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    Longer Views: Extended Essays

    Page 52
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      Moore, Marianne, 149

      More Than Human (Sturgeon), 321

      Morgan, Robert, 261

      “Morning” (Blake), 218

      Morrison, Jim, 198n

      “Riders of the Storm,” 198n

      Motion of Light in Water, The (Delany), xv, xxvi, xxxi, 129

      Mots et les choses, Les (Foucault), 9

      Mouches, Les [The Flies] (Sartre), 80, 317

      Mourning Becomes Electra (O’Neill), 317

      Mozart, Wolfgang Amadeus, 75

      Muir, Pat, 293

      Munson, Gorham, 183, 217, 241, 244

      Murray, A. T., 164, 165

      Musil, Robert, 140, 205

      Young Törless, 141, 205

      Musset, Alfred de, 39

      My Àntonia (Cather), 203

      My Book House (Miller), 308, 313

      Myth (Bricuth), 321

      Nabokov, Vladimir, 147, 164

      Nagle, John, 175

      Naked Lunch (Burroughs), 166

      Napoleon (Gance), 14

      Nation, The, 222

      National Enquirer, The, 78

      National Reformer, The, 227, 233

      “National Winter Garden” (Crane), 224

      Natural Theology (Sebond), xxxv

      Naumberg, Margaret, 241, 242

      Naylor, Charles, 155

      Neighboring Lives, 155

      Neidecker, Lorine, 159

      Neighboring Lives (Disch and Naylor), 155

      Nerval, Gérard de, 3

      Neue Zeitschrift für Musik, 72

      New Hampshire (Frost), 208

      New Sentence, The (Silliman), 171

      New Worlds, 147

      New York Daily News, 137

      Newman, Ernest, 44

      “Niagara” (Drake), 196

      Nietzsche, Fredrich Wilhelm, 40–42, 68, 74, 79, 80, 82, 182, 188, 191

      The Case of Wagner [Der Fall Wagner], 68, 79

      “On Schopenhauer as Teacher,” 188

      Thus Spake Zarathustra, 41

      “Nightingale, The” (Coleridge), 145

      Nilsen, Helge Normann, 188

      Nin, Anaïs, 1

      “1920 Whistles” (Crane), 223

      Ninth Symphony (Beethoven), 57, 61, 65

      “No More Masterpieces” (Artaud), 15, 30, 76

      “Non Sum Qualis Eram Bonae Sub Regno Cynarae” (Dowson), 197–198

      “Notes on a Text of Hart Crane” (Blackmur), 191–193

      “Noth, Die” (Wagner), 52

      Nouvelle Poesie et un Nouvelle Musique (Isou), 15

      La Nouvelle Revue Francaise, 1, 23–26, 30

      Novalis [Friedrich von Hardenberg], 229–233, 237, 246

      Heinrich von Ofterdingen, 229, 232, 233

      Hymnen an die Nacht [Hymns to the Night], 229–231

      “Monologue,” 229

      “Sensucht nach dem Tode” [“Yearning for Death”], 230

      “O Caribe Isle!” (Crane), 239

      O’Hara, Frank, 41

      The Collected Poems of Frank O’Hara, 240

