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    The Canongate Burns

    Page 28
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      Ev’n love an’ friendship should give place

      To catch-the-plack! hunt for coin/money

      I dinna like to see your face, do not

      120 Nor hear your crack. conversation

      But ye whom social pleasure charms,

      Whose hearts the tide of kindness warms,

      Who hold your being on the terms,

      ‘Each aid the others,’

      125 Come to my bowl, come to my arms,

      My friends, my brothers!

      But to conclude my lang epistle,

      As my auld pen’s worn to the grissle, old, stump of a quill

      Twa lines frae you wad gar me fissle, two, from, would make me tingle

      130 Who am, most fervent,

      While I can either sing, or whissle, whistle

      Your friend and servant.

      The recipient of this epistle was John Lapraik (1727–1807) who was postmaster at Muirkirk when he received it after a life of fiscal mischance which had involved him in the Ayrshire Bank failure of 1773, so losing his farm at Dalfarn, and concluded with his imprisonment for debt in Ayr in 1785. Diverting himself with poetry in prison and observing Burns’s success, he published Poems on Several Occasions (1788). Inevitably sympathetic to a man whose fiscal record only slightly exceeded the misfortunes of his own family, Burns may have over-responded to the alleged Lapraik song, When I Upon Thy Bosom Lean, he heard sung at a rural gathering. It has been strongly suggested by J.L. Hempstead (BC, February, 1994, pp. 94–101) that this song, initially published in The Weekly Magazine, was plagiarised. Burns revised the song for inclusion in the S.M.M. and in his interleaved copy remarked that Lapraik was ‘a worthy, facetious old fellow’ who ‘often told me that he composed (the song) one day when his wife had been fretting o’er their misfortunes’.

      Certainly the associations in this epistle of the ‘facetious’ Lapraik as creatively comparable to Pope, Steele, Beattie, Ramsay and Fergusson are hyperbolic in the extreme. Perhaps unconsciously Burns is projecting his own influences onto the older man. It also adds irony, of course, the proto-Wordsworthian pastoral poet Burns here celebrates in the stanza beginning ‘Gie me ae spark o’ Nature’s fire’ does so in a line which McGuirk (p. 205) notes, contains deliberate associations with these two earlier well-known rural non-sophisticates, Sterne and Pope. Certainly it allows Burns to make merry with rule-constipated academic poets and, another old-enemy, those rigidly and successfully, quite unlike himself and Lapraik, making money. The celebration of social pleasures also involves, as so often the case, in ll. 97–101 witty sexual innuendo.

      Second Epistle to J. Lapraik

      April 21, 1785

      First printed in the Kilmarnock edition, 1786.

      While new-ca’d kye rowte at the stake new driven cattle, low

      An’ pownies reek in pleugh or braik, ponies, snort, plough, harrow

      This hour on e’enin’s edge I take,

      To own I’m debtor

      5 To honest-hearted, auld LAPRAIK, old

      For his kind letter.

      Forjesket sair, with weary legs, jaded, sore

      Rattlin the corn out-owre the rigs, out-over, ridges

      Or dealing thro’ amang the naigs dealing out food among ponies

      10 Their ten-hours’ bite,

      My awkart Muse sair pleads and begs, awkward, sore

      I would na write. not

      The tapetless, ramfeezl’d hizzie, feckless, worn-out girl

      She’s saft at best an’ something lazy: soft

      15 Quo’ she: ‘Ye ken we’ve been sae busy know, so

      This month an’ mair, more

      That trowth, my head is grown right dizzie,

      An’ something sair.’ sore/aching

      Her dowf excuses pat me mad; dull, put

      20 ‘Conscience,’ says I, ‘ye thowless jad! lazy

      I’ll write, an’ that a hearty blaud, screed

      This vera night; very

      So dinna ye affront your trade, do not

      But rhyme it right.

