in corners of the chamber:
which opened then, as he turned
with a joyful face
to look at the moon.
North
I returned to a long strand,
the hammered curve of a bay,
and found only the secular
powers of the Atlantic thundering.
I faced the unmagical
invitations of Iceland,
the pathetic colonies
of Greenland, and suddenly
those fabulous raiders,
those lying in Orkney and Dublin
measured against
their long swords rusting,
those in the solid
belly of stone ships,
those hacked and glinting
in the gravel of thawed streams
were ocean-deafened voices
warning me, lifted again
in violence and epiphany.
The longship’s swimming tongue
was buoyant with hindsight –
it said Thor’s hammer swung
to geography and trade,
thick-witted couplings and revenges,
the hatreds and behind-backs
of the althing, lies and women,
exhaustions nominated peace,
memory incubating the spilled blood.
It said, ‘Lie down
in the word-hoard, burrow
the coil and gleam
of your furrowed brain.
Compose in darkness.
Expect aurora borealis
in the long foray
but no cascade of light.
Keep your eye clear
as the bleb of the icicle,
trust the feel of what nubbed treasure
your hands have known.’
Viking Dublin: Trial Pieces
I
It could be a jaw-bone
or a rib or a portion cut
from something sturdier:
anyhow, a small outline
was incised, a cage
or trellis to conjure in.
Like a child’s tongue
following the toils
of his calligraphy,
like an eel swallowed
in a basket of eels,
the line amazes itself
eluding the hand
that fed it,
a bill in flight,
a swimming nostril.
II
These are trial pieces,
the craft’s mystery
improvised on bone:
foliage, bestiaries,
interlacings elaborate
as the netted routes
of ancestry and trade.
That have to be
magnified on display
so that the nostril
is a migrant prow
sniffing the Liffey,
swanning it up to the ford,
dissembling itself
in antler combs, bone pins,
coins, weights, scale-pans.
III
Like a long sword
sheathed in its moisting
burial clays,
the keel stuck fast
in the slip of the bank,
its clinker-built hull
spined and plosive
as Dublin.
And now we reach in
for shards of the vertebrae,
the ribs of hurdle,
the mother-wet caches –
and for this trial piece
incised by a child,
a longship, a buoyant
migrant line.
IV
That enters my longhand,
turns cursive, unscarfing
a zoomorphic wake,
a worm of thought
I follow into the mud.
I am Hamlet the Dane,
skull-handler, parablist,
smeller of rot
in the state, infused
with its poisons,
pinioned by ghosts
and affections,
murders and pieties,
coming to consciousness
by jumping in graves,
dithering, blathering.
V
Come fly with me,
come sniff the wind
with the expertise
of the Vikings –
neighbourly, scoretaking
killers, haggers
and hagglers, gombeen-men,
hoarders of grudges and gain.
With a butcher’s aplomb
they spread out your lungs
and made you warm wings
for your shoulders.
Old fathers, be with us.
Old cunning assessors
of feuds and of sites
for ambush or town.
VI
‘Did you ever hear tell,’
said Jimmy Farrell,
‘of the skulls they have
in the city of Dublin?
White skulls and black skulls
and yellow skulls, and some
with full teeth, and some
haven’t only but one,’
and compounded history
in the pan of ‘an old Dane,
maybe, was drowned
in the Flood.’
My words lick around
cobbled quays, go hunting
lightly as pampooties
over the skull-capped ground.
Bone Dreams
I
White bone found
on the grazing:
the rough, porous
language of touch
and its yellowing, ribbed
impression in the grass –
a small ship-burial.
As dead as stone,
flint-find, nugget
of chalk,
I touch it again,
I wind it in
the sling of mind
to pitch it at England
and follow its drop
to strange fields.
II
Bone-house:
a skeleton
in the tongue’s
old dungeons.
I push back
through dictions,
Elizabethan canopies,
Norman devices,
the erotic mayflowers
of Provence
and the ivied Latins
of churchmen
to the scop’s
twang, the iron
flash of consonants
cleaving the line.
III
In the coffered
riches of grammar
and declensions
I found bān-hūs,
its fire, benches,
wattle and rafters,
where the soul
fluttered a while
in the roofspace.
There was a small crock
for the brain,
and a cauldron
of generation
swung at the centre:
love-den, blood-holt,
dream-bower.
IV
Come back past
philology and kennings,
re-enter memory
where the bone’s lair
is a love-nest
in the grass.
I hold my lady’s head
like a crystal
and ossify myself
by gazing: I am screes
on her escarpments,
a chalk giant
carved upon her downs.
Soon my hands, on the sunken
fosse of her spine,
move towards the passes.
V
And we end up
cradling each other
between the lips
of an earthwork.
As I estimate
for pleasure
her knuckles’ paving,
the turning stiles
of the elbows,
the
vallum of her brow
and the long wicket
of collar-bone,
I have begun to pace
the Hadrian’s Wall
of her shoulder, dreaming
of Maiden Castle.
VI
One morning in Devon
I found a dead mole
with the dew still beading it.
I had thought the mole
a big-boned coulter
small and cold
as the thick of a chisel.
I was told, ‘Blow,
blow back the fur on his head.
Those little points
were the eyes.