      O’Neill, Eugene, 194, 317

      The Great God Brown, 317

      Mourning Becomes Electra, 317

      Oates, Joyce Carol, 259

      Angel Fire, 259

      The Hostile Sun, 259

      “Ode to Joy” (Schiller), 61

      Odyssey, The (Homer), 164, 165, 313

      Oedipe (Gide), 80

      Oehme, Karl, 49

      “Of the Cannibals” (Montaigne), 225

      Olson, Charles, 166, 264, 307

      Maximus Poems, 166, 167

      On Modern Poets (Winters), 192

      “On Schopenhauer as Teacher” (Nietzsche), 188

      One Two Three . . . Infinity (Gamow), 310

      Opera and Drama (Wagner), 3, 16, 48, 71

      Opffer, Emil, Jr., 182, 185, 188, 190, 213, 214, 218, 239

      Opffer, Emil, Sr., 182, 188

      Opffer, Ivan, 182

      Origins of Totalitarianism, The (Arendt), 71, 93

      Orphée (Cocteau), 11

      Our Bodies, Our Selves, 113

      Ouspensky, P. D., 191, 216, 217

      Tertium Organum, 217

      Pabst, G. W., 14

      Threepenny Opera, 14

      Paradise (Silliman), 170

      Paris Review, The, 25

      Parisot, Henri, 3

      Parkinson, Thomas, 243

      Parsifal (Syberberg), 81

      Parsifal (Wagner), 69, 70, 74, 204

      “Passage to India” (Whitman), 192, 219, 221

      Passages (Duncan), 166, 172

      Passion of Joan of Arc, The (Dreyer), 14

      Pater, Walter, 254

      Paulhan, Jean, 4

      Peirce, Charles Saunders, xxii

      Perfect Wagnerite, The (Shaw), 43, 54, 68, 203

      Perse, St.-John, 209

      Amitie du Prince, 209

      Anabase, 209

      “Le Pèse-Nerfs” (Artaud), 15

      Peterson, Robert, 261

      Pettigrew, John, 167

      Philosophy of Logic, The (Quine), 321, 322

      Picabia, Francis, 7

      Picasso, Pablo, xxviii, 4, 7, 14, 77

      Guernica, xxviii, 77

      Picture of Dorian Gray, The (Wilde), 202

      Pickard, Tom, 261

      “Rape,” 261

      Planer, Natalie, 49, 61

      Plato, 183, 225, 269

      “Plato” (Emerson), 174, 187

      Playboy, 109

      Plowshare, The, 175, 179, 182, 244

      Poe, Edgar Allan, xxix, 25, 40, 195, 196, 218, 231, 237

      “The Purloined Letter,” xxix

      “The Raven,” 35

      Poems by Samuel Greenberg (Greenberg), 242

      Poetical Works of James Thomson, The (Thomson [B.V.]), 237

      Poetry (Drew), 196

      Popper, Karl, 266

      Porché, Wladimir, 10–12

      Porges, Heinrich, 70, 71

      Wagner Rehearsing the Ring, 70, 71

      Portrait of a Genius, But . . . (Aldington), 174

      Portrait of the Artist as a Young Man, A (Joyce), 72

      “Possessions” (Crane), 239

      Pouey, Fernand, 11, 12

      Pound, Ezra, 15, 76, 82, 164–169, 181, 185, 189, 191, 193, 195, 199, 206, 209, 240, 243

