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    Longer Views

    Page 53
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      Tristram Shandy (Sterne), 161

      Triton [Trouble on Triton] (Delany), xvii, xxiv, xxxi

      “Tunnel, The” (Crane), 218, 224

      20,000 Leagues Under the Sea [20,000 lieuesn sous la mer] (Verne), 150, 168, 260

      Twice-Told Tales (Hawthorne), 25

      Tyler, Stephen, xxiii

      Tzara, Tristan, 4

      Uccello, Paolo, 29, 30

      Ullian, J. S., 273

      Ulysses (Joyce), 80, 162, 166, 183, 184, 186, 187, 208

      Ulysses: A Study (Gilbert), 186

      Uncle Tom’s Cabin (Stowe), 37

      Underwood, Wilbur, 242

      Universe and Dr. Einstein, The (Barnett), 310

      Unterecker, John, 187, 190, 192, 212, 238, 241–243

      “The Architecture of The Bridge,” 187

      Voyager, 238, 243

      Valéry, Paul, 146, 217

      Van Duyn, Mona, 15

      van Gogh, Theo, 7

      van Gogh, Vincent, 7–10

      Wheatfield with Crows, 8

      “Van Gogh, the Man Suicided by Society” (Artaud), 7–10

      van Vogt, A. E., 266, 269

      “Van Winkle” (Crane), 219, 224

      Vaugh, Henry, 191

      Venus de Milo, the, 21, 255

      Verdi, Giuseppi, 34

      Verne, Jules, 150, 260

      From the Earth to the Moon, 260

      20,000 lieues sous la mer, 150, 168, 260

      Vidal, Gore, 205

      The City and the Pillar, 205

      Videodrome (Cronenberg), 149

      Villard, Oswald Garrison, 191, 222

      20,0000 lieues sous la mer [20,000] Leagues Under the Sea] (Verne), 150, 168, 260

      “Virginia” (Crane), 189, 224

      Visionary Company, The (Bloom), 198n

      Voelker, Hunce, 183

      The Hart Crane Voyages, 183

      Vogt, Gertrude E, 190, 243

      Volksblätter, Die, 46, 51, 52, 56, 58, 60

      Vollmann, William T., 166

      You Bright and Risen Angels, 166

      Vonnegut, Kurt, 147

      A Voyage to the Land of the Tarahumara [The Peyote Dance] (Artaud), 3

      Voyager (Unterecker), 238, 243

      Voyages (Crane), 184, 186, 187, 200, 205, 214, 239

      “Voyages I,” 239, 246

      “Voyages II,” 184, 185

      W. H. Auden: Collected Poems (Auden), 240

      “Waddah and Om-El-Bonain” (Thomson [B.V.]), 228

      Wagner, Cosima, 3, 39, 43, 70

      Wagner, Joanna, 1

      Wagner, Klara, 61

      Wagner, Minna Planer, 48, 57, 61

      Wagner, Richard, x, xxvi–xxx, 1–3, 16–23, 31–34, 37, 39–76, 78–84, 103, 203, 204

      “An einen Staatsanwalt,” 52

      Art and Revolution, 3, 16, 48, 63

      The Artwork of the Future, 3, 16, 48

      “Germany and its Princes,” 52

      Götterdämmerung, 55, 83, 203, 204

      “Greetings from Saxony to the Viennese,” 52

      “Here Comes the Bride,” 21

      “Jewry in Music,” 3, 48, 57, 67, 72

      Liebestod, 21

      Lohengrin, 21, 45, 56, 59, 61, 73

      Mein Leben, 43–45, 47–54, 60, 64, 67

      Die Meistersinger von Nürnberg, 18

      “Die Noth,” 52

      Opera and Drama, 3, 16, 48, 71

      Parsifal, 69, 70, 74, 204

      “Prose Sketch” for Ring cycle, 56, 61

      “Revolution,” 53, 63

      Das Rheingold, 69, 83

      “The Ride of the Valkyries,” 21

      Rienzi, 16, 45

      Der Ring des Nibelungen, 21, 22, 40, 42, 48, 49, 53, 54, 56, 57, 63, 66, 68–70, 72, 74, 76, 79, 83, 203

      Siegfried, 69

      Siegfrieds Tod, 56, 57

      Tannhäuser, 1, 45

      Tristan und Isolde, 16, 21, 22, 44, 68, 80, 204

      Die Walküre, 16, 21, 203, 204

      “The Wibelungs: World History as Revealed in Saga,” 54

      Wagner Rehearsing the Ring (Porges), 70, 71

      Walker, Kenneth, 242

      Gurdjieff’s Teaching, 242

      Walküre, Die (Wagner), 16, 21, 203, 204

      Walser, Robert, 151

      “Wanderer, The” (Williams), 189

      “Wanderings of Cain, The” (Coleridge), 145

      Warren, David, 297

      Waste Land, The (Eliot), 72, 82, 166, 174, 193, 201, 206, 208, 228, 230, 233, 239