      25 ‘Shall bauld LAPRAIK, the king o’ hearts,

      Tho’ mankind were a pack o’ cartes, cards

      Roose you sae weel for your deserts, praise, so well

      In terms sae friendly; so

      Yet ye’ll neglect to shaw your parts show

      30 An’ thank him kindly?’

      Sae I gat paper in a blink, so, got

      An’ down gaed stumpie in the ink: went

      Quoth I, ‘Before I sleep a wink,

      I vow I’ll close it:

      35 An’ if ye winna mak it clink, will not make

      By Jove I’ll prose it!’

      Sae I’ve begun to scrawl, but whether so

      In rhyme, or prose, or baith thegither, both together

      Or some hotch-potch that’s rightly neither,

      40 Let time mak proof;

      But I shall scribble down some blether chit-chat

      Just clean aff-loof. off the cuff

      My worthy friend, ne’er grudge an’ carp,

      Tho’ Fortune use you hard an’ sharp;

      45 Come, kittle up your moorland harp tickle

      Wi’ gleesome touch!

      Ne’er mind how Fortune waft an’ warp;

      She’s but a bitch.

      She’s gien me monie a jirt an’ fleg, given, many, jerk, scare

      50 Sin’ I could striddle owre a rig; straddle over

      But, by the Lord, tho’ I should beg

      Wi’ lyart pow, grey head

      I’ll laugh an’ sing, an’ shake my leg, dance

      As lang’s I dow! long as I can

      55 Now comes the sax an twentieth simmer six, summer

      I’ve seen the bud upo’ the timmer, woods/trees

      Still persecuted by the limmer jade

      Frae year to year; from

      But yet, despite the kittle kimmer, fickle gossip

      60 I, Rob, am here.

      Do ye envy the city-gent,

      Behint a kist to lie an’ sklent, counter, cheat

      Or purse-proud, big wi’ cent per cent, counting money

      An’ muckle wame, large belly

      65 In some bit Brugh to represent borough

      A Bailie’s name? town magistrate

      Or is’t the paughty feudal Thane, haughty

      Wi’ ruffl’d sark an’ glancing cane, shirt, shining

      Wha thinks himsel nae sheep-shank bane, who, himself no, bone

      70 But lordly stalks;

      While caps an’ bonnets aff are taen, off, taken

      As by he walks?

      ‘O Thou wha gies us each guid gift! who gives, good

      Gie me o’ wit an’ sense a lift, give

      75 Then turn me, if Thou please, adrift

      Thro’ Scotland wide;

      Wi’ cits nor lairds I wadna shift, citizens, would not

      In a’ their pride!’

      Were this the charter of our state,

      80 ‘On pain o’ hell be rich an’ great,’

      Damnation then would be our fate,

      Beyond remead;

      But, thanks to Heav’n, that’s no the gate

      We learn our creed.

      85 For thus the royal Mandate ran,

      When first the human race began:

      ‘The social, friendly, honest man,

      Whate’er he be,

      ’Tis he fulfils great Nature’s plan,

      90 And none but he.’

      O Mandate glorious and divine!

      The followers o’ the ragged Nine — the Muses

      Poor, thoughtless devils! yet may shine

      In glorious light;

      95 While sordid sons o’ Mammon’s line

      Are dark as night!

      Tho’ here they scrape, an’ squeeze, an’ growl,

      Their worthless neivefu’ of a soul fistful

      May in some future carcase howl,

      100 The forest’s fright;

      Or in some day-detesting owl

      May shun the light.

      Then may LAPRAIK and BURNS a
    rise,

      To reach their native, kindred skies,

      105 And sing their pleasures, hopes an’ joys,

      In some mild sphere;

      Still closer knit in friendship’s ties,

      Each passing year!