      The Cantos, 165–169, 172, 181, 185, 193, 206

      “Envoi,” 193

      “Powhatan’s Daughter” (Crane), 218, 219, 226

      “Praise for an Urn” (Crane), 193, 198n

      “Prayer of Columbus” (Whitman), 219

      Presentation Piece (Hacker), 295

      Price, Leontyne, 18

      Principia Mathematica (Russell), 266

      “Proem” [“To Brooklyn Bridge”] (Crane), 215, 216, 218, 224, 227, 231, 237, 245

      “Prose Sketch” for Ring cycle (Wagner), 56, 61

      Proudhon, Pierre-Joseph, 52

      Proust, Marcel, 32, 37, 202, 208

      A la recherche du temps perdu, 202

      Pryne, J. H., 261

      Purdy, James, xvi

      “Purloined Letter, The” (Poe), xxix

      “Quaker Hill” (Crane), 218, 224

      Queneau, Raymond, 11

      Quine, Willard Van Orman, xxv, xxxii, 273, 305, 307, 321, 322

      The Philosophy of Logic, 321, 322

      Raban, Jonathan, 261

      The Sociology of the Poem, 261

      Racine, Jean, 75

      Ramayana, The (Valmikki), 316

      Ransom, Mrs., 265

      “Rape” (Pickard), 261

      Ravel, Maurice, 173

      “Raven, The” (Poe), 35

      “Recitative” (Crane), 239

      Redgrave, Michael, 316

      Reich, Wilhelm, 141

      Reissiger, Carl Gottlieb, 46

      Report on Probability A (Aldiss), 280

      “Return of Artaud, le Mômo, The” (Artaud), 4, 5

      Return of Artaud, le Mômo, The (Artaud), 13

      Return to Nevérÿon [series] (Delany), xvi, xvii, xix, xxiv–xxvi

      Flight from Nevérÿon, xxvi, xxx, xxxi

      Neveryóna, xxviii


      Return to Nevérÿon, xxvi

      “The Tale of Plagues and Carnivals,” xxvi, xxx

      “The Tale of Rumor and Desire,” xxvi

      Revue Wagnerienne, La, 71

      “Revolution” (Wagner), 53, 63

      Rexroth, Kenneth, 259

      Das Rheingold (Wagner), 69, 83

      “Rhetoric of Sex, the Discourse of Desire, The” (Delany), xxxi

      Rich, Adrienne, xvi, 89, 115

      Rickett, Dennis, 149, 157

      “Ride of the Valkyries, The” (Wagner), 21

      “Riders of the Storm” (Morrison), 198n

      Ridge, Lola, 198

      Riefenstahl, Leni, 14

      Rienzi (Wagner), 16, 45

      Riffaterre, Michael, 180

      The Semiotics of Poetry, 180

      Rilke, Rainer Maria, 149

      Rimbaud, Arthur, 182, 191

      “Rime of the Ancient Mariner, The” [“The Rime of the Ancyent Marinere, in Seven Parts”] (Coleridge), 145

      Ring and the Book, The (Browning), 168

      Ring des Nibelungen, Der (Wagner), 21, 22, 40, 42, 48, 49, 53, 54, 56, 57, 63, 66, 68–70, 72, 74, 76, 79, 83, 203

