swimming nude, unbuttoned, sick
of his ghost-written rhetoric!
No weekends for the gods now. Wars
flicker, earth licks its open sores,
fresh breakage, fresh promotions, chance
assassinations, no advance.
Only man thinning out his kind
sounds through the Sabbath noon, the blind
swipe of the pruner and his knife
busy about the tree of life …
Pity the planet, all joy gone
from this sweet volcanic cone;
peace to our children when they fall
in small war on the heels of small
war—until the end of time
to police the earth, a ghost
orbiting forever lost
in our monotonous sublime.
from Brunetto Latini
(Canto XV of Dante’s “Inferno”)
(FOR LILLIAN HELLMAN)
… “Oh, Oh,”
I answered groaning, as I stretched my hand
to touch his arm, “are you here Ser Brunetto?”
He answered, “Do not be displeased, my Son,
if Brunetto Latini turn and walk a little
downward with you, and lets this herd pass on.”
Then I, “I’ll go with you, or we can sit
here talking as we used to in the past,
if you desire it, and my guide permit.”
“O Son,” he answered, “anyone who stands
still a moment will lie here a hundred years,
helpless to brush the sparks off with his hands.
Move on, I’ll follow. Soon enough I must
rejoin my little group of friends who walk
with me lamenting their eternal lust.”
Then since I dared not leave my bank and move
over the flames of his low path, I bent
my head to walk with reverence and love.
Then he, “What brings you here before your day?
Is it by accident, or Providence?
Who is this man who guides you on your way?”
I answered, “In the world that lies serene
and shining over us, I lost my path,
even before the first young leaves turned green.
Yesterday morning when my steps had come
full circle, this man appeared. He turned me round,
and now he guides me on my journey home.”
“O Son,” said he, “if you pursue your star,
you cannot fail to reach the glorious harbor.
And if the beautiful world, less sinister,
had let me live a little longer, I too
might have sustained your work and brought you comfort,
seeing how heaven has befriended you.
But that perverted and ungrateful flock
that held the hills with Catiline, and then
descended, hard and sterile as their rock,
to govern Florence, hate you for the good
you do; and rightly! Could they wish to see
the sweet fig ripen on their rotten wood?
Surely, they’ve earned their reputation: blind,
fratricidal, avaricious, proud.
O root their filthy habits from your mind!
Fortune will load such honors on your back
that Guelph and Ghibelline will hunger for you.
But beat them back from the pasture. Let the pack
run loose, and sicken on the carcasses
that heap the streets, but spare the tender flower,
if one should rise above the swamp and mess—
some flower in which the fragile, sacred seed
of ancient Roman virtue still survives
in Florence, that vulture’s nest of lies and greed.”
“Master,” I said, “you would not walk here now
cut off from human nature, if my prayers
had had an answer. I remember how
I loved you, sitting at your knees—all thought
fixed on your fatherly and gentle face,
when in the world, from hour to hour, you taught
me how a man becomes eternal. O
Master, as long as I draw breath and live,
men shall remember you and what I owe.…”
from
Notebook 1967–68
(1969)
Long Summer
1.
At dawn, the crisp goodbye of friends; at night,
enemies reunited, who tread, unmoving,
like circus poodles dancing on a ball—
something inhuman always rising on us,
punching you with embraces, holding out
a hesitant hand, unbending as a broom;
heaping the bright logs brighter, till we sweat
and shine as if anointed with hot oil:
straight alcohol, bright drops, dime-size and silver.…
Each day more poignantly resolved to stay,
each day more brutal, oracular and rooted,
dehydrated, and smiling in the fire,
unbandaging his tender, blood-baked foot,
hurt when he kicked aside the last dead bottle.
2.
Humble in victory, chivalrous in defeat,
almost, almost.… I bow and watch the ashes
blush, crash, reflect: an age less privileged,
though burdened with its nobles, serfs and Faith.
The possessors. The fires men build live after them,
this night, this night, I elfin, I stonefoot,
walking the wildfire wildrose of those lawns,
filling this cottage window with the same
alluring emptiness, hearing the simmer
of the moon’s mildew on the same pile of shells,
fruits of the banquet … boiled a brittle lobster-
shell-red, the hollow foreclaw, cracked, sucked dry,
flung on the ash-heap of a soggy carton—
two burnt-out, pinhead, black and popping eyes.
3.
