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    Collected Poems

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      and he has difficulty holding them

      in his clumsy, larded hands.

      The next day will be spent

      untying the little knots.

      In Renshaw Street

      a man with blue eyes

      and skin the colour of worn pavements

      burrows into the busstop litterbin.

      The sherrybottle is empty

      but there is a bacon rasher

      and a screwdup foil of Lurpak

      as well as a deflated ball of string

      String is great.

      It ties up pillowends

      and keeps the wind

      out of your trouserlegs.

      Things dont get lost

      when there’s string about.

      Good to play with in bed.

      Always keep some handy.

      Near Windsor Street

      where they are pulling down houses

      there is much that rusts and glistens.

      A pair of nail scissors

      halfhidden by tin cans, stands,

      one foot in the grave.

      Approaching is a man

      tying a rosary of knots into a length of dirty string.

      His life, like this poem,

      out of sequence,

      a series of impressions,

      unfinished, imperfect.

      Unlucky for Some

      13 voices from a woman’s hostel in Soho, 1979

      1

      What do I do for a living? Survive.

      Simple as that. ‘God helps those

      who help themselves.’ That’s what the

      vicar told me. So I went into

      the supermarket and helped myself.

      Got six months. God help those

      who help themselves. Nowadays

      I’m a traveller. South-west mainly

      then back here for the winter.

      I like the open air. Plenty of it

      and it’s free. Everything else I beg

      borrow or steal. Keep just about alive.

      What do I do for a living? Survive.

      2

      It runs like duck’s water off me back.

      What people say. How do they know?

      They seem to think I enjoy

      looking shabby. Having no money.

      Being moved on from cafés,

      from warm places. How would

      they like it? They’d soon sneer

      on the other side of their faces

      if they ended up down and out.

      Up down and out. Up and down.

      Out of luck. That’s all you have to be.

      Half of them calling the kettle black.

      It runs like duck’s water off me back.

      3

      It’s the addicts I can’t stand.

      Getting drunk on pills. Stoned

      they call it. Make me sick.

      Sticking needles into themselves

      in dirty lavatories. Got no shame.

      And they get prescriptions. Wish

      my doctor would give me one

      everytime I felt like a drink.

      I could take it along to the

      allnight off-licence in Piccadilly

      come back here and get drunk

      for a week. Get high. Stoned.

      It’s the addicts I can’t stand.

      4

      I’m no good, that’s what I’ve been told

      ever since I can remember. So

      I try to live up to my reputation.

      Or down to it. Thievin’ mainly.

      And drugs. You get used to prison.

      Don’t like it though, being cooped up.

      That’s why I couldn’t work in a shop

      or a factory. Drive me crazy.

      Can’t settle down. 21 years old

      and I look 40. It’s the drugs.

      I’ll O.D. probably. Couldn’t care less.

      Rather die young than grow old.

      I’m no good, that’s what I’ve been told.

      5

      Now I’m one of the idle poor.

      A rose in a garden of weeds.

      Slightly shrivelled of course, but nevertheless

      an interesting species: ‘Retrobata Inebriata’.

      I was born into the leisured classes.

      No doubt you can tell. Born rich

      and married rich as well. Too much

      leisure that was the trouble. And drink.

      Cost me a husband, home, family.

      Now I’ve only a bed, a roof over my head.

      Perhaps I don’t deserve more.

      I used to be one of the idle rich.

      Now I’m one of the idle poor.

      6

      I get frightened you see. Easily scared.

      Trouble is, I know what’s goin’ on.

      The things they’ve got planned.

      The others don’t understand, you see.

      They say: ‘What are you scared of?

      There’s no need to be frightened.’

      I huddle myself up against

      the window sometimes. Like a curtain.

      Listening to what’s goin’ on outside.

      I’ve got X-ray hearin’, you see.

      It stretches for miles. When people

      talk about me, I can hear every word.

      I get frightened you see. Easily scared.

      7

      First and foremost I need a coat.

      The one I’m wearing’s got patches

      on the patches. I can’t go

      for interviews dressed like this.

      What sort of a job do you think

      I’d get? A job as a tramp?

      No thank you. And while I’m here

      I need some vests and knickers.

      None of them fancy ones either.

      And shoes. Two pair. Leather.

      Don’t argue, I know my rights.

      Refuse and I’ll take you to court.

      First and foremost I need a coat.

      8

      I try to take up little space.

