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      “Fears in Solitude” (Coleridge), 145

      Febvre, Lucien, 41

      Felman, Shoshana, 254

      Female Man, The (Russ), 116

      Field of the Other: Alienation, The (Lacan), 105

      Fifth Head of Cerberus, The (Wolfe), 258

      Fifth Symphony (Beethoven), 21, 46, 50

      Finlay, Virgil, 310

      Fisher, William Murrell, 163, 175, 176, 178–182, 244, 245

      “Fragments of a Broken Lyre,” 176, 244

      FitzGerald, Edward, 32

      Rubá’iyát of Omar Khayyám, 32

      Fitzgerald, Eleanor, 183

      Flaubert, Gustave, 22, 37, 79, 150

      L’Education Sentimentale, 159

      Flemming, Marjorie, 209

      Florio, John, 225, 226

      Fodor, Jerry, 297

      Food of the Gods, The (Wells), 260

      “For the Marriage of Faustus and Helen” (Crane), 207, 220, 239

      “Force” (Silliman), 170

      Form and Value in Modern Poetry (Blackmur), 192

      Forman, Richard, 17

      Fornés, María Irene, 17

      Foster, Hal, xxxii

      Foucault, Michel, xviii, 41, 70, 94, 95, 211

      Les Mots et les choses, 94

      Foundation, ix

      “Fragments of a Broken Lyre” (Fisher), 176, 244

      Frank, Waldo, 191, 238, 241, 242, 244

      Frazer, Sir James, 191

      French Revolution, The (Carlyle), 156

      Freud, Sigmund, xvii, xxx, 28, 70, 90, 98, 100, 104, 105, 108, 121, 129, 141, 147