Months of it, and the inarticulate mist so thick
we turned invisible to one another
across the room; the floor, aslant, shot hulling
through thunderheads, gun-cotton dipped in pitch,
salmon, when lighted, as the early moon,
snuffed by the malodorous and frosted murk—
not now! Earth’s solid and the sky is light,
yet even on the steadiest day, dead noon,
the sun stockstill like Joshua’s in midfield,
I have to brace my hand against a wall
to keep myself from swaying—swaying wall,
straitjacket, hypodermic, helmeted
doctors, one crowd, white-smocked, in panic, hit,
stop, bury the runner on the cleated field.
4.
The vaporish closeness of this two-month fog;
thirty-five summers back, the brightest summer:
the Dealer’s Choice, the housebound girls, the fog;
fog lifting. Then, as now, the after curfew
boom of an unknown nightbird, local hemlock
gone black as Roman cypress, the barn-garage
below the tilted Dipper lighthouse-white,
a single misanthropic frog complaining
from the water hazard on the shortest hole;
till morning! Short dreams, short shrift—one second, bright
as burning shavings, scattered bait and ptomaine
caught by the gulls with groans like straining rope;
windjammer pilgrims cowled in rubber hoods,
making for harbor in their yellow bus.
5.
Going the limit on some slip of crabgrass,
vibrating to the everlasting motor,
a hundred yards, two hundred, above the ocean—
or once in New Orleans, when the ceiling fan
wrestled the moisture, and one pajama leg
hung out o
f reach, caught on a leather blade—
the generation bred to drink the ocean
in that all-possible after Repeal;
all girls then under twenty, and the boys
unearthly with the white blond hair of girls,
crawling the swimming pool’s robin’s-egg sky;
safe, out of reach. The fall warms vine and wire,
the ant’s cool, amber, hyperthyroid eye,
grapes tanning on these tried entanglements.
6.
Shake of the electric fan above our village;
oil truck, refrigerator, or just man,
nightly reloading of the village flesh—
there are worse things than marriage. Men find dates
wherever summer is out, the nights of the swallow
clashing in heat, storm-signal to stay home.
On Court Street, Dyer’s Lane, School, Green and Main,
the moon-blanched blacktop fusses like a bosom,
dropping through shade-trees to the shadeless haven—
woman as white as ever. One only knows
her mother, sweatshirt gorged with tennis balls,
still air expiring from the lavish arc—
we too wore armor, strode riveted in cloth,
stiff as the broken clamshell labeled man.
7.
They come, each year more gallant, playing chicken,
then braking to a standstill for a girl;
soft bullets hitting bottles, spars and gulls,
echo and ricochet across the bay—
hardy perennials. Kneedeep in the cowpond,
far from this cockfight, cattle stop and watch us,
then, having had their fill, go back to lapping
soiled water indistinguishable from heaven.
The cattle get through living, but to live:
Kokoschka at eighty, saying, “If you last,
you’ll see your reputation die three times,
and even three cultures; young girls are always here.”
Satyr and chick … two fray-winged dragonflies,
clinging to a thistle, too clean to mate.
8.
The shore is pebbled with eroding brick,
seaweed in grizzled furrows—a surf-cast away,
a converted brickyard dormitory; higher,
the blacktop; higher yet, a fish-hawk’s nest,
a bungalow, view-hung and staring, with wash
and picture-window—here, like offshoots that
have taken root. Grass shooting overnight,
sticks of dead rotten wood in drifts, the fish
with missing eyes, or heel-print on the belly,
or a gash in the back from a stray hook;
the lawns, the paths, the harbor—stitched with motors,
yawl-engine, outboard, power mower, plowing
the mangle and mash of the monotonous frontier,
bottles of dirt and lighted gasoline.
9.
Two in the afternoon. The restlessness.
Greek Islands. Maine. I have counted the catalogue
of ships down half its length: the blistered canvas,
the metal bowsprits, once pricking up above
the Asian outworks like a wedge of geese,
the migrant yachtsmen, and the fleet in irons.…
The iron bell is rocking like a baby,
the high tide’s turning on its back exhausted,
the colored, dreaming, silken spinnakers
shove through the patches in the island pine,
as if vegetating millennia of lizards fed
on fern and cropped the treetops … or nation of gazelles,
straw-chewers in the African siesta.…
I never thought scorn of things; struck fear in no man.
10.
Up north here, in my own country, and free—
look on it with a jaundiced eye, you’ll see
the manhood of the sallowing south, noblesse
oblige turned redneck, and the fellaheen;
yet sometimes the Nile is wet; life’s lived as painted:
those couples, one in love and profit, swaying
their children and their slaves the height of children,
supple and gentle as giraffes or newts;
the waist still willowy, and the paint still fresh;
decorum without hardness; no harness on
the woman, and no armor on the husband,
the red clay Master with his feet of clay,
catwalking lightly through his conquests, leaving
one model, dynasties of faithless copies.
11.
