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    Breath, and Other Shorts

    Page 3
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      and coming home, there is a remarkable thing I find. So

      up then in the grey of dawn, very weak and shaky after an

      atrocious night little dreaming what lay in store, out and

      off. What time of year, l really do not know, does it matter.

      Not wet really, but dripping, everything dripping, the day

      might rise, did it, no, drip drip all day long, no sun, no

      change of light, dim all day, and still, not a breath, till

      night, then black, and a little wind, I saw some stars, as I

      neared home. My stick of course, by a merciful providence,

      45

      I shall not say this again, when not mentioned my stick is

      in my hand, as I go along. But not my long coat, just my

      jacket, I could never bear the long coat, flapping about my

      legs, or rather one day suddenly I turned against it, a

      sudden violent dislike. Often when dressed to go I would

      take it out and put it on, then stand in the middle of the

      room unable to move, until at last I could take it off and

      put it back on its hanger, in the cupboard. But I was hardly

      down the stairs and out into the air when the stick fell

      from my hand and I just sank to my knees to the ground

      and then forward on my face, a most extraordinary thing,

      and then after a little over on my back, I could never lie

      on my face for any length of time, much as I loved it, it

      made me feel sick, and lay there, half an hour perhaps,

      with my arms along my sides and the palms of my hands

      against the pebbles and my eyes wide open straying over

      the sky. Now was this my first experience of this kind, that

      is the question that immediately assails one. Falls I had

      had in plenty, of the kind after which unless a limb broken

      you pick yourself up and go on, cursing God and man,

      very different from this. With so much life gone from

      knowledge how know when all began, all the variants of

      the one that one by one their venom staling follow upon one

      another, all life long, till you succumb. So in some way even

      olden things each time are first things, no two breaths the

      same, all a going over and over and all once and never

      more. But let me get up now and on and get this awful day

      over and on to the next. But what is the sense of going on

      with all this, there is none. Day after unremembered day

      until my mother's death, then in a new place soon old until

      my own. And when I come to this night here among the

      rocks with my two books and the strong starlight it will

      have passed from me and the day that went before, my

      two books, the little and the big, all past and gone, or perhaps just moments here and there still, this little sound 46

      perhaps now that I don't understand so that I gather up

      my things and go back into my hole, so bygone they can be

      told. Over, over, there is a soft place in my heart for all

      that is over, no, for the being over, I love the word, words

      have been my only loves, not many. Often all day long as

      I went along I have said it, and sometimes I would be

      saying vero, oh vero. Oh but for those awful fidgets I have

      always had I would have lived my life in a big empty

      echoing room with a big old pendulum clock, just listening

      and dozing, the case open so that I could watch the swinging,

      moving my eyes to and fro, and the lead weights dangling

      lower and lower till I got up out of my chair and wound

      them up again, once a week. The third day was the look I

      got from the roadman, suddenly I see that now, the ragged

      old brute bent double down in the ditch leaning on his

      spade or whatever it was and leering round and up at me

      from under the brim of his slouch, the red mouth, how is it

      I wonder I s�w him at all, that is more like it, the day I

      saw the look I got from Balfe, I went in terror of him as a

      child. Now he is dead and I resemble him. But let us get

      on and leave these old scenes and come to these, and my

      reward. Then it will not be as now, day after day, out, on,

      round, back, in, like leaves turning, or torn out and thrown

      crumpled away, but a long unbroken time without before

      or after, light or dark, from or towards or at, the old half

      knowledge of when and where gone, and of what, but kinds

      of things still, all at once, all going, until nothing, there

      was never anything, never can be, life and death all nothing,

      that kind of thing, only a voice dreaming and droning on

      all around, that is something, the voice that once was in

      your mouth. Well once out on the road and free of the

      property what then, I really do not know, the next thing

      I was up in the bracken lashing about with my stick making

      the drops fly and cursing, filthy language, the same words

      over and over, I hope nobody heard me. Throat very bad,

      47

      to swallow was torment, and something wrong with an ear,

      I kept poking at it without relief, old wax perhaps pressing

      on the drum. Extraordinary still over the land, and in me

      too all quite still, a coincidence, why the curses were pouring

      out of me I do not know, no, that is a foolish thing to say,

      and the lashing about with the stick, what possessed me

      mild and weak to be doing that, as I struggled along. Is

      it the stoats now, no, first I just sink down again and disappear in the ferns, up to my waist they were as I went along. Harsh things these great ferns, like starched, very

      woody, terrible stalks, take the skin off your legs through

      your trousers, and then the holes they hide, break your leg

      if you're not careful, awful English this, fall and vanish from

      view, you could lie there for weeks and no one hear you,

      I often thought of that up in the mountains, no, that is a

      foolish thing to say, just went on, my body doing its best

      without me.

      48

      Document Outline

      Cover

      Title Page

      Copyright

      Production History

      Acknowledgments

      CONTENTS

      Breath

      Come and Go: A Dramaticule

      Act Without Words I: A Mime for One Player

      Act Without Words II: A Mime for Two Players

      From an Abandoned Work

     

     

     



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