      We Who Are About To . . . (Russ), xxxii, 91, 147–149

      Weber, Brom, 192, 238–243

      Webern, Anton von, 17, 80

      Weideger, Paula, 139

      History’s Mistress, 139

      Weiner, Norbert, 89

      Well of Loneliness, The (Hall), 141

      Weller, Mathilda, 231–233

      Wells, H. G., 146, 260

      The Food of the Gods, 260

      Things to Come, 146

      Wesendonk, Mathilde von, 44

      Weston, Jessie L., 72

      From Ritual to Romance, 72

      The Legends of the Wagner Dramas, 72

      Whalen, Philip, 259

      What (Silliman), 170

      “What Do You Do Sunday, Mary” (Caesar), 189

      What Entropy Means to Me (Effinger), 258

      What’s O’Clock (Lowell), 209

      Wheatfield with Crows (van Gogh), 8

      Wheelright, John Brooks, 198

      White, E. B., xvii

      White, Edmund, xvi

      White, Louise, 103

      White Buildings (Crane), 194, 224, 238

      Whitman, Walt, 15, 139, 191–193, 205, 218–222, 224, 237, 259

      Leaves of Grass, 219

      “Passage to India,” 192, 219, 221

      “Prayer of Columbus,” 219

      Specimen Days, 220

      “To One Shortly to Die,” 220

      “Wibelungs: World History as Revealed in Saga, The” (Wagner), 54

      Wild Seed (Butler), 116

      Wilde, Oscar, 33, 139, 182, 202, 215

      The Picture of Dorian Gray, 202

      Wilhelm, August, 230

      William Tell overture (Rossini), 21

      Williams, Oscar, 238

      Williams, Tennessee, 197n

      Summer and Smoke, 197n

      Williams, William Carlos, 189, 191, 209, 226

      In the American Grain, 189, 226

      “The Wanderer,” 189

      Wilson, Edmund, 209

      Wilson, Robert, 17

      Winters, Yvor, 191–193, 198–201, 216, 217, 223, 241–243

      The Bare Hills, 199

      On Modern Poets, 192

      “The Significance of The Bridge by Hart Crane . . .,” 192, 199

      Wittgenstein, Ludwig, xvii, xxv, 263, 282, 319

      Tractatus, 265

      Witton-Doris, John, 257

      Woman: A Historical, Gynecological and Anthropological Compendium (Ploss), 139

      Woolf, F. A., 164

      Woolf, Virginia, 32

      Woolsey, John M., 186

      “Words” (Greenberg), 245

      Wordsworth, William, 35, 145, 180, 181

      Lyrical Ballads, 180

      “Ruth,” 145

      “The Work of Art in the Age of Mechanical Reproduction” (Benjamin), 76

      World of Trouble, A (Toomey), 258

      Writing Life, The (Dillard), xiv

      Yarbro, Chelsea Quinn, 90

      Yeats, William Butler, 27, 32, 199

      Yingling, Thomas, 194, 195, 198, 199, 202, 210, 218

      Hart Crane and the Homosexual Text, 194, 218

      You Bright and Risen Angels (Vollmann), 166

      Young Törless (Musil), 141, 205

      Zeffirelli, Franco, 18

      Zukofsky, Louis, 166, 167

      “A,” 166, 167

      University Press of New England publishes books under its own imprint and is the publisher for Brandeis University Press, Dartmouth College, Middlebury College Press, University of New Hampshire, University of Rhode Island, Tufts University, University of Vermont, W
    esleyan University Press, and Salzburg Seminar.

      About the Author

      Samuel R. Delany is Professor of Comparative Literature at the University of Massachusetts, Amherst. His many books include the Return to Nevèrÿon series, Dhalgren, and Trouble on Triton, reissued by Wesleyan University Press; Atlantis: Three Tales (1995), Silent Interviews (1994), The Motion of Light in Water (1987), and Stars in My Pocket Like Grains of Sand (1984).

      Library of Congress Cataloging-in-Publication Data

      Delany, Samuel R.

      Longer Views : extended essays / Samuel R. Delany ; with an introduction by Ken James,

      p. cm.

      Includes index.

      ISBN 0–8195–5281–X (alk. paper).

      ISBN 0–8195–6293–9 (pbk. : alk paper)

      I. Title.

      PS3554.E437L66 1996

      814′.54–dc20 96–1237

     

     

     



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