      Civilization and its Discontents, 98

      The Interpretation of Dreams, 70

      Friedrich August II, 45, 50, 51

      Frobenius, Leo, 15

      From Ritual to Romance (Weston), 72

      From the Earth to the Moon (Verne), 260

      Frost, Robert, 82, 208

      New Hampshire, 208

      “Frost at Midnight” (Coleridge), 145

      Frux, Gregory William, 150

      Function and Field of Speech and Language in Psychoanalysis, The (Lacan), 103

      Fuss, Diana, 131, 132

      Inside/Out: Lesbian Theories, Gay Theories, 131

      Gachet, Dr., 8

      Gaiman, Neil, 157

      Doll’s House, The, 157

      Galaxy, 314, 315

      Gallup, Jane, 142

      Daughter’s Seduction, The, 142

      Gance, Abel, 14

      Napoleon, 14

      “Garfield” (Silliman), 170

      Garland, Judy, 138

      Gass, William, 158

      Gautier, Judith, 44, 74

      Gay, Peter, 147

      Geis, Richard E., 257, 298

      Gelderholde, Michel, 14

      “General Aims and Theories” (Crane), 185, 194

      Genêt, Jean, 11, 16

      Geritsky, Madame, 317

      “Germany and its Princes” (Wagner), 52

      Gernsback, Hugo, 288

      Geste d’Asdiwal, La (Lévi-Strauss), 277

      Giaour, The (Byron), 38

      Gide, Andre, 4, 6, 80, 202

      The Immoralist, 141, 202

      Oedipe, 80

      Gilbert, Stewart, 186

      Ulysses: A Study, 186

      Giles, Paul, 192

      Contexts of The Bridge, 192

      Ginsberg, Allen, 15, 239

      “Howl,” 15, 239

      Giotto, 7

      Giovanni’s Room (Baldwin), 205

      Giraudoux, Jean, 14, 80, 316, 317

      The Apollo of Bellac, 317

      Tiger at the Gates, 316

      Gladiators at Law (Pohl and Kornbluth), 315

      Godwin, Tom, 147

      “The Cold Equations,” 147

      Goethe, Johann Wolfgang von, 38, 39, 75, 188

      Golding, William, 148

      Lord of the Flies, 148

      Gone with the Wind (Mitchell), 38, 197

      Gordon, Caroline, 190

      Gordon, George (Lord Byron), see Byron, Lord, George Gordon

      Gordon, Richard, 112

      Gordon, Ruth, 158

      Götterdämmerung (Wagner), 55, 83, 203, 204

      GQ 154

      Gray, Andrew, 44, 51

      Great God Brown, The (O’Neill), 315

      Greenberg, Adolph, 175, 245

      Greenberg, Daniel, 175–177, 245

      Greenberg, Hannah, 175

      Greenberg, Jacob, 175

      Greenberg, Morris, 175, 244, 245

      Greenberg, Samuel Bernhard, 163, 175–182, 185, 197n, 232, 242, 244, 245

      “The Charming Maiden,” 175

      “Conduct,” 187

      “Life,” 185

      “Love,” 185

      Poems by Samuel Greenberg, 242

      “Serenade in Grey,” 179–181

      “Words,” 245

      “Greetings from Saxony to the Viennese” (Wagner), 52

      Gregor-Dellin, Martin, 48, 63, 66

      Griffin, Susan, 115

      Grossman, Rachel, 95, 111

      Grotowski, Jerzy, 17

      Guernica (Picasso), xxviii, 77

      Guignard, René, 11

      Gurdjieff, George Ivanovich, 216, 217, 241, 242

      Gurdjieff’s Teaching (Walker), 242

      Gutch, John Matthew, 145

      Gutch Memorandum Notebook, The (Coleridge), 144–146

      Gutzkow, Karl, 37, 71

      H.D., 166, 209

      Helen in Egypt, 166

      Hacker, Marilyn, 18, 159, 257, 259, 261, 264, 295

      Presentation Piece, 295

      Hacker-Delany, Iva Alyxander [“my daughter”], 150, 153, 172

      Hall, Radclyffe, 141

      The Well of Loneliness, 141

      Halleck, Fitzgreen, 196

      Halprin, George, 176, 177

      Hamlet (Shakespeare), 150, 151

      Handke, Peter, 17

      Hänel, 49, 61

      Haraway, Donna, viii, xxviii, xxix, xxxviii, 87, 89–102, 104, 107–118

      “Manifesto for Cyborgs,” 87, 89–102, 108–118

      “Harbor Dawn, The” (Crane), 197, 201, 205, 224, 231