Both my legs hinged on the foreshortened bathtub,
small enough to have been a traveler’s …
sun baking a bright fluff of balsam needles,
loose yellow swaths; and yet the scene confines;
sun falls on so many, many other things:
someone, Custer, leaping with his wind-gold scalplock,
a furlong or less from the old-style battle,
Sitting Bull’s, who sent our hundreds under
in the Indian Summer—Oh that sunlit balsam,
this wizened window, the sea-haze of gauze blue
distance plighting the tree-lip of land to islands—
wives split between a playboy and a drudge.
Who can help us from our nothing to the all,
we aging downstream faster than a scepter can check?
12.
Everyone now is crowing everyone
to put off leaving till the Indian Summer;
and why? Because the others will be gone—
we too, dull drops in the decamping mass,
one in a million buying solitude.…
We asked to linger on past fall in Eden;
there must be good in man. Life fears us. Death
keeps our respect by keeping at a distance—
death we’ve never outdistanced as the Apostle boasted …
stream of heady, terrified poured stone,
suburban highway, rural superhighway,
We are loved by being distant; love-longing
mists the windshield, soothes the eye with milk.
13.
Mischievous fish-shapes without scale or eye
swimming your leaf-green teagown, maternal, autumnal,
swirling six inches past the three-inch heel,
collapsing on us like a parachute,
in a spate of controversial spatter … then
exhaustion. We hunger for the ancient fruit,
marriage with its naked artifice;
two practiced animals, close to widower
and widow, greedily bending forward
for the first handgrasp of vermilion leaves,
clinging like bloodclots to the smitten branch—
summer afield and whirling to the tropics,
to the dogdays and dustbowl—men, like ears of corn,
fibrous growths … green, sweet, golden, black.
14.
Iced over soon; it’s nothing; we’re used to sickness;
too little perspiration in the bucket—
in the beginning, polio once a summer. Not that;
each day now the cork more sweetly leaves the bottle,
except a sudden falseness in the breath,
passive participation, dogged sloth,
angrily skirting greener ice, the naught
no longer asset or advantage. Sooner
or later, and the chalk wears out the smile,
this life too long for comfort and too brief
for perfection—Cro-Magnon, dinosaur—
the neverness of meeting nightly like surgeons’
apprentices studying their own skeletons,
old friends and mammoth flesh preserved in ice.
Five Dreams
1. THE OLD ORDER
Eyes shut,
I hunt the vision through my eyelids:
first a bull’s-head, Cretan black-bronze, high cheekbone
still brave with gilt—too military; I see
a girl’s Bacchanalia with a wicker cow’s-head;
she died of sleeping pills, but there’s a tongue
of silverfoil still sticks in the wicker mouth;
now it’s a horse’s-head; this is better, it’s nervous,
its eyes are string-shot like the bull’s; but now,
my bestiary is interrupted: the man,
the beauty in checker trousers, strides the schoolroom;
he is eloquently angry, confiscates the ink-pots;
I wouldn’t try this, but perhaps he did right—
a groom tends the black gate to the freestone graveyard—
old law and order that locked at the tap of a glove.
2. AGAMEMNON: A DREAM
As I sleep, their saga comes out clarified:
why for three weeks mother toured the countryside,
buying up earthenware, big pots and urns,
Goliath’s potsherds, such as the savage first
archaeologist broke on the first dig—our own art:
common the clay, kingly the workmanship.
As I sleep, streams of butane leak from my lighter;
for three weeks mother’s foreign in-law kept carving
his chess-sets, leaf green, leaf red, as tall as urns,
modern Viking design for tribal Argos.
The King tripped on his pawns.… Suddenly, I see
father’s eyes cross and bubble—a whiff of butane,
the muscle of a spitted ox bubbling by the urn.…
Can I call the police against my own family?
3. THE HOUSE IN ARGOS
O Christmas tree, how green thy branches—the features
could only be the most conventional,
the hardwood smiles, the Trojan rug’s abstraction,
the firelight dancing to the Christmas candles,
the unusual offspring with his usual scowl,
naming all fifty states of Paradise,
with a red, blue, yellow pencil, while his mother,
seasick with marital unhappiness—
she has become the eye of heaven, she hates
her husband swimming like vagueness, like a porpoise,
on the imperial scarlet of the rug.…
His corpse in the candles is the fool’s-gold lion,
his head is like the rich collection-plate,
singing, “O Christmas tree, how green thy branches…”
4. THE NEXT DREAM
“After my marriage, I found myself in constant
companionship with this almost stranger I found
neither agreeable, interesting, nor admirable,
though he was always kind and irresponsible.
The first years after our first child was born,