      Keep myself to myself. I find

      the best way to get by is to say

      nothing. Don’t argue, don’t interfere.

      When there’s trouble lie low.

      That’s why I wear a lot of grey.

      Helps me hide away. Blend in

      against the background. I eat

      very little. Don’t smoke or drink.

      Get through the day unnoticed

      that’s the trick. The way to heaven.

      Say me prayers each night just in case.

      I try to take up little space.

      9

      It may sound silly but it’s true.

      I drink like there was no tomorrow

      and I can’t stand the taste of the stuff.

      Never have. My mother was a drunk

      and the smell of her was enough.

      I drink to forget. I know it’s a cliché

      but it’s true. I drink to forget

      and I do. Occasionally I remember

      what I was trying not to remember

      but by then I’ve remembered

      to drink, in order to make

      myself forget. And I do.

      It may sound silly but it’s true.

      10

      I would have liked children I suppose.

      A family and that. It’s natural.

      But it’s too late now. Too old.

      And trouble is I never liked men.

      If I’d been born pretty

      or with a nice figure, I might

      have liked them then. Men,

      and sex and that. But I’m

      no oil painting. Had to face

      that fact right from the start.

      And you see, if you’re born ugly

      well that’s the way life goes. But

      I would have liked children I suppose.

      11

      Oh no, I don’t have to be here.

      I’m not a cast-off like the rest.

      I’m one of the lucky ones. I’ve got

      children. Both gr
    own up. A son

      and daughter who’d be only too pleased

      to have me living with them.

      But I prefer my independence.

      Besides, they’ve got their own lives.

      I’d only have to pick up the phone

      and they’d be over. Or send money.

      I mean, I could afford a room

      in a nice clean hotel somewhere.

      Oh no, I don’t have to be here.

      12

      Things are better now with me new glasses.

      I got the last pair just after the war

      and I think they’d lost their power.

      If I could read I’d be able

      to read even better now. Everything’s

      so much clearer. Faces and places.

      Television’s improved too. Not

      that I’m one for stayin’ in.

      I prefer to be out and about.

      Sightseein’ and windowshoppin’.

      In and out of the traffic.

      If you keep on the move, time soon passes.

      Things are better now, with me new glasses.

      13

      I always wanted to go on the stage.

      Dancer mainly, though I had a lovely voice.

      Ran away to the bright lights of London

      to be a star. Nothing came of it though,

      so I went on the game. An actress

      of sorts you might say. I’m the oldest

      professional in the oldest profession.

      Would you like to see me dance?

      I’ll dance for you. I dance in here

      all the time. The girls love it.

      Do you like my dancing? Round

      and round. Not bad eh? For my age.

      I always wanted to go on the stage.

      The Lesson

      A poem that raises the question:

      Should there be capital punishment in schools?

      Chaos ruled OK in the classroom

      as bravely the teacher walked in

      the havocwreakers ignored him

      his voice was lost in the din

      ‘The theme for today is violence

      and homework will be set

      I’m going to teach you a lesson

      one that you’ll never forget’

      He picked on a boy who was shouting

      and throttled him then and there

      then garrotted the girl behind him

      (the one with grotty hair)

      Then sword in hand he hacked his way

      between the chattering rows

      ‘First come, first severed’ he declared

      ‘fingers, feet, or toes’

      He threw the sword at a latecomer

      it struck with deadly aim

      then pulling out a shotgun

      he continued with his game

      The first blast cleared the backrow

      (where those who skive hang out)

      they collapsed like rubber dinghies

      when the plugs pulled out

      ‘Please may I leave the room sir?’

      a trembling vandal enquired

      ‘Of course you may’ said teacher

      put the gun to his temple and fired

      The Head popped a head round the doorway

      to see why a din was being made

      nodded understandingly

      then tossed in a grenade

      And when the ammo was well spent

      with blood on every chair

      Silence shuffled forward

      with its hands up in the air

      The teacher surveyed the carnage

      the dying and the dead

      He waggled a finger severely

      ‘Now let that be a lesson’ he said

      Water, Tree, Cave, Mother

      This is the water

      cold and black

      that drowned the child

      that climbed on its back

      This is the tree

      badtempered and tall

      that tripped the child

      and made it fall

      This is the cave

      with rotting breath

      that hid the child

      and starved it to death

      This is the mother

      who one day chose

      to smother the child

      with kisses, and blows and blows and blows.