      As further proof of Wordsworth’s passionate enthusiasm for Burns’s poetry, Alan Cunningham recollects hearing him recite this epistle ‘with commendations … pointing out as he went the all but inimitable ease and happiness of thought and language. He remarked, however, that Burns was either fond of out-of-the-way sort of words, or that he made them occasionally in his fits of feeling and fancy’. Other than Cowper, Burns’s English peers rarely complained about vernacular difficulty though ‘forjesket’ and ‘tapetless’, not to mention ‘ram-feezl’d’ may have been a linguistic bridge too far. It is interesting that well into the nineteenth century the, by then, deeply reactionary Wordsworth should have so responded to so politically radical a poem. Not only (ll. 7–12) does Burns record the brutal cost of farm work to his creativity, but the bulk of the poem is a cry of defiant, satirical rage against the old land-owning classes and the newly emerging bourgeoisie. Those ‘Cits’ who are equally castigated by Oliver Goldsmith and Charles Churchill. Burns brilliantly inverts the prosperous’s use of ‘economic Calvinism’ to control the poor by showing what the real political would be in an inversion worthy of Blake:

      Were this the charter of our state

      ‘On pain o’ hell to be rich an’ great’,

      Damnation then would be our fate,

      Beyond remead;

      But, thanks to Heav’n, that’s no the gate

      We learn our creed.

      Again, like Blake (ll. 85–90) he invoked the spirit of divinely natural democracy so that this poem becomes a splendid prelude to the later, more overtly political A Man’s a Man and the American section of Ode for General Washington’s Birthday. Thus Burns would enrol fully armed in Edinburgh’s dissident Crochallan Fencibles.

      The poem concludes with an extraordinary image of the poor but poetically creative inheriting Heaven, with Mammon’s sordid sons suitably rewarded for their bestial conduct to their fellow human beings.

      To William Simson, Ochiltree,

      May 1785

      First printed in the Kilmarnock edition, 1786.

      I GAT your letter, winsome Willie; got

      Wi’ gratefu’ heart I thank you brawlie; handsomely

      Tho’ I maun say’t, I wad be silly shall, would

      And unco vain, mighty

      5 Should I believe, my coaxin billie, fellow

      Your flatterin strain.

      But I’se believe ye kindly meant it, I’ll

      I sud be laith to think ye hinted should be loath

      Ironic satire, sidelins sklented, squinted sideways

      10 On my poor Musie;

      Tho’ in sic phraisin terms ye’ve penn’d it, such wheedling

      I scarce excuse ye.

      My senses wad be in a creel, would

      Should I but dare a hope to speel, climb

      15 Wi’ Allan, or wi’ Gilbertfield,

      The braes o’ fame; slopes

      Or Fergusson, the writer-chiel, fellow

      A deathless name.

      (O Fergusson! thy glorious parts

      20 Ill suited law’s dry, musty arts!

      My curse upon your whunstane hearts, whinstone

      Ye Enbrugh Gentry!

      The tythe o’ what ye waste at cartes tenth, cards

      Wad stow’d his pantry!) would have stored

      25 Yet when a tale comes i’ my head,

      Or lasses gie my heart a screed — give

      As whyles they’re like to be my dead, whiles, death

      (O sad disease!)

      I kittle up my rustic reed; tickle, pipe

      30 It gies me ease. gives

      Auld COILA, now, may fidge fu’ fain, tingle with delight

      She’s gotten Bardies o’ her ain, own

      Chiels wha their chanters winna hain, fellows who, will not spare

      But tune their lays,

      35 Till echoes a’ resound again

      Her weel-sung praise. well-sung

      Nae Poet thought her worth his while, no

      To set her name in measur’d style;

      She lay like some unkend-of isle unknown

      40 Beside New Holland,

      Or whare wild-meeting oceans boil where

      Besouth Magellan. to the south of

      Ramsay an’ famous Fergusson

      Gied Forth an’ Tay a lift aboon; gave, above

      45 Yarrow an’ Tweed, to monie a tune, many

      Owre Scotland rings; over

      While Irwin, Lugar, Aire, an’ Doon old spelling of Ayr

      Naebody sings. nobody

      Th’ Illissus, Tiber, Thames, an’ Seine,

      50 Glide sweet in monie a tunefu’ line: many

      But, Willie, set your fit to mine, foot (in music timing)

      An’ cock your crest!

      We’ll gar our streams and burnies shine make, burns

      Up wi’ the best.