And feel the shoulders.’
I touched small distant Pennines,
a pelt of grass and grain
running south.
Bog Queen
I lay waiting
between turf-face and demesne wall,
between heathery levels
and glass-toothed stone.
My body was braille
for the creeping influences:
dawn suns groped over my head
and cooled at my feet,
through my fabrics and skins
the seeps of winter
digested me,
the illiterate roots
pondered and died
in the cavings
of stomach and socket.
I lay waiting
on the gravel bottom,
my brain darkening,
a jar of spawn
fermenting underground
dreams of Baltic amber.
Bruised berries under my nails,
the vital hoard reducing
in the crock of the pelvis.
My diadem grew carious,
gemstones dropped
in the peat floe
like the bearings of history.
My sash was a black glacier
wrinkling, dyed weaves
and Phoenician stitchwork
retted on my breasts’
soft moraines.
I knew winter cold
like the nuzzle of fjords
at my thighs –
the soaked fledge, the heavy
swaddle of hides.
My skull hibernated
in the wet nest of my hair.
Which they robbed.
I was barbered
and stripped
by a turf-cutter’s spade
who veiled me again
and packed coomb softly
between the stone jambs
at my head and my feet.
Till a peer’s wife bribed him.
The plait of my hair,
a slimy birth-cord
of bog, had been cut
and I rose from the dark,
hacked bone, skull-ware,
frayed stitches, tufts,
small gleams on the bank.
The Grauballe Man
As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep
the black river of himself.
The grain of his wrists
is like bog oak,
the ball of his heel
like a basalt egg.
His instep has shrunk
cold as a swan’s foot
or a wet swamp root.
His hips are the ridge
and purse of a mussel,
his spine an eel arrested
under a glisten of mud.
The head lifts,
the chin is a visor
raised above the vent
of his slashed throat
that has tanned and toughened.
The cured wound
opens inwards to a dark
elderberry place.
Who will say ‘corpse’
to his vivid cast?
Who will say ‘body’
to his opaque repose?
And his rusted hair,
a mat unlikely
as a foetus’s.
I first saw his twisted face
in a photograph,
a head and shoulder
out of the peat,
bruised like a forceps baby,
but now he lies
perfected in my memory,
down to the red horn
of his nails,
hung in the scales
with beauty and atrocity:
with the Dying Gaul
too strictly compassed
on his shield,
with the actual weight
of each hooded victim,
slashed and dumped.
Punishment
I can feel the tug
of the halter at the nape
on her naked front.
It blows her nipples
to amber beads,
it shakes the frail rigging
of her ribs.
I can see her drowned
body in the bog,
the weighing stone,
the floating rods and boughs.
Under which at first
she was a barked sapling
that is dug up
oak-bone, brain-firkin:
her shaved head
like a stubble of black corn,
her blindfold a soiled bandage,
her noose a ring
to store
the memories of love.
Little adulteress,
before they punished you
you were flaxen-haired,
undernourished, and your
tar-black face was beautiful.
My poor scapegoat,
I almost love you
but would have cast, I know,
the stones of silence.
I am the artful voyeur
of your brain’s exposed
and darkened combs,
your muscles’ webbing
and all your numbered bones:
I who have stood dumb
when your betraying sisters,
cauled in tar,
wept by the railings,
who would connive
in civilized outrage
yet understand the exact
and tribal, intimate revenge.
Strange Fruit
Here is the girl’s head like an exhumed gourd.
Oval-faced, prune-skinned, prune-stones for teeth.
They unswaddled the wet fern of her hair
And made an exhibition of its coil,
Let the air at her leathery beauty.
Pash of tallow, perishable treasure:
Her broken nose is dark as a turf clod,
Her eyeholes blank as pools in the old workings.
Diodorus Siculus confessed
His gradual ease among the likes of this:
Murdered, forgotten, nameless, terrible
Beheaded girl, outstaring axe
And beatification, outstaring
What had begun to feel like reverence.
Kinship
I
Kinned by hieroglyphic
peat on a spreadfield
to the strangled victim,
the love-nest in the bracken,
I step through origins
like a dog turning
its memories of wilderness
on the kitchen mat:
the bog floor shakes,
water cheeps and lisps
as I walk down
rushes and heather.
I love this turf-face,
its black incisions,
the cooped secrets
of process and ritual;
I love the spring
off the ground,
each bank a gallows drop,
each open pool
the unstopped mouth
of an urn, a moon-drinker,
not to be sounded
by the naked eye.
&nbs
p; II
Quagmire, swampland, morass:
the slime kingdoms,
domains of the cold-blooded,
of mud pads and dirtied eggs.
But bog
meaning soft,
the fall of windless rain,
pupil of amber.
Ruminant ground,
digestion of mollusc
and seed-pod,
deep pollen-bin.
Earth-pantry, bone-vault,
sun-bank, embalmer
of votive goods
and sabred fugitives.
Insatiable bride.
Sword-swallower,
casket, midden,
floe of history.
Ground that will strip
its dark side,
nesting ground,
outback of my mind.
III
I found a turf-spade
hidden under bracken,
laid flat, and overgrown
with a green fog.
As I raised it
the soft lips of the growth
muttered and split,
a tawny rut