      “River, The,” (Crane), 223

      Riviére, Jacques, 1, 23–31, 78, 83, 172

      Road to Xanadu, The (Lowes), 144, 209

      Roads Must Roll, The (Heinlein), 257

      Roan Stallion, Tamar, and Other Poems (Jeffers), 208

      Robert Browning, The Poems (Browning), 167

      Robinson, Bill, 265

      Robinson, Edwin Arlington, 208, 209

      Collected Poems, 208

      The Man Who Died Twice, 209

      Tristam, 209

      Rōckel, August, 46, 49, 51–54, 58, 62, 65

      Rocketship Galileo (Heinlein), 312, 320

      Rogers and Hammerstein, 14

      Carousel, 14

      Rollins, Hyder Edward, 242

      Roosevelt, Eleanor, 139

      Rope (Hitchcock), 202

      Rossini, Gioacchino, 21, 65

      William Tell overture, 21

      “Royal Palm” (Crane), 240

      Rozzen, Paul, 147

      Rubá’iyát of Omar Khayyám (FitzGerald), 32

      Rubyfruit Jungle (Brown), 141

      Rudolph, Archduke, 73

      Russ, Joanna, xxxii, 90, 116, 130, 147–149, 158, 298

      The Adventures of Alyx, 116

      The Female Man, 116

      “Toward an Aesthetic of Science Fiction,” 253

      We Who Are About To . . ., xxxii, 91, 147–149

      Russell, Bertrand, 265, 266, 274n, 297

      Principia Mathematica, 266

      “Ruth” (Wordsworth), 145

      Ryle, Gilbert, 254, 262, 263

      The Concept of Mind, 254

      S/Z (Barthes), xxii

      Saillet, Maurice, 6

      Saint Joan (Shaw), 80

      Salt, Henry S., 189, 232

      Sand, George, 32, 33, 35, 37–39, 41, 65–74

      Sandoval, Chela, 92

      Sappho, 184, 205

      Sartre, Jean-Paul, 4, 80, 317

      Les Mouches [The Flies], 80, 317

      Schaefer, William David, 232

      Schiller, Johann Christoph Friedrich von, 61

      “Ode to Joy,” 61

      Schlegel, Friedrich, 230

      Schoenberg, Arnold, 17, 80

      Scholes, Robert, 80

      Schopenhauer, Arthur, 188

      Schorske, Carl, 41

      Schroder-Devrient, Wilhelmine, 1, 59

      Schwarzenegger, Arnold, 101

      Scott, Sir Walter, 39, 165

      Sea and the Mirror, The (Auden), 83

      “Sea Surface Full of Clouds” (Stevens), 209

      Seasons, The (Thomson [B.V.]), 196, 228

      Sebond, Raymond, xxxv

      Natural Theology, xxxv

      Semiotics of Poetry, The (Riffaterre), 180

      Semmig, on Wagner’s “flaming talk,” 47

      Semper, Gottfried, 58

      Seneca, 189

      Medea, 189

      “Sensucht nach dem Tode” [“Yearning for Death”] (Novalis), 230

      “Serenade in Grey” (Greenberg), 179–181

      Seven Types of Ambiguity (Empson), 181

      “Seventh Street” (Toomer), 216

      Sexual Visions (Jordanova), 139

      “Shadow and the Flash, The” (London), 316

      “Shadows” (Delany), 160

      Shakespeare, William, 35, 75, 139, 144, 150, 184, 205, 224, 226

      Hamlet, 150, 151

      The Tempest, 224

      “Shakespeare in the Bush” (Bohannan), 150

      Shattuck, Roger, 37

      The Banquet Years, 37

      Shaw, George Bernard, 43, 54, 103, 203, 204

      The Perfect Wagnerite, 43, 54, 68, 203

      Saint Joan, 80

      Shelley, Percy Bysshe, 13, 228, 237

      Sherwin, Judith Johnson, 261

      Ship Who Sang, The (McCaffrey), 87, 103, 115

      Siebers, Tobin, xxxi

      Heterotopia, xxxi

      Siegfried (Wagner), 69

      Siegfrieds Tod (Wagner), 56, 57

      “Significance of The Bridge by Hart Crane . . ., The” (Winters), 192, 199

      Silliman, Ron, xxxv, 146, 157, 159, 163, 169–172, 210

      ABC, 146, 169, 172

      “Albany,” 146, 169, 170, 172

      The Alphabet series, 146, 157, 163, 169, 171, 172

      “Blue,” 146, 169, 170, 172

      “Canons and Institutions: New Hope for the Disappeared,” 171

      “Carbon,” 163, 169, 170, 172

      “Demo,” 170

      Demo to Ink, 170, 172

      “Engines,” 170

      “Force,” 170

      “Garfield,” 170

      “Hidden,” 170

      “Ink,” 170

      Ketjak, 170, 171

      Lit, 170

      Manifest, 170

      The New Sentence, 171

      Paradise, 170

      Tjanting, 170

      What, 170

      Simon, John Oliver, 261n

      Simon, Marc, 238, 240, 243, 244

      Sims, John, 256

      Smith, Jeff, 103

      Socialist Review, The, 89, 91

      Society of the Spectacle, The (Debord), 229

      Sociology of the Poem, The (Raban), 261

      Sofoulis, Zoë, 95