      Hardenberg, Erasmus von, 229

      Hardenberg, Friedrich von. See Novalis

      Hardy, Thomas, 258

      Harp-Weaver and Other Poems, The (Millay), 208

      Hart Crane and the Homosexual Text (Yingling), 194, 218

      Hart Crane Voyages, The (Voelker), 183

      Hawthorne, Nathaniel, 25

      Twice-Told Tales, 25

      Haydn, Franz Joseph, 73

      Haye, Harry, 214

      Heany, Seamus, 159

      Hedges, Miss, 310

      Hegel, Georg Wilhelm Friedrich, 40, 70, 80

      Heidegger, Martin, 150, 209

      Being and Time, 209

      Heine, Heinrich, 66, 237

      Heine, Wilhelm, 59

      Heinlein, Robert, xxi, 288, 290

      Beyond This Horizon, 288

      “The Man Who Sold the Moon,” 310

      The Roads Must Roll, 257

      Rocketship Galileo, 312, 320

      Starship Troopers, 290

      Heinrich von Ofterdingen (Novalis), 229, 232, 233

      Heisenberg, Werner, 273

      Helen in Egypt (H.D.), 166

      Heliogabalus, or The Anarchist Crowned (Artaud), 13

      Hemphill, Essex, 153, 155

      Ceremonies, 153

      Herbert, Frank, xix

      “Here Comes the Bride” (Wagner), 21

      Heroes and Hero-Worship (Carlyle), 177

      Hesse, Herman, 151

      Heterotopia (Siebers), xxxi

      Heubner, Otto, 46, 47, 53, 60, 62, 63, 65, 84

      “Hidden” (Silliman), 170

      Higginson, Thomas Wentworth, 181

      Histoire de la littérature anglaise (Taine), 36, 37

      History’s Mistress (Weideger), 139

      Hitchcock, Alfred, 202

      Rope, 202

      Hitler, Adolph, 40

      Hoagland, Edward, xv

      Hogg (Delany), xvi

      Holden, Harold, and Jack McManis, 180, 181, 185,
    242

      Holiday, Billie, 77

      Holliday, Jennifer, 154

      Homer, 164, 165, 316

      The Iliad, 165, 313, 316

      The Odyssey, 164, 165, 313

      Honegger, Arthur, 14

      Horace, 198

      Horizon, 10

      Horton, Philip, 185, 192, 241–243

      Hostile Sun, The (Oates), 259

      Housman, A. E., 33

      Howard, Richard, 159, 260, 295

      Howard, Robert E., 166

      “Howl” (Ginsberg), 15, 241

      Hudgins, Andrew, 159

      Hugo, Victor, 32, 37–39, 41, 65, 66, 75, 150

      Les Misérables, 43, 150, 168

      Hymnen an die Nacht [Hymns to the Night] (Novalis), 229–231

      Idylls of the King (Tennyson), 32

      If on a Winter’s Night a Traveler. . . (Calvino), 157

      Iliad, The (Homer), 165, 313, 316

      Immoralist, The (Gide), 141, 202

      In Parentheses (Jones), 166

      In Search of Wagner (Adorno), 68

      In the American Grain (Williams), 189, 226

      “In the Room” (Thomson [B.V.]), 228

      “Ink” (Silliman), 170

      Inside/Out: Lesbian Theories, Gay Theories (Fuss), 131

      “Insomnia” (Thomson [B.V.]), 228

      Interpretation of Dreams, The (Freud), 70

      “Jabberwocky” (Carroll), 160, 161

      Jabès, Edmund, 157

      The Book, 157

      The Book of Questions, 157

      Jack the Ripper, 35

      Jackson, Isaac, 158

      “The Birds and Bees (Blues Poem),” 158

      James, Henry, 82

      Jameson, Fredric, 112

      Janitor’s Boy, The (Nathalia Crane), 209

      Jargon of Authenticity, The (Adorno), 70

      Jeffers, Robinson, 208

      Roan Stallion, Tamar, and Other Poems, 208

      Jellinek [revolutionary], 56

      Jesus Christ, 32, 57, 186, 230

      Jewel-Hinged Jaw, The (Delany), xvi

      “Jewry in Music” (Wagner), 3, 48, 57, 67, 72

      John Brown’s Body (Benét), 209, 224

      John Keats (Lowell), 209

      Johnson, Barbara, 254

      Johnson, Lionel, 33, 195, 243, 243n

      “An Age of Dream,” 243n

      “The Church of Dream,” 243n

      Johnson, Nunnally, 209

      Jones, David, 166

      The AnathÄ“mata, 166