      55 We’ll sing auld COILA’S plains an’ fells, Coila/Kyle, Ayrshire

      Her moors red-brown wi’ heather bells,

      Her banks an’ braes, her dens an’ dells, slopes, hill sides, glens

      Whare glorious WALLACE where

      Aft bure the gree, as story tells, often took victory

      60 Frae Suthron billies. from English people

      At WALLACE’ name, what Scottish blood

      But boils up in a spring-tide flood?

      Oft have our fearless fathers strode

      By WALLACE’ side,

      65 Still pressing onward, red-wat-shod, shoes soaked in blood

      Or glorious dy’d!

      O sweet are COILA’s haughs an’ woods, hollows

      When lintwhites chant amang the buds, linnets, among

      And jinkin hares, in amorous whids, sporting, silent running

      70 Their loves enjoy,

      While thro’ the braes the cushat croods slopes, pidgeon coos

      With wailfu’ cry!

      Ev’n winter bleak has charms to me,

      When winds rave thro’ the naked tree;

      75 Or frosts on hills of Ochiltree

      Are hoary gray;

      Or blinding drifts wild-furious flee,

      Dark’ning the day!

      O NATURE! a’ thy shews an’ forms

      80 To feeling, pensive hearts hae charms! have

      Whether the summer kindly warms,

      Wi’ life an’ light;

      Or winter howls, in gusty storms,

      The lang, dark night! long

      85 The Muse, nae Poet ever fand her, no, found

      Till by himsel he learn’d to wander,

      Adown some trottin burn’s meander, running

      An’ no think lang: long

      O, sweet to stray, an’ pensive ponder

      90 A heart-felt sang! song

      The warly race may drudge an’ drive, worldly

      Hog-shouther, jundie, stretch, an’ strive; shoulder push, jostle

      Let me fair NATURE’s face descrive, describe

      And I, wi’ pleasure,

      95 Shall let the busy, grumbling hive

      Bum owre their treasure. hum over

      Fareweel, ‘my rhyme-composing’ brither! farewell, brother

      We’ve been owre lang unkenn’d to ither: too long unknown, other

      Now let us lay our heads thegither, together

      100 In love fraternal:

      May Envy wallop in a tether, swing on a rope

      Black fiend, infernal!

      While Highlandmen hate tolls an’ taxes;

      While moorlan’ herds like guid, fat braxies; good, sheep carcases

      105 While Terra Firma, on her axis,

      Diurnal turns;

      Count on a friend, in faith an’ practice,

      In ROBERT BURNS.

      POSTSCRIPT

      My memory’s no worth a preen: pin

      I had amaist forgotten clea
    n, almost

      Ye bade me write you what they mean bid

      By this new-light,1

      5 ’Bout which our herds sae aft hae been flocks so often

      Maist like to fight. most

      In days when mankind were but callans; striplings

      At Grammar, Logic, an’ sic talents, such

      They took nae pains their speech to balance, no

      10 Or rules to gie; give

      But spak their thoughts in plain, braid Lallans, spoke, broad vernacular

      Like you or me.

      In thae auld times, they thought the Moon, those old

      Just like a sark, or pair o’ shoon, shirt, shoes

      15 Wore by degrees, till her last roon round

      Gaed past their viewin; went

      An’ shortly after she was done,

      They gat a new ane. got, one

      This past for certain, undisputed;

      20 It ne’er cam i’ their heads to doubt it,

      Till chiels gat up an’ wad confute it, chaps got, would

      An’ ca’d it wrang; called, wrong

      An’ muckle din there was about it, much

      Baith loud an’ lang. both, long

      25 Some herds, weel learn’d upo’ the beuk, well, Book (Bible)

      Wad threap auld folk the thing misteuk; would, maintain old, mistook

      For ‘twas the auld moon turn’d a newk old, corner

      An’ out o’ sight.

      An’ backlins-comin to the leuk, backwards, look

      30 She grew mair bright. more

      This was deny’d, it was affirm’d;

      The herds and hissels were alarm’d; shepherds, flocks

      The rev’rend gray-beards rav’d an’ storm’d,

      That beardless laddies young men

      35 Should think they better were inform’d

      Than their auld daddies. old fathers

      Frae less to mair, it gaed to sticks; from, more, went

     


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