      Soloman, Carl, 15

      Sontag, Susan, xxxvi, xxxvii, 16

      Sordello (Browning), 167, 168

      “South of the Slot” (London), 316

      “Southern Cross” (Crane), 224

      Specimen Days (Whitman), 220

      Spencer-Brown, G., xxxixn, 265, 273, 322

      The Laws of Form, xxxixn, 322

      Spengler, Oswald, 95, 97, 110

      Spenser, Edmund, 167

      Sperling, Vikki, 263

      Spicer, Jack, 27, 189, 321

      “Language,” 321

      Spielberg, Steven, 38, 154

      The Color Purple, 154

      Splendid Failure (Brunner), 191

      Stalin, Joseph, 40

      Stanislavsky, Konstantin, 16

      Star Wars trilogy (Lucas), 101

      Starboard Wine (Delany), xvi

      Starship Troopers (Heinlein), 290

      Stars My Destination, The (Bester), 288

      Steele, Richard, xiv

      Stein, Gertrude, 166, 206

      Lucy Church Amiably, 166

      The Making of Americans, 166

      Steiner, K. Leslie, xvi

      Stendhal, 13, 280

      Stephen Crane (Beer), 205

      Sterne, Lawrence, 161

      Tristram Shandy, 161

      Stevens, Wallace, 82, 199, 209

      “Sea Surface Full of Clouds,” 209

      Stevenson, Robert Louis, 13

      The Master of Ballantrae, 13

      Stowe, Harriet Beecher, 37

      Uncle Tom’s Cabin, 37

      Strachey, 189, 226

      Strachey, Dorothy, 139

      Straits of Messina, The (Delany), xvi

      Structure of Rime, The (Dun
    can), 166

      Sturgeon, Theodore, 257, 261

      “Baby Is Three,” 257

      More Than Human, 321

      Summer and Smoke (Williams), 197n

      “Sunday at Hampstead” (Thomson [B.V.]), 228

      Superluminal (Mclntyre), 116

      Swift, Jonathan, 162

      Swinburne, Algernon Charles, 32, 33

      Syberberg, Hans-Jürgen, 81

      Parsifal, 81

      Symonds, John Addington, 151, 152

      Taine, Hippolyte Adolphe, 36, 37, 81, 252

      Histoire de la littérature anglaise, 36, 37

      Tannhäuser (Wagner), 1, 45

      Tarahumara Indians, 14

      Tarakanova (Bernard), 14

      Tate, Allen, 187, 190, 191, 199, 242

      Tate, James, xi

      Taylor, Deems, 209

      Tempest, The (Shakespeare), 224

      Tennent, Emma, 257

      Tennyson, Alfred Lord, 32, 36, 157

      Idylls of the King, 32

      Terminator, The (Cameron), 101, 103

      Tertium Organum (Ouspensky), 217

      Tess of the D’Urbervilles (Hardy), 102

      Thackeray, William Makepeace, 34, 36, 39, 260

      Theater and Its Double, The (Artaud), 2, 14, 31, 76

      Thévenin, Paule, 11–13, 78

      Things to Come (Menzies), 146

      “This Way Where November . . .” (Crane), 205, 239

      Thomas, Dylan, 189

      Thompson, Francis, 33

      Thomson, James [B.V.], 189, 195, 227, 228, 231–238, 259

      The City of Dreadful Night, 227, 228, 230, 236–238

      The Doom of the City, 233–237

      “In the Room,” 228

      “Insomnia,” 228

      The Poetical Works of James Thomson, 237

      “Sunday at Hampstead,” 228

      “Waddah and Om-El-Bonain,” 228

      Thomson, James [not B.V.], 196

      The Castle of Indolence, 228

      The Seasons, 196, 228

      “Thou Canst Read Nothing . . .” (Crane), 205, 239

      “Three Songs” (Crane), 189, 218

      Threepenny Opera (Pabst), 14

      Thus Spake Zarathustra (Nietzsche), 41

      Tichatschek, Joseph Aloys, 58

      Tiger at the Gates (Giraudoux), 316

      Tjanting (Silliman), 170

      “To Build a Fire” (London), 316

      To Have Done with the Judgment of God (Artaud), 10, 12, 31

      “To One Shortly to Die” (Whitman), 220

      Tod im Vennidig (Mann), 202

      Tom Jones (Fielding), 202, 218

      Toomer, Jean, 216, 217, 239–242, 244

      Cane, 216, 241

      “Kabnis,” 216

      “Karintha,”216

      “Seventh Street,”216

      “Towards an Aesthetic of Science Fiction” (Russ), 253

      Tractatus (Wittgenstein), 265

      “Tradition and the Individual Talent” (Eliot), 194

      Transition, 153

      Transmemberment of Song (Edelman), 192

      Travels (Bartram), 144

      Trespasser, The [The Saga of Siegmund] (Lawrence), 73

      Tric Trac du Ciel [Backgammon in the Sky] (Artaud), 13, 25

      Tristan und Isolde (Wagner), 16, 21, 22, 44, 68, 80, 204

     


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