      In Parentheses, 166

      Jones, Ernest, 147

      Jordanova, Ludmilla, 139

      Sexual Visions, 139

      Journal of Albion Moonlight, The (Patchen), 157

      Jouvet, Louis, 11

      Joyce, James, 32, 72, 80, 82, 162, 164, 186, 187, 191, 208

      A Portrait of the Artist as a Young Man, 72

      Ulysses, 80, 162, 166, 183, 184, 186, 187, 208

      Julian, 140

      Julian, Isaac, 154, 155

      Justinopolitano, Andreas Divus, 164, 165

      “Kabnis” (Toomer), 216

      Kahn, Otto, 218, 219

      Kant, Immanuel, 191

      “Karintha” (Toomer), 216

      Katz, Jacob, 66, 67

      The Darker Side of Genius, 66

      Kaufman [painter], 58

      Keats, John, 167, 196, 240, 242

      Endymion, 167

      Keeler, Ruby, 265

      Kelly, Grace [Princess of Monaco], 78

      Kemp, Amanda, 318

      Kennedy, Joe, 321

      Counter/Measures, 321

      Kenner, Hugh, 193

      Kermode, Frank, 259

      Ketjak (Silliman), 170, 171

      Key West: An Island Sheaf, 238

      Khatru, 103

      King, Katie, 92

      King’s Henchman, The (Millay), 209

      Kipling, Rudyard, 33

      Kirk, G. S., 255

      Klee, Paul, 7

      Knapp, Bettina L., 2, 82

      Knight, Damon, 320

      Knotly, Alice, 151, 261

      Kojeve, Alexander, 140

      Kraftt-Ebing, Richard von, 35

      Kripke, Saul, 160, 161

      Kristeva, Julia, 82, 84

      Kubert, Joe, 278

      “Kubla Khan” (Coleridge), 145

      Kühn, Sophie von, 229, 232

      Lacan, Jacques, xvii, xxix, xxx, 70, 94, 103–105, 108, 128, 156

      The Field of the Other: Alienation, 105

      The Function and Field of Speech and Language in Psychoanalysis, 103

      Lachaise, Gaston, 175

      LaForgue, Jules, 191, 207

      Laing, R. D., 10

      Lang, Fritz, 14, 102

      Liliom, 14

      Metropolis, 102

      Lange, Dorothy, 153

      “Language” (Spicer), 321

      Language of Psychoanalysis, The (Laplanche and Pontalis), 108

      “Last Days of Hart Crane, The” (Baird), 243

      Laube, Heinrich, 45, 72

      Lauretis, Teresa de, 130

      Laws of Form, The (Spencer-Brown), xxxix, 322

      Lauriers sont coupés, Les (Desjardin), 71

      Lautréamont, Comte de, 15

      Lawrence, D. H., 32, 73, 147, 259

      Collected Poems, 259

      The Trespasser [The Saga of Siegmund], 73

      Lawrence, T. E., 165

      Le Guin, Ursula K., xv, xix

      Le Roy, Ladurie, Emmanuel, 41

      Leach, Edmund, 280

      Leaves of Grass (Whitman), 219

      Lee, Spike, 154

      Legends of the Wagner Dramas, The (Weston), 72

      Léger, Fernand, 4

      Leiber, Fritz, 166

      Leibniz, Gottfried Wilhelm von, 272

      Lenya, Lotte, 14

      Leonardo da Vinci, 217

      Mona Lisa, 21

      Leopardi, 233, 237

      “Letter to a Critic” (Delany), 257

      Letters from Rodez (Artaud), 3

      Levi, Hermann, 69–71

      Lévi-Strauss, Claude, 277–280, 321

      La Geste d’ Asdiwal, 277

      Levine, Philip, 159, 261

      Lewis, Thomas S. W., 243

      “Lewti” (Coleridge), 145

      Liebestod (Wagner), 21

      “Life” (Greenberg), 185

      Light, James, 243

      Liliom (Lang), 14

      Lipinski, Joseph, 50

      Liszt, Franz, 39, 48

      Lit (Silliman), 170

      Literary Theory: An Introduction (Eagleton), 36, 93

      Little Magazine, The, 257

      Liveright, Horace, 241

      Loeb, Pierre, 7

      Lohengrin (Wagner), 21, 45, 56, 59, 61, 73

      London, Jack, 315

      “The Shadow and the Flash,” 316

      “South of the Slot,” 316

      “To Build a Fire,” 316

      Lord of the Flies (Golding), 14

      Lorde, Audre, xvi, 115

      Louis Philippe, 50

      “Love” (Coleridge), 145

      “Love” (Greenberg), 185

