

      THE GHOST ROADS SERIES

      Sparrow Hill Road

      The Girl in the Green Silk Gown

      THE WAYWARD CHILDREN SERIES

      Every Heart a Doorway

      Down Among the Sticks and Bones

      Beneath the Sugar Sky

      THE OCTOBER DAYE SERIES

      Rosemary and Rue

      A Local Habitation

      An Artificial Night

      Late Eclipses

      One Salt Sea

      Ashes of Honor

      Chimes at Midnight

      The Winter Long

      A Red-Rose Chain

      Once Broken Faith

      The Brightest Fell

      Night and Silence

      THE INCRYPTID SERIES

      Discount Armageddon

      Midnight Blue-Light Special

      Half-Off Ragnarok

      Pocket Apocalypse

      Chaos Choreography

      Magic for Nothing

      Tricks for Free

      That Ain’t Witchcraft

      THE INDEXING SERIES

      Indexing

      Indexing: Reflections

      AS MIRA GRANT

      THE NEWSFLESH SERIES

      Feed

      Deadline

      Blackout

      Feedback

      Rise: The Complete Newsflesh Collection (short stories)

      THE PARASITOLOGY SERIES

      Parasite

      Symbiont

      Chimera

      Rolling in the Deep

      Into the Drowning Deep

      Final Girls

      Kingdom of Needle and Bone

      ABOUT THE AUTHOR

      Seanan lives in the Pacific Northwest with her cats, in a faintly haunted house that overlooks a swamp. She has never been happier.

      Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and in 2013 she became the first person ever to appear five times on the same Hugo ballot. She has won two Alex Awards, in 2017 and 2018, making her the first person to win the Alex two years in a row.

      She is probably coming soon to a cornfield near you. You can sign up for email updates here.

      Thank you for buying this

      Tom Doherty Associates ebook.

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      and info on new releases and other great reads,

      sign up for our newsletters.

      Or visit us online at

      us.macmillan.com/newslettersignup

      For email updates on the author, click here.

      CONTENTS

      Title Page

      Copyright Notice

      Dedication

      Epigraph

      Part I: What We Would Reap

      1. A Very Ordinary Garden

      2. When Is a Door Not a Door?

      3. Rules Are Rules, No Exceptions, No Appeal

      4. Fair Value

      5. A Beginning Ends

      Part II: We First Must Sow

      6. Back Through the Impossible Door

      7. Fly Away, Fly Away Home

      8. By the Fire

      9. With Ribbons for Her Hair

      Part III: Where We Would Be

      10. In Which a Quest Begins and Ends

      11. In Air as Clear as Crystal

      12. On Wings So Wide

      Part IV: We First Must Go

      13. One More Door

      14. Promises and Paperwork

      15. Fair Value

      Epilogue

      Also by Seanan McGuire

      About the Author

      Copyright

      This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

      IN AN ABSENT DREAM

      Copyright © 2018 by Seanan McGuire

      All rights reserved.

      Cover design by Jamie Stafford-Hill

      A Tor.com Book

      Published by Tom Doherty Associates

      175 Fifth Avenue

      New York, NY 10010

      www.tor-forge.com

      Tor® is a registered trademark of Macmillan Publishing Group, LLC.

      The Library of Congress Cataloging-in-Publication Data is available upon request.

      ISBN 978-0-7653-9929-8 (hardcover)

      ISBN 978-0-7653-9928-1 (ebook)

      eISBN 9780765399281

      Our ebooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by email at MacmillanSpecialMarkets@macmillan.com.

      First Edition: January 2019

     

     

     



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