      Pantomime poem

      ‘HE’S BEHIND YER!’

      chorused the children

      but the warning came too late.

      The monster leaped forward

      and fastening its teeth into his neck,

      tore off the head.

      The body fell to the floor

      ‘MORE’ cried the children

      ‘MORE, MORE, MORE

      MORE

      Sleep Over

      No, I’d rather stand, thank you. Sorry it’s so late

      but I wanted to get the girls settled down for the night.

      Yes, they’re sharing Emma’s bedroom. Still awake, of course,

      I could hear them chattering away as I slipped out.

      Yes, I know they shouldn’t be left alone in the house

      that’s why I want to get this business settled quickly.

      I’ve brought over the film script you unwisely rejected.

      The one about the producer whose daughter is kidnapped

      by a psychopathic screenwriter. All you do is get it made.

      You own the company, you’re head of production.

      Just do it. Naomi is a lovely kid. Hear what I’m sayin’?

      Don’t worry, I’ll see myself out. Goodnight.

      Persimmons

      Watching the video last night was good.

      The four of us stretched out on two sofas

      after fish and chips. Lights dimmed.

      Soon the heroine, a distracted single mum

      with three kids in the red-neck South,

      is in deep, deep trouble. Satanism.

      Haddock, mushy peas and a large Sprite.

      In her nightmare, someone is on the bed

      trying to strangle her. She wakes in a sweat.

      ‘Pause’ to put the kettle on. The youngest

      is happy to be put to bed. A story,

      but only short because it is Saturday.

      ‘Play’. As she hangs out the washing on the line,

      her dead mother approaches with a basket of persimmons.

      All the scarier for not being a nightmare.

      My son is puzzled by the plum-like orange fruit,

      and while discussing its taste and origins

      we miss the psycho with the baseball bat.

      ‘Stop.’ ‘Rewind?’ No, let her stay for ever

      in the deep deep South. Eating forbidden fruit.

      Hanging out the nightmares with her dead mother.

      The Stranger

      ‘Look quickly!’ said the stranger

      I turned around in time to see

      a wall fall onto the child

      playing beside a derelict house

      In the silence of the rising dust

      I saw the child’s arm thrust

      out stiff between the bricks

      like a tulip

      a white tulip

      a clenched tulip

      I turned angrily to the stranger

      ‘Why did you have to tell me?’

      ‘Well I thought you’d want to see’ he said

      the tulip screamed

      now limp

      now red

      snowscene

      snow crackles underfoot

      like powdered bones

      trees have dandruff

      in their hair

      and the wind moans

      the wind moans

      ponds are wearing glasses

      with lenses three feet deep

      birds are silent in the air

      as stones

      and the wind can’t sleep

      the wind can’t sleep

      i found an oldman by the road

      who had not long been dead

      i had not heard hi
    s lonely groans

      nor seen him weep

      only birds heard the last words he said

      before the wind pulled a sheet o’er his head

      the wind pulled a sheet o’er his head

      The Wreck of the Hesperus

      ‘You look like the wreck of the Hesperus

      How long is it since you slept?’

      As through the whistling sleet and snow

      Like a sheeted ghost she swept.

      ‘Where have you been until this hour

      In roughest gale and stinging blast?’

      Then wrapping her warm in his seaman’s coat

      He lay her down to rest.

      ‘The least you could have done was ring

      you knew I’d be worried sick.’

      With rattling shrouds all sheathed in ice

      She drifted, a dreary wreck.

      ‘You promised on your mother’s grave.

      Why, oh why?’ he cried.

      But like the horns of an angry bull

      The cruel rocks gored her side.

      ‘Let me comb the seaweed from your hair

      Come hither, daughter mine.’

      But her brain was soft as carded wool

      And her heart was caked with brine.

      ‘Sleep tight,’ said he. ‘Sweet dreams,’ said he,

      ‘For soon the sun will rise.’

      But the salt sea was frozen on her breast

      The salt tears in her eyes.

      Washed up was she, at break of day

      (Christ save us all from a death like this)

      On the bleak beach of the carpet lay

      For she was the wreck of the Hesperus.

      For she was the wreck of the Hesperus.

      Closet fascist

      in the staffroom

      or over drinks

      he says the things

      with which he thinks

      his colleagues will concur:

      anti-Powell, anti-Front

      liberalminded, fair.

      But enthroned alone

      in his W.C.

     


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