      “Love Song of J. Alfred Prufrock, The” (Eliot), 193, 206–208

      Loveman, Samuel, xxxiii, 183, 187, 205, 209–215, 239, 243

      Lowell, Amy, 209, 210

      A Critical Fable, 209

      John Keats, 209

      What’s O’Clock, 209

      Lowes, John Livingston, 144–146, 209, 209

      “Chaos,” 145

      The Road to Xanadu, 144

      Lowry, Malcolm, 189

      Lucas, George, 38, 101, 102

      The Empire Strikes Back, 100

      Star Wars trilogy, 101

      Lucy Church Amiably (Stein), 166

      Ludlum, Charles, 17

      Ludwig II, 44, 50, 54, 65, 73, 74, 78

      Lugosi, Bela, 314

      Lüttichau, Baron August von, 65

      Lyrical Ballads (Coleridge), 145

      Lyrical Ballads (Wordsworth), 180

      Macauley, Robin, 36

      Mackerjee, Mrs., 321

      MacKinnon, Catherine, 92, 93, 95, 109


      Mad Man, The (Delany), xvi

      Magee, Bryan, 66

      Mahabharata, The (Valmikki), 316

      Making of Americans, The (Stein), 166

      Malina, Judith, 17

      Malinowski, Bronislaw, 278

      Mallarmé, Stéphane, 192, 193, 200

      “Man in Polyester Suit” (Mapple-thorpe), 153, 154

      Man Who Died Twice, The (Robinson), 209

      “Man Who Sold the Moon, The” (Heinlein), 310

      Mandelstram, Osip, xxxii, 149

      “Mango Tree, The” (Crane), 223

      Manifest (Silliman), 170

      “Manifesto for Cyborgs” (Haraway), 87, 89–102, 108–118

      Mann, Thomas, 139, 202

      Tod im Vennidig, 202

      Manonni, Oscar, 147

      Manzoni, Alessandro, 37

      Mapplethorpe, Robert, xviii, 153–155

      The Black Book, 153, 154

      “Man in Polyester Suit,” 153, 154

      Marlowe, Christopher, 196, 217

      Martin, Robert, 140, 221

      Marx, Karl, xxiii, 52, 64, 80, 95

      The Communist Manifesto, 52

      Master of Ballantrae, The (Stevenson), 13

      Matisse, Henri, 7

      Maximus Poems (Olson), 166, 167

      McCabe, Ed, 18

      McCaffrey, Anne, 87, 88, 96, 103, 115

      The Ship Who Sang, 87, 103, 115

      Mclntyre, Vonda, 116, 258, 298

      The Cage, 258

      Superluminal, 116

      McKuen, Rod, 33

      McLuhan, Marshall, 114

      McManis, Jack, and Harold Holden, 180, 181, 185, 242

      Medea (Seneca), 189

      Mein Leben (Wagner), 43–45, 47–54, 60, 64, 67

      Meistersinger von Nürnberg, Die (Wagner), 18

      Melville, Herman, 139, 140, 185, 186, 191, 205

      Moby-Dick, 186

      Mendelson, Edward, 240

      Mendelssohn, Felix, 50, 67

      A-minor Symphony, 50

      Mercer, Kobena, 153, 155

      Meredith, George, 33, 127

      Merwin, W. S., 41

      Messenhauer [revolutionary], 56

      Metropolis (Lang), 102

      Metternich, Klemens Wenzel Nepomuk Lothar von, 51

      Meyerbeer, Giacomo, 67

      Meynell, Alice, 33

      Michaux, Henri, 15

      Mill, John Stuart, 36, 41

      Millay, Edna St. Vincent, 195, 208, 209

      The Harp-Weaver and Other Poems, 208

      The King’s Henchman, 209

      Mille, Agnes de, 197n

      Appalachian Spring, 197n

      Miller, Henry, 15

      Miller, Olive Burpré, 306

      Milton, John, 167

      Misérables, Les (Hugo), 43

      Mitchell, Margaret, 38

      Gone with the Wind, 38, 197

      Mnemosne, 189

      Moby-Dick (Melville), 186

      Modigliani, Amadeo, 7

      Molière, Jean Baptiste, 75

      Molnar, Ferenk, 14

      Mona Lisa (Da Vinci), 21

      “Monologue” (Novalis), 229

      Montaigne, Michel de, xiii, xiv, xvii, xxxv–xxxviii, 225, 226

      “An Apology for Raymond Sebond,” xxxvi

      Essais, xiv, xxxv

      “Of the Cannibals,” 225

      Moorcock, Michael, 147, 256, 257

      Moore, Marianne, 149

     


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